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For in camera recording, you can capture in 4K (4096 x 2160), UHD (3840x 2160), 2K (2048 x 1080), Full HD (1920 x 1080), and HD (1280 x 720). For high-speed capture, the EVA1 offers up to 59.94fps\/50fps for 4K\/UHD, up to 120fps\/100fps for 2K\/Full HD, or 240fps\/200fps (cropped area). In a future firmware upgrade, EVA1 will offer ALL Intra compression (400Mbps) for in camera recording.\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eI\/O\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e EVA1 offers dual balanced XLR audio inputs with Dolby Audio encoding. The HDMI and SDI video outputs are both 4K-capable and each can be adjusted separately, allowing HD to be fed to a viewfinder or other third-party monitor while 4K is sent to an outboard recorder or monitor. The camera is also equipped with standard Timecode functionality. 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With the optional AG-VBR118 (7.28V11800mAh\/86Wh) battery, you will have approximately 3 hour 5 min of continuous operating time and a charge time of approximately 4 hour 40 min.\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eAdditional Professional Features\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAs a professional video production tool, EVA1 contains several professional imaging tools, including Peaking, Expand (Image Zoom),Waveform, Zebras, and Spotmeter (Y-Get). 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It features an all new handheld design that puts the latest advanced digital film technology into the palm of your hand! The Blackmagic Pocket Cinema Camera 4K has a 4\/3 size sensor, 13 stops of dynamic range and dual native ISO up to 25,600. That means you get stunning HDR images and incredible low light performance! The external controls give you quick access to essential functions, while the large 5 inch touchscreen makes it easy to frame shots, focus accurately and change camera settings. Images are recorded onto standard SD\/UHS-II or CFast 2.0 cards in RAW and ProRes at up to 120 frames per second! 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That means you get the image quality you need to seamlessly mix footage from the Blackmagic Pocket Cinema Camera 4K with other types of cameras used on high end Hollywood feature films and episodic television shows!\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eElegant, Modern Design\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe portable handheld design of the Blackmagic Pocket Cinema Camera 4K gives you incredible mobility without sacrificing features. The highly compact form factor features a carbon fiber reinforced composite body that makes it extremely durable and lightweight so you can take it anywhere. You get a super bright 5” screen, 4 built in microphones, built in recorders and external buttons and dials that give you fast access to the most important functions. That means you can quickly check framing and focus, capture audio and record your files without having to carry around extra monitors, microphones, recorders and cables. You also get lots of mounting points, a mini XLR input with phantom power, Bluetooth control and more. With the Blackmagic Pocket Cinema Camera 4K you get a fully featured portable digital film camera that’s flexible and expandable!\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e4K Digital Film Sensor\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe Blackmagic Pocket Cinema Camera 4K features a full size 4\/3 sensor that gives you 4096 x 2160 resolution with an incredible 13 stops of dynamic range for true digital film quality. Because it’s full size, the 4\/3 sensor reduces crop factor, giving you a wider field of view. It also has dual native ISO up to 25,600 so you get incredible low light performance! The Blackmagic Pocket Cinema Camera 4K can record at up to 60 frames per second in 4K and up to a massive 120 frames per second for windowed HD. The camera features fourth generation Blackmagic Design colour science with film, video and extended video modes. The new extended mode gives you the latitude of film with the convenience of video, so you get great looking images without having to do a lot of work in post production!\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMFT Lens Mount\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe Blackmagic Pocket Cinema Camera 4K uses the same MFT (Micro Four Thirds) lens mount as the original Pocket Cinema Camera so you can use the lenses you already have! The MFT lens mount was designed specifically for smaller camera bodies with shorter flange focal distance. This means you can get high quality professional lenses that are much smaller than ever before! The MFT mount is extremely flexible and allows for different lens adapters. You can get adapters for PL, C, EF and more, so you can use lenses from manufacturers such as Canon, Nikon, Pentax, Leica and even Panavision!\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUses either UHS-1 or UHS-II SD cards, or CFast 2.0\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eWhen it comes to recording, the Blackmagic Pocket Cinema Camera 4K gives you 3 kinds of media to choose from. Images can be recorded on to standard SD cards, faster UHS-II cards or CFast 2.0 cards. High definition video can be recorded using regular inexpensive SD cards. Higher performance UHS-II cards can be used for recording Ultra HD in ProRes at up to 60 frames per second and RAW at up to 30 frames per second. CFast cards can record 12-bit RAW at all supported frame rates. For longer recording times, you can also record directly to an external SSD or flash disk using the built in USB-C Expansion Port! Best of all, there’s nothing proprietary. 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Focus markings can even be switched from standard labeling to metric. The control rings are engineered to maintain the proper amount of resistance with consistent operating torque.\u003cbr\u003e\u003cbr\u003eDesigned to fulfill contemporary 4K production standards, it features a full-frame imaging circle in a lightweight, compact design- this phenomenal lens is also perfect for any number of applications. It also features an 11-blade aperture diaphragm for beautiful background blur and innovative glass construction that counteracts barrel expansion and contraction to avoid temperature induced marking discrepancies.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eCinema Prime Lenses\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eCanon's brilliant Cinema Prime lenses offer spectacular optical performance for demanding high-end productions. Featuring a compact and consistent lens design, these lenses offer consistent form factors and markings optimized for motion picture production. Sharing the same gear position, diameter and rotation angle, and front diameter-the lenses' compatibility with third-party accessories allows crews to easily change lenses without making adjustments to the rig setup.\u003cbr\u003e\u003cbr\u003eThe CN-E 20mm T1.5 L F Cinema Prime Lens is designed to provide outstanding optical performance and is capable of full 4K-Resolution performance. Whether you're shooting in HD with a Canon EOS DSLR camera or in 4K using an EOS C700 Digital Cinema Camera, the CN-E 20mm T1.5 L F will help you to create a cinematic masterpiece by providing superb image quality, contrast and colour fidelity.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eHigh Resolution and Warm Colours\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003eThe lens features a large diameter aspheric lens and anomalous dispersion glass, working to deliver high contrast and sharp imaging from the center of the image to the outer edges. This helps bring out the high quality of 4K cinema images. The lens produces warm colour tones that help to softly capture people's facial expressions and enable better depiction of textures captured through the lens.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFast T Number\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eOperating at T1.5 helps the lens achieve a softer and greater bokeh, while allowing users to shoot brighter in low-light settings.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUnified Warm Colour Balance within Canon Cinema Lenses\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eCanon's colour science has become highly refined over generations of lens designs, paying the closest attention to a pleasing skin tone reproduction. 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The COMPACT-SERVO 70–200mm T4.4 EF lens combines high level 4K optical performance with a compact size of only 7.2 in. in length and a weight of only 2.76 lbs. provides outstanding mobility.\u003cbr\u003e\u003cbr\u003eAcknowledging the need to control zoom, focus and iris, Canon has developed this zoom lens with full external servo control. The integrated servo drive unit is compatible with broadcast industry-standard lens controllers including Canon's standard broadcast lens controllers (ZSD-300D\/FPD-400D). The optional ZSG-C10 Zoom Servo Grip can mount to the lens for handheld operation.\u003cbr\u003e\u003cbr\u003eThree levels of Image Stabilization and incorporated autofocus functions set the COMPACT-SERVO 70–200mm T4.4 EF lens apart from traditional Super 35mm Cinema lenses. A 9-blade iris creates a rounded aperture so out-of-focus highlights appear circular. The lens also features a 2.8x zoom magnification, a focal length range of 70–200mm and a 130º smooth rotating focus ring. The lens is also compatible with our Canon EF 1.4x III and EF 2x III Extenders. The 70–200mm T4.4 EF lens offers professional video functionality all at an affordable price, making it ideal for a wide range of video applications including documentary, cinema, news gathering, wedding and other video production.\u003cbr\u003e\u003cbr\u003eDifferent aspects of lens performance are emphasized when shooting video as opposed to still images. A zoom range through commonly used focal lengths, high level 4K optical performance and a smooth aperture iris designed for motion picture capture all demonstrate the COMPACT-SERVO 70–200mm T4.4 EF lens's optimization for video.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTelephoto Zoom that Covers the Commonly-Used Focal Length of 70mm–200mm\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eA telephoto zoom can be useful in narrative or documentary video production for capturing medium to tight fields of view. The 70–200mm T4.4 EF lens is also compatible with Canon's EF 1.4x III and EF 2x III Extenders.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eParfocal Operation – Precise Focus Through the Entire Zoom Range\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe 70–200mm T4.4 EF lens is parfocal in both manual and autofocus modes. The lens employs a special compensating lens group that moves to maintain precise focus while a separate lens group performs the zooming action. Maintaining focus while changing focal length allows the lens to be used in video production where zooming while recording is required.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eConsistent Brightness Throughout the Entire Zoom Range\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe 70–200mm T4.4 EF lens maintains a wide aperture of T4.4 (F4.0) throughout their zoom range. This allows zooming while at maximum aperture without any dimming of the image.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eHigh Level 4K Optical Performance\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe 4K optical performance of the 70–200mm T4.4 EF lens produces a significantly sharper image than 2K\/HD. The various advanced design strategies used help to ensure over 4K resolution at picture center and a careful control of falloff of image sharpness at picture extremities.\u003cbr\u003e\u003cbr\u003eThe excellent contrast range associated with High Dynamic Range (HDR) imaging helps ensure both deep black reproduction and the excellent handling of scene specular highlights. HDR image capture significantly enhances both the contrast and the richness of colours in a scene, but it also poses a potential challenge in exacerbating the visibility of any lens chromatic aberrations. The 70–200mm T4.4 EF lens was designed to help minimize such aberrations.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eColour Consistency with Canon Cinema Lenses\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eCanon's colour science has become highly refined over generations of lens designs, paying the closest attention to a pleasing skin tone reproduction. The 70–200mm T4.4 EF lens can be used interchangeably with other Canon Cinema lenses during the same production since both have the same warm, cine-look colour characteristics — making it easier to maintain consistent colour when multiple lenses are used.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIris Mechanism for Motion Picture\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe 70–200mm T4.4 EF lens can smoothly adjust between open and closed for precise exposure control and live in-shot changes. The 9-blade iris creates a rounded aperture so out-of-focus highlights appear circular. An odd number of iris blades also helps create a less distracting flare. The iris on the lens can also be completely closed, which is useful when adjusting black balance.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eContinuous Iris Control Capability with Iris Ring\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eA Cinema lens requires an iris that can be smoothly adjusted between wide open and closed. Continuous adjustment allows not only for precise exposure control, but also smooth adjustment live in shot while recording. This can be useful to help compensate for change in exposure due to spotty clouds or moving between indoor and outdoor light levels within a shot.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e9-Blade Iris\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eMore iris blades create a rounder aperture, resulting in out-of-focus highlights that appear more circular. An odd number of iris blades means that there will be a larger number of small radiating points on a flare, helping to prevent distracting artifact.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIris Closing\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe aperture on the 70–200mm T4.4 EF lens can close completely, allowing no light to pass through. This is useful in black balancing a camera.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAuto Iris Available\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe auto exposure system in the 70–200mm T4.4 EF lens capitalizes on Canon's Electromagnetic Diaphragm (EMD) technology that has been highly refined over many years in the EF lens series. This technology integrates the lens iris assembly and a miniature stepping motor in a single unit. Electronic pulses from the camera controls the motor to map numerous steps across the full range of the iris mechanism. This AE control loop is fast and silent. An AE Shift mode allows a small manual override for fine adjustments to exposure.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFlange Back Adjustment\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eA flange back adjustment mechanism is built-in allowing you to adjust on site which helps to provide even greater optical performance among various cameras.\u003cbr\u003e\u003cbr\u003eThe COMPACT-SERVO 70–200mm T4.4 EF lens includes the functionality of professional broadcast and cinema lenses along with compatibility with professional lens accessories. It fits these features in Canon's unique design that allows it to remain compact and lightweight. This best-of-both-worlds approach allows the versatility to shoot with the lens in a wide range of productions.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eServo Zoom Drive Unit\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe 70–200mm T4.4 EF lens incorporates a servo drive unit directly in the body of the lens. The servo drive unit allows electronic control over zoom, and provides an option to be disengaged for direct manual control. The integrated design can power the servo drive through the lens mount on appropriate cameras, or power can be input through a separate port as in traditional lens servo systems. The servo control is compatible with Canon's ZSG-C10 Zoom Servo Grip which can be mounted directly onto the 70–200mm T4.4 EF lens, as well as standard broadcast style controllers (including Canon's FPD-400D and ZSD-300D) for remote operation.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eServo Control Capability for Zoom Function\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe integrated servo drive allows for electronic control over the zoom. The control is electromechanical, rotating the actual geared rings on the lens housing via servo motors. These motors can also be disengaged, allowing for full manual control. The zoom servo can be remotely controlled or operated using a rocker switch on the side of the lens.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePower Provided via Camera Mount\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eOn select Cinema EOS cameras, the EF lens mounts electrical contacts provide the necessary power to operate the servos on the 70–200mm T4.4 EF lens. This helps eliminates cabling and possible mounting issues. The lens can also be powered remotely through an accessory power port.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCompatible with Broadcast Style Servo Lens Controllers\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe 70–200mm T4.4 EF lens's Servo Control can be operated remotely for tripod or other non-handheld use. Canon's FPD-400D Digital Focus Servo Demand for Canon Lens Control Kits can be used for remote focus control and the ZSD-300D Digital Zoom Servo Demand for digital ENG\/EFP lenses used for remote zoom control. For use in studio configurations, an optional Zacuto® Z-CNYC Y-cable can be used to connect zoom and focus controllers to each lens. This configuration allows for simultaneous zoom and focus operation with Compact-Servo lenses.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOptional ZSG-C10 Zoom Servo Grip\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eFor handheld operation, the 70–200mm T4.4 EF lens incorporates a rosette mounting point for the optional ZSG-C10 Zoom Servo Grip. This handgrip features a rocker control for the zoom servo, a button to engage One-Shot Autofocus. It can be rotated on the mounting rosette and adjusted for comfort. Accessory mounting is available for use on camera front rods.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCompact (7.2 in. in length) and Lightweight (2.76 lbs.) for Increased Mobility and Versatility\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe 70–200mm T4.4 EF lens borrows from Canon's experience in EF lenses to make a compact and lightweight design while retaining performance and functionality. This allows the lens to be used handheld and in various conditions, providing a high amount of mobility and versatility. The 70–200mm T4.4 EF lens is the same size and nearly the same weight as its sister lens, the COMPACT-SERVO 18–80mm T4.4 EF lens.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSupports a Wide Range of Optional Accessories\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe 70–200mm T4.4 EF lens is built to be compact and fully compatible with a variety of professional lens accessories. The front diameter is 84mm for mattebox mounting, with a removable sunshade included. The front ring's inner diameter is threaded for use with 77mm screw-in filters. An integrated support foot can be used to stabilize the lens on standard camera bracketry, and the zoom, focus and iris rings are geared for use with follow focus and other traditional mechanical and electronic controllers.\u003cbr\u003e\u003cbr\u003eCanon has designed the COMPACT-SERVO 70–200mm T4.4 EF lens specifically to work with compatible Cinema EOS cameras, resulting in a complete kit that adds enhanced functionality. Integrated autofocus, smooth image stabilization, connected control and metadata information as well as lateral chromatic aberration correction are all available when using the lens on compatible Cinema EOS cameras.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAutofocus Function\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eCanon cameras feature advanced autofocus functions. The 70–200mm T4.4 EF lens is designed to work with select Cinema EOS cameras to offer fast and accurate autofocus control. All autofocus controls can be switched off to allow manual focus.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eContinuous AF\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eDifferent Canon cameras offer various types of continuous autofocus functionality. The fast servo response of the 70–200mm T4.4 EF lens allows for continuous smooth autofocus as with select Cinema EOS cameras. All electrical control of the lens is done directly through the EF-mount.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOne-Shot AF\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eOne-Shot Autofocus is a quick reference setting of focus using the autofocus servo system. The camera sets focus of the image the moment the AF button is pushed. Once the control is released, the focus will remain set to that distance. This temporary engagement of autofocus can be useful for selective artistic focus control.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFocus Guide\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eSelect Cinema EOS cameras can use autofocus technology even with the servo control on the 70–200mm T4.4 EF lens disabled. Even with the lens in manual mode, the camera will detect its focus setting and can indicate suggestions in the viewfinder on adjustments for focus in the image.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eImage Stabilization (IS)\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe 70–200mm T4.4 EF lens is a medium to telephoto zoom. The longer the focal length the more sensitive it is to any shake in the movement. The lens offers three levels of Image Stabilization, including the standard mode for handheld operation, a maximum mode for high-frequency movement and a smooth mode intended for tripod-based operating. The IS function can also be switched off entirely.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEF Communication Functions\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThere are a host of functions designed to help maximize the integration of the 70–200mm T4.4 EF lens with select Cinema EOS cameras. Integrated autofocus, smooth image stabilization, connected control and metadata information, and lateral chromatic aberration correction are all included when using the lens on compatible Canon Cinema cameras.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eRemote Control of Zoom, Focus and Iris via Camera\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eSelect Cinema EOS cameras can power and control the servo drive of the 70–200mm T4.4 EF lens by electrical connection through the EF-mount. A zoom control on the camera body can alter focal length, the autofocus modes of the camera can directly engage the lens focus servo, and the auto exposure camera functions can operate the lens iris to adjust light transmission. Integrating these controls allows easier single-person camera operation, and the 70–200mm T4.4 EF lens can be switched into a partial or fully manual mode if desired.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eREC Start\/Stop from ZSG-C10 Zoom Servo Grip\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThrough the EF-mount, the ZSG-C10 Zoom Servo Grip that mounts to the 70–200mm T4.4 EF lens can control record triggering on select Cinema EOS cameras. The optional handgrip also features a zoom servo rocker control and an autofocus engage button.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePeripheral Illumination Correction\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eSelect Cinema EOS cameras can communicate with the 70–200mm T4.4 EF lens to profile its illumination characteristics, and electronically compensate for image brightness dimming in the edges of the frame.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLateral Chromatic Aberration Correction\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe 70–200mm T4.4 EF lens was designed to help minimize lateral chromatic aberration for Super 35mm sensors. Any remaining minimal lateral chromatic aberration is mathematically mapped so that the lens can communicate with select Cinema EOS cameras, which then in turn electronically correct for the artifact.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLens Meta Data Record\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe 70–200mm T4.4 EF lens sends reference information constantly to the camera, noting precise settings for focus, iris and zoom. Data is also transmitted about the lens model itself, and on select Cinema EOS cameras. This information can be recorded for use in post processing. This is useful when matching cameras as well as in VFX work. Some of this data can also be displayed in the camera viewfinder.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eT Number\/F Number Display Select\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe 70–200mm T4.4 EF lens sends metadata information of the iris position through the EF-mount to the camera. On select Cinema EOS cameras, this information can be displayed as a T-stop, which indicates the amount of transmitted light through the aperture. It can also be displayed as an F-stop.\u003cbr\u003e\u003cbr class=\"t-last-br\"\u003e\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":34875954233389,"sku":"2568C002","price":6500.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/products\/Products13616-1000x1000-402199.jpg?v=1780085287"},{"product_id":"canon-cn-e-compact-servo-18-80mm-t4-4-ef","title":"Canon CN-E Compact-Servo 18-80mm T4.4 EF","description":"\u003cp style=\"text-align: justify;\"\u003eThe COMPACT-SERVO 18-80mm T4.4 EF-mount lens combines the benefits of compact size and light weight (only 2.65 lbs.) for outstanding mobility. Designed to shoot video, this lens can be ideal for the cinematographer moving up from our EF lenses, combining the functionality of our EF lenses with the video shooting features of our Cinema lenses.\u003cbr\u003e\u003cbr\u003eAcknowledging the need to control zoom, focus and iris, Canon has developed this zoom lens with full external servo control. The integrated servo drive unit is compatible with broadcast industry-standard lens controllers including Canon's standard broadcast lens controllers (ZSD-300D\/FPD-400D). The optional ZSG-C10 Zoom Servo Grip can mount to the lens for handheld operation.\u003cbr\u003e\u003cbr\u003eThree levels of Image Stabilization and incorporated autofocus functions set the COMPACT-SERVO 18-80mm T4.4 EF lens apart from traditional Super 35mm Cinema lenses. A 9-blade iris creates a rounded aperture so out-of-focus highlights appear circular. The lens also features a 4.4x zoom magnification, a focal length range of 18-80mm and a 130° smooth rotating focus ring. The COMPACT-SERVO 18-80mm T4.4 EF lens offers professional video functionality all at an affordable price, making it ideal for a wide range of video applications including documentary, cinema, news gathering, wedding and other video production.\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eDifferent aspects of lens performance are emphasized when shooting video as opposed to still images. A zoom range through commonly used focal lengths, high level 4K optical performance and a smooth aperture iris designed for motion picture capture all demonstrate the COMPACT-SERVO 18-80mm T4.4 EF lens’s optimization for video.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eZoom that Covers the Commonly-Used Focal Length of 18mm-80mm\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eA zoom can be useful in narrative or documentary video production for capturing wide to medium fields of view.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eParfocal Operation – Precise Focus Through the Entire Zoom Range\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe 18-80mm T4.4 EF lens is parfocal in both manual and autofocus modes. The lens employs a special compensating lens group that moves to maintain precise focus while a separate lens group performs the zooming action. Maintaining focus while changing focal length allows the lens to be used in video production where zooming while recording is required.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eConsistent Brightness Throughout the Entire Zoom Range\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe 18-80mm T4.4 EF lens maintains a wide aperture of T4.4 (F4.0) throughout their zoom range. This allows zooming while at maximum aperture without any dimming of the image.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHigh Level 4K Optical Performance\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe 4K optical performance of the 18-80mm T4.4 EF lens produces a significantly sharper image than 2K\/HD. The various advanced design strategies used help to ensure over 4K resolution at picture center and a careful control of falloff of image sharpness at picture extremities.\u003cbr\u003e\u003cbr\u003eThe excellent contrast range associated with High Dynamic Range (HDR) imaging helps ensure both deep black reproduction and the excellent handling of scene specular highlights. HDR image capture significantly enhances both the contrast and the richness of colours in a scene, but it also poses a potential challenge in exacerbating the visibility of any lens chromatic aberrations. The 18-80mm T4.4 EF lens was designed to help minimize such aberrations.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eColour Consistency with Canon Cinema Lenses\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eCanon’s colour science has become highly refined over generations of lens designs, paying the closest attention to a pleasing skin tone reproduction. The 18-80mm T4.4 EF lens can be used interchangeably with other Canon Cinema lenses during the same production since both have the same warm, cine-look colour characteristics — making it easier to maintain consistent colour when multiple lenses are used.\u003cbr\u003eImage is simulated\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eIris Mechanism for Motion Picture\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe 18-80mm T4.4 EF lens can smoothly adjust between open and closed for precise exposure control and live in-shot changes. The 9-blade iris creates a rounded aperture so out-of-focus highlights appear circular. An odd number of iris blades also help create a less distracting flare. The iris on the lens can also be completely closed, which is useful when adjusting black balance.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eContinuous Iris Control Capability with Iris Ring\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eA cinema lens requires an iris that can be smoothly adjusted between wide open and closed. Continuous adjustment allows not only for precise exposure control, but also smooth adjustment live in shot while recording. This can be useful to help compensate for change in exposure due to spotty clouds or moving between indoor and outdoor light levels within a shot.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e9-Blade Iris\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eMore iris blades create a rounder aperture, resulting in out-of-focus highlights that appear more circular. An odd number of iris blades means that there will be a larger number of small radiating points on a flare, helping to prevent distracting artifact.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIris Closing\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe aperture on the 18-80mm T4.4 EF lens can close completely, allowing no light to pass through. This is useful in black balancing a camera.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAuto Iris Available\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe auto exposure system in the 18-80mm T4.4 EF lens capitalizes on Canon’s Electromagnetic Diaphragm (EMD) technology that has been highly refined over many years in the EF lens series. This technology integrates the lens iris assembly and a miniature stepping motor in a single unit. Electronic pulses from the camera controls the motor to map numerous steps across the full range of the iris mechanism. This AE control loop is fast and silent. An AE Shift mode allows a small manual override for fine adjustments to exposure.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFlange Back Adjustment\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eA flange back adjustment mechanism is built-in allowing you to adjust on site which helps to provide even greater optical performance among various cameras. \u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eThe COMPACT-SERVO 18-80mm T4.4 EF lens includes the functionality of professional broadcast and cinema lenses along with compatibility with professional lens accessories. It fits these features in Canon’s unique design that allows it to remain compact and lightweight. This best-of-both-worlds approach allows the versatility to shoot with the lens in a wide range of productions.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eServo Zoom Drive Unit\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe 18-80mm T4.4 EF lens incorporates a servo drive unit directly in the body of the lens. The servo drive unit allows electronic control over zoom, and provides an option to be disengaged for direct manual control. The integrated design can power the servo drive through the lens mount on appropriate cameras, or power can be input through a separate port as in traditional lens servo systems. The servo control is compatible with Canon’s ZSG-C10 Zoom Servo Grip which can be mounted directly onto the 18-80mmT4.4 EF lens, as well as standard broadcast style controllers (including Canon’s FPD-400D and ZSD-300D) for remote operation.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eServo Control Capability for Zoom Function\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe integrated servo drive allows for electronic control over the zoom. The control is electromechanical, rotating the actual geared rings on the lens housing via servo motors. These motors can also be disengaged, allowing for full manual control. The zoom servo can be remotely controlled or operated using a rocker switch on the side of the lens.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003ePower Provided via Camera Mount\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eOn select Cinema EOS cameras, the EF lens mounts electrical contacts provide the necessary power to operate the servos on the 18-80mmT4.4 EF lens. This helps eliminates cabling and possible mounting issues. The lens can also be powered remotely through an accessory power port.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCompatible with Broadcast Style Servo Lens Controllers\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe 18-80mm T4.4 EF lens’s Servo Control can be operated remotely for tripod or other non-handheld use. Canon’s FPD-400D Digital Focus Servo Demand for Canon Lens Control Kits can be used for remote focus control and the ZSD-300D Digital Zoom Servo Demand for digital ENG\/EFP lenses used for remote zoom control. For use in studio configurations, an optional Zacuto® Z-CNYC Y-cable can be used to connect zoom and focus controllers to each lens. This configuration allows for simultaneous zoom and focus operation with Compact-Servo lenses.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOptional ZSG-C10 Zoom Servo Grip\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eFor handheld operation, the 18-80mm T4.4 EF lens incorporates a rosette mounting point for the optional ZSG-C10 Zoom Servo Grip. This handgrip features a rocker control for the zoom servo, a button to engage One-Shot Autofocus. It can be rotated on the mounting rosette and adjusted for comfort. Accessory mounting is available for use on camera front rods.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCompact (7.2 in. in length) and Lightweight (2.65 lbs.) for Increased Mobility and Versatility\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe 18-80mm T4.4 EF lens borrows from Canon’s experience in EF lenses to make a compact and lightweight design while retaining performance and functionality. This allows the lens to be used handheld and in various conditions, providing a high amount of mobility and versatility. The 18-80mm T4.4 EF lens is the same size and nearly the same weight as its sister lens, the COMPACT-SERVO 70-200mm T4.4 EF lens.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSupports a Wide Range of Optional Accessories\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe 18-80mm T4.4 EF lens is built to be compact and fully compatible with a variety of professional lens accessories. The front diameter is 84mm for mattebox mounting, with a removable sunshade included. The front ring’s inner diameter is threaded for use with 77mm screw-in filters. An integrated support foot can be used to stabilize the lens on standard camera bracketry, and the zoom, focus and iris rings are geared for use with follow focus and other traditional mechanical and electronic controllers.\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eCanon has designed the COMPACT-SERVO 18-80mm T4.4 EF lens specifically to work with compatible Cinema EOS cameras, resulting in a complete kit that adds enhanced functionality. Integrated autofocus, smooth image stabilization, connected control and metadata information as well as lateral chromatic aberration correction are all available when using the lens on compatible Cinema EOS cameras.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAutofocus Function\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003eCanon cameras feature advanced autofocus functions. The 18-80mm T4.4 EF lens is designed to work with select Cinema EOS cameras to offer fast and accurate autofocus control. All autofocus controls can be switched off to allow manual focus.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eContinuous AF\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eDifferent Canon cameras offer various types of continuous autofocus functionality. The fast servo response of the 18-80mm T4.4 EF lens allows for continuous smooth autofocus as with select Cinema EOS cameras. All electrical control of the lens is done directly through the EF-mount.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOne-Shot AF\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eOne-Shot Autofocus is a quick reference setting of focus using the autofocus servo system. The camera sets focus of the image the moment the AF button is pushed. Once the control is released, the focus will remain set to that distance. 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The IS function can also be switched off entirely.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEF Communication Functions\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThere are a host of functions designed to help maximize the integration of the 18-80mm T4.4 EF lens with select Cinema EOS cameras. Integrated autofocus, smooth image stabilization, connected control and metadata information, and lateral chromatic aberration correction are all included when using the lens on compatible Canon Cinema cameras.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eRemote Control of Zoom, Focus and Iris via Camera\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eSelect Cinema EOS cameras can power and control the servo drive of the 18-80mm T4.4 EF lens by electrical connection through the EF-mount. A zoom control on the camera body can alter focal length, the autofocus modes of the camera can directly engage the lens focus servo, and the auto exposure camera functions can operate the lens iris to adjust light transmission. Integrating these controls allows easier single-person camera operation, and the 18-80mm T4.4 EF lens can be switched into a partial or fully manual mode if desired.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eREC Start\/Stop from ZSG-C10 Zoom Servo Grip\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThrough the EF-mount, the ZSG-C10 Zoom Servo Grip that mounts to the 18-80mm T4.4 EF lens can control record triggering on select Cinema EOS cameras. The optional handgrip also features a zoom servo rocker control and an autofocus engage button.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePeripheral Illumination Correction\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eSelect Cinema EOS cameras can communicate with the 18-80mm T4.4 EF lens to profile its illumination characteristics, and electronically compensate for image brightness dimming in the edges of the frame.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLateral Chromatic Aberration Correction\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe 18-80mm T4.4 EF lens was designed to help minimize lateral chromatic aberration for Super 35mm sensors. 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With this complete set of ten lenses designed for 6K-8K shooting, the FF High Speed Prime Line allows filming of various cuts without making any changes to the lighting, taking cinematography to the next level of performance. \u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eWide focal length coverage\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lineup covers everything from wide angle to telephoto. Produce an entire work with SIGMA lenses alone.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCompatibility\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eCompatibility has been confirmed with each brand of cinema cameras.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLenses for both S35 and full-frame\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe High Speed Zoom Line is compatible with Super35, the image size standard used by typical digital cinema cameras, while the FF High Speed Prime Line and FF Zoom Line are compatible with a full-frame image circle.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStrong high-speed lens lineup\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eT1.5 or T2 is available in prime lenses, while T2 is available throughout the zoom range in zoom lenses. These options enable cinematographers to realize a wide range of expressive goals.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eInspecting each and every lens\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThere are three requirements for outstanding lenses: fine design, precise manufacturing and inspection that ensures compliance with all specifications. SIGMA lenses are born of outstanding design concepts and excellent manufacturing technology, but they are not complete until they undergo their uncompromising lens performance evaluation. SIGMA has developed their own A1 proprietary Modulation Transfer Function (MTF) measuring system using 46-megapixel Foveon direct image sensors. Even previously undetectable high-frequency details are now within the scope of their quality control inspections. Each and every lens is checked before shipping. 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Featuring all functions essential to cinematography, these lenses keep weight and size to a minimum, while their specification is optimized for enhanced durability. The end result is a combination of performance and compact design at the highest level.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDust-proof and splash-proof construction\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lineup features the same dust-proof and splash-proof construction as the SIGMA 150-600mm F5-6.3 DG OS HSM｜Sports. With each ring and mount specially sealed to prevent water and dust from entering, this lens is ready for use in tough conditions. The unusually robust specification of the lineup allows the user to concentrate on shooting while significantly reducing the burden of maintenance.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e100% metal body\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe body is made completely of metal to stand up to tough professional use over the long term.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLuminous paint for enhanced visibility\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe specification, gradation baseline, and lens change indications all feature luminous paint to aid in changing the lens in the dark and other tasks. Moreover, new FULLY LUMINOUS versions of the lenses feature the above plus rings whose numbers and gradations are finished with luminous paint.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLaser engraving for enhanced durability\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eInformation on rings and elsewhere is laser-engraved for use over the long term. 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These options enable cinematographers to realize a wide range of expressive goals.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eInspecting each and every lens\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThere are three requirements for outstanding lenses: fine design, precise manufacturing and inspection that ensures compliance with all specifications. SIGMA lenses are born of outstanding design concepts and excellent manufacturing technology, but they are not complete until they undergo their uncompromising lens performance evaluation. SIGMA has developed their own A1 proprietary Modulation Transfer Function (MTF) measuring system using 46-megapixel Foveon direct image sensors. Even previously undetectable high-frequency details are now within the scope of their quality control inspections. Each and every lens is checked before shipping. Thanks to the ultra-high resolution sensors, high- performance shooting is assured.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMinimization of flare and ghosting\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eComputer-based ray tracing has been used from the design stage onward to minimize flare and ghosting and enhance contrast in backlit conditions. Ghosting has also been checked at every prototype stage, with its causes identified, assessed, and eliminated.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSharpness combined with outstanding bokeh effect\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eTo fulfill the high demands for image quality in still photography, SIGMA has solved a wide range of issues. The benefit of these efforts can now be enjoyed in cine lenses as well.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eColour balance standardized across the lineup\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAll of the lenses in the lineup are designed to comply with SIGMA’s CCI standard. Standardized colour balance makes colour correction a snap.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e6K-8K class resolution\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lineup features the same optical system that delivers 50-megapixel or higher resolution in still photography. These lenses are therefore ready for higher-resolution shooting and are ideal for chroma keying as well.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLightweight and compact\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eLeveraging the high-precision, high-efficiency mass production technologies developed for its still camera lenses, SIGMA has made extremely lightweight and compact cine lenses a reality. Featuring all functions essential to cinematography, these lenses keep weight and size to a minimum, while their specification is optimized for enhanced durability. The end result is a combination of performance and compact design at the highest level.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDust-proof and splash-proof construction\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lineup features the same dust-proof and splash-proof construction as the SIGMA 150-600mm F5-6.3 DG OS HSM｜Sports. With each ring and mount specially sealed to prevent water and dust from entering, this lens is ready for use in tough conditions. The unusually robust specification of the lineup allows the user to concentrate on shooting while significantly reducing the burden of maintenance.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e100% metal body\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe body is made completely of metal to stand up to tough professional use over the long term.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLuminous paint for enhanced visibility\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe specification, gradation baseline, and lens change indications all feature luminous paint to aid in changing the lens in the dark and other tasks. Moreover, new FULLY LUMINOUS versions of the lenses feature the above plus rings whose numbers and gradations are finished with luminous paint.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLaser engraving for enhanced durability\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eInformation on rings and elsewhere is laser-engraved for use over the long term. In addition, tape may be placed on gradations without fear of stripping away paint when it is removed.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e82mm filter size*\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe filter size is standardized at 82mm, allowing users to use the same size of ND filter on different lenses.\u003cbr\u003e*Certain lens models are not compatible with 82mm filters.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e95mm front diameter\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe front diameter is 95mm, similar to that of other cine lenses and compatible with matte boxes. Compared to lenses in the same class, SIGMA’s cine lenses are more \u003cbr\u003elightweight and compact.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStandardized gear positions\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe positions of the gears in each ring are standardized, eliminating the need to adjust the follow focus, motor unit, or accessories even when the lens changes.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e0.8M gear pitch\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eEach lens has a 0.8M gear pitch, which is the standard for cine lenses, ensuring compatibility with existing accessories.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSilent ring stoppers\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe stopper of each ring incorporates a damper made of a special resin, resulting in silent operation. While offering a satisfying lock feel, this feature eliminates any metallic sounds, allowing the user to shoot with confidence in a quiet area.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e180° focus rotational angle\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAt 180°, the rotational angle of the focus ring is more than double that of a still camera lens, making possible extremely high-precision focusing. SIGMA has also optimized the cam for cine lenses for even easier long distance focusing.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e160° zoom rotational angle\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAt 160°, the rotational angle of the zoom ring is more than double that of a still camera lens, making possible extremely high-precision zooming.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIris with full manual control\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eFeaturing manual control capability, the iris ring offers smooth control without clicks. The T-stop display, which is standard in cine lenses, contributes to high-precision exposures. Just like a high-end cine lens, the rotational angle of the iris ring is 60°.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLinear iris ring\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe linear iris ring gives users the same rotational angle per T-stop for direct, intuitive control.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eSelectable focus ring with feet or meter graduations\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eBased on user needs, a focus ring with either feet or meter graduations may be selected. For a small charge, SIGMA can also convert the ring from one type to the other after purchase.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMount Conversion Service\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eSeeing lenses as valuable assets, SIGMA now makes the Mount Conversion Service available for its new cine lenses. Successfully implemented for their still photography camera lenses, this service allows users to convert their lenses to and from EF and E-mounts (charges apply). If the camera system changes, it is possible to simply convert the mount system to continue using the high-performance SIGMA lenses.\u003cbr\u003eNote: The Mount Conversion Service is not available for PL mount lenses.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMount with electronic contacts\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe mount with electronic contacts allows the lens to communicate important information to the body (focal length, shooting distance, aperture etc.).\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEnhanced EF mount*\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003eThe hole for the stopper pin has been strengthened with a separate part to minimize loosening over time and enhance long-term use.\u003cbr\u003e*Only applicable for Canon EF mount\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDedicated lens support foot\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eComing as a standard accessory with all lenses in the lineup, the lens support foot helps minimize load on the camera body while enhancing mount stability. The height of the seating surface is designed for compatibility with other accessories. Even though the lens is compact, its robust design offers two different screw holes for this accessory to increase user options.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCine-style front lens cap\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAll lenses come complete with a conventional cine-style front lens cap.\u003cbr class=\"t-last-br\"\u003e\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":34875972812845,"sku":"CL14C","price":7499.95,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/products\/Products14117-1000x1000-419243.jpg?v=1780072170"},{"product_id":"sigma-cine-135mm-t2-canon-ef","title":"Sigma Cine 135mm T2 - Canon EF","description":"\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eThe image quality of a high-end prime lens. Full-frame compatibility—yet compact.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThese ten prime lenses range from 14mm to 135mm, and all offer T1.5 or T2 brightness. Rivaling a high-end prime set with their stunning image quality and compact construction, they also offer full-frame coverage. With this complete set of ten lenses designed for 6K-8K shooting, the FF High Speed Prime Line allows filming of various cuts without making any changes to the lighting, taking cinematography to the next level of performance. \u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eWide focal length coverage\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lineup covers everything from wide angle to telephoto. Produce an entire work with SIGMA lenses alone.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCompatibility\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eCompatibility has been confirmed with each brand of cinema cameras.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLenses for both S35 and full-frame\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe High Speed Zoom Line is compatible with Super35, the image size standard used by typical digital cinema cameras, while the FF High Speed Prime Line and FF Zoom Line are compatible with a full-frame image circle.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStrong high-speed lens lineup\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eT1.5 or T2 is available in prime lenses, while T2 is available throughout the zoom range in zoom lenses. These options enable cinematographers to realize a wide range of expressive goals.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eInspecting each and every lens\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThere are three requirements for outstanding lenses: fine design, precise manufacturing and inspection that ensures compliance with all specifications. SIGMA lenses are born of outstanding design concepts and excellent manufacturing technology, but they are not complete until they undergo their uncompromising lens performance evaluation. SIGMA has developed their own A1 proprietary Modulation Transfer Function (MTF) measuring system using 46-megapixel Foveon direct image sensors. Even previously undetectable high-frequency details are now within the scope of their quality control inspections. Each and every lens is checked before shipping. Thanks to the ultra-high resolution sensors, high- performance shooting is assured.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMinimization of flare and ghosting\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eComputer-based ray tracing has been used from the design stage onward to minimize flare and ghosting and enhance contrast in backlit conditions. Ghosting has also been checked at every prototype stage, with its causes identified, assessed, and eliminated.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSharpness combined with outstanding bokeh effect\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eTo fulfill the high demands for image quality in still photography, SIGMA has solved a wide range of issues. The benefit of these efforts can now be enjoyed in cine lenses as well.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eColour balance standardized across the lineup\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAll of the lenses in the lineup are designed to comply with SIGMA’s CCI standard. Standardized colour balance makes colour correction a snap.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e6K-8K class resolution\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lineup features the same optical system that delivers 50-megapixel or higher resolution in still photography. These lenses are therefore ready for higher-resolution shooting and are ideal for chroma keying as well.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLightweight and compact\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eLeveraging the high-precision, high-efficiency mass production technologies developed for its still camera lenses, SIGMA has made extremely lightweight and compact cine lenses a reality. Featuring all functions essential to cinematography, these lenses keep weight and size to a minimum, while their specification is optimized for enhanced durability. The end result is a combination of performance and compact design at the highest level.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDust-proof and splash-proof construction\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lineup features the same dust-proof and splash-proof construction as the SIGMA 150-600mm F5-6.3 DG OS HSM｜Sports. With each ring and mount specially sealed to prevent water and dust from entering, this lens is ready for use in tough conditions. The unusually robust specification of the lineup allows the user to concentrate on shooting while significantly reducing the burden of maintenance.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e100% metal body\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe body is made completely of metal to stand up to tough professional use over the long term.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLuminous paint for enhanced visibility\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe specification, gradation baseline, and lens change indications all feature luminous paint to aid in changing the lens in the dark and other tasks. Moreover, new FULLY LUMINOUS versions of the lenses feature the above plus rings whose numbers and gradations are finished with luminous paint.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLaser engraving for enhanced durability\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eInformation on rings and elsewhere is laser-engraved for use over the long term. In addition, tape may be placed on gradations without fear of stripping away paint when it is removed.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e82mm filter size*\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe filter size is standardized at 82mm, allowing users to use the same size of ND filter on different lenses.\u003cbr\u003e*Certain lens models are not compatible with 82mm filters.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e95mm front diameter\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe front diameter is 95mm, similar to that of other cine lenses and compatible with matte boxes. Compared to lenses in the same class, SIGMA’s cine lenses are more \u003cbr\u003elightweight and compact.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStandardized gear positions\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe positions of the gears in each ring are standardized, eliminating the need to adjust the follow focus, motor unit, or accessories even when the lens changes.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e0.8M gear pitch\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eEach lens has a 0.8M gear pitch, which is the standard for cine lenses, ensuring compatibility with existing accessories.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSilent ring stoppers\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe stopper of each ring incorporates a damper made of a special resin, resulting in silent operation. While offering a satisfying lock feel, this feature eliminates any metallic sounds, allowing the user to shoot with confidence in a quiet area.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e180° focus rotational angle\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAt 180°, the rotational angle of the focus ring is more than double that of a still camera lens, making possible extremely high-precision focusing. SIGMA has also optimized the cam for cine lenses for even easier long distance focusing.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e160° zoom rotational angle\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAt 160°, the rotational angle of the zoom ring is more than double that of a still camera lens, making possible extremely high-precision zooming.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIris with full manual control\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eFeaturing manual control capability, the iris ring offers smooth control without clicks. The T-stop display, which is standard in cine lenses, contributes to high-precision exposures. Just like a high-end cine lens, the rotational angle of the iris ring is 60°.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLinear iris ring\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe linear iris ring gives users the same rotational angle per T-stop for direct, intuitive control.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eSelectable focus ring with feet or meter graduations\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eBased on user needs, a focus ring with either feet or meter graduations may be selected. For a small charge, SIGMA can also convert the ring from one type to the other after purchase.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMount Conversion Service\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eSeeing lenses as valuable assets, SIGMA now makes the Mount Conversion Service available for its new cine lenses. Successfully implemented for their still photography camera lenses, this service allows users to convert their lenses to and from EF and E-mounts (charges apply). If the camera system changes, it is possible to simply convert the mount system to continue using the high-performance SIGMA lenses.\u003cbr\u003eNote: The Mount Conversion Service is not available for PL mount lenses.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMount with electronic contacts\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe mount with electronic contacts allows the lens to communicate important information to the body (focal length, shooting distance, aperture etc.).\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEnhanced EF mount*\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003eThe hole for the stopper pin has been strengthened with a separate part to minimize loosening over time and enhance long-term use.\u003cbr\u003e*Only applicable for Canon EF mount\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDedicated lens support foot\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eComing as a standard accessory with all lenses in the lineup, the lens support foot helps minimize load on the camera body while enhancing mount stability. The height of the seating surface is designed for compatibility with other accessories. Even though the lens is compact, its robust design offers two different screw holes for this accessory to increase user options.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCine-style front lens cap\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAll lenses come complete with a conventional cine-style front lens cap.\u003cbr\u003e\u003cbr class=\"t-last-br\"\u003e\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":34875972845613,"sku":"CL135C","price":7499.95,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/products\/Products14115-1000x1000-419209.jpg?v=1780072166"},{"product_id":"sigma-cine-24mm-t1-5-canon-ef","title":"Sigma Cine 24mm T1.5 - Canon EF","description":"\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eThe image quality of a high-end prime lens. Full-frame compatibility—yet compact.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThese ten prime lenses range from 14mm to 135mm, and all offer T1.5 or T2 brightness. Rivaling a high-end prime set with their stunning image quality and compact construction, they also offer full-frame coverage. With this complete set of ten lenses designed for 6K-8K shooting, the FF High Speed Prime Line allows filming of various cuts without making any changes to the lighting, taking cinematography to the next level of performance. \u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eWide focal length coverage\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lineup covers everything from wide angle to telephoto. Produce an entire work with SIGMA lenses alone.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCompatibility\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eCompatibility has been confirmed with each brand of cinema cameras.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLenses for both S35 and full-frame\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe High Speed Zoom Line is compatible with Super35, the image size standard used by typical digital cinema cameras, while the FF High Speed Prime Line and FF Zoom Line are compatible with a full-frame image circle.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStrong high-speed lens lineup\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eT1.5 or T2 is available in prime lenses, while T2 is available throughout the zoom range in zoom lenses. These options enable cinematographers to realize a wide range of expressive goals.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eInspecting each and every lens\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThere are three requirements for outstanding lenses: fine design, precise manufacturing and inspection that ensures compliance with all specifications. SIGMA lenses are born of outstanding design concepts and excellent manufacturing technology, but they are not complete until they undergo their uncompromising lens performance evaluation. SIGMA has developed their own A1 proprietary Modulation Transfer Function (MTF) measuring system using 46-megapixel Foveon direct image sensors. Even previously undetectable high-frequency details are now within the scope of their quality control inspections. Each and every lens is checked before shipping. Thanks to the ultra-high resolution sensors, high- performance shooting is assured.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMinimization of flare and ghosting\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eComputer-based ray tracing has been used from the design stage onward to minimize flare and ghosting and enhance contrast in backlit conditions. Ghosting has also been checked at every prototype stage, with its causes identified, assessed, and eliminated.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSharpness combined with outstanding bokeh effect\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eTo fulfill the high demands for image quality in still photography, SIGMA has solved a wide range of issues. The benefit of these efforts can now be enjoyed in cine lenses as well.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eColour balance standardized across the lineup\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAll of the lenses in the lineup are designed to comply with SIGMA’s CCI standard. Standardized colour balance makes colour correction a snap.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e6K-8K class resolution\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lineup features the same optical system that delivers 50-megapixel or higher resolution in still photography. These lenses are therefore ready for higher-resolution shooting and are ideal for chroma keying as well.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLightweight and compact\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eLeveraging the high-precision, high-efficiency mass production technologies developed for its still camera lenses, SIGMA has made extremely lightweight and compact cine lenses a reality. Featuring all functions essential to cinematography, these lenses keep weight and size to a minimum, while their specification is optimized for enhanced durability. The end result is a combination of performance and compact design at the highest level.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDust-proof and splash-proof construction\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lineup features the same dust-proof and splash-proof construction as the SIGMA 150-600mm F5-6.3 DG OS HSM｜Sports. With each ring and mount specially sealed to prevent water and dust from entering, this lens is ready for use in tough conditions. The unusually robust specification of the lineup allows the user to concentrate on shooting while significantly reducing the burden of maintenance.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e100% metal body\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe body is made completely of metal to stand up to tough professional use over the long term.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLuminous paint for enhanced visibility\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe specification, gradation baseline, and lens change indications all feature luminous paint to aid in changing the lens in the dark and other tasks. Moreover, new FULLY LUMINOUS versions of the lenses feature the above plus rings whose numbers and gradations are finished with luminous paint.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLaser engraving for enhanced durability\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eInformation on rings and elsewhere is laser-engraved for use over the long term. In addition, tape may be placed on gradations without fear of stripping away paint when it is removed.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e82mm filter size*\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe filter size is standardized at 82mm, allowing users to use the same size of ND filter on different lenses.\u003cbr\u003e*Certain lens models are not compatible with 82mm filters.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e95mm front diameter\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe front diameter is 95mm, similar to that of other cine lenses and compatible with matte boxes. Compared to lenses in the same class, SIGMA’s cine lenses are more \u003cbr\u003elightweight and compact.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStandardized gear positions\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe positions of the gears in each ring are standardized, eliminating the need to adjust the follow focus, motor unit, or accessories even when the lens changes.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e0.8M gear pitch\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eEach lens has a 0.8M gear pitch, which is the standard for cine lenses, ensuring compatibility with existing accessories.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSilent ring stoppers\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe stopper of each ring incorporates a damper made of a special resin, resulting in silent operation. While offering a satisfying lock feel, this feature eliminates any metallic sounds, allowing the user to shoot with confidence in a quiet area.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e180° focus rotational angle\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAt 180°, the rotational angle of the focus ring is more than double that of a still camera lens, making possible extremely high-precision focusing. SIGMA has also optimized the cam for cine lenses for even easier long distance focusing.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e160° zoom rotational angle\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAt 160°, the rotational angle of the zoom ring is more than double that of a still camera lens, making possible extremely high-precision zooming.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIris with full manual control\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eFeaturing manual control capability, the iris ring offers smooth control without clicks. The T-stop display, which is standard in cine lenses, contributes to high-precision exposures. Just like a high-end cine lens, the rotational angle of the iris ring is 60°.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLinear iris ring\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe linear iris ring gives users the same rotational angle per T-stop for direct, intuitive control.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eSelectable focus ring with feet or meter graduations\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eBased on user needs, a focus ring with either feet or meter graduations may be selected. For a small charge, SIGMA can also convert the ring from one type to the other after purchase.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMount Conversion Service\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eSeeing lenses as valuable assets, SIGMA now makes the Mount Conversion Service available for its new cine lenses. Successfully implemented for their still photography camera lenses, this service allows users to convert their lenses to and from EF and E-mounts (charges apply). If the camera system changes, it is possible to simply convert the mount system to continue using the high-performance SIGMA lenses.\u003cbr\u003eNote: The Mount Conversion Service is not available for PL mount lenses.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMount with electronic contacts\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe mount with electronic contacts allows the lens to communicate important information to the body (focal length, shooting distance, aperture etc.).\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEnhanced EF mount*\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003eThe hole for the stopper pin has been strengthened with a separate part to minimize loosening over time and enhance long-term use.\u003cbr\u003e*Only applicable for Canon EF mount\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDedicated lens support foot\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eComing as a standard accessory with all lenses in the lineup, the lens support foot helps minimize load on the camera body while enhancing mount stability. The height of the seating surface is designed for compatibility with other accessories. Even though the lens is compact, its robust design offers two different screw holes for this accessory to increase user options.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCine-style front lens cap\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAll lenses come complete with a conventional cine-style front lens cap.\u003cbr\u003e\u003cbr\u003e\u003cbr class=\"t-last-br\"\u003e\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":34875972911149,"sku":"CL24C","price":5499.95,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/products\/Products14122-1000x1000-419307.jpg?v=1780072162"},{"product_id":"sigma-cine-20mm-t1-5-canon-ef","title":"Sigma Cine 20mm T1.5 - Canon EF","description":"\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eThe image quality of a high-end prime lens. Full-frame compatibility—yet compact.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThese ten prime lenses range from 14mm to 135mm, and all offer T1.5 or T2 brightness. Rivaling a high-end prime set with their stunning image quality and compact construction, they also offer full-frame coverage. With this complete set of ten lenses designed for 6K-8K shooting, the FF High Speed Prime Line allows filming of various cuts without making any changes to the lighting, taking cinematography to the next level of performance. \u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eWide focal length coverage\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lineup covers everything from wide angle to telephoto. Produce an entire work with SIGMA lenses alone.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCompatibility\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eCompatibility has been confirmed with each brand of cinema cameras.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLenses for both S35 and full-frame\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe High Speed Zoom Line is compatible with Super35, the image size standard used by typical digital cinema cameras, while the FF High Speed Prime Line and FF Zoom Line are compatible with a full-frame image circle.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStrong high-speed lens lineup\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eT1.5 or T2 is available in prime lenses, while T2 is available throughout the zoom range in zoom lenses. These options enable cinematographers to realize a wide range of expressive goals.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eInspecting each and every lens\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThere are three requirements for outstanding lenses: fine design, precise manufacturing and inspection that ensures compliance with all specifications. SIGMA lenses are born of outstanding design concepts and excellent manufacturing technology, but they are not complete until they undergo their uncompromising lens performance evaluation. SIGMA has developed their own A1 proprietary Modulation Transfer Function (MTF) measuring system using 46-megapixel Foveon direct image sensors. Even previously undetectable high-frequency details are now within the scope of their quality control inspections. Each and every lens is checked before shipping. Thanks to the ultra-high resolution sensors, high- performance shooting is assured.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMinimization of flare and ghosting\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eComputer-based ray tracing has been used from the design stage onward to minimize flare and ghosting and enhance contrast in backlit conditions. Ghosting has also been checked at every prototype stage, with its causes identified, assessed, and eliminated.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSharpness combined with outstanding bokeh effect\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eTo fulfill the high demands for image quality in still photography, SIGMA has solved a wide range of issues. The benefit of these efforts can now be enjoyed in cine lenses as well.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eColour balance standardized across the lineup\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAll of the lenses in the lineup are designed to comply with SIGMA’s CCI standard. Standardized colour balance makes colour correction a snap.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e6K-8K class resolution\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lineup features the same optical system that delivers 50-megapixel or higher resolution in still photography. These lenses are therefore ready for higher-resolution shooting and are ideal for chroma keying as well.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLightweight and compact\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eLeveraging the high-precision, high-efficiency mass production technologies developed for its still camera lenses, SIGMA has made extremely lightweight and compact cine lenses a reality. Featuring all functions essential to cinematography, these lenses keep weight and size to a minimum, while their specification is optimized for enhanced durability. The end result is a combination of performance and compact design at the highest level.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDust-proof and splash-proof construction\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lineup features the same dust-proof and splash-proof construction as the SIGMA 150-600mm F5-6.3 DG OS HSM｜Sports. With each ring and mount specially sealed to prevent water and dust from entering, this lens is ready for use in tough conditions. The unusually robust specification of the lineup allows the user to concentrate on shooting while significantly reducing the burden of maintenance.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e100% metal body\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe body is made completely of metal to stand up to tough professional use over the long term.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLuminous paint for enhanced visibility\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe specification, gradation baseline, and lens change indications all feature luminous paint to aid in changing the lens in the dark and other tasks. Moreover, new FULLY LUMINOUS versions of the lenses feature the above plus rings whose numbers and gradations are finished with luminous paint.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLaser engraving for enhanced durability\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eInformation on rings and elsewhere is laser-engraved for use over the long term. In addition, tape may be placed on gradations without fear of stripping away paint when it is removed.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e82mm filter size*\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe filter size is standardized at 82mm, allowing users to use the same size of ND filter on different lenses.\u003cbr\u003e*Certain lens models are not compatible with 82mm filters.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e95mm front diameter\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe front diameter is 95mm, similar to that of other cine lenses and compatible with matte boxes. Compared to lenses in the same class, SIGMA’s cine lenses are more \u003cbr\u003elightweight and compact.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStandardized gear positions\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe positions of the gears in each ring are standardized, eliminating the need to adjust the follow focus, motor unit, or accessories even when the lens changes.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e0.8M gear pitch\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eEach lens has a 0.8M gear pitch, which is the standard for cine lenses, ensuring compatibility with existing accessories.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSilent ring stoppers\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe stopper of each ring incorporates a damper made of a special resin, resulting in silent operation. While offering a satisfying lock feel, this feature eliminates any metallic sounds, allowing the user to shoot with confidence in a quiet area.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e180° focus rotational angle\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAt 180°, the rotational angle of the focus ring is more than double that of a still camera lens, making possible extremely high-precision focusing. SIGMA has also optimized the cam for cine lenses for even easier long distance focusing.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e160° zoom rotational angle\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAt 160°, the rotational angle of the zoom ring is more than double that of a still camera lens, making possible extremely high-precision zooming.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIris with full manual control\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eFeaturing manual control capability, the iris ring offers smooth control without clicks. The T-stop display, which is standard in cine lenses, contributes to high-precision exposures. Just like a high-end cine lens, the rotational angle of the iris ring is 60°.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLinear iris ring\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe linear iris ring gives users the same rotational angle per T-stop for direct, intuitive control.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eSelectable focus ring with feet or meter graduations\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eBased on user needs, a focus ring with either feet or meter graduations may be selected. For a small charge, SIGMA can also convert the ring from one type to the other after purchase.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMount Conversion Service\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eSeeing lenses as valuable assets, SIGMA now makes the Mount Conversion Service available for its new cine lenses. Successfully implemented for their still photography camera lenses, this service allows users to convert their lenses to and from EF and E-mounts (charges apply). If the camera system changes, it is possible to simply convert the mount system to continue using the high-performance SIGMA lenses.\u003cbr\u003eNote: The Mount Conversion Service is not available for PL mount lenses.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMount with electronic contacts\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe mount with electronic contacts allows the lens to communicate important information to the body (focal length, shooting distance, aperture etc.).\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEnhanced EF mount*\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003eThe hole for the stopper pin has been strengthened with a separate part to minimize loosening over time and enhance long-term use.\u003cbr\u003e*Only applicable for Canon EF mount\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDedicated lens support foot\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eComing as a standard accessory with all lenses in the lineup, the lens support foot helps minimize load on the camera body while enhancing mount stability. The height of the seating surface is designed for compatibility with other accessories. Even though the lens is compact, its robust design offers two different screw holes for this accessory to increase user options.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCine-style front lens cap\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAll lenses come complete with a conventional cine-style front lens cap.\u003cbr\u003e\u003cbr\u003e\u003cbr class=\"t-last-br\"\u003e\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":34875972976685,"sku":"CL20C","price":5499.95,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/products\/Products14119-1000x1000-419271.jpg?v=1780072166"},{"product_id":"sigma-cine-24mm-t1-5-sony-e","title":"Sigma Cine 24mm T1.5 - Sony E","description":"\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eThe image quality of a high-end prime lens. Full-frame compatibility—yet compact.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThese ten prime lenses range from 14mm to 135mm, and all offer T1.5 or T2 brightness. Rivaling a high-end prime set with their stunning image quality and compact construction, they also offer full-frame coverage. With this complete set of ten lenses designed for 6K-8K shooting, the FF High Speed Prime Line allows filming of various cuts without making any changes to the lighting, taking cinematography to the next level of performance. \u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eWide focal length coverage\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lineup covers everything from wide angle to telephoto. Produce an entire work with SIGMA lenses alone.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCompatibility\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eCompatibility has been confirmed with each brand of cinema cameras.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLenses for both S35 and full-frame\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe High Speed Zoom Line is compatible with Super35, the image size standard used by typical digital cinema cameras, while the FF High Speed Prime Line and FF Zoom Line are compatible with a full-frame image circle.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStrong high-speed lens lineup\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eT1.5 or T2 is available in prime lenses, while T2 is available throughout the zoom range in zoom lenses. These options enable cinematographers to realize a wide range of expressive goals.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eInspecting each and every lens\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThere are three requirements for outstanding lenses: fine design, precise manufacturing and inspection that ensures compliance with all specifications. SIGMA lenses are born of outstanding design concepts and excellent manufacturing technology, but they are not complete until they undergo their uncompromising lens performance evaluation. SIGMA has developed their own A1 proprietary Modulation Transfer Function (MTF) measuring system using 46-megapixel Foveon direct image sensors. Even previously undetectable high-frequency details are now within the scope of their quality control inspections. Each and every lens is checked before shipping. Thanks to the ultra-high resolution sensors, high- performance shooting is assured.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMinimization of flare and ghosting\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eComputer-based ray tracing has been used from the design stage onward to minimize flare and ghosting and enhance contrast in backlit conditions. Ghosting has also been checked at every prototype stage, with its causes identified, assessed, and eliminated.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSharpness combined with outstanding bokeh effect\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eTo fulfill the high demands for image quality in still photography, SIGMA has solved a wide range of issues. The benefit of these efforts can now be enjoyed in cine lenses as well.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eColour balance standardized across the lineup\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAll of the lenses in the lineup are designed to comply with SIGMA’s CCI standard. Standardized colour balance makes colour correction a snap.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e6K-8K class resolution\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lineup features the same optical system that delivers 50-megapixel or higher resolution in still photography. These lenses are therefore ready for higher-resolution shooting and are ideal for chroma keying as well.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLightweight and compact\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eLeveraging the high-precision, high-efficiency mass production technologies developed for its still camera lenses, SIGMA has made extremely lightweight and compact cine lenses a reality. Featuring all functions essential to cinematography, these lenses keep weight and size to a minimum, while their specification is optimized for enhanced durability. The end result is a combination of performance and compact design at the highest level.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDust-proof and splash-proof construction\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lineup features the same dust-proof and splash-proof construction as the SIGMA 150-600mm F5-6.3 DG OS HSM｜Sports. With each ring and mount specially sealed to prevent water and dust from entering, this lens is ready for use in tough conditions. The unusually robust specification of the lineup allows the user to concentrate on shooting while significantly reducing the burden of maintenance.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e100% metal body\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe body is made completely of metal to stand up to tough professional use over the long term.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLuminous paint for enhanced visibility\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe specification, gradation baseline, and lens change indications all feature luminous paint to aid in changing the lens in the dark and other tasks. Moreover, new FULLY LUMINOUS versions of the lenses feature the above plus rings whose numbers and gradations are finished with luminous paint.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLaser engraving for enhanced durability\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eInformation on rings and elsewhere is laser-engraved for use over the long term. In addition, tape may be placed on gradations without fear of stripping away paint when it is removed.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e82mm filter size*\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe filter size is standardized at 82mm, allowing users to use the same size of ND filter on different lenses.\u003cbr\u003e*Certain lens models are not compatible with 82mm filters.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e95mm front diameter\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe front diameter is 95mm, similar to that of other cine lenses and compatible with matte boxes. Compared to lenses in the same class, SIGMA’s cine lenses are more \u003cbr\u003elightweight and compact.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStandardized gear positions\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe positions of the gears in each ring are standardized, eliminating the need to adjust the follow focus, motor unit, or accessories even when the lens changes.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e0.8M gear pitch\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eEach lens has a 0.8M gear pitch, which is the standard for cine lenses, ensuring compatibility with existing accessories.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSilent ring stoppers\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe stopper of each ring incorporates a damper made of a special resin, resulting in silent operation. While offering a satisfying lock feel, this feature eliminates any metallic sounds, allowing the user to shoot with confidence in a quiet area.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e180° focus rotational angle\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAt 180°, the rotational angle of the focus ring is more than double that of a still camera lens, making possible extremely high-precision focusing. SIGMA has also optimized the cam for cine lenses for even easier long distance focusing.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e160° zoom rotational angle\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAt 160°, the rotational angle of the zoom ring is more than double that of a still camera lens, making possible extremely high-precision zooming.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIris with full manual control\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eFeaturing manual control capability, the iris ring offers smooth control without clicks. The T-stop display, which is standard in cine lenses, contributes to high-precision exposures. Just like a high-end cine lens, the rotational angle of the iris ring is 60°.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLinear iris ring\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe linear iris ring gives users the same rotational angle per T-stop for direct, intuitive control.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eSelectable focus ring with feet or meter graduations\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eBased on user needs, a focus ring with either feet or meter graduations may be selected. For a small charge, SIGMA can also convert the ring from one type to the other after purchase.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMount Conversion Service\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eSeeing lenses as valuable assets, SIGMA now makes the Mount Conversion Service available for its new cine lenses. Successfully implemented for their still photography camera lenses, this service allows users to convert their lenses to and from EF and E-mounts (charges apply). If the camera system changes, it is possible to simply convert the mount system to continue using the high-performance SIGMA lenses.\u003cbr\u003eNote: The Mount Conversion Service is not available for PL mount lenses.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMount with electronic contacts\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe mount with electronic contacts allows the lens to communicate important information to the body (focal length, shooting distance, aperture etc.).\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEnhanced EF mount*\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003eThe hole for the stopper pin has been strengthened with a separate part to minimize loosening over time and enhance long-term use.\u003cbr\u003e*Only applicable for Canon EF mount\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDedicated lens support foot\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eComing as a standard accessory with all lenses in the lineup, the lens support foot helps minimize load on the camera body while enhancing mount stability. The height of the seating surface is designed for compatibility with other accessories. Even though the lens is compact, its robust design offers two different screw holes for this accessory to increase user options.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCine-style front lens cap\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAll lenses come complete with a conventional cine-style front lens cap.\u003cbr\u003e\u003cbr\u003e\u003cbr class=\"t-last-br\"\u003e\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":34875973042221,"sku":"CL24S","price":5499.95,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/products\/Products14123-1000x1000-419318.jpg?v=1780072169"},{"product_id":"sigma-cine-14mm-t2-sony-e","title":"Sigma Cine 14mm T2 - Sony E","description":"\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eThe image quality of a high-end prime lens. Full-frame compatibility—yet compact.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThese ten prime lenses range from 14mm to 135mm, and all offer T1.5 or T2 brightness. Rivaling a high-end prime set with their stunning image quality and compact construction, they also offer full-frame coverage. With this complete set of ten lenses designed for 6K-8K shooting, the FF High Speed Prime Line allows filming of various cuts without making any changes to the lighting, taking cinematography to the next level of performance. \u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eWide focal length coverage\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lineup covers everything from wide angle to telephoto. Produce an entire work with SIGMA lenses alone.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCompatibility\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eCompatibility has been confirmed with each brand of cinema cameras.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLenses for both S35 and full-frame\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe High Speed Zoom Line is compatible with Super35, the image size standard used by typical digital cinema cameras, while the FF High Speed Prime Line and FF Zoom Line are compatible with a full-frame image circle.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStrong high-speed lens lineup\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eT1.5 or T2 is available in prime lenses, while T2 is available throughout the zoom range in zoom lenses. These options enable cinematographers to realize a wide range of expressive goals.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eInspecting each and every lens\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThere are three requirements for outstanding lenses: fine design, precise manufacturing and inspection that ensures compliance with all specifications. SIGMA lenses are born of outstanding design concepts and excellent manufacturing technology, but they are not complete until they undergo their uncompromising lens performance evaluation. SIGMA has developed their own A1 proprietary Modulation Transfer Function (MTF) measuring system using 46-megapixel Foveon direct image sensors. Even previously undetectable high-frequency details are now within the scope of their quality control inspections. Each and every lens is checked before shipping. Thanks to the ultra-high resolution sensors, high- performance shooting is assured.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMinimization of flare and ghosting\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eComputer-based ray tracing has been used from the design stage onward to minimize flare and ghosting and enhance contrast in backlit conditions. Ghosting has also been checked at every prototype stage, with its causes identified, assessed, and eliminated.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSharpness combined with outstanding bokeh effect\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eTo fulfill the high demands for image quality in still photography, SIGMA has solved a wide range of issues. The benefit of these efforts can now be enjoyed in cine lenses as well.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eColour balance standardized across the lineup\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAll of the lenses in the lineup are designed to comply with SIGMA’s CCI standard. Standardized colour balance makes colour correction a snap.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e6K-8K class resolution\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lineup features the same optical system that delivers 50-megapixel or higher resolution in still photography. These lenses are therefore ready for higher-resolution shooting and are ideal for chroma keying as well.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLightweight and compact\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eLeveraging the high-precision, high-efficiency mass production technologies developed for its still camera lenses, SIGMA has made extremely lightweight and compact cine lenses a reality. Featuring all functions essential to cinematography, these lenses keep weight and size to a minimum, while their specification is optimized for enhanced durability. The end result is a combination of performance and compact design at the highest level.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDust-proof and splash-proof construction\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lineup features the same dust-proof and splash-proof construction as the SIGMA 150-600mm F5-6.3 DG OS HSM｜Sports. With each ring and mount specially sealed to prevent water and dust from entering, this lens is ready for use in tough conditions. The unusually robust specification of the lineup allows the user to concentrate on shooting while significantly reducing the burden of maintenance.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e100% metal body\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe body is made completely of metal to stand up to tough professional use over the long term.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLuminous paint for enhanced visibility\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe specification, gradation baseline, and lens change indications all feature luminous paint to aid in changing the lens in the dark and other tasks. Moreover, new FULLY LUMINOUS versions of the lenses feature the above plus rings whose numbers and gradations are finished with luminous paint.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLaser engraving for enhanced durability\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eInformation on rings and elsewhere is laser-engraved for use over the long term. 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Compared to lenses in the same class, SIGMA’s cine lenses are more \u003cbr\u003elightweight and compact.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStandardized gear positions\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe positions of the gears in each ring are standardized, eliminating the need to adjust the follow focus, motor unit, or accessories even when the lens changes.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e0.8M gear pitch\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eEach lens has a 0.8M gear pitch, which is the standard for cine lenses, ensuring compatibility with existing accessories.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSilent ring stoppers\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe stopper of each ring incorporates a damper made of a special resin, resulting in silent operation. 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The T-stop display, which is standard in cine lenses, contributes to high-precision exposures. Just like a high-end cine lens, the rotational angle of the iris ring is 60°.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLinear iris ring\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe linear iris ring gives users the same rotational angle per T-stop for direct, intuitive control.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eSelectable focus ring with feet or meter graduations\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eBased on user needs, a focus ring with either feet or meter graduations may be selected. For a small charge, SIGMA can also convert the ring from one type to the other after purchase.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMount Conversion Service\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eSeeing lenses as valuable assets, SIGMA now makes the Mount Conversion Service available for its new cine lenses. Successfully implemented for their still photography camera lenses, this service allows users to convert their lenses to and from EF and E-mounts (charges apply). If the camera system changes, it is possible to simply convert the mount system to continue using the high-performance SIGMA lenses.\u003cbr\u003eNote: The Mount Conversion Service is not available for PL mount lenses.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMount with electronic contacts\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe mount with electronic contacts allows the lens to communicate important information to the body (focal length, shooting distance, aperture etc.).\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEnhanced EF mount*\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003eThe hole for the stopper pin has been strengthened with a separate part to minimize loosening over time and enhance long-term use.\u003cbr\u003e*Only applicable for Canon EF mount\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDedicated lens support foot\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eComing as a standard accessory with all lenses in the lineup, the lens support foot helps minimize load on the camera body while enhancing mount stability. The height of the seating surface is designed for compatibility with other accessories. Even though the lens is compact, its robust design offers two different screw holes for this accessory to increase user options.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCine-style front lens cap\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAll lenses come complete with a conventional cine-style front lens cap.\u003cbr\u003e\u003cbr class=\"t-last-br\"\u003e\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":34875973140525,"sku":"CL14S","price":7499.95,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/products\/Products14118-1000x1000-419253.jpg?v=1780072157"},{"product_id":"sigma-cine-35mm-t1-5-canon-ef","title":"Sigma Cine 35mm T1.5 - Canon EF","description":"\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eThe image quality of a high-end prime lens. Full-frame compatibility—yet compact.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThese ten prime lenses range from 14mm to 135mm, and all offer T1.5 or T2 brightness. Rivaling a high-end prime set with their stunning image quality and compact construction, they also offer full-frame coverage. With this complete set of ten lenses designed for 6K-8K shooting, the FF High Speed Prime Line allows filming of various cuts without making any changes to the lighting, taking cinematography to the next level of performance. \u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eWide focal length coverage\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lineup covers everything from wide angle to telephoto. Produce an entire work with SIGMA lenses alone.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCompatibility\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eCompatibility has been confirmed with each brand of cinema cameras.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLenses for both S35 and full-frame\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe High Speed Zoom Line is compatible with Super35, the image size standard used by typical digital cinema cameras, while the FF High Speed Prime Line and FF Zoom Line are compatible with a full-frame image circle.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStrong high-speed lens lineup\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eT1.5 or T2 is available in prime lenses, while T2 is available throughout the zoom range in zoom lenses. These options enable cinematographers to realize a wide range of expressive goals.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eInspecting each and every lens\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThere are three requirements for outstanding lenses: fine design, precise manufacturing and inspection that ensures compliance with all specifications. SIGMA lenses are born of outstanding design concepts and excellent manufacturing technology, but they are not complete until they undergo their uncompromising lens performance evaluation. SIGMA has developed their own A1 proprietary Modulation Transfer Function (MTF) measuring system using 46-megapixel Foveon direct image sensors. Even previously undetectable high-frequency details are now within the scope of their quality control inspections. Each and every lens is checked before shipping. Thanks to the ultra-high resolution sensors, high- performance shooting is assured.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMinimization of flare and ghosting\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eComputer-based ray tracing has been used from the design stage onward to minimize flare and ghosting and enhance contrast in backlit conditions. Ghosting has also been checked at every prototype stage, with its causes identified, assessed, and eliminated.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSharpness combined with outstanding bokeh effect\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eTo fulfill the high demands for image quality in still photography, SIGMA has solved a wide range of issues. The benefit of these efforts can now be enjoyed in cine lenses as well.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eColour balance standardized across the lineup\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAll of the lenses in the lineup are designed to comply with SIGMA’s CCI standard. Standardized colour balance makes colour correction a snap.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e6K-8K class resolution\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lineup features the same optical system that delivers 50-megapixel or higher resolution in still photography. These lenses are therefore ready for higher-resolution shooting and are ideal for chroma keying as well.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLightweight and compact\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eLeveraging the high-precision, high-efficiency mass production technologies developed for its still camera lenses, SIGMA has made extremely lightweight and compact cine lenses a reality. Featuring all functions essential to cinematography, these lenses keep weight and size to a minimum, while their specification is optimized for enhanced durability. The end result is a combination of performance and compact design at the highest level.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDust-proof and splash-proof construction\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lineup features the same dust-proof and splash-proof construction as the SIGMA 150-600mm F5-6.3 DG OS HSM｜Sports. With each ring and mount specially sealed to prevent water and dust from entering, this lens is ready for use in tough conditions. The unusually robust specification of the lineup allows the user to concentrate on shooting while significantly reducing the burden of maintenance.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e100% metal body\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe body is made completely of metal to stand up to tough professional use over the long term.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLuminous paint for enhanced visibility\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe specification, gradation baseline, and lens change indications all feature luminous paint to aid in changing the lens in the dark and other tasks. Moreover, new FULLY LUMINOUS versions of the lenses feature the above plus rings whose numbers and gradations are finished with luminous paint.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLaser engraving for enhanced durability\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eInformation on rings and elsewhere is laser-engraved for use over the long term. In addition, tape may be placed on gradations without fear of stripping away paint when it is removed.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e82mm filter size*\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe filter size is standardized at 82mm, allowing users to use the same size of ND filter on different lenses.\u003cbr\u003e*Certain lens models are not compatible with 82mm filters.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e95mm front diameter\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe front diameter is 95mm, similar to that of other cine lenses and compatible with matte boxes. Compared to lenses in the same class, SIGMA’s cine lenses are more \u003cbr\u003elightweight and compact.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStandardized gear positions\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe positions of the gears in each ring are standardized, eliminating the need to adjust the follow focus, motor unit, or accessories even when the lens changes.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e0.8M gear pitch\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eEach lens has a 0.8M gear pitch, which is the standard for cine lenses, ensuring compatibility with existing accessories.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSilent ring stoppers\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe stopper of each ring incorporates a damper made of a special resin, resulting in silent operation. While offering a satisfying lock feel, this feature eliminates any metallic sounds, allowing the user to shoot with confidence in a quiet area.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e180° focus rotational angle\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAt 180°, the rotational angle of the focus ring is more than double that of a still camera lens, making possible extremely high-precision focusing. SIGMA has also optimized the cam for cine lenses for even easier long distance focusing.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e160° zoom rotational angle\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAt 160°, the rotational angle of the zoom ring is more than double that of a still camera lens, making possible extremely high-precision zooming.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIris with full manual control\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eFeaturing manual control capability, the iris ring offers smooth control without clicks. The T-stop display, which is standard in cine lenses, contributes to high-precision exposures. Just like a high-end cine lens, the rotational angle of the iris ring is 60°.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLinear iris ring\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe linear iris ring gives users the same rotational angle per T-stop for direct, intuitive control.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eSelectable focus ring with feet or meter graduations\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eBased on user needs, a focus ring with either feet or meter graduations may be selected. For a small charge, SIGMA can also convert the ring from one type to the other after purchase.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMount Conversion Service\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eSeeing lenses as valuable assets, SIGMA now makes the Mount Conversion Service available for its new cine lenses. Successfully implemented for their still photography camera lenses, this service allows users to convert their lenses to and from EF and E-mounts (charges apply). If the camera system changes, it is possible to simply convert the mount system to continue using the high-performance SIGMA lenses.\u003cbr\u003eNote: The Mount Conversion Service is not available for PL mount lenses.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMount with electronic contacts\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe mount with electronic contacts allows the lens to communicate important information to the body (focal length, shooting distance, aperture etc.).\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEnhanced EF mount*\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003eThe hole for the stopper pin has been strengthened with a separate part to minimize loosening over time and enhance long-term use.\u003cbr\u003e*Only applicable for Canon EF mount\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDedicated lens support foot\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eComing as a standard accessory with all lenses in the lineup, the lens support foot helps minimize load on the camera body while enhancing mount stability. The height of the seating surface is designed for compatibility with other accessories. Even though the lens is compact, its robust design offers two different screw holes for this accessory to increase user options.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCine-style front lens cap\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAll lenses come complete with a conventional cine-style front lens cap.\u003cbr\u003e\u003cbr class=\"t-last-br\"\u003e\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":34875973074989,"sku":"CL35C","price":5499.95,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/products\/Products14126-1000x1000-419352.jpg?v=1780072156"},{"product_id":"sigma-cine-20mm-t1-5-sony-e","title":"Sigma Cine 20mm T1.5 - Sony E","description":"\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eThe image quality of a high-end prime lens. Full-frame compatibility—yet compact.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThese ten prime lenses range from 14mm to 135mm, and all offer T1.5 or T2 brightness. Rivaling a high-end prime set with their stunning image quality and compact construction, they also offer full-frame coverage. With this complete set of ten lenses designed for 6K-8K shooting, the FF High Speed Prime Line allows filming of various cuts without making any changes to the lighting, taking cinematography to the next level of performance. \u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eWide focal length coverage\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lineup covers everything from wide angle to telephoto. Produce an entire work with SIGMA lenses alone.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCompatibility\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eCompatibility has been confirmed with each brand of cinema cameras.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLenses for both S35 and full-frame\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe High Speed Zoom Line is compatible with Super35, the image size standard used by typical digital cinema cameras, while the FF High Speed Prime Line and FF Zoom Line are compatible with a full-frame image circle.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStrong high-speed lens lineup\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eT1.5 or T2 is available in prime lenses, while T2 is available throughout the zoom range in zoom lenses. These options enable cinematographers to realize a wide range of expressive goals.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eInspecting each and every lens\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThere are three requirements for outstanding lenses: fine design, precise manufacturing and inspection that ensures compliance with all specifications. SIGMA lenses are born of outstanding design concepts and excellent manufacturing technology, but they are not complete until they undergo their uncompromising lens performance evaluation. SIGMA has developed their own A1 proprietary Modulation Transfer Function (MTF) measuring system using 46-megapixel Foveon direct image sensors. Even previously undetectable high-frequency details are now within the scope of their quality control inspections. Each and every lens is checked before shipping. Thanks to the ultra-high resolution sensors, high- performance shooting is assured.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMinimization of flare and ghosting\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eComputer-based ray tracing has been used from the design stage onward to minimize flare and ghosting and enhance contrast in backlit conditions. Ghosting has also been checked at every prototype stage, with its causes identified, assessed, and eliminated.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSharpness combined with outstanding bokeh effect\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eTo fulfill the high demands for image quality in still photography, SIGMA has solved a wide range of issues. The benefit of these efforts can now be enjoyed in cine lenses as well.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eColour balance standardized across the lineup\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAll of the lenses in the lineup are designed to comply with SIGMA’s CCI standard. Standardized colour balance makes colour correction a snap.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e6K-8K class resolution\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lineup features the same optical system that delivers 50-megapixel or higher resolution in still photography. These lenses are therefore ready for higher-resolution shooting and are ideal for chroma keying as well.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLightweight and compact\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eLeveraging the high-precision, high-efficiency mass production technologies developed for its still camera lenses, SIGMA has made extremely lightweight and compact cine lenses a reality. Featuring all functions essential to cinematography, these lenses keep weight and size to a minimum, while their specification is optimized for enhanced durability. The end result is a combination of performance and compact design at the highest level.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDust-proof and splash-proof construction\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lineup features the same dust-proof and splash-proof construction as the SIGMA 150-600mm F5-6.3 DG OS HSM｜Sports. With each ring and mount specially sealed to prevent water and dust from entering, this lens is ready for use in tough conditions. The unusually robust specification of the lineup allows the user to concentrate on shooting while significantly reducing the burden of maintenance.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e100% metal body\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe body is made completely of metal to stand up to tough professional use over the long term.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLuminous paint for enhanced visibility\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe specification, gradation baseline, and lens change indications all feature luminous paint to aid in changing the lens in the dark and other tasks. Moreover, new FULLY LUMINOUS versions of the lenses feature the above plus rings whose numbers and gradations are finished with luminous paint.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLaser engraving for enhanced durability\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eInformation on rings and elsewhere is laser-engraved for use over the long term. In addition, tape may be placed on gradations without fear of stripping away paint when it is removed.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e82mm filter size*\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe filter size is standardized at 82mm, allowing users to use the same size of ND filter on different lenses.\u003cbr\u003e*Certain lens models are not compatible with 82mm filters.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e95mm front diameter\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe front diameter is 95mm, similar to that of other cine lenses and compatible with matte boxes. 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The T-stop display, which is standard in cine lenses, contributes to high-precision exposures. Just like a high-end cine lens, the rotational angle of the iris ring is 60°.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLinear iris ring\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe linear iris ring gives users the same rotational angle per T-stop for direct, intuitive control.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eSelectable focus ring with feet or meter graduations\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eBased on user needs, a focus ring with either feet or meter graduations may be selected. For a small charge, SIGMA can also convert the ring from one type to the other after purchase.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMount Conversion Service\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eSeeing lenses as valuable assets, SIGMA now makes the Mount Conversion Service available for its new cine lenses. Successfully implemented for their still photography camera lenses, this service allows users to convert their lenses to and from EF and E-mounts (charges apply). If the camera system changes, it is possible to simply convert the mount system to continue using the high-performance SIGMA lenses.\u003cbr\u003eNote: The Mount Conversion Service is not available for PL mount lenses.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMount with electronic contacts\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe mount with electronic contacts allows the lens to communicate important information to the body (focal length, shooting distance, aperture etc.).\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEnhanced EF mount*\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003eThe hole for the stopper pin has been strengthened with a separate part to minimize loosening over time and enhance long-term use.\u003cbr\u003e*Only applicable for Canon EF mount\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDedicated lens support foot\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eComing as a standard accessory with all lenses in the lineup, the lens support foot helps minimize load on the camera body while enhancing mount stability. The height of the seating surface is designed for compatibility with other accessories. Even though the lens is compact, its robust design offers two different screw holes for this accessory to increase user options.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCine-style front lens cap\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAll lenses come complete with a conventional cine-style front lens cap.\u003cbr\u003e\u003cbr\u003e\u003cbr class=\"t-last-br\"\u003e\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":34875973107757,"sku":"CL20S","price":5499.95,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/products\/Products14120-1000x1000-419281.jpg?v=1780072159"},{"product_id":"sigma-cine-35mm-t1-5-sony-e","title":"Sigma Cine 35mm T1.5 - Sony E","description":"\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eThe image quality of a high-end prime lens. 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Produce an entire work with SIGMA lenses alone.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCompatibility\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eCompatibility has been confirmed with each brand of cinema cameras.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLenses for both S35 and full-frame\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe High Speed Zoom Line is compatible with Super35, the image size standard used by typical digital cinema cameras, while the FF High Speed Prime Line and FF Zoom Line are compatible with a full-frame image circle.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStrong high-speed lens lineup\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eT1.5 or T2 is available in prime lenses, while T2 is available throughout the zoom range in zoom lenses. These options enable cinematographers to realize a wide range of expressive goals.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eInspecting each and every lens\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThere are three requirements for outstanding lenses: fine design, precise manufacturing and inspection that ensures compliance with all specifications. SIGMA lenses are born of outstanding design concepts and excellent manufacturing technology, but they are not complete until they undergo their uncompromising lens performance evaluation. SIGMA has developed their own A1 proprietary Modulation Transfer Function (MTF) measuring system using 46-megapixel Foveon direct image sensors. Even previously undetectable high-frequency details are now within the scope of their quality control inspections. Each and every lens is checked before shipping. Thanks to the ultra-high resolution sensors, high- performance shooting is assured.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMinimization of flare and ghosting\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eComputer-based ray tracing has been used from the design stage onward to minimize flare and ghosting and enhance contrast in backlit conditions. Ghosting has also been checked at every prototype stage, with its causes identified, assessed, and eliminated.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSharpness combined with outstanding bokeh effect\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eTo fulfill the high demands for image quality in still photography, SIGMA has solved a wide range of issues. 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Featuring all functions essential to cinematography, these lenses keep weight and size to a minimum, while their specification is optimized for enhanced durability. The end result is a combination of performance and compact design at the highest level.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDust-proof and splash-proof construction\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lineup features the same dust-proof and splash-proof construction as the SIGMA 150-600mm F5-6.3 DG OS HSM｜Sports. With each ring and mount specially sealed to prevent water and dust from entering, this lens is ready for use in tough conditions. The unusually robust specification of the lineup allows the user to concentrate on shooting while significantly reducing the burden of maintenance.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e100% metal body\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe body is made completely of metal to stand up to tough professional use over the long term.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLuminous paint for enhanced visibility\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe specification, gradation baseline, and lens change indications all feature luminous paint to aid in changing the lens in the dark and other tasks. Moreover, new FULLY LUMINOUS versions of the lenses feature the above plus rings whose numbers and gradations are finished with luminous paint.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLaser engraving for enhanced durability\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eInformation on rings and elsewhere is laser-engraved for use over the long term. 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Full-frame compatibility—yet compact.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThese ten prime lenses range from 14mm to 135mm, and all offer T1.5 or T2 brightness. Rivaling a high-end prime set with their stunning image quality and compact construction, they also offer full-frame coverage. With this complete set of ten lenses designed for 6K-8K shooting, the FF High Speed Prime Line allows filming of various cuts without making any changes to the lighting, taking cinematography to the next level of performance. \u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eWide focal length coverage\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lineup covers everything from wide angle to telephoto. Produce an entire work with SIGMA lenses alone.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCompatibility\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eCompatibility has been confirmed with each brand of cinema cameras.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLenses for both S35 and full-frame\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe High Speed Zoom Line is compatible with Super35, the image size standard used by typical digital cinema cameras, while the FF High Speed Prime Line and FF Zoom Line are compatible with a full-frame image circle.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStrong high-speed lens lineup\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eT1.5 or T2 is available in prime lenses, while T2 is available throughout the zoom range in zoom lenses. These options enable cinematographers to realize a wide range of expressive goals.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eInspecting each and every lens\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThere are three requirements for outstanding lenses: fine design, precise manufacturing and inspection that ensures compliance with all specifications. SIGMA lenses are born of outstanding design concepts and excellent manufacturing technology, but they are not complete until they undergo their uncompromising lens performance evaluation. SIGMA has developed their own A1 proprietary Modulation Transfer Function (MTF) measuring system using 46-megapixel Foveon direct image sensors. Even previously undetectable high-frequency details are now within the scope of their quality control inspections. Each and every lens is checked before shipping. Thanks to the ultra-high resolution sensors, high- performance shooting is assured.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMinimization of flare and ghosting\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eComputer-based ray tracing has been used from the design stage onward to minimize flare and ghosting and enhance contrast in backlit conditions. Ghosting has also been checked at every prototype stage, with its causes identified, assessed, and eliminated.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSharpness combined with outstanding bokeh effect\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eTo fulfill the high demands for image quality in still photography, SIGMA has solved a wide range of issues. The benefit of these efforts can now be enjoyed in cine lenses as well.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eColour balance standardized across the lineup\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAll of the lenses in the lineup are designed to comply with SIGMA’s CCI standard. Standardized colour balance makes colour correction a snap.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e6K-8K class resolution\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lineup features the same optical system that delivers 50-megapixel or higher resolution in still photography. These lenses are therefore ready for higher-resolution shooting and are ideal for chroma keying as well.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLightweight and compact\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eLeveraging the high-precision, high-efficiency mass production technologies developed for its still camera lenses, SIGMA has made extremely lightweight and compact cine lenses a reality. Featuring all functions essential to cinematography, these lenses keep weight and size to a minimum, while their specification is optimized for enhanced durability. The end result is a combination of performance and compact design at the highest level.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDust-proof and splash-proof construction\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lineup features the same dust-proof and splash-proof construction as the SIGMA 150-600mm F5-6.3 DG OS HSM｜Sports. With each ring and mount specially sealed to prevent water and dust from entering, this lens is ready for use in tough conditions. The unusually robust specification of the lineup allows the user to concentrate on shooting while significantly reducing the burden of maintenance.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e100% metal body\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe body is made completely of metal to stand up to tough professional use over the long term.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLuminous paint for enhanced visibility\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe specification, gradation baseline, and lens change indications all feature luminous paint to aid in changing the lens in the dark and other tasks. Moreover, new FULLY LUMINOUS versions of the lenses feature the above plus rings whose numbers and gradations are finished with luminous paint.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLaser engraving for enhanced durability\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eInformation on rings and elsewhere is laser-engraved for use over the long term. In addition, tape may be placed on gradations without fear of stripping away paint when it is removed.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e82mm filter size*\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe filter size is standardized at 82mm, allowing users to use the same size of ND filter on different lenses.\u003cbr\u003e*Certain lens models are not compatible with 82mm filters.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e95mm front diameter\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe front diameter is 95mm, similar to that of other cine lenses and compatible with matte boxes. Compared to lenses in the same class, SIGMA’s cine lenses are more \u003cbr\u003elightweight and compact.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStandardized gear positions\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe positions of the gears in each ring are standardized, eliminating the need to adjust the follow focus, motor unit, or accessories even when the lens changes.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e0.8M gear pitch\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eEach lens has a 0.8M gear pitch, which is the standard for cine lenses, ensuring compatibility with existing accessories.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSilent ring stoppers\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe stopper of each ring incorporates a damper made of a special resin, resulting in silent operation. While offering a satisfying lock feel, this feature eliminates any metallic sounds, allowing the user to shoot with confidence in a quiet area.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e180° focus rotational angle\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAt 180°, the rotational angle of the focus ring is more than double that of a still camera lens, making possible extremely high-precision focusing. SIGMA has also optimized the cam for cine lenses for even easier long distance focusing.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e160° zoom rotational angle\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAt 160°, the rotational angle of the zoom ring is more than double that of a still camera lens, making possible extremely high-precision zooming.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIris with full manual control\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eFeaturing manual control capability, the iris ring offers smooth control without clicks. The T-stop display, which is standard in cine lenses, contributes to high-precision exposures. Just like a high-end cine lens, the rotational angle of the iris ring is 60°.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLinear iris ring\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe linear iris ring gives users the same rotational angle per T-stop for direct, intuitive control.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eSelectable focus ring with feet or meter graduations\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eBased on user needs, a focus ring with either feet or meter graduations may be selected. For a small charge, SIGMA can also convert the ring from one type to the other after purchase.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMount Conversion Service\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eSeeing lenses as valuable assets, SIGMA now makes the Mount Conversion Service available for its new cine lenses. Successfully implemented for their still photography camera lenses, this service allows users to convert their lenses to and from EF and E-mounts (charges apply). If the camera system changes, it is possible to simply convert the mount system to continue using the high-performance SIGMA lenses.\u003cbr\u003eNote: The Mount Conversion Service is not available for PL mount lenses.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMount with electronic contacts\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe mount with electronic contacts allows the lens to communicate important information to the body (focal length, shooting distance, aperture etc.).\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEnhanced EF mount*\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003eThe hole for the stopper pin has been strengthened with a separate part to minimize loosening over time and enhance long-term use.\u003cbr\u003e*Only applicable for Canon EF mount\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDedicated lens support foot\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eComing as a standard accessory with all lenses in the lineup, the lens support foot helps minimize load on the camera body while enhancing mount stability. The height of the seating surface is designed for compatibility with other accessories. Even though the lens is compact, its robust design offers two different screw holes for this accessory to increase user options.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCine-style front lens cap\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAll lenses come complete with a conventional cine-style front lens cap.\u003cbr\u003e\u003cbr\u003e\u003cbr class=\"t-last-br\"\u003e\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":34875973304365,"sku":"CL85C","price":5499.95,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/products\/Products14130-1000x1000-419411.jpg?v=1780072148"},{"product_id":"sigma-cine-50mm-t1-5-canon-ef","title":"Sigma Cine 50mm T1.5 - Canon EF","description":"\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eThe image quality of a high-end prime lens. Full-frame compatibility—yet compact.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThese ten prime lenses range from 14mm to 135mm, and all offer T1.5 or T2 brightness. Rivaling a high-end prime set with their stunning image quality and compact construction, they also offer full-frame coverage. With this complete set of ten lenses designed for 6K-8K shooting, the FF High Speed Prime Line allows filming of various cuts without making any changes to the lighting, taking cinematography to the next level of performance. \u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eWide focal length coverage\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lineup covers everything from wide angle to telephoto. Produce an entire work with SIGMA lenses alone.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCompatibility\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eCompatibility has been confirmed with each brand of cinema cameras.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLenses for both S35 and full-frame\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe High Speed Zoom Line is compatible with Super35, the image size standard used by typical digital cinema cameras, while the FF High Speed Prime Line and FF Zoom Line are compatible with a full-frame image circle.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStrong high-speed lens lineup\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eT1.5 or T2 is available in prime lenses, while T2 is available throughout the zoom range in zoom lenses. These options enable cinematographers to realize a wide range of expressive goals.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eInspecting each and every lens\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThere are three requirements for outstanding lenses: fine design, precise manufacturing and inspection that ensures compliance with all specifications. SIGMA lenses are born of outstanding design concepts and excellent manufacturing technology, but they are not complete until they undergo their uncompromising lens performance evaluation. SIGMA has developed their own A1 proprietary Modulation Transfer Function (MTF) measuring system using 46-megapixel Foveon direct image sensors. Even previously undetectable high-frequency details are now within the scope of their quality control inspections. Each and every lens is checked before shipping. Thanks to the ultra-high resolution sensors, high- performance shooting is assured.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMinimization of flare and ghosting\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eComputer-based ray tracing has been used from the design stage onward to minimize flare and ghosting and enhance contrast in backlit conditions. Ghosting has also been checked at every prototype stage, with its causes identified, assessed, and eliminated.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSharpness combined with outstanding bokeh effect\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eTo fulfill the high demands for image quality in still photography, SIGMA has solved a wide range of issues. The benefit of these efforts can now be enjoyed in cine lenses as well.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eColour balance standardized across the lineup\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAll of the lenses in the lineup are designed to comply with SIGMA’s CCI standard. Standardized colour balance makes colour correction a snap.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e6K-8K class resolution\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lineup features the same optical system that delivers 50-megapixel or higher resolution in still photography. These lenses are therefore ready for higher-resolution shooting and are ideal for chroma keying as well.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLightweight and compact\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eLeveraging the high-precision, high-efficiency mass production technologies developed for its still camera lenses, SIGMA has made extremely lightweight and compact cine lenses a reality. Featuring all functions essential to cinematography, these lenses keep weight and size to a minimum, while their specification is optimized for enhanced durability. The end result is a combination of performance and compact design at the highest level.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDust-proof and splash-proof construction\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lineup features the same dust-proof and splash-proof construction as the SIGMA 150-600mm F5-6.3 DG OS HSM｜Sports. With each ring and mount specially sealed to prevent water and dust from entering, this lens is ready for use in tough conditions. The unusually robust specification of the lineup allows the user to concentrate on shooting while significantly reducing the burden of maintenance.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e100% metal body\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe body is made completely of metal to stand up to tough professional use over the long term.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLuminous paint for enhanced visibility\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe specification, gradation baseline, and lens change indications all feature luminous paint to aid in changing the lens in the dark and other tasks. Moreover, new FULLY LUMINOUS versions of the lenses feature the above plus rings whose numbers and gradations are finished with luminous paint.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLaser engraving for enhanced durability\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eInformation on rings and elsewhere is laser-engraved for use over the long term. 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Compared to lenses in the same class, SIGMA’s cine lenses are more \u003cbr\u003elightweight and compact.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStandardized gear positions\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe positions of the gears in each ring are standardized, eliminating the need to adjust the follow focus, motor unit, or accessories even when the lens changes.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e0.8M gear pitch\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eEach lens has a 0.8M gear pitch, which is the standard for cine lenses, ensuring compatibility with existing accessories.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSilent ring stoppers\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe stopper of each ring incorporates a damper made of a special resin, resulting in silent operation. 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Successfully implemented for their still photography camera lenses, this service allows users to convert their lenses to and from EF and E-mounts (charges apply). 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The height of the seating surface is designed for compatibility with other accessories. Even though the lens is compact, its robust design offers two different screw holes for this accessory to increase user options.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCine-style front lens cap\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAll lenses come complete with a conventional cine-style front lens cap.\u003cbr\u003e\u003cbr\u003e\u003cbr class=\"t-last-br\"\u003e\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":34875973533741,"sku":"CL50C","price":5499.95,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/products\/Products14128-1000x1000-419383.jpg?v=1780072144"},{"product_id":"sigma-cine-50mm-t1-5-sony-e","title":"Sigma Cine 50mm T1.5 - Sony E","description":"\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eThe image quality of a high-end prime lens. Full-frame compatibility—yet compact.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThese ten prime lenses range from 14mm to 135mm, and all offer T1.5 or T2 brightness. Rivaling a high-end prime set with their stunning image quality and compact construction, they also offer full-frame coverage. With this complete set of ten lenses designed for 6K-8K shooting, the FF High Speed Prime Line allows filming of various cuts without making any changes to the lighting, taking cinematography to the next level of performance. \u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eWide focal length coverage\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lineup covers everything from wide angle to telephoto. Produce an entire work with SIGMA lenses alone.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCompatibility\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eCompatibility has been confirmed with each brand of cinema cameras.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLenses for both S35 and full-frame\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe High Speed Zoom Line is compatible with Super35, the image size standard used by typical digital cinema cameras, while the FF High Speed Prime Line and FF Zoom Line are compatible with a full-frame image circle.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStrong high-speed lens lineup\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eT1.5 or T2 is available in prime lenses, while T2 is available throughout the zoom range in zoom lenses. These options enable cinematographers to realize a wide range of expressive goals.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eInspecting each and every lens\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThere are three requirements for outstanding lenses: fine design, precise manufacturing and inspection that ensures compliance with all specifications. SIGMA lenses are born of outstanding design concepts and excellent manufacturing technology, but they are not complete until they undergo their uncompromising lens performance evaluation. SIGMA has developed their own A1 proprietary Modulation Transfer Function (MTF) measuring system using 46-megapixel Foveon direct image sensors. Even previously undetectable high-frequency details are now within the scope of their quality control inspections. Each and every lens is checked before shipping. Thanks to the ultra-high resolution sensors, high- performance shooting is assured.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMinimization of flare and ghosting\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eComputer-based ray tracing has been used from the design stage onward to minimize flare and ghosting and enhance contrast in backlit conditions. Ghosting has also been checked at every prototype stage, with its causes identified, assessed, and eliminated.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSharpness combined with outstanding bokeh effect\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eTo fulfill the high demands for image quality in still photography, SIGMA has solved a wide range of issues. The benefit of these efforts can now be enjoyed in cine lenses as well.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eColour balance standardized across the lineup\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAll of the lenses in the lineup are designed to comply with SIGMA’s CCI standard. Standardized colour balance makes colour correction a snap.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e6K-8K class resolution\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lineup features the same optical system that delivers 50-megapixel or higher resolution in still photography. These lenses are therefore ready for higher-resolution shooting and are ideal for chroma keying as well.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLightweight and compact\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eLeveraging the high-precision, high-efficiency mass production technologies developed for its still camera lenses, SIGMA has made extremely lightweight and compact cine lenses a reality. Featuring all functions essential to cinematography, these lenses keep weight and size to a minimum, while their specification is optimized for enhanced durability. The end result is a combination of performance and compact design at the highest level.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDust-proof and splash-proof construction\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lineup features the same dust-proof and splash-proof construction as the SIGMA 150-600mm F5-6.3 DG OS HSM｜Sports. With each ring and mount specially sealed to prevent water and dust from entering, this lens is ready for use in tough conditions. The unusually robust specification of the lineup allows the user to concentrate on shooting while significantly reducing the burden of maintenance.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e100% metal body\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe body is made completely of metal to stand up to tough professional use over the long term.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLuminous paint for enhanced visibility\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe specification, gradation baseline, and lens change indications all feature luminous paint to aid in changing the lens in the dark and other tasks. Moreover, new FULLY LUMINOUS versions of the lenses feature the above plus rings whose numbers and gradations are finished with luminous paint.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLaser engraving for enhanced durability\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eInformation on rings and elsewhere is laser-engraved for use over the long term. In addition, tape may be placed on gradations without fear of stripping away paint when it is removed.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e82mm filter size*\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe filter size is standardized at 82mm, allowing users to use the same size of ND filter on different lenses.\u003cbr\u003e*Certain lens models are not compatible with 82mm filters.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e95mm front diameter\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe front diameter is 95mm, similar to that of other cine lenses and compatible with matte boxes. 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The T-stop display, which is standard in cine lenses, contributes to high-precision exposures. Just like a high-end cine lens, the rotational angle of the iris ring is 60°.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLinear iris ring\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe linear iris ring gives users the same rotational angle per T-stop for direct, intuitive control.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eSelectable focus ring with feet or meter graduations\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eBased on user needs, a focus ring with either feet or meter graduations may be selected. For a small charge, SIGMA can also convert the ring from one type to the other after purchase.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMount Conversion Service\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eSeeing lenses as valuable assets, SIGMA now makes the Mount Conversion Service available for its new cine lenses. Successfully implemented for their still photography camera lenses, this service allows users to convert their lenses to and from EF and E-mounts (charges apply). 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Full-frame compatibility—yet compact.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThese ten prime lenses range from 14mm to 135mm, and all offer T1.5 or T2 brightness. Rivaling a high-end prime set with their stunning image quality and compact construction, they also offer full-frame coverage. With this complete set of ten lenses designed for 6K-8K shooting, the FF High Speed Prime Line allows filming of various cuts without making any changes to the lighting, taking cinematography to the next level of performance. \u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eWide focal length coverage\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lineup covers everything from wide angle to telephoto. Produce an entire work with SIGMA lenses alone.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCompatibility\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eCompatibility has been confirmed with each brand of cinema cameras.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLenses for both S35 and full-frame\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe High Speed Zoom Line is compatible with Super35, the image size standard used by typical digital cinema cameras, while the FF High Speed Prime Line and FF Zoom Line are compatible with a full-frame image circle.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStrong high-speed lens lineup\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eT1.5 or T2 is available in prime lenses, while T2 is available throughout the zoom range in zoom lenses. These options enable cinematographers to realize a wide range of expressive goals.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eInspecting each and every lens\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThere are three requirements for outstanding lenses: fine design, precise manufacturing and inspection that ensures compliance with all specifications. SIGMA lenses are born of outstanding design concepts and excellent manufacturing technology, but they are not complete until they undergo their uncompromising lens performance evaluation. SIGMA has developed their own A1 proprietary Modulation Transfer Function (MTF) measuring system using 46-megapixel Foveon direct image sensors. Even previously undetectable high-frequency details are now within the scope of their quality control inspections. Each and every lens is checked before shipping. Thanks to the ultra-high resolution sensors, high- performance shooting is assured.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMinimization of flare and ghosting\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eComputer-based ray tracing has been used from the design stage onward to minimize flare and ghosting and enhance contrast in backlit conditions. Ghosting has also been checked at every prototype stage, with its causes identified, assessed, and eliminated.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSharpness combined with outstanding bokeh effect\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eTo fulfill the high demands for image quality in still photography, SIGMA has solved a wide range of issues. The benefit of these efforts can now be enjoyed in cine lenses as well.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eColour balance standardized across the lineup\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAll of the lenses in the lineup are designed to comply with SIGMA’s CCI standard. Standardized colour balance makes colour correction a snap.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e6K-8K class resolution\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lineup features the same optical system that delivers 50-megapixel or higher resolution in still photography. These lenses are therefore ready for higher-resolution shooting and are ideal for chroma keying as well.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLightweight and compact\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eLeveraging the high-precision, high-efficiency mass production technologies developed for its still camera lenses, SIGMA has made extremely lightweight and compact cine lenses a reality. Featuring all functions essential to cinematography, these lenses keep weight and size to a minimum, while their specification is optimized for enhanced durability. The end result is a combination of performance and compact design at the highest level.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDust-proof and splash-proof construction\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lineup features the same dust-proof and splash-proof construction as the SIGMA 150-600mm F5-6.3 DG OS HSM｜Sports. With each ring and mount specially sealed to prevent water and dust from entering, this lens is ready for use in tough conditions. The unusually robust specification of the lineup allows the user to concentrate on shooting while significantly reducing the burden of maintenance.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e100% metal body\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe body is made completely of metal to stand up to tough professional use over the long term.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLuminous paint for enhanced visibility\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe specification, gradation baseline, and lens change indications all feature luminous paint to aid in changing the lens in the dark and other tasks. Moreover, new FULLY LUMINOUS versions of the lenses feature the above plus rings whose numbers and gradations are finished with luminous paint.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLaser engraving for enhanced durability\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eInformation on rings and elsewhere is laser-engraved for use over the long term. 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Compared to lenses in the same class, SIGMA’s cine lenses are more \u003cbr\u003elightweight and compact.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStandardized gear positions\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe positions of the gears in each ring are standardized, eliminating the need to adjust the follow focus, motor unit, or accessories even when the lens changes.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e0.8M gear pitch\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eEach lens has a 0.8M gear pitch, which is the standard for cine lenses, ensuring compatibility with existing accessories.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSilent ring stoppers\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe stopper of each ring incorporates a damper made of a special resin, resulting in silent operation. 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