{"title":"Professional Video Cameras","description":"","products":[{"product_id":"panasonic-pro-eva1-5-7k-super-35-cinema-camera","title":"Panasonic Pro EVA1 5.7k Super 35 Cinema Camera","description":"\u003cp\u003eCompact and lightweight, the AU-EVA1 is tailor-made for handheld shooting, but also well suited for documentaries, events, commercials, and music videos. Its 5.7K Super 35 Sensor provides excellent image quality, and it has been designed with an EF Lens Mount which allows a wide range of lenses from many manufacturers to be used for extra versatility. The AU-EVA1 also offers a stunning 14 stops of dynamic range for more true to life videos, and 4K resolution at 60p or 2K up to 240p for incredible slow-motion captures. Everything you record is stored on handy SD card media.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCinematic Run \u0026amp; Gun\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eWeighing only 2.6 lbs. (1.2 kg \/ body) with a compact form factor(6.69” x 5.31” x 5.23”) and a removable handgrip, EVA1 can be used for efficient handheld shooting applications and can also be mounted on adrone, gimbal rig, or jib arm for complex yet smooth camera moves. There will also be numerous mounting points and Panasonic is currently working with top accessory makers to allow further customization with the EVA1.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e5.7K Super 35mm Sensor\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe newly-designed EVA1 sensor is Super 35 sized (24.60mm x 12.97mm) with 5.7K resolution. With an active resolution of 5720 x 3016, the EVA1 delivers more than 17.25 million photosites, nearly double the 8.8million for 4K DCI (4096 x 2160). By starting at a higher native resolution, the 5.7K sensor yields a higher resolving image when down-sampled to 4K, UHD, 2K, or even 720p. Additionally, the increased colour information results in a finer, more accurate finished image.\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDual Native ISO\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eA key feature of the VariCam cameras, Dual Native ISO utilizes aprocess that allows the sensor to be read in a fundamentally different way, extracting more information without degrading the image. This results in a camera that can switch from a standard sensitivity to a high sensitivity with almost no increase in noise or other artifacts. Dual Native ISO has allowed cinematographers a greater variety of artistic choices as well as the ability to use less light on set, saving time and money. The EVA1’s Dual Native ISOs are 800 and 2,500, which will allow cinematographers to shoot in almost any lighting environment.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDynamic Range\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eDynamic range measures the luminance range that a digital camera can capture. The EVA1 delivers 14-stops of Dynamic Range, enabling fine gradation in exposure from bright to dark.\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eV-Log \/ V-Gamut\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe ability to capture accurate colours and rich skin tones is a must for any filmmaker. Like the VariCam lineup of cinema cameras, the EVA1 contains V-Log\/V-Gamut capture to deliver high dynamic range and broad colours. V-Log has log curve characteristics that some would say are reminiscent of negative film and V-Gamut delivers a colour space even larger than film. The EVA1 will also import the celebrated colorimetry of the VariCam line.\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eEF-Mount Lenses\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eFor lensing, the camera utilizes a native EF-mount, giving shooters access to the broad EF lens ecosystem, including dozens of cinema-style prime and zoom lenses from numerous manufacturers. There will be full Iris Control, One-Push Auto Focus, and Lens Data.\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eE.I.S. \u0026amp; Integrated ND Filters\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eEVA1 employs Electronic Image Stabilization (EIS) to compensate for camera shake and blurring, which will help smooth out handheld or shoulder-mount shots on documentary or run-and-gun projects. Behind the lens mount, an integrated ND filter wheel in 2, 4, and 6 stops allows for precise exposure control. The EVA1 also allows the IR Cut filter to be swung out of the path to the sensor at the push of a button. Unique photographic effects and night vision imagery are possible with this control over infrared. The ND filter and IR Cut filter operate electronically, which will allow wireless remote control from smartphones and tablets.\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eLow-Cost Media \/ SD Card Recording\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eIdeal for indie filmmakers, the EVA1 records to readily-available, lower-cost SD cards. With two SD card slots, you can capture footage either with Simul Rec (simultaneous dual record) or Relay Rec (continuous record). There’s also One Shot Record, which enables single frame video for stop motion capture. The camera can record in several formats and compression rates, and offers up to 10-bit 4:2:2 even in 4K. For in camera recording, you can capture in 4K (4096 x 2160), UHD (3840x 2160), 2K (2048 x 1080), Full HD (1920 x 1080), and HD (1280 x 720). For high-speed capture, the EVA1 offers up to 59.94fps\/50fps for 4K\/UHD, up to 120fps\/100fps for 2K\/Full HD, or 240fps\/200fps (cropped area). In a future firmware upgrade, EVA1 will offer ALL Intra compression (400Mbps) for in camera recording.\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eI\/O\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e EVA1 offers dual balanced XLR audio inputs with Dolby Audio encoding. The HDMI and SDI video outputs are both 4K-capable and each can be adjusted separately, allowing HD to be fed to a viewfinder or other third-party monitor while 4K is sent to an outboard recorder or monitor. The camera is also equipped with standard Timecode functionality. In a future firmware upgrade, EVA1 will offer 5.7K RAW output to 3rd party recorders.\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBundled Battery \u0026amp; Dual Charger\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eBundled with the EVA1 is the AG-VBR59 battery (7.28V 5900mAh\/43Wh), which should give you approximately 1 hour 30 min of continuous operating time and a charge time (with bundled dual battery charger) of approximately 3 hour 20 min. With the optional AG-VBR118 (7.28V11800mAh\/86Wh) battery, you will have approximately 3 hour 5 min of continuous operating time and a charge time of approximately 4 hour 40 min.\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eAdditional Professional Features\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAs a professional video production tool, EVA1 contains several professional imaging tools, including Peaking, Expand (Image Zoom),Waveform, Zebras, and Spotmeter (Y-Get). 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The DIGIC DV 7 Image Processor expands functionality and flexibility by enabling features such as internal RAW recording, 4K 120p High Frame Rate recording, and Dual Pixel Autofocus.\u003cbr\u003e\u003cbr\u003eThe EOS C300 Mark III is the perfect expression of form and function, exceptionally adaptable to virtually any production with its modular design. Three expansion units and user changeable lens mounts enable operators to build their ideal system for cinema or broadcasting.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCanon Super 35mm Dual Gain Output (DGO) Sensor\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe EOS C300 Mark III features Canon’s next-generation Super 35mm Dual Gain Output (DGO) Sensor. This new sensor is capable of dynamic ranges in excess of 16 stops and is compatible with Canon’s exclusive Dual Pixel CMOS Autofocus technology.\u003cbr\u003e\u003cbr\u003eThe DGO Sensor is a newly-developed imaging system that generates high dynamic range and maintains low-noise levels by reading out each pixel with different gains. It combines images using pixels shot with a saturation-prioritizing amplifier for bright areas, and a lower-noise noise-prioritizing amplifier for darker areas.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDIG!C DV7 Image Processor, which powerfully processes high-resolution image data\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe EOS C300 Mark III features Canon’s DIG!C DV7 image processor that takes the extensive RAW information captured from the imaging sensor and processes it for output. DiG!C is also the engine behind features such as high frame rate recording, Dual Gain Output (DGO) Sensor, Dual Pixel Autofocus, Cinema Raw Light Recording, HDR (PQ) output, Electronic Image Stabilization, and proxy recording.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHigh Frame Rate; 4K 120P and 2K CROP 180P\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe EOS C300 Mark III is capable of ultra-high frame rates with its new chip design and DiG!C DV7 processor. Frames rate up to 120 fps can be obtained in 4K, while 2K CROP mode provides even greater flexibility with speeds up to 180 fps.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eModular Design with three available Expansion Units allows a high level of connectivity and interoperability\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003eA new modular design allows productions to optimize and customize the EOS C300 Mark III to specific shooting needs. Accessories and expansion units can be easily attached to provide different levels of functionality. The camera is equally at home fully rigged with a large zoom lens, FIZ unit, audio accessories and rangefinder as it is stripped down flying on a drone.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCanon Log 2 and 3\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe EOS C300 Mark III supports both Canon Log 2 and Canon Log 3 Gamma. In post-production, Canon Log is designed to reproduce the entire tonal range that the CMOS image sensor is capable of. Log workflows provide the user with a higher dynamic range, more highlight and shadow retention, and more flexibility in grading.\u003cbr\u003e\u003cbr\u003eCanon Log 2 provides the largest dynamic range and image detail. While Canon Log 2 provides the most post-production flexibility and full dynamic range of the sensor, it typically requires more time in colour correction.\u003cbr\u003e\u003cbr\u003eFor users looking for most of the benefits of log workflow, but with shorter turnaround times, Canon Log 3 provides an alternative with only a slightly reduced dynamic range of 14 stops.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLM-V2 4.3” LCD Touch Screen Monitor\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe LM-V2 4.3” LCD Monitor is an easy to view touch panel with approximately 2.76 million dots. The monitor easily attaches to the EOS C300 Mark III using included accessories and can be adjusted to different viewing positions. The LCD monitor is capable of displaying both image framing and visual confirmation of camera settings. Additionally, the display has a control interfaced to make it easy to access and change camera settings.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e4-Channel Audio Recording\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe EOS C300 Mark III supports up to 4-channel audio recording. Audio input from the camera’s internal microphone, mini mic port, and XLR ports can be assigned to the 4 different audio channels. With Expansion Unit EU-V2, a total of 4 XLR ports are supported. This flexibility allows a wide range of audio devices to be connected and mixed directly on the camera.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSupport for Custom User LUTs\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eUsers can upload and apply custom LUTs to the EOS C300 Mark III. LUTs can be assigned to specific output terminals, LCD and viewfinder. Clients can be viewing one LUT, while production works from another, giving different production roles the ability to customize the look of the image to their needs.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUser Interchangeable Lens Mounts, which gives users freedom to use the lenses they desire\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eUser interchangeable lens mounts and an available B4 mount adapter gives operators the freedom to make bold creative choices based on the subject matter.\u003cbr\u003e\u003cbr\u003eThe EOS C300 Mark III ships with an EF Mount that can be user swapped to an optional Locking EF (EF-C) or PL mount. Each mount swaps easily by simply removing four M3 hex screws. A shim set is provided with each mount kit in order to adjust back focus for the precision in focusing accuracy that professionals rely on.*\u003cbr\u003e\u003cbr\u003e\u003cem\u003e*Depending on the mount the user has in place. Mounts need to be both swapped and shimmed correctly.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAnamorphic Lens Support\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe EOS C300 Mark III offers cinematographers support for the use of both 2.0 and 1.33 anamorphic lens types. Users can achieve the wide cinematic looks, oval bokeh, and striking flares particular to anamorphic glass. It is a distinctly cinematic palette that is within reach for your next project.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCanon Cinema RAW Light and XF-AVC Recording\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThanks to the powerful DIG!C DV7 image processing platform, the EOS C300 Mark III can record Cinema RAW Light directly to onboard CFexpress™ cards. Cinema RAW Light offers plenty of freedom for grading with a dynamic range that can exceed 16 stops with Dual Gain Output (DGO) technology while maintaining file sizes that are about 1\/3 to 1\/5 the size of Canon Cinema RAW. Canon Cinema RAW Light offers a great combination of codec efficiency and quality.\u003cbr\u003e\u003cbr\u003eIn addition to the conventional Intra-based XF-AVC codecs, we have added a 4:2:2 10 bit Long GOP-based codec with consideration for a balance of quality and data rates. This new Long GOP-based codec has a data rate that is less than half that of the conventional Intra codecs. This new lightweight codec makes it easier for users to reduce media costs and work with cloud-based infrastructures.\u003cbr\u003e\u003cbr\u003eThe EOS C300 Mark III Digital Cinema Camera incorporates the new Canon XF-AVC codec that allows 4K and 2K image data to be recorded internally onto CFexpress cards in workflow efficient file sizes using advanced video compression. Using the XF-AVC codec, the EOS C300 Mark III can record a variety of frame fates up to 4K 120p and 2K up to 180fps.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eProxy Recording\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eHigher resolution, greater bit depths and faster frame rates provide versatility and greater image quality but come at the cost of much larger file sizes. Proxy files can greatly speed up the editorial process by providing a lower bandwidth alternative for initial file sharing and rough cutting.\u003cbr\u003e\u003cbr\u003eCanon’s powerful, high-speed DIGIC DV7 image processor makes it possible for the EOS C300 Mark III to simultaneously record 2K Proxy files. Cinema RAW Light can be recorded to the internal CFexpress card while an XF-AVC 2K 4:2:0 8-bit Proxy can be recorded directly to an internal SD card. Then C300 Mark III can also apply LUTs to Proxy recording.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eElectronic Image Stabilization\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe EOS C300 Mark III includes the same built-in five-axis electronic IS introduced with the EOS C500 Mark II that works with almost any lens, including anamorphic.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e12G SDI\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eSupport for 12G SDI allows for the EOS C300 Mark III to output 4K resolution up to 60p over a single BNC cable.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDual Pixel CMOS Autofocus with support for Touch AF and Face Detection\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe Cinema EOS C300 Mark III features Canon’s Dual Pixel CMOS AF Technology. For DAF, each pixel in the camera’s CMOS sensor is configured with two photodiodes. Two independent image signals can then be detected at each photosite and compared using phase-difference to provide autofocus with compatible lenses. DAF can survey the scene and recognizes not only whether the subject is in focus or not, but in which direction (near or far), and by how much. DAF also powers the intuitive Focus Guide for users who prefer to focus manually but enjoy the positive feedback DAF provides through the guide interface.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eRC-V100 Support and LANC Compatible\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe EOS C300 Mark III body has a remote A terminal (LANC) on the body and supports remote B (RS422) in both expansion unit EU-V1 and EU-V2. Through these connectors, the EOS C300 Mark III can be completely remote-operated either by a standard LANC compatible cable or over longer distances through the use of a serial connection.\u003cbr\u003e\u003cbr class=\"t-last-br\"\u003e\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":34876066234413,"sku":"3795C002","price":11999.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/products\/Products16422-1000x1000-535948.jpg?v=1780003285"},{"product_id":"panasonic-ag-ux180-4k-camcorder","title":"Panasonic AG-UX180 4K Camcorder","description":"\u003cp style=\"text-align: justify;\"\u003eShift Your Video Production to Professional 4K Images. The 4K Premium Camcorder with Wide-Angle 24mm and 20x Optical Zoom.\u003cbr\u003e\u003cbr\u003ePanasonic introduces the 4K camcorder UX series to meet professional 4K video production needs. The AG-UX180 is the premium model with professional functions and specifications for high-end users.\u003cbr\u003e\u003cbr\u003eThis model is equipped with a newly designed compact lens featuring a wide 24mm angle and 20x optical zoom as well as a 1.0-type (effective size) high-sensitivity MOS sensor. Its evolved Optical Image Stabilizer (O.I.S.) and intelligent AF function suitable for professional camera work.\u003cbr\u003e\u003cbr\u003eThe AG-UX180 supports 4K 24p, UHD 60p\/50p, FHD 60p\/50p multi-format recording and HD super slow-motion. Two SD memory card slots are provided to enable relay\/simultaneous\/ backup recording for enhanced reliability, and also support UHD\/FHD dual codec recording for a more efficient workflow. The controls of the AG-UX180, such as the manual three rings and user button, as well as interfaces, such as 3G-SDI\/HDMI and XLR input, are engineered to meet the needs of professional video recording. Offering the same level of agility and mobility as the conventional HD handheld camcorder, the AG-UX180 provides powerful support for high-image-quality 4K video production.\u003cbr\u003e\u003cbr class=\"t-last-br\"\u003e\u003c\/p\u003e","brand":"Panasonic","offers":[{"title":"Default Title","offer_id":34876081045549,"sku":"AGUX180P8","price":4899.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/products\/Products16833-1000x1000-551223.jpg?v=1780003092"},{"product_id":"blackmagic-ursa-mini-pro-4-6k-g2","title":"Blackmagic URSA Mini Pro 4.6K G2","description":"\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eURSA Mini Pro 4.6K G2\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe Blackmagic Design URSA Mini Pro 4.6K G2 has a Super 35mm 4.6K sensor with 15 stops of dynamic range at up to 120 fps or 2K at up to 300 fps! The interchangeable lens mount comes with EF as standard, optional PL, F and B4 mounts available. You get built in ND filters, Blackmagic RAW or ProRes recording to dual CFast or SD cards, HD‑SDI monitoring, XLR audio, timecode or reference in and a USB‑C expansion port.\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eRevolutionary Lightweight, Portable Design\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eURSA Mini Pro is designed to include everything you need in a portable camera so you can take it anywhere! The evenly weighted camera body is made from lightweight, robust magnesium alloy. Buttons, switches and dials are laid out in a logical order that makes them easy to find by feel while using the viewfinder. An external backlit LCD status display lets you view critical information. Plus there’s a 4\" fold out touchscreen for reviewing shots and accessing the menu settings. You get connections such as 12G‑SDI in and out, USB‑C, 48 volt phantom power XLR audio, timecode and reference in. The optional Blackmagic Shoulder Mount Kit lets you go from tripod to handheld in seconds!\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eInterchangeable Lens Mounts\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eDifferent projects require different lenses which is why URSA Mini Pro features an interchangeable lens mount. You can quickly switch between PL, EF and F mount lenses on the URSA Mini Pro 12K, as well as B4 lenses on the URSA Mini Pro 4.6K G2. That means you can work with high quality large PL cinema lenses, EF or F mount photographic lenses, and even B4 broadcast lenses, making URSA Mini Pro compatible with the widest possible range of professional lenses. Additional PL, EF, F and B4 lens mounts can be purchased separately. With URSA Mini Pro, you get a single camera that works with virtually all professional lenses so you have the freedom to choose the lens you need for any kind of work!\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBuilt in Precision ND Filters\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eURSA Mini Pro features high quality ND filters that let you quickly reduce the amount of light entering the camera. Designed to match the colorimetry and color science of the camera, the 2, 4 and 6 stop filters provide you with additional latitude even under harsh lighting. The IR filters have been designed to filter both optical wavelengths and IR wavelengths evenly to eliminate IR contamination of the images from which many ND filters can suffer. URSA Mini Pro ND filters are true optical filters with a precision mechanism that quickly moves them into place when the ND filter dial is turned. Filter settings can even be displayed as either an ND number, stop reduction or fraction on the LCD!\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUSB-C for Direct Recording to External Disks\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eBlackmagic URSA Mini Pro features an innovative high speed USB-C Expansion Port. The 4.6K G2 model features USB‑C 3.1 Gen 1 which operates at up to 5 Gb\/s, while the new 12K model has a USB‑C 3.1 Gen 2 for a blistering 10 Gb\/s. You can connect and power external flash disks and SSDs or on URSA Mini Pro 12K you can connect the new URSA Mini Recorder for recording to fast NVMe SSD drives for longer recording times. NVMe SSD drives are ideal for shooting 12K in the highest constant quality 12‑bit Blackmagic RAW in the Q0 setting or for high frame rates. When shooting is complete you can simply move the external disk to your computer and start editing from the same disk, eliminating file copying!\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHigh Resolution Monitoring and Camera Control\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe built in 4 inch fold out touchscreen on URSA Mini Pro is a bright, high resolution color display with a wide viewing angle that makes it perfect for monitoring and reviewing shots on set! The screen can also show you a \"heads up display\" overlay with critical information such as format, frame rate, iris, timecode, shutter angle, white balance, ISO and more. Plus you get a histogram, card recording status indicators and audio meters! You can show or hide the heads up display by simply swiping up or down. The fold out touchscreen also lets you use the incredible Blackmagic operating software so you get super fast access to every camera function, digital slate for metadata management and more!\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDigital Slate for Fast Metadata Entry\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eURSA Mini Pro features a digital slate so you can quickly add metadata to any shot! Simply swipe left or right on the built in touchscreen to bring up the digital slate. If you start and stop recording the slate can automatically increment the take numbers so you don’t have to enter them manually for each shot! You can also set your reel numbers to increment automatically each time you format a card. Lens metadata is automatically populated or it can be entered manually, along with production specific information, technical information and more! All of the metadata is saved with the files for use in post production when editing and color correcting with software such as DaVinci Resolve!\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFull Size, Durable Connections that Work with Standard Cables\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eURSA Mini Pro features multiple connections such as 12G‑SDI out, LANC, balanced XLR audio with 48 volt phantom power, timecode in, reference input and a headphone connection. There’s also a 4 pin XLR DC output for powering accessories such as a viewfinder, and an HD‑SDI output for monitoring. That means you can connect an SDI display for on set monitoring of images, with or without overlays that show critical information and camera status. There is also a 12 pin Hi‑rose connector for controlling servo zoom lenses. URSA Mini Pro 4.6K G2 and URSA Mini Pro 12K both include a USB‑C expansion port for recording to external disks, which on the 12K model is conveniently located on the rear of the camera.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eWireless Bluetooth Camera Control\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eIf you're positioning the camera on the end of a jib or gimbal, you can get full control via Bluetooth from up to 30 feet away. You can download the Blackmagic Camera Control app for your iPad or use third party apps such as Bluetooth+ or trigger on your iOS and Android devices. There’s even a free developer SDK with sample code available from the Blackmagic Design developer website, so you can create your own remote camera control and digital slate solutions! Imagine building an app that can jam sync timecode and trigger all cameras to record at the same time. 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You also get a removable battery door, 4 shock proof microphones, heavy duty lens mount and built in speaker.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBlackmagic Pocket Cinema Camera 6K Pro\u003c\/strong\u003e\u003cbr\u003eThe Blackmagic Pocket Cinema Camera 6K Pro includes additional pro features such as built in 2, 4 and 6 stop ND filters, adjustable tilt HDR LCD with a bright 1500 nits that’s ideal for use in bright sunlight. It also includes two mini XLR audio inputs and a larger NP-F570 style battery.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMultifunction Grip with Fingertip Controls\u003c\/strong\u003e\u003cbr\u003eThe multifunction handgrip features a comfortable and familiar design that puts important functions such as ISO, WB and shutter buttons right at your fingertips. There’s even a scroll wheel under your index finger for making quick iris adjustments! You get additional controls that go beyond those found on a DSLR, which means you don’t have to go hunting through menus on a tiny screen to find a command! The Blackmagic Pocket Cinema Camera features easy to reach recording and still buttons that are placed exactly where you expect them to be, including user assignable function keys and control buttons for high frame rate, focus zoom, menu operation, playback and more.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHigh Resolution Cinematic Digital Film Sensor\u003c\/strong\u003e\u003cbr\u003eThe Blackmagic Pocket Cinema Camera 6K has a native resolution of 6144 x 3456. Whether you’re shooting in bright sunlight or in almost no light at all, it features 13 stops of dynamic range and dual native ISO up to 25,600 for stunning low noise images in all lighting conditions. Plus the 6K model's larger Super 35 sensor allows shooting with a shallow depth of field and anamorphic lenses. 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Files are compatible with all post production software so you can work with the software of your choice, or use the included DaVinci Resolve Studio. Recording works in industry standard 10‑bit Apple ProRes files in all formats up to 4K or 12‑bit Blackmagic RAW in all formats up to 6K. Blackmagic RAW is the fastest growing RAW format and developers can download and use the free Blackmagic RAW SDK to add support into their applications. Best of all, media files work on all operating systems plus you can format media cards and disks in HFS+ for Mac and ExFAT for Windows.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUse Standard SD Cards, UHS‑II or CFast 2.0 Media\u003c\/strong\u003e\u003cbr\u003eThe Blackmagic Pocket Cinema Camera features built in CFast and SD UHS‑II card recorders, and a USB‑C expansion port for recording direct to an external media disk. You can use regular SD cards for HD or higher performance UHS‑II and CFast cards for native 4K or 6K when using Blackmagic RAW. 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It’s easy to reconfigure for any application, including mounting in a gimbal, drone or underwater housing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMagnesium body and frame for high durability with light weight\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eTo perform reliably in challenging environments, the main body, covers and top handle are made from a production-tested, lightweight magnesium alloy. The main frame achieves high strength and durability with minimum weight in order to maximize mobility.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArchitecture to prevent thermal shut down\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe custom ventilation system and chassis design help to prevent the thermal shut down of shooting at high frame rates and 4K (QFHD) resolutions. The number of heat sinks, the shape of air intakes and exhaust vents as well as the location of the low-noise fan, and airflow paths have all been calculated with precision to ensure that optimum ventilation is achieved.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e10-bit 4:2:2 recording\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eRecord right on the camera with the amazing richness of 10-bit depth and 4:2:2 colour sampling, for far greater flexibility in image grading, post-processing and compositing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAll-Intra encoding available\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAs well as Long GOP, internal All-Intra encoding is now provided. This encodes every frame independently at bitrates up to 600 Mbps, to capture complex motion more accurately, and allow more efficient editing workflows.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e16-bit RAW SDI output\u003c\/strong\u003e \u003cbr\u003e\u003cbr\u003eFor demanding post-production workflows, 16-bit RAW output is available via SDI connection to compatible external recorders while XAVC-I files are simultaneously captured in-camera. 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Simultaneous, relay, interval and proxy modes are supported.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNetworked for high mobility\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eWi-Fi® connectivity enables a host of advanced wireless production features such as remote control via smartphones or tablets and the Content Browser Mobile app. Connect easily with either NFC One-touch or manual pairing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMetadata facilitates editing in Catalyst\u003c\/strong\u003e \u003cbr\u003e\u003cbr\u003eThe FX6 records three types of metadata: image stabilization, clip flag and camera rotation. These can be useful when previewing and preparing to edit in Sony’s free Catalyst Browse or cost-effective Catalyst Prepare software.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":39321298763821,"sku":"ILMEFX6VK","price":9699.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/products\/Sony-FX6-kit.jpg?v=1780002929"},{"product_id":"panasonic-ag-cx350","title":"Panasonic AG-CX350","description":"\u003cp\u003e\u003cstrong\u003eWide-Angle 24.5 mm*1 Optical 20x Zoom, Plus i.Zoom\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePanasonic boasts the world’s largest market share in the aspherical lens segment. Its cutting-edge optical technology was maximized in the development of the integrated lens used in the AG-CX350. This lens has the industry’s widest angle of 24.5 mm*1 on the wide end and allows recording of wide-angle images with minimal distortion, without the use of a conversion lens. The optical 20x zoom covers up to 490 mm telephoto in all modes. Furthermore, the i.Zoom enables seamless zooming of up to 32x in HD or up to 24x in UHD from the telephoto end with no degradation in resolution. The AG-CX350 also comes with digital 2x\/ 5x\/ 10x zoom.*2\u003cbr\u003e\u003cbr\u003e \u003cem\u003e*1: In 35 mm equivalent. The AG-CX350’s wide 24.5 mm angle is the widest in the industry for UHD\/FHD (16:9). In the segment of camcorders with integrated lens, the Panasonic AG-UX180 achieved the industry’s widest angle of 24 mm in UHD\/24p (17:9). For UHD\/FHD (16:9), 25.4 mm is the widest angle in the industry. (Both As of March 2020, according to a Panasonic survey)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e *2: When using the digital zoom, picture quality degrades as the magnification rate increases.\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNew High-Definition, High-Sensitivity 1.0-type 15M MOS Sensor\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe 1.0-type MOS (approximately 15,030,000 pixels) offers an outstanding depth of field and excellent balance between image quality and sensitivity. It supports multi-formats, such as UHD (3840 x 2160), FHD, HD and SD, and provides images without cropping in all modes. This MOS sensor also boasts high sensitivity of F12 (60 Hz) \/F13 (50 Hz) (in both UHD and FHD in High Sensitivity mode).\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuilt-in 5-Axis Hybrid Image Stabilizer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe AG-CX350 has a built-in hybrid image stabilizer that combines optical and electronic camera shake compensation functions. It corrects camera shake in five axial directions in all modes* including UHD to provide powerful camera shake compensation power in low-angle shooting, high-angle shooting and all other unstable conditions. There are three modes to choose from: NORMAL (standard), STABLE (effective for fixed-frame shooting) and PAN\/TILT (effective in panning and tilting).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e * Excluding Super Slow and VFR modes.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHDR-Compliant V-Log\/HLG (Hybrid Log-Gamma)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe AG-CX350 features HLG (Hybrid Log-Gamma)* to support HDR (High Dynamic Range,) in addition to V-Log gamma, which is equipped with 13.5 stops of wide dynamic range. The gamma mode can be selected from nine modes (HD, SD, FILMLIKE 1, FILMLIKE 2, FILMLIKE 3, FILM-REC, VIDEO-REC, HLG, V-Log).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cem\u003e* The HLG specification was developed jointly by Japanese broadcaster NHK and the BBC in the UK. It is defined in ARIB STD-B67 and ITU Rec. 2100.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIntelligent AF and Focus Assist\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe AG-CX350’s auto focus system is Intelligent AF, which is equipped with a micro drive focus unit to achieve high focusing speed, excellent tracking performance and superb stability. The AG-CX350 is also equipped with Expand and Peaking (simultaneous display possible), Manual Focus Assist, LCD Touch Focus (switchable to Auto Iris or brightness display) and One-Push AF Focus Assist.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eManual Three Rings\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe AG-CX350 comes with Manual Three Rings for zoom, focus and iris control. They deliver quick response and provide tactile feel that satisfies professionals. The zoom lever located at the upper section of the handle has a multi-step variable zoom function, allowing smooth zooming from ultra-low speed when shooting from low angle shooting and when a tripod is used.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNew HEVC Codec for High-Image-Quality 10-bit UHD\/60p Recording at Low Bit Rate\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe AG-CX350 is capable of recording in various formats at different compression rates (see “Recording Format”). It can record UHD\/60p videos in high-image-quality 10-bit on an SD memory card. It also features a new, high-efficiency HEVC codec (LongGOP, 10-bit, 4:2:0, MOV) . When a PC with 7th Generation Intel Core i7 processor is used, the hardware acceleration enables native decoding and playback. Free software, such as VLC Media Player or QuickTime Player, provides smooth playback on a notebook PC or MacBook with Intel Core i7 processor.*\u003cbr\u003e\u003cbr\u003e\u003cem\u003e * Playback may lack smoothness depending on the PC environment, such as storage and memory devices.\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e10-bit Variable Frame Rate (VFR) without Cropping\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn UHD, variable frame rate (VFR) recording at 1 fps to 60 fps is possible. In FHD, super-slow can be realized at a maximum of 120 fps. Both provide high-quality 10-bit, full-frame pictures with no image area cropping even at high frame rates.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cem\u003e* VFR and super slow are supported only in MOV recording mode.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMOV\/AVCHD\/P2 MXF* File Formats Supported\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe AG-CX350 records MOV files that are highly compatible and easy to use. This file format is the same as that used on Panasonic’s compact cinema camera, the AU-EVA1, and supports file names with up to 20 characters, allowing recorded video clips to be easily managed. The AG-CX350 also supports conventional AVCHD recording, including the AVCHD 8 Mb\/s mode, used widely as the format in college and professional football coaching analysis. And it will support the MXF P2 file format for broadcasting, enabling AVC-Intra or AVC-LongG recording.*\u003cbr\u003e\u003cbr\u003e\u003cem\u003e * Use a microP2 card for recording in P2 format.\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFreeze Frame (Still Image Capture)\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eWhen playing back video clips on the AG-CX350, any desired frame can be captured as a still image (JPEG) and recorded onto an SD memory card. Video playback, frame advance (+\/-), and still-image captures can all be done intuitively by touch panel operation.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eDouble Memory Card Slots Improve Recording Reliability\u003cbr\u003e\u003cbr\u003eTwo SD memory card slots capable of using SDXC\/SDHC\/microP2 cards*1 enable unlimited*2 relay recording by simply changing SD memory cards. Recording reliability is further improved with simultaneous recording and background recording. And the AG-CX350 is equipped with Pre Rec, Interval Rec and Time Stamp recording functions.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUnlimited Relay Recording*2\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAutomatically records continuously from Slot 1 to Slot 2. By changing a full card with a new card, images can be recorded continuously for many hours.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSimultaneous Recording\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eIdentical data is recorded onto cards in both slots in this dual recording mode.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBackground Recording*3\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eRecords ordinary Rec Start\/Stop-controlled data in Slot 1, and records all data, even when Slot 1 is stopped, in Slot 2.\u003cbr\u003e\u003cbr\u003e \u003cem\u003e*1: For memory card usage conditions, see the table below.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e *2: If the Relay recording time reaches 10 hours, shooting will temporarily stop, and then automatically restart a few seconds later. If it is recorded in MOV format, the file will be split every 3 hours and recorded.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e *3: Supported only in MOV recording mode.\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUSB Tethering (5G Smartphone Link) Compatible Steaming Distribution\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eHD streaming output is possible while recording*1. The streaming method supports RTSP\/RTMP\/RTMPS*2, is compatible with many services such as Facebook and YouTube and allows you to directly broadcast without an external encoder unit. Furthermore, it is compatible with USB tethering. Use a 5G smartphone*3 instead of a modem for easy HD streaming. 4K60p (HEVC\/50Mbps) ultra high definition streaming and automatic file transfers to designated servers is scheduled to be supported*4.\u003cem\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cbr\u003e *1: There are some conditions under which streaming is not possible, such as when recording in UHD format or using NDI|HX mode.\u003cbr\u003e *2: The P2 Network Setting Software is convenient for setting up the RTMP and RTMPS functions. See the website, “Connection Confirmed Live Video Distribution Services,” for the live video streaming services that have been confirmed to be compatible.\u003cbr\u003e *3: See the website, “Connection Confirmed Smartphones with USB Tethering Function” for the smartphone that have been confirmed to be compatible.\u003cbr\u003e *4: Schedule to support in FY2020. Cannot simultaneously record during 4K streaming output.\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEasy IP Connection: NDI | HX Capable — NDI | HX is enabled when optional NDI | HX licence is purchased from NewTek\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe AG-CX350 is the industry’s first camcorder to support NDI | HX.* Equipped with NDI | HX mode, it allows video transmission and camera control via IP connection, without using an external converter. When connected to a system configured with the AV-HLC100 Live Production Center and HN\/UN series PTZ integrated cameras, the AG-CX350 realizes end-to-end live video production of live events as well as web distribution.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e* Recording, streaming and 4K output are not available when using NDI | HX mode. Industry’s first camcorder to support NDI | HX. As of March 2020 (according to a Panasonic survey). To use this function, an activation keycode from NewTek is required. Keycodes can be purchased from the following website: http:\/\/new.tk\/ndi_panasonic\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompatible with the IP remote control (AW-RP150GJ)\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn addition to supporting multi-functional control such as audio levels and REC S\/S from the AW-RP150GJ remote camera controller with an IP (wired LAN) connection, it also enables integrated operation with a remote camera system.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e * Not compatible with all of the control items of the AW-RP150GJ. Also, some of the functions will not work.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWireless Control from a Tablet or Smartphone\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe AG-CX350 can be controlled remotely and wirelessly using the tablet\/smartphone app “CX ROP”*1 (downloadable for free from the App Store or Google Play). This app allows you to display camera information and change camera settings. The settings are easy to see and can be changed by tap-and-slide operation. It is also equipped with a wealth of remote functions for output signal selection, USER button setting, REC S\/S and many others. What's more, the app can be used to select the camera to control from up to eight cameras in the CX Series (AG-CX350 and AJ-CX4000GJ).*2 The compatible camera app inside the network will automatically search, so you can connect with easy settings by simply selecting from the list.*3\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e*1: iPad: iOS 9 or later are supported. Android devices: Android 5.0 or later are supported. Wireless module (optional AJ-WM50, AJ-WM50G or recommended third-party Wi-Fi dongle) is required.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e *2: The app does not support simultaneous\/synchronous control of multiple cameras. Camera switching takes several seconds.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e *3: Only in single camera connection mode.\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003e\u003c\/em\u003eTC Synchro Multi-Camera Recording Supported\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe TC IN\/OUT terminal (BNC) allows synchronization of the time code in multi-camera shooting. The camera number (A to Z) can be added* to the name of the recording folder to facilitate editing.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eParallel Output of SDI and HDMI\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eSDI and HDMI can be output in parallel. Output of UHD video via HDMI and output of HD video in high-image-quality 10-bit, 4:2:2 via SDI enable a variety of uses. In V-Log shooting, either V-Log or V709 (HDR or SDR in HLG shooting) can be selected for each of the SDI, HDMI and LCD video outputs.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e* Only when the MOV codec is used for recording. Setting must be made in each camera.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSimultaneous Display on High-Brightness, High-Definition LCD and High-Resolution OLED EVF\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe AG-CX350 features a new 3.2-type high-definition LCD monitor (approximately 1,620,000 dots). This LCD monitor uses the RGBW (red, green, blue, white) pixel structure to provide high visibility even in bright sunlight. The 3:2 aspect ratio enables the display of timecode and camera status without superimposing on the image. The touch panel function allows convenient touch focus and menu setting. The viewfinder is a high-resolution color OLED (approximately 2,360,000 dots, with an image display area of approximately 1,770,000 dots) that offers superb color reproduction. Since the AG-CX350 newly supports simultaneous LCD and EVF outputs, the LCD monitor can display the captured image at all times even when you look away from the EVF.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Panasonic","offers":[{"title":"Default Title","offer_id":39401218211885,"sku":"AGCX350P","price":4879.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/products\/Panasonic-AG-CX350.jpg?v=1779997828"},{"product_id":"canon-xf605","title":"Canon XF605","description":"\u003cp\u003eThe XF605 Professional Camcorder is the next-generation XF-series camera providing excellent mobility, connectivity, and superb 4K UHD HDR image quality. Equipped with Canon’s renowned Dual Pixel CMOS AF, the XF605 achieves high-speed and high-accuracy focusing, and is the first XF-series model to include Eye Detection AF, as well as iTR AF X technology for improved face and head detection for more accurate and stable tracking of subjects.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe XF605 features a 4K L-series 15x Optical Zoom lens with 3-ring manual control. XF605 can shoot 10-bit 4:2:2 4K UHD footage in XF-AVC and MP4 formats to dual SD cards for easy post-production and quick delivery. It features multiple recording modes including Frame, Interval, and Slow and Fast motion up to 120fps in FHD.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAn ideal tool for news gathering, XF605 features a new CTM (Content Transfer Mobile) iPhone application which allows for proxy footage, audio, and metadata to be exchanged between a newsroom server through the phone connection in the field and integrates into newsroom assignment planning software.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe XF605 features a Multi-Function Shoe that is compatible with a new XLR microphone adapter (developed by TEAC Corporation) for increasing the total number of XLR inputs to 4, providing a flexible audio recording workflow.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe camera features built-in Wi-Fi\/Ethernet for Browser Remote, CTM (Content Transfer Mobile) app, IP streaming, and FTP transfer. The camera is also the first XF-series camera to feature USB Video Class allowing use as a webcam without the need for a 3rd Party HDMI to USB adapter. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1.0-inch 4K UHD CMOS Sensor\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe XF605 Professional Camcorder features a Canon 1.0-inch 4K UHD CMOS image sensor capable of 4K UHD video capture at 60p and slow motion recording up to 120fps in Full HD, making the camcorder a strong contender for professional productions, ENG applications and more.\u003cbr\u003e\u003cbr\u003eThe XF605 camcorder's 1.0-inch sensor allows for larger photosites compared to smaller-sized sensors, resulting in improved images with less noise in low-light situations. The larger sensor also exhibits a shallower depth of field at large apertures, providing greater depth of field control and creative options. The camcorder's DIGIC DV 7 imaging engine further enhances the high sensitivity and low noise performance of the camcorder.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e4K UHD 59.94P 4:2:2 10-bit Recording\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe XF605 Professional Camcorder supports 4K UHD 59.94p 4:2:2 10-bit recording to support natural and realistic 4K video production. Users can choose between MXF-based XF-AVC and versatile MP4 formats.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDIGIC DV 7 Image Processor\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe XF605 features Canon's DIG!C DV7 image processor that takes the extensive RAW information captured from the imaging sensor and processes it for output. DiG!C is also the engine behind features such as high frame rate recording, Dual Pixel CMOS Autofocus, HDR (PQ\/HLG) output, and proxy recording. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHDR Recording with HLG\/PQ Shooting Assist\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe XF605 Professional Camcorder supports HDR recording in Hybrid Log Gamma (HLG) and Perceptual Quantization (PQ) formats. This helps ensure full color rendition and wide latitude with a much greater range from black to pure white – ideal for the delivery of live streams, broadcasts, and post-production projects. The XF605 also features a variety of assist functions to support auto\/manual exposure control during HDR shooting, allowing users to record HDR video using their usual shooting methods.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCanon Log 3\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eDesigned with creative post-processing in mind, Canon Log 3 is a gamma designed for simple grading at a deep level for toning up dark areas and adjusting color tone\/gradation to make noise less noticeable. By shooting in Canon Log 3, users can manipulate the information that's recorded, from dark areas to highlights. This makes the range for color grading wider and enables video to be produced with generous latitude that couldn't be reproduced with video gammas. Simple previews can also be performed on-site with Look-Up Table (LUT) accuracy.\u003cbr\u003e\u003cbr\u003eCanon Log 3 shooting can be especially effective for documentaries and other settings with drastic changes, along with outdoor and other locations where light conditions change frequently, or where monitoring setups may be insufficient.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWide DR Gamma (800%) Support\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe XF605 Professional Camcorder supports Wide DR Gamma. For natural and realistic-looking image capture that faithfully represents the scene at hand, Wide DR Gamma achieves a wide dynamic range of 800% to produce almost seamless tone gradations, resulting in smooth detail and virtually no blown-out highlights, all without requiring post-production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDual Pixel CMOS AF and Eye Detection AF\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eCanon's Dual Pixel CMOS AF technology uses every pixel on the imaging sensor to detect focus and to capture actual image information, offering users high precision focusing and exceptional image quality.\u003cbr\u003e\u003cbr\u003eThe XF605 is the first XF-series camera to feature Eye Detection AF which further increases the accuracy of focus on human subjects.\u003cbr\u003e\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":39659656544301,"sku":"5076C002","price":6799.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/products\/Canon-XF605.jpg?v=1779997400"},{"product_id":"panasonic-ag-ux90-4k-camcorder","title":"Panasonic AG-UX90 4K Camcorder","description":"\u003cp\u003eThe Panasonic AG-UX90 is the value model in the 4K UX Professional Camcorder Series, featuring a 1” (effective size) high-sensitivity MOS sensor with 15x optical zoom and a 24.5 mm wide angle lens. With its extensive focus assist features, multiple recording formats in 4K and HD, as well as precise image adjustment functions, the economical UX90 is the pro camcorder to upgrade to for entry-level 4K acquisition.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e4K Optical Image Stabilization\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe AG-UX90’s 15x optical zoom and wide angle lens (24.5 mm) ensures you get the shot you need, near or far. The i.Zoom function (HD mode only) increases the zooming capability to a maximum of about 25x zoom, while still maintaining high resolution. 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The UX90 also can be put in manual focus mode for manual adjustments with the focus ring.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eVariety of Recording Formats\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe camcorder’s variety of recording modes with selectable image quality, frame rate and bit rate settings are ideal for a wide range of applications, from cinema production to online distribution. Images can be recorded with a resolution of UHD (3840 x 2160)\/30p or FHD (1920 x 1080)\/60p. 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While you should always try to get the best shot on set, Blackmagic RAW gives you the flexibility to adjust contrast without any loss of quality while you’re editing and color correcting.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eISO\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eChanging the ISO adjusts the camera’s sensitivity to light. Properly exposed shots require the right combination of ISO, aperture and shutter speed. Depending on the lights and exposure settings, you may need to adjust ISO in post.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTint\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAdjusting tint is another way you can affect the overall color balance of an image. 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With Blackmagic RAW, the exposure settings can be changed in post so you can save shots that were not properly exposed!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTouchscreen for Fast Setup\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe large LCD touchscreen displays critical information on the heads up display, or HUD, as well as access to camera setup menus. The HUD lets you see and adjust settings such as the frame rate, iris, timecode, shutter angle, white balance, ISO, audio levels and more with a single tap. You can show or hide the HUD by simply swiping up or down. Adjust settings such as white balance simply by touching the WB indicator, or change the audio levels by touching the audio meters. Everything is interactive, so you can tap any item and instantly change settings without searching through confusing menus! You can also access settings such as the digital slate, to quickly add metadata to any shot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLarge 5\" LCD Monitor\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic Pocket Cinema Camera features a large, bright 5 inch touchscreen that makes it easy for you to frame shots and accurately focus. That means you don’t have to carry around an external monitor! On screen overlays show status and record parameters, histogram, focus peaking indicators, levels, frame guides and more. You can quickly apply 3D LUTs for monitoring shots with the desired color and look. The LCD monitor on the Pocket Cinema Camera 6K G2 and Pro models is a more advanced HDR display that can be tilted up and down so it's easy to monitor your shot from any position. Plus the 6K Pro model’s HDR display features 1500 nits of brightness, ideal for use in bright sunlight!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePowered by Blackmagic OS\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eWith the advanced Blackmagic OS, you get an intuitive and user friendly camera operating system based on the latest technology. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. It features the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. You also get full control over advanced camera features such as on screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLatest Generation 5 Color Science for Stunning Skin Tones and Faithful Color Reproduction\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFeaturing the same generation 5 color science as the high end URSA Mini Pro 12K, thePocket Cinema Camera 6K Pro delivers an even greater advancement in image quality with stunning, accurate skin tones and faithful color in every shot. You get a new dynamic 12-bit gamma curve designed to capture more color data in the highlights and shadows, for better looking images. The color science also handles some of the complex Blackmagic RAW image processing, so color and dynamic range data from the sensor is preserved via metadata which you can use in post production. That means you get images that have a natural, film like response to color adjustments in post with DaVinci Resolve Studio.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOptional Viewfinder for Professional Shooting\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe Pocket Cinema Camera 6K G2 and 6K Pro supports an optional viewfinder to make outdoors and handheld shooting accurate and easy! You get an integrated high quality 1280 x 960 color OLED display with built in proximity sensor, 4 element glass diopter for incredible accuracy with a wide -4 to +4 focus adjustment. A built in digital focus chart ensures you get perfect viewfinder focus setup. You can also view critical status information such as frame guides. The Pocket Cinema Camera Pro EVF connects quickly to the Blackmagic Pocket Cinema Camera 6K G2 and 6K Pro via a single connector. The viewfinder has a 70 degree swivel range and comes with 4 different types of eyecups for both left and right eyes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProfessional Connections for Custom Rigs!\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThough small and portable, the Blackmagic Pocket Cinema Camera features a wide range of connections for audio, monitoring, power and more. The camera includes a full size HDMI connector for monitoring with support for HDR and clean 10-bit output. That means you can connect an HDMI display for on set monitoring of images, with or without overlays that show critical information and camera status. There’s also a mini XLR connection with 48 volt phantom power for attaching professional microphones, a 3.5 mm video camera style microphone input, headphone connection and a professional locking DC power connector! The USB-C connection lets you connect and record direct to your media disk!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e4 Built-in Microphones and Professional Audio Inputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith professional, high fidelity audio recording built in you'll never have to carry around a separate sound recorder again! Blackmagic Pocket Cinema Cameras feature a mini XLR input with 48 volts of phantom power for connecting professional microphones such as lapel mics and booms. The 6K Pro model features 2 mini XLR connections, allowing you to record 2 separate audio tracks using 2 mics, without an external mixer. The four built in mics have an extremely low noise floor and are shock and wind resistant, capturing great sound in any location. 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Its unique stacked structure—with back-illuminated pixels layered over integrated signal processing circuits—enables faster read-out speeds and superior low-light performance due to the design allowing more light to reach the sensor. 5K oversampling with full-pixel readout condenses ample image information into stunning 4K (3840 x 2160) 60p video.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWide Zoom Range\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOne superb 20x power zoom G Lens™ covers applications from wide-angle in-car interviews to telephoto close-ups for sports. It delivers an optical zoom range of 24-480 mm (35mm full-frame equivalent). With Sony’s Clear Image Zoom technology, the new camera can achieve 30x zoom when recording 4K or 40x zoom in FHD. 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Use presets for S-Cinetone TM, ITU709, 709tone, HLG Live, HLG Mild, and HLG Natural, then adjust black, matrix, and other parameters as desired. Easily color match  footage with content shot on Sony’s other broadcast and Cinema Line cameras.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAuto Framing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith Auto Framing engaged, the camera will automatically track a recognized human subject and adjust framing so that the subject is always prominently positioned in the frame. Auto Framing makes it possible to produce footage that looks as though it was manually captured by a professional – even if the camera was stationary the entire time. Solo operators can concentrate on engaging with an interviewee without constantly checking on camera positioning.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuilt-in Electronic Variable ND Filter\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSeamlessly adjust the Electronic Variable ND Filter to suit various lighting conditions. Move from 1\/4 to 1\/128 ND with a simple dial adjustment. The Auto ND function can maintain optimal exposure, particularly useful when moving quickly between indoor and outdoor environments. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDesigned For Live Streaming\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eStream directly to compatible live streaming services and video sharing sites, via a hard-wired or Wi-Fi connection. 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The compact, full-featured camera body includes Canon's 6K full frame Back-Illuminated Stacked CMOS sensor, Cinema RAW Light and 4K\/120p internal recording, Canon’s next-generation Dual Pixel CMOS AF II and a 12G-SDI interface. The EOS C80 seamlessly integrates into almost any production providing the ultimate flexibility and outstanding image quality.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e6K Full Frame Back-illuminated Stacked CMOS Sensor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe EOS C80 features a 6K back-illuminated stacked full-frame CMOS sensor. The sensor offers exceptional low noise, enabling the camera to excel in a wide variety of lighting situations and maximizing the camera’s full dynamic range. The new sensor delivers faster read-out speeds than previous EOS sensors and when compared to a front-illuminated CMOS sensor, the new sensor’s architecture provides improved sensitivity as it increases light capturing efficiency and improves 4K image quality with 6K oversampling.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTriple Base ISO (800, 3200 and 12,800)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOur newly developed, full frame 6K back-illuminated stacked sensor offers triple-base ISO, which allows the EOS C80 to deliver stunning imagery in a wide range of lighting conditions. 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These formats feature an easy-to-manage naming system and folder structure, while recording in the familiar MP4 format and preserving metadata.\u003c\/p\u003e\n\u003cp\u003eHigh-frame Rate Recording With Auto Focus and Subject Detection\u003cbr\u003eWhen recording in slow and fast motion (Slow \u0026amp; Fast, 4:2:2 10-bit), the EOS C80 enables Dual Pixel AF II for frame rates of 100 and 120fps and Subject Detection for frame rates between 72-120fps.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDual SD Card Slots\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe EOS C80 features two SD Card slots supporting simultaneous recording2 and a variety of recording modes, such as simultaneous recording for backup or proxy files for editing, simultaneous recording of different formats and resolutions, and relay recording, which is critical for lengthy video shoots. 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On-air pan and tilt movement is possible thanks to the smooth and responsive pan and tilt mechanism equipped with the CR-N500. The CR-N500 camera supports Canon’s new XC Protocol as well as RTMP, NDI|HX Live Video Production Protocol, Standard (VISCA) Protocol and more. The CR-N500 can be controlled remotely by IP, Serial, IR or wirelessly via Wi-Fi.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHigh Quality 4K 30P and FHD 60P Video Output\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1.0 Type CMOS Sensor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe CR-N500 features a Canon 1.0-inch 4K CMOS image sensor capable of 4K UHD video capture at 30P and up to 60P in Full HD, making the CR-N500 PTZ camera great for the remote and unobtrusive capture of professional productions. \u003c\/p\u003e\n\u003cp\u003eThe CR-N500’s 1.0-inch sensor allows for larger photosites compared to smaller-sized sensors found in other PTZ cameras, resulting in stunning images with less noise in low-light situations. The large sensor also exhibits a shallow depth of field at large apertures, producing blurred backgrounds in images, while Canon’s DPAF tracks and keeps subjects in sharp focus. The CR-N500’s DIGIC DV 6 imaging processor drives the high sensitivity (1.5 lux*) and low noise performance of the camera yielding amazing imagery in a variety of shooting conditions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDIGIC DV 6 Image Processor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe CR-N500 PTZ camera incorporates Canon's DIGIC DV 6 Image Processor, which is essential in providing high image quality, advanced performance and convenient operability. This advanced core technology component provides the image-processing power and speed that enables features such as 4K UHD video acquisition and precise Dual Pixel CMOS AF.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDual Pixel CMOS AF\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDual Pixel CMOS AF is Canon’s breakthrough AF technology that uses a CMOS sensor with a structure that combines imaging and phase-difference AF functions. The Dual Pixel COMOS AF determines the focusing position by the phase difference, which drives the focusing lens smoothly and enables quick focusing. The AF tracking capability is effective even during zooming, panning or tilting. On the other hand, with conventional contrast AF method, used by other cameras, the focusing position is determined by the contrast (difference of brightness). Therefore, the focusing lens may move slightly back and forth around the focusing position, which could cause delay when focusing.        \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDual Pixel Focus Guide\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eUtilizing information from Dual Pixel CMOS AF, Dual Pixel Focus Guide helps achieve precise focus by displaying focus assist information on the screen. It employs a truly an innovative user interface that helps enable the user to see if they are focused in front of or behind the subject through visual observation, and allows quick and accurate manual focus to be achieved. This helps simplify the focusing process when shooting in 4K UHD, which requires strict focus accuracy.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFace Detection \u0026amp; Tracking\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe CR-N500 has multiple focus modes that aid the operator when confirming focus. When set to on, the Face Detection \u0026amp; Tracking can track the face of a subject when they are within a frame. Furthermore, there are two Face Detection options (Face Priority \u0026amp; Face Only). Face Priority will track a face within the scene, when a face is no longer within the scene, the camera will continue to focus within the predefined focus area. In the same way, the Face Only function will track the detected face within the scene, if the face is no longer within the scene, the camera will maintain its focus position without tracking for new objects. If more than one face is detected within a scene, the operator can toggle between detected faces. Both modes are useful when following a subject allowing the operator to focus on composition while the camera handles focus.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCanon 4K UHD Lens\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe CR-N500 features a 15x optical zoom lens and exhibits a wide viewing angle of 73 degrees (horizontal). At the wide end, the 25.5mm lens is capable of capturing extensive scenes in tight shooting spaces such as indoor events for cinematic wide shots. The camera utilizes aspheric lens elements to achieve 4K image quality while minimizing various aberrations over the entire zoom range. \u003c\/p\u003e\n\u003cp\u003eEasily change the look of the image capture by utilizing a neutral-density filter. The CR-N500 is equipped with a built-in ND filter mechanism that allows the user to select from three densities:  1\/4, 1\/16 and 1\/64. With the built-in ND filter, users can achieve rich video expression by controlling aperture values. \u003c\/p\u003e\n\u003cp\u003eFurthermore, the lens structure of the CR-N500 enables real-time responsiveness in a three-dimensional space, supporting optical image stabilization, which helps keep the image capture stable by minimizing vibration.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOver Sampling HD Processing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe full HD recording (over sampling HD processing) takes full advantage of the image information acquired by Canon’s 4K sensor to generate beautiful high-definition full HD video. This helps content creators produce stunningly detailed FHD video when utilizing the CR-N500.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVariable Pan and Tilt speed of .1° - 100°\/second\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe CR-N500 is equipped with the PT drive mechanism that can change the pan\/tilt speed in incremental steps. This allows the operator to set the speeds to desired preference to allow for smooth PT movement.  The CR-N500 exhibits a variable Pan and Tilt speed of .1 - 100°\/second.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCanon Log 3 Supported\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCanon Log 3 is a gamma regarded for its latitude and flexibility with post-processing. It realizes a dynamic range (800%\/13-STOP equivalent) while retaining the characteristics of the dark area and the proximity of 18% grey.\u003c\/p\u003e\n\u003cp\u003eLog shooting is particularly effective for constantly shifting shooting sites such as unscripted productions and documentaries or sites with rapidly changing lighting conditions.\u003c\/p\u003e\n\u003cp\u003eCanon Log 3 is a gamma considering a simple grading by tightening the dark area to arrange the gradation, which retains the ease of use of Canon Log making the noise less visible.\u003c\/p\u003e\n\u003cp\u003eShooting in log allows the CR-N500 to more easily match the color and look of other cameras, especially those also shooting in log. This helps provide a more consistent look across the entire production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWide DR Gamma Supported\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe CR-N500 supports Wide DR Gamma for natural and realistic-looking images that faithfully represent the scene at hand. Wide DR Gamma achieves a dynamic range of 800% to produce almost seamless tone gradations, resulting in smooth detail and virtually no blown-out highlights.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEquipped with Six Image Quality Modes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe CR-N500 is equipped with the acclaimed image quality modes for high-end video production. There are six preset image modes to choose from, each preset contains specific gamma, color space and color matrix parameters.  Apart from the preset image quality mode, adjusting and combining the gamma, color space and color matrix make it possible to adjust to the intended image look.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEquipped with a Variety of Image Quality Adjustment Functions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe CR-N500 features the Image Quality Adjustment function (Custom Picture) which is acclaimed for high-end video production. The Image Quality Adjustment function equipped with the CR-N500 is similar to Canon’s XF705 and Cinema EOS System, which allows users to adjust the picture settings to adapt to the shooting conditions or add effects according to the intention of direction. This function makes it possible for content creators to match the image capture of other cameras in a production - resulting in a match of image output.\u003cbr\u003eEasy Integration into IP Systems\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIP System\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn addition to SDI and HDMI connections, the CR-N500 is equipped with an RJ-45 interface purposed for IP communication, which supports high-resolution videos for distribution. The CR-N500 supports multiple protocols that can be utilized for video, audio and control. The genuine RC-IP100 controller utilizes the XC protocol to control  the CR-N500. The CR-N500 can also be combined with third-party equipment for control purposes. This IP system can help contribute to an efficient and labor-saving camera operations for the field of video production, broadcasting and more.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIP Multi-Stream Support\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe CR-N500 can simultaneously distribute video to multiple protocols via IP. Simultaneous distribution is also known as multi-stream, and the CR-N500 can distribute a total of three video streams simultaneously. Furthermore, if the HDMI\/SDI video output is 30 fps or less, the CR-N500 can distribute two video streams, 4K H.264 and 360P H.264, at the same time. Such IP multi-streams contribute to parallel workflows where the same video is used simultaneously in remote environments.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRTMP Streaming Protocol Supported\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe CR-N500 is capable of streaming video and audio using RTMP (Real-Time Messaging Protocol). Even high quality\/large capacity video\/audio files such as broadcast programs are played at the same time as distribution without waiting for the completion of download.\u003c\/p\u003e\n\u003cp\u003eFor example, by using a live streaming service, the viewer's direct access to the distribution URL set on the camera will stream the \"current video\" captured by the camera. With the RTMP streaming distribution, multiple viewers can watch the program at the same time even in a remote environment\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLive Video Production Support Protocol: NDI®|HX\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe CR-N500 supports the NDI® (Network Device Interface) protocol that is well-established in the field of video production and broadcasting as the supporting RTP (Real-time Transport Protocol). The NDI® protocol has been developed and led by NewTek, Inc. as a protocol that supports the workflow of live video production over an IP network.\u003c\/p\u003e\n\u003cp\u003eBy constructing a system that uses NDI® protocol-compatible devices and tools, it is possible to use video and audio resources on the network, including live video from cameras. As a result, a \"live video production\" workflow is created.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStandard (VISCA) Protocol Supported\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe CR-N500 supports the Standard (VISCA) Protocol to remotely control the camera via IP. When connecting a Standard  (VISCA) Protocol compatible controller to the camera over IP or serial (RS-422) the camera can be operated remotely and shooting settings can be adjusted through the controller.\u003c\/p\u003e\n\u003cp\u003eThe Standard (VISCA) Protocol is widely used in video production, broadcasting and many other markets. The CR-N500 supports the standard (VISCA) protocol that is regarded as an industry standard and is suitable for operation within existing workflows.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCanon XC Protocol\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe XC Protocol is a newly developed IP that controls Canon video production equipment. By supporting, the XC Protocol the CR-N500 can be remotely controlled supporting a wide range of applications, which includes sports, music, live events, lecture recording, corporate video production, and more.\u003c\/p\u003e\n\u003cp\u003eThe XC Protocol is provided free of charge and can be found at https:\/\/developercommunity.usa.canon.com.\u003cbr\u003eVarious Video Interfaces Supported\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHDMI, 3G-SDI and IP\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe CR-N500 is equipped with three output interfaces.  The IP output and HDMI output are suitable when capturing UHD 4K at 30P or full HD resolutions at 59.94P. The SDI output is capable of full HD resolution and is suitable for usage when requiring high image quality video at 59.94P .\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenlock\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe CR-N500 is equipped with Genlock to allow for sync with other systems in multi-camera environments.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 Channel XLR Audio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe CR-N500 offers a variety of ways to record high-quality audio through two XLR terminals, and internal stereo mini-jack mic terminal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStandard Serial RS-422\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe CR-N500 is equipped with a serial terminal RS-422 which can be utilized to connect third party supported controllers that support the standard (VISCA) protocol communication.\u003cbr\u003eOne Person Operation\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eControl multiple cameras\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe CR-N500 can be controlled by IP, infrared and Wi-Fi. Canon’s hardware controller, the RC-IP100 is capable of controlling up to 100 cameras and 100 presets – this allows the operator to control multiple cameras in a larger production. The CR-N500 is a perfect fit for many applications in broadcast, education, House of Worship, events \u0026amp; staging and more.\u003cbr\u003eOther Features\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAll-New Design\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe CR-N500 impresses with its distinctive style. A solid exterior colour and shape that looks like it was cut out from a cone, and the size that gives a sense of strength, yet stable and compact. This PTZ camera maintains design harmony with other Canon professional imaging products such as the established Canon 4K camera systems and lenses. The CR-N500 is available in two different colours, Satin Black and Titanium White.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEquipped with Tally Lamps\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe CR-N500 is equipped with tally lamps that indicate the status of the camera. The tally lamps are located on the front and rear of the lens section, and illuminate red when the camera is shooting. Providing clear visual indications for staff and performers to know which camera is shooting live.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWireless Remote Controls Supported\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn addition to the IP interface, the CR-N500 can also connect by Wi-Fi. This allows the operator to access the camera’s Settings Page from a wireless tablet device that is equipped with a supported HTTP browser. When using multiple cameras at the same time the user can set and operate the other cameras in the same way by inserting the assigned IP address of the camera in the web browser of the tablet or other device. In addition, the CR-N500 is equipped with an infrared remote controller, which is also used to controller the camera wirelessly.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEasy-to-use Settings Page and Discovery Tool\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe CR-N500 supports the camera discovery tool, which is a Windows application. The Camera Search Tool is utilized to set the IP addresses of multiple cameras, which helps installers and integrators setup the CR-N500 within an existing network infrastructure.\u003c\/p\u003e\n\u003cp\u003eFurthermore, the CR-N500 supports the web application “Settings Page“. The Settings Page allows the user to configure the settings of camera operation, which is accessible by web browser. Video quality adjustments such as exposure and white balance that are usually performed by the camera operator on site can now be adjusted and set while watching the video from their desk through the Settings Page. Both Camera Search Tool and Settings Page enhances the ease of use by remote control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemote Camera Control Application\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Remote Camera Control Application can be utilized to control the CR-N500. The Remote Camera Control Application is a Windows application for centralized control of multiple cameras. It is possible to operate up to nine cameras and display videos at the same time - achieving a \"multi-camera operation\".\u003c\/p\u003e\n\u003cp\u003eAt a video production or broadcasting site, an operator can select a camera from the videos displayed on the “Connected Camera List”, within the application and operate it from the “Camera Control Area\" in the control panel of the software. The software is included and can be installed immediately without having to prepare a hardware controller in advance making it easy to use for the operator while creating an effective one-person operation.\u003cbr\u003eThree-year Warranty\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBacked by a three-year warranty\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe CR-N500 offers peace of mind being backed by Canon’s three-year warranty which guarantees each unit will be free of defects in workmanship and materials for up to three years from the date of original purchase\u003cbr\u003e\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":43476205076525,"sku":"4839C001","price":7999.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/files\/Canon-CR-N500.jpg?v=1779914140"},{"product_id":"canon-cr-n300-4k-uhd-ptz","title":"Canon CR-N300 4K UHD PTZ","description":"\u003cp\u003eCanon’s CR-N300 PTZ camera produces outstanding image quality and is equipped with powerful features and functions to be utilized in many industries including House of Worship, Education, Broadcast, Corporate, Events and more. The CR-N300 PTZ produces incredible image quality with the combination of a 1\/2.3” 4K CMOS sensor and DIGIC DV 6 image processor. This camera incorporates a Canon 4K lens that exhibits a 20x optical zoom ratio that maintains a high level of precision throughout the zoom range. On-air pan and tilt movement is possible thanks to the smooth and responsive pan and tilt mechanism equipped with the CR-N300. The CR-N300 camera supports Canon’s new XC Protocol as well as RTMP, NDI®|HX Live Video Production Protocol, Standard (VISCA) Protocol and more. The CR-N300 can be controlled remotely by IP, Serial, IR, USB or wirelessly via Wi-Fi.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1\/2.3 Type CMOS Sensor \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe CR-N300 features a Canon 1\/2.3-inch 4K CMOS image sensor capable of 4K UHD video capture at 30P and up to 60P in Full HD, making the PTZ camera a strong contender for professional production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDIGIC DV 6 Image Processor \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe CR-N300 PTZ camera incorporates Canon's DIGIC DV 6 Image Processor, which is essential in providing high image quality, advanced performance and convenient operability. This advanced core technology component provides the image-processing power and speed that enables features such as 4K UHD video acquisition and precise Hybrid AF.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHybrid AF \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe CR-N300 is equipped with \"Hybrid AF\". Hybrid AF is an auto focus system that combines high-precision contrast AF technology and the high-speed phase-difference AF technology to confirm auto focus from the camera. This hybrid auto focus system helps achieve auto focus faster and more reliably compared to contrast auto focus alone.  \u003cbr\u003e \u003cbr\u003e\u003cstrong\u003eCanon 4K UHD Lens \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe CR-N300 features a 20x optical zoom lens and exhibits a wide viewing angle of 65.6 degrees (horizontal). At the wide end, the 29.3 mm lens is capable of capturing extensive scenes in tight shooting spaces such as indoor events for cinematic wide shots. The camera utilizes aspheric lens elements to achieve 4K image quality while minimizing various aberrations over the entire zoom range.   \u003c\/p\u003e\n\u003cp\u003eFurthermore, the lens structure of the CR-N300 enables real-time responsiveness in a three-dimensional space, supporting optical image stabilization, which helps keep the image capture stable by minimizing vibration. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOver Sampling HD Processing  \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe full HD recording (over sampling HD processing) takes full advantage of the image information acquired by the 4K sensor to generate beautiful high-definition full HD video. This helps content creators produce stunningly detailed FHD video when utilizing the CR-N300. \u003cbr\u003e \u003cbr\u003e\u003cstrong\u003eSmooth \u0026amp; Responsive Pan and Tilt Performance\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eVariable Pan speed of .2 - 300°\/second and variable Tilt speed of .2 - 170°\/second \u003cbr\u003eThe CR-N300 is equipped with the PT drive mechanism that can change the pan\/tilt speed in incremental steps. This allows the operator to set the speeds to desired preference to allow for smooth PT movement. The CR-N300 exhibits a variable pan speed of .2 - 300°\/second and variable tilt speed of .2- 170°\/second.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFour Scene Modes for Impressive Video \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe CR-N300 features Scene Modes that offer four preset shooting modes suitable for the desired application.\u003c\/p\u003e\n\u003cp\u003eThere are four types of Scene Modes: Portrait mode, which exhibits a blurred background while subject is in sharp focus, Sports mode, which enhances capture of moving objects, Low Light mode, which enhances capture of bright images even in dark places, and Spotlight mode, which enhances capture of beautiful images of spotlighted objects. \u003c\/p\u003e\n\u003cp\u003eBy selecting a Scene Mode, capture can be performed without having to adjust multiple settings within the Camera menu which aids a speedy setup and configuration allowing the operator to start shooting with impressive image expression. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWebcam via USB Connection \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe CR-N300 supports USB in addition to IP, SDI and HDMI. It is equipped with the specifications of UVC (Video: USB Video Class Ver. 1.1) and UAC (Audio: USB Audio Class Ver. 1.0) which are the connection standard of USB cameras and PCs. This allows video and audio output by connecting to a compatible USB device.  \u003cbr\u003e \u003cbr\u003eIn addition, driver settings are not required for connection to a PC. It can also be used as a webcam by connecting to a PC with a web conferencing application installed. The CR-N300 delivers up to full HD 1920 x 1080 video for high quality web conferencing. \u003cbr\u003e \u003cbr\u003e\u003cstrong\u003eEasy Integration into IP Streaming\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIP System \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn addition to SDI and HDMI connections, the CR-N300 is equipped with an RJ-45 interface purposed for IP communication, which supports high-resolution videos for distribution. The CR-N300 supports multiple protocols that can be utilized for video, audio and control. The genuine RC-IP100 controller utilizes the XC protocol to control  the CR-N300. The CR-N300 can also be combined with third-party equipment for control purposes.* This IP system can contribute to an efficient and labour-saving camera operations for the field of video production, broadcasting and more. \u003cbr\u003e \u003cbr\u003eConnection with all devices is not guaranteed. Canon makes no representations or warranties with respect to any third party product or accessory.\u003cbr\u003e \u003cbr\u003e\u003cstrong\u003eIP Multi-Stream Support \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe CR-N300 can simultaneously distribute video to multiple protocols via IP. Simultaneous distribution is also known as multi-stream, and the CR-N300 can distribute a total of three video streams simultaneously. Furthermore, if the HDMI\/SDI video output is 30 fps or less, the CR-N300 can distribute two video streams, 4K H.264 and 360P H.264, at the same time. Such IP multi-streams contribute to parallel workflows where the same video is used simultaneously in remote environments. \u003cbr\u003e \u003cbr\u003e\u003cstrong\u003eRTMP Streaming Protocol Supported  \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe CR-N300 is capable of streaming video and audio using RTMP (Real-Time Messaging Protocol). Even high quality\/large capacity video\/audio files such as broadcast programs are played at the same time as distribution without waiting for the completion of download.  \u003cbr\u003eFor example, by using a live streaming service, the viewer's direct access to the distribution URL set on the camera will stream the \"current video\" captured by the camera. With the RTMP streaming distribution, multiple viewers can watch the program at the same time even in a remote environment \u003cbr\u003e \u003cbr\u003e\u003cstrong\u003eNDI®|HX Live Video Production Support Protocol \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe CR-N300 supports the NDI® (Network Device Interface) protocol that is well-established in the field of video production and broadcasting as the supporting RTP (Real-time Transport Protocol). The NDI® protocol has been developed and led by NewTek, Inc. as a protocol that supports the workflow of live video production over an IP network. By constructing a system that uses NDI® protocol-compatible devices and tools, it is possible to use video and audio resources on the network, including live video from cameras. As a result, a \"live video production\" workflow is created.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStandard (VISCA) Protocol  \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe CR-N300 supports the Standard (VISCA) Protocol as a protocol to remotely control the camera via IP. When connecting a Standard (VISCA) Protocol compatible remote controller to the camera over IP or serial (RS-422) the camera can be operated remotely and shooting settings can be adjusted by utilizing the remote controller.  \u003cbr\u003e \u003cbr\u003eThe Standard (VISCA) Protocol is widely used in video production, broadcasting and many other markets. The CR-N300 supports the standard (VISCA) protocol that is regarded as an industry standard and is suitable for operation within existing workflows.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSupport for all new Canon XC protocol \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe XC Protocol is a newly developed IP that controls Canon video production equipment. By supporting, the XC Protocol the CR-N300 can be remotely controlled supporting a wide range of applications, which includes sports, music, live events, lecture recording, corporate video production, and more. \u003c\/p\u003e\n\u003cp\u003eThe XC Protocol is provided free of charge and can be found at https:\/\/developercommunity.usa.canon.com. \u003cbr\u003e \u003cbr\u003e\u003cstrong\u003eVarious Interfaces Supported for Multiple Environments\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHDMI, 3G-SDI, USB and IP \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe CR-N300 is equipped with four output interfaces.  The IP output and HDMI output are suitable when capturing UHD 4K at 30P or full HD resolutions at 59.94P. The SDI output is capable of full HD resolution and is suitable for usage when requiring high image quality video at 59.94P. The USB output is capable of full HD resolution for high quality web conferencing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e3.5mm Mini Jack \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe CR-N300 offers a method to record high-quality audio through an internal stereo mini-jack mic terminal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStandard Serial RS-422 \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe CR-N300 is equipped with a serial terminal RS-422 which can be utilized to connect third party supported controllers that support the standard (VISCA) protocol communication.  \u003cbr\u003e \u003cbr\u003e\u003cstrong\u003eOne Person Operation\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eControl multiple cameras \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe CR-N300 can be controlled by IP, infrared, USB and Wi-Fi. Canon’s hardware controller, the RC-IP100 is capable of controlling up to 100 cameras and 100 presets – this allows the operator to control multiple cameras in a larger production. The CR-N300 is a perfect fit for many applications in broadcast, education, House of Worship, events \u0026amp; staging and more.  \u003cbr\u003e \u003cbr\u003e\u003cstrong\u003eOther Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAll New Design \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe CR-N300 impresses with its distinctive style. A solid exterior colour and shape that looks like it was cut out from a cone, and the size that gives a sense of strength, yet stable and compact. This PTZ camera maintains design harmony with other Canon professional imaging products such as the established Canon 4K camera systems and lenses. The CR-N300 is available in two different colours, Satin Black and Titanium White. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEquipped with Tally Lamps \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe CR-N300 is equipped with tally lamps that indicate the status of the camera. The tally lamps are located on the front of the lens section, and illuminate red when the camera is shooting. Providing clear visual indications for staff and performers to know which camera is shooting live.  \u003cbr\u003e \u003cbr\u003e\u003cstrong\u003eWireless Remote Controls Supported \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn addition to the IP interface, the CR-N300 can also connect by Wi-Fi. This allows the operator to access the camera’s Settings Page from a wireless tablet device that is equipped with a supported HTTP browser. When using multiple cameras at the same time the user can set and operate the other cameras in the same way by inserting the assigned IP address of the camera in the web browser of the tablet or other device. In addition, the CR-N300 includes an infrared remote controller, which is used to control the camera wirelessly. \u003cbr\u003e \u003cbr\u003e\u003cstrong\u003eEasy-to-use Settings Page and Discovery Tool \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe CR-N300 supports the camera discovery tool, which is a Windows application. The Camera Search Tool is utilized to set the IP addresses of multiple cameras, which helps installers and integrators setup the CR-N300 within an existing network infrastructure.  \u003cbr\u003eFurthermore, the CR-N300 supports the web application “Settings Page“. The Settings Page allows the user to configure the settings of camera operation, which is accessible by web browser. Video quality adjustments such as exposure and white balance that are usually performed by the camera operator on site can now be adjusted and set while watching the video from their desk through the Settings Page. Both Camera Search Tool and Settings Page enhances the ease of use by remote control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemote Camera Control Application \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Remote Camera Control Application can be utilized to control the CR-N300. The Remote Camera Control Application is a Windows application for centralized control of multiple cameras. It is possible to operate up to nine cameras and display videos at the same time - achieving a \"multi-camera operation\".\u003c\/p\u003e\n\u003cp\u003eAt a video production or broadcasting site, an operator can select a camera from the videos displayed on the “Connected Camera List”, within the application and operate it from the “Camera Control Area\" in the control panel of the software. The software is included and can be installed immediately without having to prepare a hardware controller in advance making it easy to use for the operator while creating an effective one-person operation.  \u003cbr\u003e \u003cbr\u003e\u003cstrong\u003eThree-year Warranty\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe CR-N300 offers peace of mind being backed by Canon’s three-year warranty which guarantees each unit will be free of defects in workmanship and materials for up to three years from the date of original purchase. \u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":43478330671149,"sku":"5157C001","price":3999.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/files\/Canon-CR-N300.jpg?v=1779914096"},{"product_id":"sony-fx2-body","title":"Sony FX2 Body","description":"\u003cp\u003eThe Sony FX2 is a full-frame camera in the Cinema Line that inherits the visual philosophy of Sony's top-level VENICE series. 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Up to 16 user LUT files can be imported from memory cards or Sony’s Creators’ Cloud and selected as needed. The LUT used for recording can then be embedded in the video metadata.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCreate Moods Right in the Camera.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePicture Profile presets make it easy to adjust colour and gradation to create a variety of moods in camera. These include the acclaimed S-Cinetone™, which can help produce beautiful skin tones. Imported user LUTs can be registered as PPLUT 1 to 4 and applied during recording, and an expanded range of 12 Creative Look profiles, including FL2 and FL3, offers a comprehensive selection of visual moods for many recording needs.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDesqueeze Display for Anamorphic Lenses.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAnamorphic lenses are a popular choice for creating a distinctly cinematic look. The FX2 is equipped with a desqueeze display mode that allows monitoring in the standard CinemaScope aspect ratio of 2.93:1 while shooting with anamorphic lenses. It offers 1.3x and 2.0x desqueeze settings, and Sony’s Monitor \u0026amp; Control app provides even more detailed settings for monitoring on a tablet or other external display devices.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrame Rate Freedom.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAn FPS menu inherits features from our professional Cinema Line models, including a [Variable] setting that allows intuitive frame-rate control: up to 2.5x slow motion at 4K resolution, or up to 5x slow motion when recording in Full HD at up to 120 fps.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompact and Lightweight with Built-In Accessory Mount Points.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith the same compact flat-top design as the Cinema Line FX3 and FX30, the FX2 is ideal for handheld shooting as well as gimbal and drone mounting. 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Or, for shooting at an even faster pace, there’s Dynamic active Mode that utilizes electronic stabilization for an even greater effect (up to 30%), making it possible to shoot stable footage even when running. Corresponding stabilization metadata is embedded in the footage for efficient post-production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVisual Consistency Across Stills and Video.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Log mode is also available for stills, making it possible to shoot JPEG and HEIF still images with the S-Log3 gamma curve used during a video shoot, so the same workflow can be easily applied during post-production. Transform your stills in editing applications such as Black Magic Design DaVinci Resolve, ready for a variety of uses while maintaining the same look.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTiltable High-Definition Electronic Viewfinder.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eKeep focused on shooting even in bright or distracting environments, thanks to an OLED viewfinder with approximately 3.68 million dots. Magnification is 0.70x (50mm lens, infinity focus, -1m-1 diopter), and the angle of view and eyepoint are optimized for video recording. The viewfinder itself can be rotated from 0 ° to +90° for easy viewing at just about any angle, and the eye cup can be removed or reversed left-to-right as necessary.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEffective Heat Management.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEnjoy uninterrupted video recording time for formats up to 4K 59.94p. Heat buildup is prevented through a combination of an internal cooling fan, a highly thermal conductive graphite material used in the image stabilization unit, and an innovative design that allows ample air intake even when the LCD monitor is closed. The cooling fan has three modes that can be selected according to shooting conditions: Auto, Minimum, and Off while Recording.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDigital Audio without Degradation.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith an XLR Handle Unit XLR-H1* attached, the FX2 can record high-quality audio via two XLR connectors and a digital audio interface without the need for extra batteries or cables. Microphones equipped with XLR connectors are available separately. 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Equipped with a back-illuminated Exmor R® CMOS sensor supported by our BIONZ XR™ image processing engine and advanced AI processing unit, the camera offers high sensitivity, wide latitude, and 33 MP*1 resolution, giving ambitious cinematic visionaries all the tools they need.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOutstanding Image Quality for Maximum Editing Flexibility.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe FX2’s full-frame sensor produces footage with smooth, natural gradations thanks to 15+ stops of latitude when recording with S-Log3, ensuring even high-contrast scenes are captured in full detail. Base ISO for S-Log3 capture can be set to 800 or 4000, and the camera supports S-Gamut3\/S-Gamut.Cine colour gamuts for broad compatibility. 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Based on the shooting environment, choose a base ISO of either 800 or 4000 to maintain maximum latitude throughout the shoot, allowing specific tonal ranges to be enhanced in post-production to achieve your desired cinematic look.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMultiple Recording Formats for Versatile Shooting and Editing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e7K oversampling is used with full pixel readout and no pixel binning when shooting full-frame 4K (QFHD 3840 x 2160), and 4K 60p (59.94p)*5 recording is available in Super 35mm mode. Professional quality is supported by 10-bit depth, 4:2:2 colour sampling, an efficient MPEG-H HEVC\/H.265 codec, and Intra recording including DCI-4K (4096 x 2160).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eImport up to 16 User LUTs.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith the FX2, LUTs can be imported and applied to the LCD monitor and the electronic viewfinder while shooting or playing back movies. Up to 16 user LUT files can be imported from memory cards or Sony’s Creators’ Cloud and selected as needed. The LUT used for recording can then be embedded in the video metadata.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCreate Moods Right in the Camera.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePicture Profile presets make it easy to adjust colour and gradation to create a variety of moods in camera. These include the acclaimed S-Cinetone™, which can help produce beautiful skin tones. Imported user LUTs can be registered as PPLUT 1 to 4 and applied during recording, and an expanded range of 12 Creative Look profiles, including FL2 and FL3, offers a comprehensive selection of visual moods for many recording needs.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDesqueeze Display for Anamorphic Lenses.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAnamorphic lenses are a popular choice for creating a distinctly cinematic look. The FX2 is equipped with a desqueeze display mode that allows monitoring in the standard CinemaScope aspect ratio of 2.93:1 while shooting with anamorphic lenses. It offers 1.3x and 2.0x desqueeze settings, and Sony’s Monitor \u0026amp; Control app provides even more detailed settings for monitoring on a tablet or other external display devices.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrame Rate Freedom.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAn FPS menu inherits features from our professional Cinema Line models, including a [Variable] setting that allows intuitive frame-rate control: up to 2.5x slow motion at 4K resolution, or up to 5x slow motion when recording in Full HD at up to 120 fps.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompact and Lightweight with Built-In Accessory Mount Points.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith the same compact flat-top design as the Cinema Line FX3 and FX30, the FX2 is ideal for handheld shooting as well as gimbal and drone mounting. The magnesium alloy exterior has 1\/4-20 (UNC) screw holes in three locations for mounting accessories, and two additional screw holes are located on the bottom panel for secure tripod mounting.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAI-Based Real-Time Recognition AF.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEquipped with a powerful AI processing unit, the FX2 is capable of Real-time Recognition AF for humans, animals, birds, vehicles and even insects. A detection frame indicates the recognized subject and tracking can be initiated simply by touching the subject on the monitor screen. Advanced human pose estimation technology accurately recognizes subject movement, and human eye recognition has been improved by about 30% compared to the FX3\/FX30.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStabilization for Dynamic Handheld Shooting.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eActive Mode boosts stabilization while walking and shooting. Or, for shooting at an even faster pace, there’s Dynamic active Mode that utilizes electronic stabilization for an even greater effect (up to 30%), making it possible to shoot stable footage even when running. Corresponding stabilization metadata is embedded in the footage for efficient post-production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVisual Consistency Across Stills and Video.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Log mode is also available for stills, making it possible to shoot JPEG and HEIF still images with the S-Log3 gamma curve used during a video shoot, so the same workflow can be easily applied during post-production. 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Heat buildup is prevented through a combination of an internal cooling fan, a highly thermal conductive graphite material used in the image stabilization unit, and an innovative design that allows ample air intake even when the LCD monitor is closed. The cooling fan has three modes that can be selected according to shooting conditions: Auto, Minimum, and Off while Recording.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDigital Audio without Degradation.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith an XLR Handle Unit XLR-H1 attached, the FX2 can record high-quality audio via two XLR connectors and a digital audio interface without the need for extra batteries or cables. Microphones equipped with XLR connectors are available separately. 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Imagine shooting with large format digital film on low budget independent films, TV commercials or even corporate video!\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLarge Format Cinematic Digital Film Sensor!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic PYXIS models feature a large full frame sensor with a native resolution of 6048 x 4032 or a massive 12288 x 8040! That's almost three times larger than a Super 35 sensor and lets you shoot with a shallow depth of field or use anamorphic lenses uncropped for a true cinematic look. Whether you’re shooting in bright light or in almost no light at all, the massive dynamic range with high performance sensor provides stunning low noise images in all lighting conditions. Plus, PYXIS lets you shoot up to 120 fps on the 6K model, or 112 fps on the PYXIS 12K. This amazing sensor combined with Blackmagic color science gives you the same quality as the most expensive digital cinema cameras.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFull Frame Flexibility\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe large full frame sensor in Blackmagic PYXIS lets you work in a variety of film formats and aspect ratios without sacrificing quality! Using the full area of the sensor gives you a unique open gate 3:2 image which also lets you reframe your shots in post production. The large sensor also lets you work in true 6:5 anamorphic without cropping, making widescreen cinematic images more detailed and in higher resolution than previously possible. You can even use the classic Super 35 sized window on the sensor to create an instant ‘close up’ version of your shot that fits seamlessly with open gate footage. All this lets you create distinctive cinematic content in the highest quality!\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChoose from Three Lens Mounts!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eYou can choose between L-Mount, EF or PL lenses, making Blackmagic PYXIS compatible with the largest range of cinema and photographic lenses in the world! The L-Mount model works with the latest full frame lenses from Leica, Panasonic and Sigma but can also accommodate lens adapters, allowing you to use a wide variety of new and vintage lenses. The EF model lets you use high quality photographic lenses you already own from DSLRs or even Blackmagic Pocket Cinema Cameras. Or the PL model lets you work with professional cinema lenses from Zeiss, ARRI, Cooke and more without needing an adapter. With Blackmagic PYXIS, you get a choice of lens mounts for unlimited creative choice!\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShoot Incredible High Dynamic Range (HDR) Images\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe distance between the lightest and the darkest parts of an image is called dynamic range and is measured in stops. Blackmagic PYXIS 6K has an incredible 13 stops of dynamic range and PYXIS 12K, a massive 16 stops of dynamic range, which means they preserve more detail in the lightest and darkest areas of an image than simple video cameras can. This allows you to set exposure for an indoor scene such as a cafe and still retain the details of bright outdoor light coming through a window. Plus DaVinci Resolve Studio is included with the camera, so you get total creative freedom with full exposure adjustment and recovery controls when colour grading!\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"col-xs-12 col-sm-10 col-md-12\"\u003e\n\u003cdiv class=\"title-container txt-center-md\"\u003e\n\u003ch2\u003eExceptional \u003cspan class=\"br-md\"\u003e\u003c\/span\u003eLow Light Performance\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"text-container autocolumns-md\"\u003e\n\u003cp\u003eIn digital film ISO is a measurement of the image sensor’s sensitivity to light. This means the higher the ISO number the more sensitivity to light so it’s possible to shoot using natural light, even at night! Blackmagic PYXIS models feature ISO up to 25,600, which means they’re optimized to minimize noise in images, while maintaining the full dynamic range of the sensor. PYXIS 6K has a native ISO of 400, which is ideal for scenes with on-set lighting and a secondary high base ISO of 3200, which is perfect for shooting in dimly lit environments. PYXIS 12K has an ISO of 200 to 3200 and is optimized for 800. This makes it easy to capture great images when you don’t have time to set up lights.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMultiple Resolutions and Frame Rates\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic PYXIS models can shoot in all standard resolutions and frame rates from HD up to DCI 4K, 6K, 8K and even 12K. Blackmagic PYXIS 12K features a multi scale sensor with that lets you shoot in 12K, 8K or 4K at the full sensor size. Shoot up to 40 fps at 12288 x 8040 3:2 open gate or 60 fps at 12288 x 5112 2.4:1 and 112 fps at 8192 x 3408 8K. You can even work in true anamorphic 6:5 at much higher resolutions than other cameras using anamorphic lenses in 9.6K at 9648 x 8040. With the 6K model, you can shoot up to 36 fps at 6048 x 4032 3:2 open gate or 60 fps at 4096 x 2160 4K DCI. For higher frame rates you can window the sensor and shoot up to 100 fps at 2112 x 1184 Super 16.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLarge 4″ LCD Monitor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe built in LCD on Blackmagic PYXIS is more than just a simple status display. It’s a 4″ high resolution HDR touchscreen that is also perfect for monitoring and reviewing shots on set! Its full HD resolution means you can frame and focus your shots without needing to carry around a bulky external monitor! You can even use the display as a focus assist station! Plus, as an HDR display, it has 1500 nits of brightness so you can always see your shot or change settings, even in bright sunlight. On screen overlays show status and record parameters, histograms, levels, frame guides and more. You can even quickly apply 3D LUTs for monitoring shots with the desired colour and look.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAll Controls at your Fingertips\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic PYXIS features a logical design that puts important functions such as ISO, WB and shutter at your fingertips with both touchscreen and physical controls. There’s even a scroll wheel for making quick adjustments to settings! A row of 3 customizable function buttons means you don’t have to go hunting through menus on a tiny screen to find a command! The Blackmagic PYXIS features easy to reach recording and still buttons that are placed exactly where you expect, including function keys for high frame rate, focus, zoom, false colour and more. The controls can even be locked to avoid accidentally changing settings during a shot or when the camera is out of reach on a rig.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAdd Touchscreen Monitoring with Camera Control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic PYXIS Monitor is a versatile 5″ HDR touchscreen monitor with full camera control that can be mounted almost anywhere! It provides the same controls and overlays as PYXIS’ built in LCD, so it’s perfect to use when rigging or accessories block the internal display. Multiple mounting points make it easy to attach on any camera rig and use as a large viewfinder for easier focusing and framing. Or use it as an assist station so crew can frame and monitor shots from any position on set! There are 3 customizable buttons for quick access to zebra, focus assist, false colour and more. Plus, the bright 1500 nit display and removable sunshade ensure visibility, even in sunlight!\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide Plates for Flexible Mounting Options!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe innovative side plates expand the riggability of your camera even further! The standard plate included with Blackmagic PYXIS is made from the same aircraft grade aluminum as the camera body and features 2 1\/4″ thread mounts and one 3\/8″ thread mount, allowing you to add microphones, brackets or other accessories. Or you can attach the included SSD plate which offers a convenient location to securely attach a USB-C drive for recording or even a mobile phone for live streaming! The optional Rosette Plate gives you maximum flexibility with 5 1\/4″ thread mounts and 4 3\/8″ thread mounts for adding accessories, plus a rosette mounting point for attaching handgrips or extension arms!\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTransform Into a Fast Paced Broadcast Camera!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Blackmagic PYXIS Pro Handle and Pro Grip transform Blackmagic PYXIS into a flexible run and gun camera for ENG and documentary work! The top handle includes an integrated HD OLED viewfinder with precision glass optics, making outdoor shooting easy and accurate. It also features high quality stereo microphone with an ultra low noise floor for great sound in any location. There’s even a zoom rocker, an easy to reach record start\/stop button and custom function buttons! The Pro Grip adds a secure hand strap, assignable camcorder style zoom rocker and record button, making Blackmagic PYXIS even more versatile for fast paced productions!\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePost Production Friendly File Formats!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic PYXIS records in Blackmagic RAW to preserve control of detail, exposure and color during post production. It also records HD H.264 proxies in real time making it easy to share media around the world in minutes! Blackmagic RAW is highly optimized, multi‑threaded, works across multiple CPU cores and is also GPU accelerated to work with Apple Metal, CUDA and OpenCL. This means your images always maintain unprecedented resolution and quality for colour, keying, compositing, reframing, stabilization and tracking in HD, 4K, 6K, 8K or even a massive 12K! Media files work on all operating systems plus you can format media cards and disks in HFS+ for Mac and ExFAT for Windows.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord to CFexpress Cards or External Disks!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Blackmagic PYXIS features two built in CFexpress card recorders, and a USB-C expansion port for recording direct to external flash media disks or an SSD. CFexpress media are more durable and faster than even older media so are perfect for recording full resolution, 12-bit Blackmagic RAW files. Imagine capturing over an hour of full resolution 6K images on a single 256GB CFexpress card! Plus, with dual CFexpress slots, you can keep recording because you can hot swap full cards without stopping! The very high speed of CFexpress cards makes them perfect for mounting on your computer and editing directly from them using the included DaVinci Resolve Studio software!\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBlackmagic RAW: The quality of RAW and the speed of video!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from your camera. Blackmagic RAW eliminates quality problems so you get stunning images with incredible detail and colour throughout the production pipeline from camera to edit, colour and mastering. It also saves camera settings as metadata so you can set ISO, white balance and exposure in camera or override them later while editing, all without any loss of quality! Blackmagic RAW files are also small and fast to use making them easy to work with. Only Blackmagic RAW gives you the highest quality, smallest files and fastest performance!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePowered by Blackmagic OS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith the advanced Blackmagic OS, you get an intuitive and user friendly camera operating system based on the latest technology. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. It features the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. You also get full control over advanced camera features such as on screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more!\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGeneration 5 Colour Science\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFeaturing the same generation 5 color science as the high end URSA Cine, the Blackmagic PYXIS delivers an even greater advancement in image quality with stunning, accurate skin tones and faithful colour in every shot. You get a new dynamic 12-bit gamma curve designed to capture more colour data in the highlights and shadows, for better looking images. The colour science also handles some of the complex Blackmagic RAW image processing, so colour and dynamic range data from the sensor is preserved via metadata which you can use in post production. That means you get images that have a natural, film like response to colour adjustments in post with DaVinci Resolve.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLive Sync to Blackmagic Cloud and Editors\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic PYXIS supports creating a small H.264 proxy file in addition to the camera original media when recording. This means the small proxy file can upload to Blackmagic Cloud in seconds so your media is available back at the studio in real time. The ability to transfer media directly into the DaVinci Resolve media bin as editors are working is revolutionary and has never before been possible! Any editor working anywhere in the world will get the shots! If you have multiple cameras, then the new multi source feature in DaVinci Resolve's Cut page will show each camera angle in a multiview. Blackmagic Cloud is a revolution in global post production workflows!\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConnect 5G or 4G Phones for Mobile Data\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen uploading to Blackmagic Cloud, you can use an Apple or Android phone to get a connection to the internet via mobile data. Simply connect the phone to the USB-C port and Blackmagic PYXIS will configure for mobile data. Plus it works with the latest high speed 5G phones, as well as 4G phones! You can also connect via wired Ethernet using the camera’s Ethernet port. This lets you get your media out as you shoot so post production teams anywhere in the world can start work in real time! Plus on set grading can be done in a grading suite and synced back to DaVinci on set. It’s a truly global post production solution that works with Blackmagic Cloud to create amazing teams of creative people.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWorks with URSA Cine Viewfinder and Accessories\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic PYXIS supports the optional Blackmagic URSA Cine EVF to make outdoors and handheld shooting accurate and easy! You get an integrated high quality 1920 x 1080 color OLED display with built in proximity sensor, 4 element glass diopter for incredible accuracy with a wide focus adjustment. A built in digital focus chart ensures you get perfect viewfinder focus setup. You can also view critical status information such as frame guides. The URSA Cine EVF is extremely easy to connect as it simply mounts to the included extension arm and connects to the camera using a single USB-C cable. The viewfinder can be positioned in multiple ways and comes with 2 different types of eyecups.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProfessional Connections for Custom Rigs!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic PYXIS features a wide range of connections for audio, monitoring, power and more. The camera includes a 12G-SDI out for monitoring with support for HDR and Ultra HD output. That means you can connect an SDI display for on set monitoring of images, with or without overlays that show critical information and camera status. SDI allows for much longer cable runs than HDMI making it easier to reach monitors that are further away on set. There’s also a mini XLR connection with 48 volt phantom power for microphones, a 3.5 mm video camera style microphone input, timecode in, reference input, headphone connection and a locking DC power connector!\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuilt-in Microphones and Professional Audio Inputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith professional, high fidelity audio recording built in you'll never have to carry around a separate sound recorder again! Blackmagic PYXIS features a mini XLR input with 48 volts of phantom power for connecting professional microphones such as lapel mics and booms. The built in mics have an extremely low noise floor and are shock and wind resistant, capturing great sound and are ideal for recording guide tracks on location. There’s also a 3.5mm audio input for connecting video camera microphones, along with a built in speaker for playback and a 3.5mm headphone jack. These audio connections allow you to record separate audio tracks using microphones, without an external mixer.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLoad Custom 3D LUTs to Recreate Film Looks!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDigital film cameras shoot logarithmic colorspace to preserve the dynamic range, which is great for later post production, however when these files are viewed on a monitor they can look flat and washed out. 3D LUTs solve this problem because they allow you to apply a \"look\" to the monitor so you get an idea of how the finished images will look when editing. LUTs can be applied temporarily for monitoring only, or they can be recorded into the Blackmagic RAW files for use in post production. The Blackmagic PYXIS works with industry standard 17 and 33 point 3D LUT files, or you can work with the built in LUTs such as Extended Video, Film to Video, Film to Rec.2020 and more.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUSB-C for External Disks and Ethernet Control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Blackmagic PYXIS features an innovative and high speed USB-C Expansion Port that operates at up to 10 Gb\/s. USB-C is available on most new computers and even provides power. That means you can connect external accessories such as flash drives and high capacity SSDs for significantly longer recording times. Best of all, when shooting is complete you can simply move the external disk to your computer and start editing and color correction from the same disk straight away, eliminating file copying. You can also use the camera’s built in Ethernet port to control your camera over a network via secure and easy to use REST APIs. You can even copy files off the camera via the network!\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuilt In SRT and RTMP Live Streaming\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNow you can live stream from film sets! Blackmagic PYXIS features a built hardware streaming engine that supports RTMP and SRT streaming to YouTube, Facebook, X and more! For internet access, you have two options, one to connect via Ethernet or you can connect a 4G or 5G phone for mobile data! As the streaming is built into the camera, you can see the stream status and data rate in the viewfinder and the LCD! If you want to create a wireless link back to the studio, then you can stream to a Blackmagic ATEM Streaming Bridge, which is an H.264 decoder that converts the video stream back to video. Now the whole post production team can keep an eye on the shoot, live, while it's happening!\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWireless Bluetooth Camera Remote Control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIf you're positioning the camera on the end of a boom, or in another hard to reach location, you can get full control via Bluetooth from up to 30 feet away. You can download the Blackmagic Camera Control app for your iPad or use third party apps such as Bluetooth+ or tRigger on your iOS and Android devices. There’s even a free developer SDK with sample code available from the Blackmagic Design developer website, so you can create your own remote camera control and digital slate solutions! Imagine building an app that can jam sync timecode and trigger all cameras to record at the same time. The possibilities are endless!\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePower from Batteries or 12‑18V DC!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic PYXIS uses high capacity BP-U series batteries. These popular batteries come in a variety of capacities and are commonly available around the world. The highest capacity BP-U series battery lets you shoot for over 3 hours on a single charge! Plus there are a wide range of battery adapters and charger plates available from third parties so never have a flat battery. When using DC power, a locking connector is used so you won't have to worry about losing power during a shoot, perfect for when your camera is out of reach on a mount or jib! You also get a set of international socket adapters for worldwide use.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIncludes DaVinci Resolve Studio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic PYXIS includes a full version of DaVinci Resolve Studio, which is the same software used in Hollywood for creating high end feature films, episodic television shows, commercials and more. DaVinci Resolve features the new cut page with intelligent editing tools and innovative new features designed to help you quickly find the footage you want, edit it together and output it fast. In addition to the new cut page, you also get DaVinci’s legendary professional editing, advanced color correction, audio post and visual effects tools, all in a single software application! Now you can use the same high end software that professional editors and colorists use!\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Blackmagic","offers":[{"title":"Default Title","offer_id":44248166268973,"sku":"CINECAMCPYXA60LFL","price":4465.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/files\/Blackmagic-PYXIS-6K-L-Mount.jpg?v=1779905706"},{"product_id":"blackmagic-pyxis-6k-ef-mount","title":"Blackmagic PYXIS 6K - EF Mount","description":"\u003cp\u003eBlackmagic PYXIS represents the next generation customizable cinema camera, a high end digital film camera that produces precise skin tones and rich organic colours. It features an extremely versatile design that lets you build the perfect camera rig for your production! You get a full frame 36 x 24mm 6K or 12K sensor with wide dynamic range with a built in optical low pass filter that's been designed to perfectly match the sensor. Plus there are 3 models available in either EF, PL or L-Mount. You also get 2 x CFexpress media recorders and Ethernet for sharing media to Blackmagic Cloud! It even records both 12-bit Blackmagic RAW and extremely small H.264 proxies files at the same time!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBlackmagic PYXIS 6K\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAdvanced digital film camera with an incredibly versatile design! Includes full frame 36 x 24mm 6K sensor, wide dynamic range and choice of EF, PL or L Mount. Records Blackmagic RAW with proxies to CFexpress.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDesigned for Maximum Customizability!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith multiple mounting points and accessory side plates, it’s easy to configure Blackmagic PYXIS into the camera you need it to be! PYXIS’ compact body is made from precision CNC machined aerospace aluminum, which means it is lightweight yet very strong. You can easily mount it on a range of camera rigs such as cranes, gimbals or drones! In addition to the multiple 1\/4″ and 3\/8″ thread mounts on the top and bottom of the body, Blackmagic PYXIS has a range of side plates that further extend your ability to mount accessories such as handles, microphones or even SSDs. All this means you can build the perfect camera for the any production that’s both rugged and reliable!\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGet the “Hollywood Look” with Digital Film!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic PYXIS has the professional features you need for feature film, television programming and documentaries, however now this same quality can be used to create cinematic content for social media, YouTube videos and more. You get the same features found on high end digital film cameras, allowing capture of deeper colors, higher image detail and a wider dynamic range between the brightest highlights and deepest shadows. It's the reason why feature films look so amazing and now you can get the same high end production values for any kind of work. Imagine shooting with large format digital film on low budget independent films, TV commercials or even corporate video!\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLarge Format Cinematic Digital Film Sensor!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic PYXIS models feature a large full frame sensor with a native resolution of 6048 x 4032 or a massive 12288 x 8040! That's almost three times larger than a Super 35 sensor and lets you shoot with a shallow depth of field or use anamorphic lenses uncropped for a true cinematic look. Whether you’re shooting in bright light or in almost no light at all, the massive dynamic range with high performance sensor provides stunning low noise images in all lighting conditions. Plus, PYXIS lets you shoot up to 120 fps on the 6K model, or 112 fps on the PYXIS 12K. This amazing sensor combined with Blackmagic color science gives you the same quality as the most expensive digital cinema cameras.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFull Frame Flexibility\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe large full frame sensor in Blackmagic PYXIS lets you work in a variety of film formats and aspect ratios without sacrificing quality! Using the full area of the sensor gives you a unique open gate 3:2 image which also lets you reframe your shots in post production. The large sensor also lets you work in true 6:5 anamorphic without cropping, making widescreen cinematic images more detailed and in higher resolution than previously possible. You can even use the classic Super 35 sized window on the sensor to create an instant ‘close up’ version of your shot that fits seamlessly with open gate footage. All this lets you create distinctive cinematic content in the highest quality!\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChoose from Three Lens Mounts!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eYou can choose between L-Mount, EF or PL lenses, making Blackmagic PYXIS compatible with the largest range of cinema and photographic lenses in the world! The L-Mount model works with the latest full frame lenses from Leica, Panasonic and Sigma but can also accommodate lens adapters, allowing you to use a wide variety of new and vintage lenses. The EF model lets you use high quality photographic lenses you already own from DSLRs or even Blackmagic Pocket Cinema Cameras. Or the PL model lets you work with professional cinema lenses from Zeiss, ARRI, Cooke and more without needing an adapter. With Blackmagic PYXIS, you get a choice of lens mounts for unlimited creative choice!\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShoot Incredible High Dynamic Range (HDR) Images\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe distance between the lightest and the darkest parts of an image is called dynamic range and is measured in stops. Blackmagic PYXIS 6K has an incredible 13 stops of dynamic range and PYXIS 12K, a massive 16 stops of dynamic range, which means they preserve more detail in the lightest and darkest areas of an image than simple video cameras can. This allows you to set exposure for an indoor scene such as a cafe and still retain the details of bright outdoor light coming through a window. Plus DaVinci Resolve Studio is included with the camera, so you get total creative freedom with full exposure adjustment and recovery controls when colour grading!\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"col-xs-12 col-sm-10 col-md-12\"\u003e\n\u003cdiv class=\"title-container txt-center-md\"\u003e\n\u003ch2\u003eExceptional \u003cspan class=\"br-md\"\u003e\u003c\/span\u003eLow Light Performance\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"text-container autocolumns-md\"\u003e\n\u003cp\u003eIn digital film ISO is a measurement of the image sensor’s sensitivity to light. This means the higher the ISO number the more sensitivity to light so it’s possible to shoot using natural light, even at night! Blackmagic PYXIS models feature ISO up to 25,600, which means they’re optimized to minimize noise in images, while maintaining the full dynamic range of the sensor. PYXIS 6K has a native ISO of 400, which is ideal for scenes with on-set lighting and a secondary high base ISO of 3200, which is perfect for shooting in dimly lit environments. PYXIS 12K has an ISO of 200 to 3200 and is optimized for 800. This makes it easy to capture great images when you don’t have time to set up lights.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMultiple Resolutions and Frame Rates\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic PYXIS models can shoot in all standard resolutions and frame rates from HD up to DCI 4K, 6K, 8K and even 12K. Blackmagic PYXIS 12K features a multi scale sensor with that lets you shoot in 12K, 8K or 4K at the full sensor size. Shoot up to 40 fps at 12288 x 8040 3:2 open gate or 60 fps at 12288 x 5112 2.4:1 and 112 fps at 8192 x 3408 8K. You can even work in true anamorphic 6:5 at much higher resolutions than other cameras using anamorphic lenses in 9.6K at 9648 x 8040. With the 6K model, you can shoot up to 36 fps at 6048 x 4032 3:2 open gate or 60 fps at 4096 x 2160 4K DCI. For higher frame rates you can window the sensor and shoot up to 100 fps at 2112 x 1184 Super 16.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLarge 4″ LCD Monitor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe built in LCD on Blackmagic PYXIS is more than just a simple status display. It’s a 4″ high resolution HDR touchscreen that is also perfect for monitoring and reviewing shots on set! Its full HD resolution means you can frame and focus your shots without needing to carry around a bulky external monitor! You can even use the display as a focus assist station! Plus, as an HDR display, it has 1500 nits of brightness so you can always see your shot or change settings, even in bright sunlight. On screen overlays show status and record parameters, histograms, levels, frame guides and more. You can even quickly apply 3D LUTs for monitoring shots with the desired colour and look.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAll Controls at your Fingertips\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic PYXIS features a logical design that puts important functions such as ISO, WB and shutter at your fingertips with both touchscreen and physical controls. There’s even a scroll wheel for making quick adjustments to settings! A row of 3 customizable function buttons means you don’t have to go hunting through menus on a tiny screen to find a command! The Blackmagic PYXIS features easy to reach recording and still buttons that are placed exactly where you expect, including function keys for high frame rate, focus, zoom, false colour and more. The controls can even be locked to avoid accidentally changing settings during a shot or when the camera is out of reach on a rig.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAdd Touchscreen Monitoring with Camera Control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic PYXIS Monitor is a versatile 5″ HDR touchscreen monitor with full camera control that can be mounted almost anywhere! It provides the same controls and overlays as PYXIS’ built in LCD, so it’s perfect to use when rigging or accessories block the internal display. Multiple mounting points make it easy to attach on any camera rig and use as a large viewfinder for easier focusing and framing. Or use it as an assist station so crew can frame and monitor shots from any position on set! There are 3 customizable buttons for quick access to zebra, focus assist, false colour and more. Plus, the bright 1500 nit display and removable sunshade ensure visibility, even in sunlight!\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide Plates for Flexible Mounting Options!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe innovative side plates expand the riggability of your camera even further! The standard plate included with Blackmagic PYXIS is made from the same aircraft grade aluminum as the camera body and features 2 1\/4″ thread mounts and one 3\/8″ thread mount, allowing you to add microphones, brackets or other accessories. Or you can attach the included SSD plate which offers a convenient location to securely attach a USB-C drive for recording or even a mobile phone for live streaming! The optional Rosette Plate gives you maximum flexibility with 5 1\/4″ thread mounts and 4 3\/8″ thread mounts for adding accessories, plus a rosette mounting point for attaching handgrips or extension arms!\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTransform Into a Fast Paced Broadcast Camera!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Blackmagic PYXIS Pro Handle and Pro Grip transform Blackmagic PYXIS into a flexible run and gun camera for ENG and documentary work! The top handle includes an integrated HD OLED viewfinder with precision glass optics, making outdoor shooting easy and accurate. It also features high quality stereo microphone with an ultra low noise floor for great sound in any location. There’s even a zoom rocker, an easy to reach record start\/stop button and custom function buttons! The Pro Grip adds a secure hand strap, assignable camcorder style zoom rocker and record button, making Blackmagic PYXIS even more versatile for fast paced productions!\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePost Production Friendly File Formats!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic PYXIS records in Blackmagic RAW to preserve control of detail, exposure and color during post production. It also records HD H.264 proxies in real time making it easy to share media around the world in minutes! Blackmagic RAW is highly optimized, multi‑threaded, works across multiple CPU cores and is also GPU accelerated to work with Apple Metal, CUDA and OpenCL. This means your images always maintain unprecedented resolution and quality for colour, keying, compositing, reframing, stabilization and tracking in HD, 4K, 6K, 8K or even a massive 12K! Media files work on all operating systems plus you can format media cards and disks in HFS+ for Mac and ExFAT for Windows.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord to CFexpress Cards or External Disks!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Blackmagic PYXIS features two built in CFexpress card recorders, and a USB-C expansion port for recording direct to external flash media disks or an SSD. CFexpress media are more durable and faster than even older media so are perfect for recording full resolution, 12-bit Blackmagic RAW files. Imagine capturing over an hour of full resolution 6K images on a single 256GB CFexpress card! Plus, with dual CFexpress slots, you can keep recording because you can hot swap full cards without stopping! The very high speed of CFexpress cards makes them perfect for mounting on your computer and editing directly from them using the included DaVinci Resolve Studio software!\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBlackmagic RAW: The quality of RAW and the speed of video!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from your camera. Blackmagic RAW eliminates quality problems so you get stunning images with incredible detail and colour throughout the production pipeline from camera to edit, colour and mastering. It also saves camera settings as metadata so you can set ISO, white balance and exposure in camera or override them later while editing, all without any loss of quality! Blackmagic RAW files are also small and fast to use making them easy to work with. Only Blackmagic RAW gives you the highest quality, smallest files and fastest performance!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePowered by Blackmagic OS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith the advanced Blackmagic OS, you get an intuitive and user friendly camera operating system based on the latest technology. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. It features the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. You also get full control over advanced camera features such as on screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more!\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGeneration 5 Colour Science\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFeaturing the same generation 5 color science as the high end URSA Cine, the Blackmagic PYXIS delivers an even greater advancement in image quality with stunning, accurate skin tones and faithful colour in every shot. You get a new dynamic 12-bit gamma curve designed to capture more colour data in the highlights and shadows, for better looking images. The colour science also handles some of the complex Blackmagic RAW image processing, so colour and dynamic range data from the sensor is preserved via metadata which you can use in post production. That means you get images that have a natural, film like response to colour adjustments in post with DaVinci Resolve.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLive Sync to Blackmagic Cloud and Editors\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic PYXIS supports creating a small H.264 proxy file in addition to the camera original media when recording. This means the small proxy file can upload to Blackmagic Cloud in seconds so your media is available back at the studio in real time. The ability to transfer media directly into the DaVinci Resolve media bin as editors are working is revolutionary and has never before been possible! Any editor working anywhere in the world will get the shots! If you have multiple cameras, then the new multi source feature in DaVinci Resolve's Cut page will show each camera angle in a multiview. Blackmagic Cloud is a revolution in global post production workflows!\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConnect 5G or 4G Phones for Mobile Data\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen uploading to Blackmagic Cloud, you can use an Apple or Android phone to get a connection to the internet via mobile data. Simply connect the phone to the USB-C port and Blackmagic PYXIS will configure for mobile data. Plus it works with the latest high speed 5G phones, as well as 4G phones! You can also connect via wired Ethernet using the camera’s Ethernet port. This lets you get your media out as you shoot so post production teams anywhere in the world can start work in real time! Plus on set grading can be done in a grading suite and synced back to DaVinci on set. It’s a truly global post production solution that works with Blackmagic Cloud to create amazing teams of creative people.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWorks with URSA Cine Viewfinder and Accessories\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic PYXIS supports the optional Blackmagic URSA Cine EVF to make outdoors and handheld shooting accurate and easy! You get an integrated high quality 1920 x 1080 color OLED display with built in proximity sensor, 4 element glass diopter for incredible accuracy with a wide focus adjustment. A built in digital focus chart ensures you get perfect viewfinder focus setup. You can also view critical status information such as frame guides. The URSA Cine EVF is extremely easy to connect as it simply mounts to the included extension arm and connects to the camera using a single USB-C cable. The viewfinder can be positioned in multiple ways and comes with 2 different types of eyecups.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProfessional Connections for Custom Rigs!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic PYXIS features a wide range of connections for audio, monitoring, power and more. The camera includes a 12G-SDI out for monitoring with support for HDR and Ultra HD output. That means you can connect an SDI display for on set monitoring of images, with or without overlays that show critical information and camera status. SDI allows for much longer cable runs than HDMI making it easier to reach monitors that are further away on set. There’s also a mini XLR connection with 48 volt phantom power for microphones, a 3.5 mm video camera style microphone input, timecode in, reference input, headphone connection and a locking DC power connector!\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuilt-in Microphones and Professional Audio Inputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith professional, high fidelity audio recording built in you'll never have to carry around a separate sound recorder again! Blackmagic PYXIS features a mini XLR input with 48 volts of phantom power for connecting professional microphones such as lapel mics and booms. The built in mics have an extremely low noise floor and are shock and wind resistant, capturing great sound and are ideal for recording guide tracks on location. There’s also a 3.5mm audio input for connecting video camera microphones, along with a built in speaker for playback and a 3.5mm headphone jack. These audio connections allow you to record separate audio tracks using microphones, without an external mixer.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLoad Custom 3D LUTs to Recreate Film Looks!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDigital film cameras shoot logarithmic colorspace to preserve the dynamic range, which is great for later post production, however when these files are viewed on a monitor they can look flat and washed out. 3D LUTs solve this problem because they allow you to apply a \"look\" to the monitor so you get an idea of how the finished images will look when editing. LUTs can be applied temporarily for monitoring only, or they can be recorded into the Blackmagic RAW files for use in post production. The Blackmagic PYXIS works with industry standard 17 and 33 point 3D LUT files, or you can work with the built in LUTs such as Extended Video, Film to Video, Film to Rec.2020 and more.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUSB-C for External Disks and Ethernet Control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Blackmagic PYXIS features an innovative and high speed USB-C Expansion Port that operates at up to 10 Gb\/s. USB-C is available on most new computers and even provides power. That means you can connect external accessories such as flash drives and high capacity SSDs for significantly longer recording times. Best of all, when shooting is complete you can simply move the external disk to your computer and start editing and color correction from the same disk straight away, eliminating file copying. You can also use the camera’s built in Ethernet port to control your camera over a network via secure and easy to use REST APIs. You can even copy files off the camera via the network!\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuilt In SRT and RTMP Live Streaming\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNow you can live stream from film sets! Blackmagic PYXIS features a built hardware streaming engine that supports RTMP and SRT streaming to YouTube, Facebook, X and more! For internet access, you have two options, one to connect via Ethernet or you can connect a 4G or 5G phone for mobile data! As the streaming is built into the camera, you can see the stream status and data rate in the viewfinder and the LCD! If you want to create a wireless link back to the studio, then you can stream to a Blackmagic ATEM Streaming Bridge, which is an H.264 decoder that converts the video stream back to video. Now the whole post production team can keep an eye on the shoot, live, while it's happening!\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWireless Bluetooth Camera Remote Control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIf you're positioning the camera on the end of a boom, or in another hard to reach location, you can get full control via Bluetooth from up to 30 feet away. You can download the Blackmagic Camera Control app for your iPad or use third party apps such as Bluetooth+ or tRigger on your iOS and Android devices. There’s even a free developer SDK with sample code available from the Blackmagic Design developer website, so you can create your own remote camera control and digital slate solutions! Imagine building an app that can jam sync timecode and trigger all cameras to record at the same time. The possibilities are endless!\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePower from Batteries or 12‑18V DC!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic PYXIS uses high capacity BP-U series batteries. These popular batteries come in a variety of capacities and are commonly available around the world. The highest capacity BP-U series battery lets you shoot for over 3 hours on a single charge! Plus there are a wide range of battery adapters and charger plates available from third parties so never have a flat battery. When using DC power, a locking connector is used so you won't have to worry about losing power during a shoot, perfect for when your camera is out of reach on a mount or jib! You also get a set of international socket adapters for worldwide use.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIncludes DaVinci Resolve Studio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic PYXIS includes a full version of DaVinci Resolve Studio, which is the same software used in Hollywood for creating high end feature films, episodic television shows, commercials and more. DaVinci Resolve features the new cut page with intelligent editing tools and innovative new features designed to help you quickly find the footage you want, edit it together and output it fast. In addition to the new cut page, you also get DaVinci’s legendary professional editing, advanced color correction, audio post and visual effects tools, all in a single software application! Now you can use the same high end software that professional editors and colorists use!\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Blackmagic","offers":[{"title":"Default Title","offer_id":44248256151597,"sku":"CINECAMCPYXD60LFEF","price":4465.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/files\/Blackmagic-PYXIS-6K-EF.jpg?v=1779905706"},{"product_id":"blackmagic-pyxis-6k-pl-mount","title":"Blackmagic PYXIS 6K - PL Mount","description":"\u003cp\u003eBlackmagic PYXIS represents the next generation customizable cinema camera, a high end digital film camera that produces precise skin tones and rich organic colours. It features an extremely versatile design that lets you build the perfect camera rig for your production! You get a full frame 36 x 24mm 6K or 12K sensor with wide dynamic range with a built in optical low pass filter that's been designed to perfectly match the sensor. Plus there are 3 models available in either EF, PL or L-Mount. You also get 2 x CFexpress media recorders and Ethernet for sharing media to Blackmagic Cloud! It even records both 12-bit Blackmagic RAW and extremely small H.264 proxies files at the same time!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBlackmagic PYXIS 6K\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAdvanced digital film camera with an incredibly versatile design! Includes full frame 36 x 24mm 6K sensor, wide dynamic range and choice of EF, PL or L Mount. Records Blackmagic RAW with proxies to CFexpress.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDesigned for Maximum Customizability!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith multiple mounting points and accessory side plates, it’s easy to configure Blackmagic PYXIS into the camera you need it to be! PYXIS’ compact body is made from precision CNC machined aerospace aluminum, which means it is lightweight yet very strong. You can easily mount it on a range of camera rigs such as cranes, gimbals or drones! In addition to the multiple 1\/4″ and 3\/8″ thread mounts on the top and bottom of the body, Blackmagic PYXIS has a range of side plates that further extend your ability to mount accessories such as handles, microphones or even SSDs. All this means you can build the perfect camera for the any production that’s both rugged and reliable!\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGet the “Hollywood Look” with Digital Film!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic PYXIS has the professional features you need for feature film, television programming and documentaries, however now this same quality can be used to create cinematic content for social media, YouTube videos and more. You get the same features found on high end digital film cameras, allowing capture of deeper colors, higher image detail and a wider dynamic range between the brightest highlights and deepest shadows. It's the reason why feature films look so amazing and now you can get the same high end production values for any kind of work. Imagine shooting with large format digital film on low budget independent films, TV commercials or even corporate video!\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLarge Format Cinematic Digital Film Sensor!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic PYXIS models feature a large full frame sensor with a native resolution of 6048 x 4032 or a massive 12288 x 8040! That's almost three times larger than a Super 35 sensor and lets you shoot with a shallow depth of field or use anamorphic lenses uncropped for a true cinematic look. Whether you’re shooting in bright light or in almost no light at all, the massive dynamic range with high performance sensor provides stunning low noise images in all lighting conditions. Plus, PYXIS lets you shoot up to 120 fps on the 6K model, or 112 fps on the PYXIS 12K. This amazing sensor combined with Blackmagic color science gives you the same quality as the most expensive digital cinema cameras.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFull Frame Flexibility\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe large full frame sensor in Blackmagic PYXIS lets you work in a variety of film formats and aspect ratios without sacrificing quality! Using the full area of the sensor gives you a unique open gate 3:2 image which also lets you reframe your shots in post production. The large sensor also lets you work in true 6:5 anamorphic without cropping, making widescreen cinematic images more detailed and in higher resolution than previously possible. You can even use the classic Super 35 sized window on the sensor to create an instant ‘close up’ version of your shot that fits seamlessly with open gate footage. All this lets you create distinctive cinematic content in the highest quality!\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChoose from Three Lens Mounts!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eYou can choose between L-Mount, EF or PL lenses, making Blackmagic PYXIS compatible with the largest range of cinema and photographic lenses in the world! The L-Mount model works with the latest full frame lenses from Leica, Panasonic and Sigma but can also accommodate lens adapters, allowing you to use a wide variety of new and vintage lenses. The EF model lets you use high quality photographic lenses you already own from DSLRs or even Blackmagic Pocket Cinema Cameras. Or the PL model lets you work with professional cinema lenses from Zeiss, ARRI, Cooke and more without needing an adapter. With Blackmagic PYXIS, you get a choice of lens mounts for unlimited creative choice!\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShoot Incredible High Dynamic Range (HDR) Images\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe distance between the lightest and the darkest parts of an image is called dynamic range and is measured in stops. Blackmagic PYXIS 6K has an incredible 13 stops of dynamic range and PYXIS 12K, a massive 16 stops of dynamic range, which means they preserve more detail in the lightest and darkest areas of an image than simple video cameras can. This allows you to set exposure for an indoor scene such as a cafe and still retain the details of bright outdoor light coming through a window. Plus DaVinci Resolve Studio is included with the camera, so you get total creative freedom with full exposure adjustment and recovery controls when colour grading!\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"col-xs-12 col-sm-10 col-md-12\"\u003e\n\u003cdiv class=\"title-container txt-center-md\"\u003e\n\u003ch2\u003eExceptional \u003cspan class=\"br-md\"\u003e\u003c\/span\u003eLow Light Performance\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"text-container autocolumns-md\"\u003e\n\u003cp\u003eIn digital film ISO is a measurement of the image sensor’s sensitivity to light. This means the higher the ISO number the more sensitivity to light so it’s possible to shoot using natural light, even at night! Blackmagic PYXIS models feature ISO up to 25,600, which means they’re optimized to minimize noise in images, while maintaining the full dynamic range of the sensor. PYXIS 6K has a native ISO of 400, which is ideal for scenes with on-set lighting and a secondary high base ISO of 3200, which is perfect for shooting in dimly lit environments. PYXIS 12K has an ISO of 200 to 3200 and is optimized for 800. This makes it easy to capture great images when you don’t have time to set up lights.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMultiple Resolutions and Frame Rates\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic PYXIS models can shoot in all standard resolutions and frame rates from HD up to DCI 4K, 6K, 8K and even 12K. Blackmagic PYXIS 12K features a multi scale sensor with that lets you shoot in 12K, 8K or 4K at the full sensor size. Shoot up to 40 fps at 12288 x 8040 3:2 open gate or 60 fps at 12288 x 5112 2.4:1 and 112 fps at 8192 x 3408 8K. You can even work in true anamorphic 6:5 at much higher resolutions than other cameras using anamorphic lenses in 9.6K at 9648 x 8040. With the 6K model, you can shoot up to 36 fps at 6048 x 4032 3:2 open gate or 60 fps at 4096 x 2160 4K DCI. For higher frame rates you can window the sensor and shoot up to 100 fps at 2112 x 1184 Super 16.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLarge 4″ LCD Monitor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe built in LCD on Blackmagic PYXIS is more than just a simple status display. It’s a 4″ high resolution HDR touchscreen that is also perfect for monitoring and reviewing shots on set! Its full HD resolution means you can frame and focus your shots without needing to carry around a bulky external monitor! You can even use the display as a focus assist station! Plus, as an HDR display, it has 1500 nits of brightness so you can always see your shot or change settings, even in bright sunlight. On screen overlays show status and record parameters, histograms, levels, frame guides and more. You can even quickly apply 3D LUTs for monitoring shots with the desired colour and look.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAll Controls at your Fingertips\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic PYXIS features a logical design that puts important functions such as ISO, WB and shutter at your fingertips with both touchscreen and physical controls. There’s even a scroll wheel for making quick adjustments to settings! A row of 3 customizable function buttons means you don’t have to go hunting through menus on a tiny screen to find a command! The Blackmagic PYXIS features easy to reach recording and still buttons that are placed exactly where you expect, including function keys for high frame rate, focus, zoom, false colour and more. The controls can even be locked to avoid accidentally changing settings during a shot or when the camera is out of reach on a rig.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAdd Touchscreen Monitoring with Camera Control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic PYXIS Monitor is a versatile 5″ HDR touchscreen monitor with full camera control that can be mounted almost anywhere! It provides the same controls and overlays as PYXIS’ built in LCD, so it’s perfect to use when rigging or accessories block the internal display. Multiple mounting points make it easy to attach on any camera rig and use as a large viewfinder for easier focusing and framing. Or use it as an assist station so crew can frame and monitor shots from any position on set! There are 3 customizable buttons for quick access to zebra, focus assist, false colour and more. Plus, the bright 1500 nit display and removable sunshade ensure visibility, even in sunlight!\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide Plates for Flexible Mounting Options!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe innovative side plates expand the riggability of your camera even further! The standard plate included with Blackmagic PYXIS is made from the same aircraft grade aluminum as the camera body and features 2 1\/4″ thread mounts and one 3\/8″ thread mount, allowing you to add microphones, brackets or other accessories. Or you can attach the included SSD plate which offers a convenient location to securely attach a USB-C drive for recording or even a mobile phone for live streaming! The optional Rosette Plate gives you maximum flexibility with 5 1\/4″ thread mounts and 4 3\/8″ thread mounts for adding accessories, plus a rosette mounting point for attaching handgrips or extension arms!\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTransform Into a Fast Paced Broadcast Camera!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Blackmagic PYXIS Pro Handle and Pro Grip transform Blackmagic PYXIS into a flexible run and gun camera for ENG and documentary work! The top handle includes an integrated HD OLED viewfinder with precision glass optics, making outdoor shooting easy and accurate. It also features high quality stereo microphone with an ultra low noise floor for great sound in any location. There’s even a zoom rocker, an easy to reach record start\/stop button and custom function buttons! The Pro Grip adds a secure hand strap, assignable camcorder style zoom rocker and record button, making Blackmagic PYXIS even more versatile for fast paced productions!\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePost Production Friendly File Formats!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic PYXIS records in Blackmagic RAW to preserve control of detail, exposure and color during post production. It also records HD H.264 proxies in real time making it easy to share media around the world in minutes! Blackmagic RAW is highly optimized, multi‑threaded, works across multiple CPU cores and is also GPU accelerated to work with Apple Metal, CUDA and OpenCL. This means your images always maintain unprecedented resolution and quality for colour, keying, compositing, reframing, stabilization and tracking in HD, 4K, 6K, 8K or even a massive 12K! Media files work on all operating systems plus you can format media cards and disks in HFS+ for Mac and ExFAT for Windows.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord to CFexpress Cards or External Disks!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Blackmagic PYXIS features two built in CFexpress card recorders, and a USB-C expansion port for recording direct to external flash media disks or an SSD. CFexpress media are more durable and faster than even older media so are perfect for recording full resolution, 12-bit Blackmagic RAW files. Imagine capturing over an hour of full resolution 6K images on a single 256GB CFexpress card! Plus, with dual CFexpress slots, you can keep recording because you can hot swap full cards without stopping! The very high speed of CFexpress cards makes them perfect for mounting on your computer and editing directly from them using the included DaVinci Resolve Studio software!\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBlackmagic RAW: The quality of RAW and the speed of video!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from your camera. Blackmagic RAW eliminates quality problems so you get stunning images with incredible detail and colour throughout the production pipeline from camera to edit, colour and mastering. It also saves camera settings as metadata so you can set ISO, white balance and exposure in camera or override them later while editing, all without any loss of quality! Blackmagic RAW files are also small and fast to use making them easy to work with. Only Blackmagic RAW gives you the highest quality, smallest files and fastest performance!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePowered by Blackmagic OS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith the advanced Blackmagic OS, you get an intuitive and user friendly camera operating system based on the latest technology. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. It features the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. You also get full control over advanced camera features such as on screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more!\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGeneration 5 Colour Science\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFeaturing the same generation 5 color science as the high end URSA Cine, the Blackmagic PYXIS delivers an even greater advancement in image quality with stunning, accurate skin tones and faithful colour in every shot. You get a new dynamic 12-bit gamma curve designed to capture more colour data in the highlights and shadows, for better looking images. The colour science also handles some of the complex Blackmagic RAW image processing, so colour and dynamic range data from the sensor is preserved via metadata which you can use in post production. That means you get images that have a natural, film like response to colour adjustments in post with DaVinci Resolve.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLive Sync to Blackmagic Cloud and Editors\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic PYXIS supports creating a small H.264 proxy file in addition to the camera original media when recording. This means the small proxy file can upload to Blackmagic Cloud in seconds so your media is available back at the studio in real time. The ability to transfer media directly into the DaVinci Resolve media bin as editors are working is revolutionary and has never before been possible! Any editor working anywhere in the world will get the shots! If you have multiple cameras, then the new multi source feature in DaVinci Resolve's Cut page will show each camera angle in a multiview. Blackmagic Cloud is a revolution in global post production workflows!\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConnect 5G or 4G Phones for Mobile Data\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen uploading to Blackmagic Cloud, you can use an Apple or Android phone to get a connection to the internet via mobile data. Simply connect the phone to the USB-C port and Blackmagic PYXIS will configure for mobile data. Plus it works with the latest high speed 5G phones, as well as 4G phones! You can also connect via wired Ethernet using the camera’s Ethernet port. This lets you get your media out as you shoot so post production teams anywhere in the world can start work in real time! Plus on set grading can be done in a grading suite and synced back to DaVinci on set. It’s a truly global post production solution that works with Blackmagic Cloud to create amazing teams of creative people.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWorks with URSA Cine Viewfinder and Accessories\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic PYXIS supports the optional Blackmagic URSA Cine EVF to make outdoors and handheld shooting accurate and easy! You get an integrated high quality 1920 x 1080 color OLED display with built in proximity sensor, 4 element glass diopter for incredible accuracy with a wide focus adjustment. A built in digital focus chart ensures you get perfect viewfinder focus setup. You can also view critical status information such as frame guides. The URSA Cine EVF is extremely easy to connect as it simply mounts to the included extension arm and connects to the camera using a single USB-C cable. The viewfinder can be positioned in multiple ways and comes with 2 different types of eyecups.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProfessional Connections for Custom Rigs!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic PYXIS features a wide range of connections for audio, monitoring, power and more. The camera includes a 12G-SDI out for monitoring with support for HDR and Ultra HD output. That means you can connect an SDI display for on set monitoring of images, with or without overlays that show critical information and camera status. SDI allows for much longer cable runs than HDMI making it easier to reach monitors that are further away on set. There’s also a mini XLR connection with 48 volt phantom power for microphones, a 3.5 mm video camera style microphone input, timecode in, reference input, headphone connection and a locking DC power connector!\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuilt-in Microphones and Professional Audio Inputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith professional, high fidelity audio recording built in you'll never have to carry around a separate sound recorder again! Blackmagic PYXIS features a mini XLR input with 48 volts of phantom power for connecting professional microphones such as lapel mics and booms. The built in mics have an extremely low noise floor and are shock and wind resistant, capturing great sound and are ideal for recording guide tracks on location. There’s also a 3.5mm audio input for connecting video camera microphones, along with a built in speaker for playback and a 3.5mm headphone jack. These audio connections allow you to record separate audio tracks using microphones, without an external mixer.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLoad Custom 3D LUTs to Recreate Film Looks!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDigital film cameras shoot logarithmic colorspace to preserve the dynamic range, which is great for later post production, however when these files are viewed on a monitor they can look flat and washed out. 3D LUTs solve this problem because they allow you to apply a \"look\" to the monitor so you get an idea of how the finished images will look when editing. LUTs can be applied temporarily for monitoring only, or they can be recorded into the Blackmagic RAW files for use in post production. The Blackmagic PYXIS works with industry standard 17 and 33 point 3D LUT files, or you can work with the built in LUTs such as Extended Video, Film to Video, Film to Rec.2020 and more.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUSB-C for External Disks and Ethernet Control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Blackmagic PYXIS features an innovative and high speed USB-C Expansion Port that operates at up to 10 Gb\/s. USB-C is available on most new computers and even provides power. That means you can connect external accessories such as flash drives and high capacity SSDs for significantly longer recording times. Best of all, when shooting is complete you can simply move the external disk to your computer and start editing and color correction from the same disk straight away, eliminating file copying. You can also use the camera’s built in Ethernet port to control your camera over a network via secure and easy to use REST APIs. You can even copy files off the camera via the network!\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuilt In SRT and RTMP Live Streaming\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNow you can live stream from film sets! Blackmagic PYXIS features a built hardware streaming engine that supports RTMP and SRT streaming to YouTube, Facebook, X and more! For internet access, you have two options, one to connect via Ethernet or you can connect a 4G or 5G phone for mobile data! As the streaming is built into the camera, you can see the stream status and data rate in the viewfinder and the LCD! If you want to create a wireless link back to the studio, then you can stream to a Blackmagic ATEM Streaming Bridge, which is an H.264 decoder that converts the video stream back to video. Now the whole post production team can keep an eye on the shoot, live, while it's happening!\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWireless Bluetooth Camera Remote Control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIf you're positioning the camera on the end of a boom, or in another hard to reach location, you can get full control via Bluetooth from up to 30 feet away. You can download the Blackmagic Camera Control app for your iPad or use third party apps such as Bluetooth+ or tRigger on your iOS and Android devices. There’s even a free developer SDK with sample code available from the Blackmagic Design developer website, so you can create your own remote camera control and digital slate solutions! Imagine building an app that can jam sync timecode and trigger all cameras to record at the same time. The possibilities are endless!\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePower from Batteries or 12‑18V DC!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic PYXIS uses high capacity BP-U series batteries. These popular batteries come in a variety of capacities and are commonly available around the world. The highest capacity BP-U series battery lets you shoot for over 3 hours on a single charge! Plus there are a wide range of battery adapters and charger plates available from third parties so never have a flat battery. When using DC power, a locking connector is used so you won't have to worry about losing power during a shoot, perfect for when your camera is out of reach on a mount or jib! You also get a set of international socket adapters for worldwide use.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIncludes DaVinci Resolve Studio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic PYXIS includes a full version of DaVinci Resolve Studio, which is the same software used in Hollywood for creating high end feature films, episodic television shows, commercials and more. DaVinci Resolve features the new cut page with intelligent editing tools and innovative new features designed to help you quickly find the footage you want, edit it together and output it fast. In addition to the new cut page, you also get DaVinci’s legendary professional editing, advanced color correction, audio post and visual effects tools, all in a single software application! Now you can use the same high end software that professional editors and colorists use!\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Blackmagic","offers":[{"title":"Default Title","offer_id":44248256610349,"sku":"CINECAMCPYXH60LFPL","price":4765.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/files\/Blackmagic-PYXIS-6K-PL.jpg?v=1779905703"},{"product_id":"blackmagic-ursa-cine-12k","title":"Blackmagic URSA Cine 12K","description":"\u003cp\u003eThe Blackmagic URSA Cine is a revolutionary digital film camera platform that introduces new advanced digital film technologies combined with total integration into the post production workflow. That means it's the first digital film camera platform with fast high capability storage built in, plus high speed networking for on set media sync. Blackmagic URSA Cine also introduces a new large format RGBW image sensors with larger photo-sites for incredible dynamic range. You can also swap between PL, LPL, EF and Hasselblad lens mounts. There's even WiFi with SRT streaming for remote client viewing. Plus the industry standard Lemo and Fischer connections make it perfect for high end cinema production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBlackmagic URSA Cine 12K LF\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRevolutionary digital film camera with large format RGBW 36x24mm sensor up to 12288 x 8040 resolution, 16 stops dynamic range, network storage with 10G Ethernet, WiFi and Blackmagic Cloud global sync!\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCinematic Full-Frame Sensor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eURSA Cine features a revolutionary new sensor designed for incredible quality images at all resolutions from 4K to a massive 17K! Building on the original 12K RGBW Super 35 sensor, the new large format design features larger photo-sites, delivering an astounding 16 stops of dynamic range! The unique RGBW architecture provides equal amounts of red, green and blue pixels for incredible colour super sampling. This means it is optimized to deliver incredibly rich colours at all resolutions and provide the ultimate in image quality and flexibility. Now you can capture more detail with a wider dynamic range than ever! Plus, in sensor scaling means you can record at all resolutions without cropping!\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA Camera Body Optimized for High End Productions!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eURSA Cine is designed to meet the demands of any high end production. The camera body is built with a robust magnesium alloy chassis and lightweight carbon fiber polycarbonate composite skin to help you move quickly on set. Soft touch backlit buttons make controls easy to see in all conditions. There’s a 5″ fold out touchscreen for reviewing shots and accessing camera settings, plus a dedicated assist station on the other side of the camera, with 5″ LCD and full camera controls! Standard Lemo and Fischer connectors let you control the camera remotely while providing power for lens motors and other accessories. You also get 12G‑SDI out, 10G Ethernet, USB-C, XLR audio and more!\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLarge Format Flexibility\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe large format sensors provide the ultimate in flexibility for aspect ratios, lenses and delivery formats! The full sensor area of the 12K LF gives you a stunning 3:2 open gate image, while the 17K 65 model provides a cinematic 2.20:1 image. Both models let you use the large sensor area to shoot anamorphic and deliver in a range of aspect ratios with 1.3, 1.5, 1.6, 1.66, 1.8 and 2x de-squeeze factors. Plus, you can shoot in 4K, 8K or 12K using the entire sensor without cropping, retaining the full field of view of your lenses. The 12K LF model even has 9K Super 35 modes for full compatibility with classic cinema lenses. All this lets you create distinctive content in the highest quality!\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInterchangeable Lens Mounts\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDifferent projects require different lenses which is why URSA Cine features an interchangeable lens mount. You can quickly switch between PL, LPL, EF and Hasselblad mounts. That means you can work with PL or LPL cinema lenses, EF or large format Hasselblad photographic lenses, making URSA Cine compatible with the widest possible range of professional lenses. Imagine using modern high speed lenses for sharp, precise images on one shoot and then shooting a period drama with vintage photographic lenses next! Plus, each mount has contact pins to read lens metadata for monitoring and for use in post production. With URSA Cine, you have the freedom to choose the lens you need for any kind of work!\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHigh Resolution Monitoring and Camera Control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eURSA Cine lets crews work faster on set with multiple monitoring options! The fold out monitor has a large 5″ HDR touchscreen on one side and an external color status LCD on the other. You can even rotate the screen and fold it back into the camera! On the right side of the camera, there’s a dedicated assist station with a second 5″ HDR touchscreen which allows crew to work around the camera without needing external monitors. Plus, with a 1500 nit display and removable sunshade, it’s always visible, even in bright sunlight. On screen overlays show status and record parameters, histogram, frame guides and more. There’s even a dedicated focus puller’s mode to help you get perfect focus!\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRugged Industry Standard Connections\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe wide range of industry standard connections on URSA Cine make it perfect for high end cinema production. The 7 pin Lemo and 3 pin Fischer connectors at the front provide record start\/stop and 24V power so are ideal for on board accessories such as focus motors. Camera power is provided by a standard 24V 8 pin Lemo connection, plus there's an additional 2 pin Lemo 12V connection at the rear for lower voltage accessories. All this means you can power accessories straight from the camera without messy external cabling! There are also two independent 12G-SDI outputs for monitoring on 2 different monitors with different overlays, plus 10G Ethernet for Blackmagic Cloud media syncing!\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBlackmagic RAW Fueled Image Capture\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic RAW is a revolutionary format designed to capture and preserve the quality of the sensor data from your camera. Blackmagic RAW files store camera metadata, lens data, white balance, digital slate information and custom LUTs to ensure consistency of image on set and through post production. Constant quality options lock the quality level, allowing compression to adapt, matching the detail of the scene. Constant bitrate encoding options are designed to give you the best possible images with predictable and consistent file size. URSA Cine records to the Blackmagic Media Module 8TB, allowing you to capture over 4 hours of Blackmagic RAW in 12K or a massive 20 hours in 4K!\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGeneration 5 Colour Science\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic Generation 5 Colour Science features a new film curve designed to make full use of the massive amount of colour data from the new URSA Cine sensor. This delivers even better colour response for more pleasing skin tones, and better rendering of highly saturated colours such as neon signs and car tail lights in high contrast scenes. Generation 5 Colour Science informs complex Blackmagic RAW image processing, with colour and dynamic range data from the sensor preserved via metadata for use in post production. Compatible with all previously shot Blackmagic RAW files, Generation 5 Colour Science lets you take advantage of the new film curve even with your existing work!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuilt in Optical Low Pass Filter\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe high frequencies of synthetic materials like fabrics or the LED matrix in video walls can cause problems for ultra sharp modern lenses and high resolution sensors, creating interference patterns. Using an optical low pass filter minimizes that interference, which results in a reduction of moire and aliasing. URSA Cine includes a high performance, optical low pass filter that is precisely matched to the sensor. The OLPF also incorporates updated IR filtering that improves far red color response which, when combined with Blackmagic RAW processing for the URSA Cine, preserves color and critical image detail for new levels of image fidelity.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuilt in Color Balanced ND Filters\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eURSA Cine 12K LF features high quality ND filters that let you quickly reduce the amount of light entering the camera. Designed to match the colorimetry and color science of the camera, the 2, 4 and 6 stop filters provide you with additional latitude even under harsh lighting. The IR filters have been designed to filter both optical wavelengths and IR wavelengths evenly to eliminate IR contamination of the images from which many ND filters can suffer. URSA Cine ND filters are true optical filters with a precision mechanism that quickly moves them into place when the ND filter dial is turned. 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