{"title":"Products over $5000","description":"","products":[{"product_id":"leica-noctilux-m-50mm-f0-95","title":"Leica Noctilux-M 50mm f0.95","description":"\u003cp\u003eAfter more than 30 years, Leica breaks its own record and introduces the world's highest-speed aspherical lens: the LEICA NOCTILUX-M 50 mm f\/0.95 ASPH. M-Mount lens. It is the successor to the famous LEICA NOCTILUX-M 50 mm f\/1 ASPH., which was added to the product range in 1975. Thanks to state-of-the-art optics and mechanical technologies, Leica has succeeded in achieving substantial improvements over the previous model. With nearly identical dimensions, a noticeable increase in lens speed has been achieved. The extremely shallow depth of field (DOF) at open aperture produces portraits and detailed studies of unequalled aesthetic effect. Even when just slightly stopped down, the result is outstanding image quality, comparable to the LEICA SUMMILUX-M 50 mm f\/1.4 ASPH, which is considered the best standard lens ever produced. When used in available light photography, the lens exceeds the perception of the human eye. Even the light from one candle can be sufficient for handheld photography. A \"floating element\" retains high image quality even in the close-up range. Vignetting and distortion have also been visibly improved compared to the 50mm f\/1.\u003c\/p\u003e","brand":"Leica","offers":[{"title":"Default Title","offer_id":34875501477933,"sku":"11602","price":19440.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/products\/Products2607-500x500-5066.jpg?v=1780090521"},{"product_id":"nikkor-af-s-300mm-f2-8-vr-ii-ed","title":"Nikkor AF-S 300mm f2.8 VR II ED","description":"\u003cp\u003e\u003cspan id=\"ctl00_ContentPlaceHolder_lblContent\"\u003eThe fast aperture AF-S NIKKOR 300mm f\/2.8G ED VR II super telephoto lens delivers images with stunning edge-to-edge sharpness and clarity throughout the frame. Continued refinements and technologies such as Vibration Reduction (VR) II and optimized autofocus (AF) modes in the lens enhance functionality and improve performance for discerning FX and DX-format digital SLR photographers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan id=\"ctl00_ContentPlaceHolder_lblContent\"\u003eWhether photographing nature in the wild or at a line of scrimmage, the NIKKOR AF-S 300mm f\/2.8 is an essential tool for photographers who require the highest level of image quality for publication and printing. The new 300mm lens effectively leverages a host of Nikon core technologies, including Nikon VR II image stabilization, which is specifically engineered for each lens model to maximum performance. VR II instills confidence by counteracting image blur introduced by camera shake and telephoto magnification, allowing users to shoot up to four shutter speed stops* slower than otherwise possible, overcoming many of the challenges of handheld shooting.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan id=\"ctl00_ContentPlaceHolder_lblContent\"\u003e** This item \u003cem\u003emay \u003c\/em\u003enot qualify for free\/standard shipping. Please contact us for a quote.**\u003c\/span\u003e\u003c\/p\u003e","brand":"Nikon","offers":[{"title":"Default Title","offer_id":34875522023469,"sku":"N2186","price":6899.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/products\/Products3116-500x500-7649.jpg?v=1780090433"},{"product_id":"nikkor-af-s-200-400mm-f-4g-ed-vr-ii","title":"Nikkor AF-S 200-400mm f4G ED VR II","description":"\u003cp\u003eThis FX-format compatible telephoto zoom lens delivers optical excellence and stunning image quality for professional photographers. It is ideal for capturing exquisite detail for sports, nature and travel photography, affording a constant maximum aperture of f\/4 along with rugged construction for maximum versatility. Continued refinements and new technologies such as Vibration Reduction (VR) II, Nano Crystal Coat and optimized autofocus (AF) modes enhance functionality and improve performance for discerning FX- and DX-format photographers.\u003c\/p\u003e\u003cp\u003eThe 200-400mm lens benefits from the addition of Nikon’s proprietary Nano Crystal Coat to reduce instances of ghosting and flaring. The result is unparalleled clarity and sharpness in challenging lighting environments typical to sports venues or harsh sunlight.\u003c\/p\u003e\u003cp\u003eThe new AF-S NIKKOR 200-400mm lens also features Nikon’s VR II image stabilization, which is specifically engineered for each lens to ensure maximum performance. VR II is a valuable asset for both photo and video capture, as image blur introduced by camera shake and telephoto magnification is significantly reduced. Furthermore, users are able to shoot up to four stops slower than otherwise possible, overcoming many of the challenges of handheld shooting at such extreme focal lengths. VR functionality is augmented with Nikon’s Automatic Panning Detection and an Active VR Mode to help compensate for movement from an unstable position such as a moving vehicle. VR is always engaged when shooting in the D-Movie mode on select Nikon digital SLRs, helping to stabilize HD video capture.\u003c\/p\u003e\u003cp\u003eThe professional focusing features of the new 200-400mm f\/4 lens further enhance functionality. Photographers can select from three focus modes to match shooting conditions, including manual mode (M), autofocus with manual override mode (M\/A), and a new A\/M mode which is used to avoid cancelling the AF setting by unintentionally moving the focus ring while shooting. Both M\/A and A\/M focus modes enhance AF control with fast and secure switching from automatic and manual focus to adapt to personal shooting preferences and techniques. Additionally, users can activate the AF Recall Mode at the press of a button to allow for instant return to a predetermined point of focus.\u003c\/p\u003e\u003cp\u003eThis professional lens is constructed of die-cast magnesium for maximum durability and sealed to resist dust and moisture with protective Meniscus glass that safeguards the front element of the lens. The optical formula features four Extra-low Dispersion (ED) glass elements for superior sharpness, colour and image quality, while minimizing chromatic aberration. The new 200-400mm f\/4 lens also features Nikon’s exclusive Silent Wave Motor (SWM) technology, which enables high-speed autofocus performance with exceptional accuracy and powerful, super-quiet operation. Nikon's Super Integrated Coating further suppresses flare and offers superior colour consistency throughout the frame.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e** This lens MAY not qualify for free shipping. Please contact us to confirm***\u003c\/p\u003e","brand":"Nikon","offers":[{"title":"Default Title","offer_id":34875524153389,"sku":"N2187","price":8599.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/products\/Products3145-500x500-7797.jpg?v=1780090434"},{"product_id":"leica-summilux-m-21mm-f1-4","title":"Leica Summilux-M 21mm f1.4","description":"\u003cp\u003e\n\tThe outstanding image quality, very large image angles, and compact dimensions make the LEICA SUMMILUX-M 21 mm f\/1.4 ASPH M-Mount lens a particularly versatile performer. At full aperture, the depth of field (DOF) is extremely shallow. As a result, in close-ups the main subject can be separated effectively from the background to create very expressive photographs. At a medium stop, the focal range is so great that entire scenes can be reproduced sharply. Because of the floating element, the very high resolution is retained even in the close-up range. Vignetting and distortion are both corrected excellently for a lens of this speed.\u003cbr\u003e\n\tA patented, rectangular lens hood fits Series VIII filters.\u003c\/p\u003e","brand":"Leica","offers":[{"title":"Default Title","offer_id":34875584544813,"sku":"11647","price":13285.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/products\/Products4553-500x500-26817.jpg?v=1780086646"},{"product_id":"leica-apo-summicron-m-90mm-f2","title":"Leica Apo-Summicron-M 90mm f2","description":"\u003cp\u003e\n\tThis M-Mount lens features apochromatic colour correction and an aspherical lens surface. Of its five individual elements, two are made of high-refraction glass, while two others feature anomalous partial dispersion. Its brilliance and quality of resolution are exemplary even at full aperture. Light falloff is very low. Its fast aperture, for a 90mm lens, lets you shoot at relatively short exposure times even in dim light, helping to minimise the effects of camera shake, for instance when photographing street scenes from a distance.\u003c\/p\u003e","brand":"Leica","offers":[{"title":"Default Title","offer_id":34875586412589,"sku":"11884","price":8230.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/products\/Products4568-500x500-26907.jpg?v=1780086648"},{"product_id":"leica-super-elmar-m-21mm-f3-4-asph","title":"Leica Super-Elmar-M 21mm f3.4 ASPH.","description":"\u003cp\u003e\n\tThe Leica Super-Elmar-M 21mm f\/3.4 ASPH. M-Mount lens is a worthy successor to the now legendary Leica Super-Angulon-M 21 mm f\/3.4. Just like its popular forerunner, this super-wide-angle lens is characterized by superb imaging performance and amazingly compact construction. Even at maximum aperture, the lens delivers outstanding rendition of details and optimum contrast up to its closest focusing distance. The lens is supplied complete with a metal, screw-mounted lens hood to prevent flare effects and ensure perfect image sharpness. Thanks to its wide angle of view, the Leica Super-Elmar-M 21mm f\/3.4 ASPH. is particularly suitable for architectural and landscape photography. At the same time, this focal length is also ideal for dynamic photojournalistic photography. The sophisticated optical design and construction of the lens comprises eight elements - including one with two aspherical surfaces and another four with anomalous partial dispersion - and plays a decisive role in reducing distortion and vignetting to an absolute minimum. With the Super-Elmar-M, M photographers now have a compact and versatile high-performance lens for the broad spectrum of photographic situations covered by super-wide-angle photography.\u003c\/p\u003e","brand":"Leica","offers":[{"title":"Default Title","offer_id":34875608891437,"sku":"11145","price":5400.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/products\/Products5180-500x500-30914.jpg?v=1780090330"},{"product_id":"leica-apo-summicron-m-50mm-f2-0-asph","title":"Leica APO-Summicron-M 50mm f2.0 ASPH.","description":"\u003cp\u003e\n\tWith this lens, Leica engineers have successfully expanded the limits of the technically possible to set new standards in imaging performance. It is the first lens ever to fully exploit the capabilities of modern high-resolution camera systems without any compromises.\u003c\/p\u003e\n\u003cp\u003e\n\tThis lens is a milestone in the history of optical design that achieves previously unattainable values in all technical performance characteristics. For instance, there is practically no fall-off at the edges - even at full aperture - in the MTF curves for image sharpness. Even the finest details are rendered with more than 50% contrast - a previously unheard of value that confirms the exceptional properties of this lens.\u003c\/p\u003e\n\u003cp\u003e\n\tThis enormous contrast enables extremely sharp images with superb corner-to-corner detail rendition in all photographic situations. At the same time, the apochromatic correction of the lens minimises chromatic aberration on sharp edges to ensure natural rendition of every detail. This results in outstanding pictures - even in large-format prints. The Leica APO-Summicron-M 50 mm f\/2 ASPH. provides discerning photographers with a new high-performance lens in the portfolio of standard focal lengths.\u003c\/p\u003e","brand":"Leica","offers":[{"title":"Default Title","offer_id":34875628912685,"sku":"L11141","price":14020.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/products\/Products5619-400x400-33625.jpg?v=1780090259"},{"product_id":"nikkor-af-s-800mm-f5-6-e-fl-ed-vr","title":"Nikkor AF-S 800mm f5.6 E FL ED VR","description":"\u003cp\u003eIntroducing one of the most impressive feats of NIKKOR engineering yet—the remarkable full frame AF-S NIKKOR 800mm f\/5.6E FL ED VR. Offering sports, news and wildlife photographers the pinnacle of reach and performance, it combines advanced NIKKOR optics and lens technology within a dust- and water-resistant magnesium-alloy body. With Nikon's exclusive Silent Wave Motor (SWM) providing ultra-fast, ultra-quiet autofocusing, lightweight fluorite lens elements improving optical performance and handling, Vibration Reduction enabling faster handheld shooting and an electromagnetic diaphragm for consistent exposures during high-speed bursts, the AF-S NIKKOR 800mm f\/5.6E FL ED VR sets a new standard for super-telephoto lenses. And with the included AF-S Teleconverter TC800-1.25E ED, you can increase overall focal length to a whopping 1000mm (1500mm equivalent on DX-format cameras). Conquer distance like never before.\u003c\/p\u003e","brand":"Nikon","offers":[{"title":"Default Title","offer_id":34875664433197,"sku":"N2205","price":19999.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/products\/Products6636-2000x2000-102214.jpg?v=1780090287"},{"product_id":"nikkor-af-s-400mm-f2-8e-fl-ed-vr","title":"Nikkor AF-S 400mm f2.8E FL ED VR","description":"\u003cp\u003eLighter and more rugged than its acclaimed predecessor, the AF-S NIKKOR 400mm f\/2.8E FL ED VR frees professionals and passionate shooters to capture the thrill of sports, action and wildlife with staggering clarity and precision, even when shooting handheld in challenging lighting conditions. A fast f2.8 maximum aperture paired with Nikon VR technology delivers exciting new low-light capabilities and beautiful bokeh, while a specialized diaphragm maintains consistent exposure during high-speed shooting. Pro-grade dust- and moisture-sealing and a fluorine coated front meniscus glass element protect the lens' superb NIKKOR optics on tough assignments while Nikon's advanced lens technologies give you every advantage for catching the shots that matter.\u003c\/p\u003e","brand":"Nikon","offers":[{"title":"Default Title","offer_id":34875683733549,"sku":"N2217","price":13999.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/products\/Products7066-2000x2000-114585.jpg?v=1780086203"},{"product_id":"leica-m-a-type-127","title":"Leica M-A Type 127","description":"*Lens Not Included*\u003cbr\u003e\u003cbr\u003eAs a purely mechanical camera, the Leica M-A is a precision instrument that has been so dramatically reduced to the essentials that it opens up entirely new creative horizons for photographers. It may have no monitor, no exposure meter, and no battery, but what it does have is a mechanical quality that makes Leica’s 100 years of experience instantly tangible. Photographers can read the shutter speed and aperture directly from the camera and lens and so concentrate fully on their subject.  The acoustic signature of the shutter release of a Leica M-A is a delight that immediately reveals the precision-engineered excellence of its origin.","brand":"Leica","offers":[{"title":"Black","offer_id":34875710013485,"sku":"L10370","price":9870.0,"currency_code":"CAD","in_stock":true},{"title":"Black\/Silver","offer_id":41918052696109,"sku":"L10371","price":8770.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/products\/Products7674-1000x1000-131214.jpg?v=1780086034"},{"product_id":"leica-noctilux-m-50mm-f0-95-asph-silver","title":"Leica Noctilux-M 50mm f0.95 ASPH - Silver","description":"\u003cp\u003eThe extremely shallow depth of field at open aperture produces portraits and detailed studies of unequalled aesthetic effect. The result is outstanding image quality, comparable to the Leica Summilux-M 50mm f1.4 ASPH., which is considered the best standard lens ever produced. Even the light from one candle can be sufficient for handheld photography.\u003c\/p\u003e","brand":"Leica","offers":[{"title":"Default Title","offer_id":34875713060909,"sku":"L11667","price":19999.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/products\/Products7761-1000x1000-135251.jpg?v=1780086002"},{"product_id":"nikkor-af-s-500mm-f4-e-fl-ed-vr","title":"Nikkor AF-S 500mm f4 E FL ED VR","description":"\u003cp\u003eNikon's legendary 500mm super telephoto lens is now nearly 2 pounds lighter than the previous model and ready for the most demanding conditions. With brilliant optical performance, improved AF tracking, a high-speed electromagnetic diaphragm that keeps pace with Nikon's fastest DSLRs plus VR image stabilization, the Nikkor AF-S 500mm f4 E FL ED VR is a game-changer for outdoor, sports, action and nature photographers or anyone looking to get the most out of their current DSLR. The lens comes with a new lightweight hard-shell case.\u003c\/p\u003e\u003cp\u003eNikon's VR image stabilization counteracts camera shake and vibration up to ~4.0 stops, a must-have feature when working handheld, on a monopod or even a tripod. A specialized Sports Mode is optimized for camera pans and fast-action sports, and the Tripod Mode eliminates the subtle ground vibrations that are constantly passing through a tripod or monopod. Capture subjects with outstanding sharpness, even in low light.\u003c\/p\u003e\u003cp\u003eTrack fast moving subjects—even those moving erratically, at random speeds or approaching the camera quickly—with tack-sharp AF precision. During high-speed continuous shooting, the electromagnetic diaphragm mechanism operates in sync with the camera shutter for fast automatic exposure control and consistency between shots, even when using a compatible teleconverter.\u003c\/p\u003e","brand":"Nikon","offers":[{"title":"Default Title","offer_id":34875758837805,"sku":"N20053","price":12899.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/products\/Products8637-1500x1500-166543.jpg?v=1780085773"},{"product_id":"nikkor-af-s-600mm-f4-e-fl-ed-vr","title":"Nikkor AF-S 600mm f4 E FL ED VR","description":"\u003cp\u003eWhen you're at the top of your game, you need gear that can keep up. The Nikkor AF-S 600mm f4 E FL ED VR makes no compromises when it comes to performance. This popular 600mm prime lens has been optimized for today's high-resolution image sensors and fast shooting Nikon DSLRs, elevating your ability to quickly capture stunning images. A magnesium alloy lens barrel design and the incorporation of fluorite elements makes it nearly 3 pounds lighter than its predecessor. Pair that with the latest in lens innovation and optical precision for the ideal lens choice for outdoor sports, action and nature photographers who need the reach a 600mm focal length will provide.\u003c\/p\u003e\u003cp\u003eReduce blur caused by camera movement, even in low light. Nikon's VR image stabilization counteracts camera shake and vibration up to ~4.0 stops, a must-have feature when working handheld, on a monopod or even a tripod. A specialized Sports Mode is optimized for camera pans and fast-action sports, and the Tripod Mode eliminates the subtle ground vibrations that are constantly passing through a tripod or monopod.\u003c\/p\u003e\u003cp\u003eTrack fast moving subjects—even those moving erratically, at random speeds or approaching the camera quickly—with tack-sharp AF precision. During high-speed continuous shooting, the electromagnetic diaphragm mechanism operates in sync with the camera shutter for fast automatic exposure control and consistency between shots, even when using a compatible teleconverter.\u003c\/p\u003e","brand":"Nikon","offers":[{"title":"Default Title","offer_id":34875759001645,"sku":"N20054","price":15999.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/products\/Products8638-1500x1500-166560.jpg?v=1780085758"},{"product_id":"leica-vario-elmarit-sl-24-90mm-f2-8-4-asph","title":"Leica Vario-Elmarit-SL 24-90mm f2.8-4 ASPH","description":"\u003cp\u003eThe Leica Vario-Elmarit-SL 24-90mm F2.8-4 ASPH is very fast and offers a large range of focal lengths. A close focusing limit of 0.3 meters at its wide-angle setting and a maximum reproduction ratio of 1:3.8 at the telephoto end of the zoom range provide fascinating opportunities. Its optical image stabilization (OIS) compensates for up to 3.5 stops of camera shake.\u003c\/p\u003e\u003cp\u003eOf the 18 elements in six moving groups, four are aspherical lens elements and 11 are elements made from glasses with anomalous partial dispersion for the correction of chromatic aberrations. Only one very light element is moved for focusing. Very fast, almost-silent, precise focusing is enabled by a specially developed drive concept comprising a stepping motor and linear positioning. This means that the overall length of the lens does not change during focusing. The rectangular form of the lens hood supplied with the lens very effectively suppresses undesirable reflections and stray light and prevents flare.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e","brand":"Leica","offers":[{"title":"Default Title","offer_id":34875780628525,"sku":"L11176","price":8895.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/products\/Products9222-1000x1000-186630.jpg?v=1780078138"},{"product_id":"leica-summicron-m-35mm-f2-asph-2","title":"Leica Summicron-M 35mm f2 ASPH.","description":"\u003cp\u003eThis outstanding new classic prime lens offers exceptional image performance and unique bokeh. Despite its high speed and impressive imaging quality, its dimensions are astoundingly compact. Together with this lens, every Leica M becomes an extremely compact and elegant photographic tool. The Summicron-M features a rectangular, full-metal lens hood with a screw mount. A screw-in protector ring is provided to protect the filter thread of the lens when the hood is not in use. \u003c\/p\u003e\u003cp\u003eThe eleven blades of the iris of the new Summicron-M 35 mm f\/2 ASPH. create a circular aperture. This lends the out of focus areas of subjects a smooth and harmonious look. The newly designed and constructed lens delivers pin-sharp pictures with rich contrast and almost complete freedom from distortion – at all apertures and distances - and even when wide open.\u003c\/p\u003e","brand":"Leica","offers":[{"title":"Silver","offer_id":41918052794413,"sku":"L11674","price":6330.0,"currency_code":"CAD","in_stock":true},{"title":"Black","offer_id":34875799830573,"sku":"L11673","price":6030.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/products\/Products9740-1000x1000-205318.jpg?v=1780077914"},{"product_id":"leica-apo-vario-elmarit-sl-90-280mm-f2-8-4","title":"Leica APO-Vario-Elmarit-SL 90-280mm f2.8-4","description":"\u003cp\u003eThe zoom range of the fast Leica APO-Vario-Elmarit-SL 90–280 mm f\/2.8–4 follows on directly from that of the Leica Vario-Elmarit-SL 24–90 mm f\/2.8–4 ASPH. 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Its ergonomic design makes the lens easier to carry by hand and allows the attachment of a lens belt. A lockable rotating tripod collar allows the lens to be fixed at any angle. The collar has detents every 90 degrees for rapid switching from landscape to portrait format.\u003c\/p\u003e","brand":"Leica","offers":[{"title":"Default Title","offer_id":34875808907309,"sku":"L11175","price":11005.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/products\/Products9985-1000x1000-213865.jpg?v=1780090057"},{"product_id":"leica-summaron-m-28mm-f5-6","title":"Leica Summaron-M 28mm f5.6","description":"\u003cp\u003eThe Leica M can be used with a multitude of lenses far beyond those available from the current portfolio. Photographers frequently use lenses with a “vintage” signature to achieve particular effects that are otherwise difficult to reproduce, even with the most modern digital post-processing software. The Summaron wide-angle, now more than 50 years old, is a particularly popular and compact lens that has been recreated with an M-bayonet mount, 6-bit coding, and a slightly revised design.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eOriginal, Not Retro\u003c\/strong\u003e\u003cbr\u003eThe Summaron-M is modelled on a screw mount lens produced at the Leitz factory in Wetzlar from 1955 to 1963. Its unmistakable signature is almost impossible to reproduce by digital means and makes the lens a true classic; reborn today in a revised edition with identical optical properties. The fact that this is no simple reconstruction is obvious at first glance: the design of the Summaron-M has been refined down to the essentials, without losing any of the character of its legendary ancestor.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRecognizable at First Sight\u003c\/strong\u003e\u003cbr\u003eThrough its combination of extreme depth of field, natural contrast, excellent rendition of details and visible vignetting, the lens gives images a unique character. Pictures made with the Summaron-M stand out from all others, with a look reminiscent of analogue photography.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePerfect for Street Photography\u003c\/strong\u003e\u003cbr\u003eThe Summaron-M is the smallest M-System lens. With an overall length of less than 2 cm it is incredibly discreet, making it perfect for street photography. The combination of a clearly laid out depth of field scale and long focus throw allows particularly precise pre-focusing. In addition, the enormous depth of field makes it ideal for taking advantage of hyperfocal distance focusing and shooting from the hip at a speed no autofocus system can match.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e An Homage to the Fine Art of Engineering\u003c\/strong\u003e\u003cbr\u003eThe lens hood conjures up memories of the early days of rangefinder photography. Its design, and the meticulous manufacturing processes that went into its construction, have been recreated to match the historic ancestry of the Summaron-M. The lens hood is first machined from solid brass and then given its ultimate form by a turning and bending process. The specialized turning process also cuts the numerous grooves into the inner surface of the lens hood.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTechnical details\u003c\/strong\u003e\u003cbr\u003eThe optical design of 6 elements in 4 groups arranged symmetrically around the iris of the Leica Summaron-M 28 mm f\/5.6 is identical to that of its ancestor. In contrast to the legendary classic, the new model features an M-bayonet mount with 6-bit coding to enable identification of the lens by the camera.\u003c\/p\u003e","brand":"Leica","offers":[{"title":"Default Title","offer_id":34875858026541,"sku":"L11695","price":5075.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/products\/Products11215-1000x1000-296154.jpg?v=1780077377"},{"product_id":"hasselblad-hts-1-5-tilt-shift-adapter","title":"Hasselblad HTS 1.5 Tilt\/Shift Adapter","description":"\u003cp\u003eThe revolutionary HTS 1,5 is a tilt and shift adapter that can provide a pivotal step-up for many Hasselblad photographers. Designed for the HCD 24mm, HCD 28mm, HC 35mm, HC 50mm, HC 80mm and the HC 100mm lenses it, in effect, adds six different “tilt and shift lenses” to the range. With the extension tubes, H13, H26 or H52, the HTS 1,5 can also be used for close-up work. Especially in combination with the Macro Adapter that improves the close range performance with the HC 50mm-II lens.\u003c\/p\u003e\u003cp\u003eThis simple device solves not only technical challenges, but also provides exciting opportunities for creative solutions as well. The combination of well- known optical principles combined with the latest in digital image control, provides a powerful package that will expand photographic expression to new levels.\u003c\/p\u003e\u003cp\u003e“Shift” is the moving of a lens, up and down or to the sides, from its central position while retaining its perpendicular orientation to the film plane. Simply put, the adapter expands the diameter of the projected image circle at the film plane. This allows for much greater freedom in “placing” the image area within the now much broader circle before vignetting takes effect. And most importantly, all this happens without moving the orientation of the camera in relation to the subject. So if verticals, for example, are acceptable in the viewfinder, they will remain so whatever the amount of shift to include the “hidden” parts of the image. Simple but ingenious.\u003c\/p\u003e\u003cp\u003e“Tilt” differs from shift in that the normal perpendicular orientation of the lens to the film plane is changed resulting in a change in the plane of focus. This means that at any given aperture\/focus setting, the depth of field in the subject will not remain as simply the space between two measured points from the camera as is normally the case, but increased or decreased. This amount is user controlled. Once again, simple but ingenious.\u003c\/p\u003e","brand":"Hasselblad","offers":[{"title":"Default Title","offer_id":34875904655405,"sku":"H3043400","price":8101.1,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/products\/Products12473-1300x1300-360026.jpg?v=1780072842"},{"product_id":"panasonic-pro-eva1-5-7k-super-35-cinema-camera","title":"Panasonic Pro EVA1 5.7k Super 35 Cinema Camera","description":"\u003cp\u003eCompact and lightweight, the AU-EVA1 is tailor-made for handheld shooting, but also well suited for documentaries, events, commercials, and music videos. Its 5.7K Super 35 Sensor provides excellent image quality, and it has been designed with an EF Lens Mount which allows a wide range of lenses from many manufacturers to be used for extra versatility. The AU-EVA1 also offers a stunning 14 stops of dynamic range for more true to life videos, and 4K resolution at 60p or 2K up to 240p for incredible slow-motion captures. Everything you record is stored on handy SD card media.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCinematic Run \u0026amp; Gun\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eWeighing only 2.6 lbs. (1.2 kg \/ body) with a compact form factor(6.69” x 5.31” x 5.23”) and a removable handgrip, EVA1 can be used for efficient handheld shooting applications and can also be mounted on adrone, gimbal rig, or jib arm for complex yet smooth camera moves. There will also be numerous mounting points and Panasonic is currently working with top accessory makers to allow further customization with the EVA1.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e5.7K Super 35mm Sensor\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe newly-designed EVA1 sensor is Super 35 sized (24.60mm x 12.97mm) with 5.7K resolution. With an active resolution of 5720 x 3016, the EVA1 delivers more than 17.25 million photosites, nearly double the 8.8million for 4K DCI (4096 x 2160). By starting at a higher native resolution, the 5.7K sensor yields a higher resolving image when down-sampled to 4K, UHD, 2K, or even 720p. Additionally, the increased colour information results in a finer, more accurate finished image.\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDual Native ISO\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eA key feature of the VariCam cameras, Dual Native ISO utilizes aprocess that allows the sensor to be read in a fundamentally different way, extracting more information without degrading the image. This results in a camera that can switch from a standard sensitivity to a high sensitivity with almost no increase in noise or other artifacts. Dual Native ISO has allowed cinematographers a greater variety of artistic choices as well as the ability to use less light on set, saving time and money. The EVA1’s Dual Native ISOs are 800 and 2,500, which will allow cinematographers to shoot in almost any lighting environment.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDynamic Range\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eDynamic range measures the luminance range that a digital camera can capture. The EVA1 delivers 14-stops of Dynamic Range, enabling fine gradation in exposure from bright to dark.\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eV-Log \/ V-Gamut\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe ability to capture accurate colours and rich skin tones is a must for any filmmaker. Like the VariCam lineup of cinema cameras, the EVA1 contains V-Log\/V-Gamut capture to deliver high dynamic range and broad colours. V-Log has log curve characteristics that some would say are reminiscent of negative film and V-Gamut delivers a colour space even larger than film. The EVA1 will also import the celebrated colorimetry of the VariCam line.\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eEF-Mount Lenses\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eFor lensing, the camera utilizes a native EF-mount, giving shooters access to the broad EF lens ecosystem, including dozens of cinema-style prime and zoom lenses from numerous manufacturers. There will be full Iris Control, One-Push Auto Focus, and Lens Data.\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eE.I.S. \u0026amp; Integrated ND Filters\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eEVA1 employs Electronic Image Stabilization (EIS) to compensate for camera shake and blurring, which will help smooth out handheld or shoulder-mount shots on documentary or run-and-gun projects. Behind the lens mount, an integrated ND filter wheel in 2, 4, and 6 stops allows for precise exposure control. The EVA1 also allows the IR Cut filter to be swung out of the path to the sensor at the push of a button. Unique photographic effects and night vision imagery are possible with this control over infrared. The ND filter and IR Cut filter operate electronically, which will allow wireless remote control from smartphones and tablets.\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eLow-Cost Media \/ SD Card Recording\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eIdeal for indie filmmakers, the EVA1 records to readily-available, lower-cost SD cards. With two SD card slots, you can capture footage either with Simul Rec (simultaneous dual record) or Relay Rec (continuous record). There’s also One Shot Record, which enables single frame video for stop motion capture. The camera can record in several formats and compression rates, and offers up to 10-bit 4:2:2 even in 4K. For in camera recording, you can capture in 4K (4096 x 2160), UHD (3840x 2160), 2K (2048 x 1080), Full HD (1920 x 1080), and HD (1280 x 720). For high-speed capture, the EVA1 offers up to 59.94fps\/50fps for 4K\/UHD, up to 120fps\/100fps for 2K\/Full HD, or 240fps\/200fps (cropped area). In a future firmware upgrade, EVA1 will offer ALL Intra compression (400Mbps) for in camera recording.\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eI\/O\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e EVA1 offers dual balanced XLR audio inputs with Dolby Audio encoding. The HDMI and SDI video outputs are both 4K-capable and each can be adjusted separately, allowing HD to be fed to a viewfinder or other third-party monitor while 4K is sent to an outboard recorder or monitor. The camera is also equipped with standard Timecode functionality. In a future firmware upgrade, EVA1 will offer 5.7K RAW output to 3rd party recorders.\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBundled Battery \u0026amp; Dual Charger\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eBundled with the EVA1 is the AG-VBR59 battery (7.28V 5900mAh\/43Wh), which should give you approximately 1 hour 30 min of continuous operating time and a charge time (with bundled dual battery charger) of approximately 3 hour 20 min. With the optional AG-VBR118 (7.28V11800mAh\/86Wh) battery, you will have approximately 3 hour 5 min of continuous operating time and a charge time of approximately 4 hour 40 min.\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eAdditional Professional Features\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAs a professional video production tool, EVA1 contains several professional imaging tools, including Peaking, Expand (Image Zoom),Waveform, Zebras, and Spotmeter (Y-Get). EVA1 also utilizes Focus Squares, an array of green squares that grow in size when their local area appears to be sharp, to enable shooters to achieve critical focus.\u003c\/p\u003e\u003cbr\u003e","brand":"Panasonic","offers":[{"title":"Default Title","offer_id":34875908259885,"sku":"AUEVA1P8","price":8849.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/products\/Products12537-1000x1000-362667.jpg?v=1780072781"},{"product_id":"leica-m-p-type-240-canada-edition-set","title":"Leica M-P Type 240 Canada Edition Set *Open Box","description":"\u003cp\u003eLeica Camera marks Canada’s 150th Anniversary with the Leica M-P (Typ 240) “CANADA EDITION” Set. Consisting of a Leica M-P (Typ 240) and Leica Summicron-M 35 mm f\/2.0 ASPH, the camera and lens are engraved with the official ‘Canada 150’ emblem, a Leica Red Rope Strap to complement the leather wrap and red engravings and a Certificate of Authenticity signed by Leica Camera AG’s CEO, Matthias Harsch. The Leica M-P (Typ 240) “CANADA EDITION” Set is limited to 25 pieces worldwide and will be sold through Leica Stores, Boutiques and Dealers in North America.\u003c\/p\u003e\u003cp\u003eThe Leica M-P features a two gigabyte memory buffer. This makes it twice as fast at capturing shots in sequence than the Leica M.Extremely scratch resistant sapphire crystal glass is used for the protective cover of the LCD monitor screen of the Leica M-P. This is one of the world’s hardest materials and is almost unbreakable. An anti-reflective coating on both sides of the monitor cover glass also improves image reviewing, even in unfavourable light.\u003c\/p\u003e\u003cp\u003eThe Leica M-P enables authentic images to be captured from the heart of life itself. Its compact size, minimalist design and almost silent shutter make it the ideal companion for unobtrusive photography. For this, even the Leica logo was omitted. Instead, the top plate of the Leica M-P is graced only by a classical Leica script\u003c\/p\u003e\u003cp\u003eExceptional image sharpness and the finest rendition of details. The Leica M-P is equipped with a 24 megapixel, high-resolution, full-frame (24x36 mm), CMOS sensor – the Leica MAX 24 MP. In combination with the high-performance Leica Maestro image processor, this ensures outstanding pictures with every exposure. A further benefit is extremely low image noise – a factor that makes the Leica M-P ideal for available light photography.\u003c\/p\u003e\u003cp\u003eIt is not uncommon that our cameras last a lifetime. Thanks to body components machined from solid brass, a full-metal, magnesium alloy chassis and a sapphire crystal screen protector, the body and monitor screen effortlessly resist the issues of everyday photography. Specially designed rubber seals protect the camera body against splashes, moisture, dust and inclement weather conditions.\u003c\/p\u003e","brand":"Leica","offers":[{"title":"Default Title","offer_id":34875918417965,"sku":"L10915","price":11199.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/products\/Products12821-1000x1000-375307.jpg?v=1780076888"},{"product_id":"nikkor-af-s-180-400mm-f-4e-tc1-4-vr","title":"Nikkor AF-S 180-400mm f\/4E TC1.4 VR","description":"\u003cdiv class=\"col-xs-12 col-sm-7 col-md-6\" style=\"text-align: justify;\"\u003e\n\u003cp class=\"nkn-resp-pdp-title\" style=\"text-align: justify;\"\u003e\u003cstrong\u003eUnpredictability has met its match.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"nkn-resp-pdp-description\" style=\"text-align: justify;\"\u003ePros who spend time behind a super-telephoto lens know a hard truth: when you need a teleconverter, you often need it in a hurry. For these moments, Nikon proudly introduces the AF-S NIKKOR 180-400mm f\/4E TC1.4 FL ED VR, a super-telephoto zoom lens with a built-in 1.4X teleconverter. Capture sports, events and wildlife in lifelike brilliance from 180-400mm, then,without breaking shooting posture, engage the integrated teleconverter and increase your reach to 560mm f\/5.6 (840mm equivalent on a DX body). Incorporating remarkable advancements in optical design, autofocus performance, Vibration Reduction and durability, this lens is bound to be come the new standard for serious field photographers.\u003c\/p\u003e\n\u003c\/div\u003e\u003cdiv class=\"nkn-resp-pdp-overview-content col-xs-12\" style=\"text-align: justify;\"\u003e\n\u003cp class=\"nkn-resp-pdp-title\" style=\"text-align: justify;\"\u003e\u003cstrong\u003eA NIKKOR Gold Series super-telephoto zoom lens unlike any before it\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"nkn-resp-pdp-description\" style=\"text-align: justify;\"\u003eCombining Nikon's first ever built-in 1.4X teleconverter with a new optical design, advanced lens technologies and comprehensive weather sealing, the AF-S NIKKOR180-400mm f\/4E TC1.4 FL ED VR can help pros shooting sports, wild life and events perform at their absolute best.\u003c\/p\u003e\n\u003cp class=\"nkn-resp-pdp-description\" style=\"text-align: justify;\"\u003eHarness speed, consistency, low-light performance and image quality across a versatile 180-400mm focal length range with a constant f\/4maximum aperture. Activate the integrated 1.4X teleconverter and increase reach to 560mm at f\/5.6.\u003c\/p\u003e\n\u003cp class=\"nkn-resp-pdp-description\" style=\"text-align: justify;\"\u003eCapture amazing images in nearly any light, thanks to an advanced optical design that includes 8 Extra-Low Dispersion (ED) glass elements,1 Fluorite element and Nano Crystal Coat for maximum sharpness and minimal distortion.\u003c\/p\u003e\n\u003cdiv class=\"nkn-resp-pdp-overview-content col-xs-12\" style=\"text-align: justify;\"\u003e\n\u003cp class=\"nkn-resp-pdp-title\"\u003e\u003cstrong\u003eNikon's first built-in teleconverter\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"nkn-resp-pdp-description\"\u003eWhen you're in the field, adding a teleconverter to a large lens can be a tense operation, especially when dust or moisture is present. With the AF-S NIKKOR 180-400mm f\/4E TC1.4FL ED VR, it's as easy as flicking a switch.\u003c\/p\u003e\n\u003cp class=\"nkn-resp-pdp-description\"\u003eEngage the 1.4X teleconverter and increase focal length to 560mm, f\/5.6.On a DX camera like the ultra-fast D500, this is an 840mm equivalent angle of view. The teleconverter switch can be comfortably operated by most using a right-hand finger without releasing the camera grip or taking an eye off the viewfinder.\u003c\/p\u003e\n\u003cp class=\"nkn-resp-pdp-description\"\u003eSince it's integrated into the lens, the teleconverter maximizes light transmission to the sensor with very little falloff for tack-sharp images.\u003c\/p\u003e\n\u003cdiv class=\"nkn-resp-pdp-overview-content col-xs-12\"\u003e\n\u003cp class=\"nkn-resp-pdp-title\"\u003e\u003cstrong\u003eBlazing fast acquisition, locked-on tracking\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"nkn-resp-pdp-description\"\u003eThe AF-S NIKKOR 180-400mm f\/4ETC1.4 FL ED VR draws peak performance from the 153-point AF system in recent Nikon DSLRs like the D5, D850 and D500. The sensors at the outer areas of the frame can be used as cross-type sensors*, drastically improving acquisition speed when a subject enters the frame. Enhanced servo drive control and higher-speed inversion of the Silent Wave Motor (SWM) improves tracking, even with subjects that radically change speed or direction.\u003c\/p\u003e\n\u003cdiv class=\"nkn-resp-pdp-description\"\u003e\u003cdiv class=\"nkn-resp-pdp-overview-content col-xs-12 col-sm-6\"\u003e\n\u003cp class=\"nkn-resp-pdp-title\"\u003e\u003cstrong\u003eReady for tough assignments\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"nkn-resp-pdp-description\"\u003eYou can't chase sports, events and wildlife without getting a little dirt on your hands. The AF-S NIKKOR180-400mm f\/4E TC1.4 FL ED VR is built for the field with advanced dust and moisture sealing on all moveable parts, a rugged magnesium alloy lens barrel and protective front meniscus.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cp class=\"nkn-resp-pdp-description\"\u003eSmaller, lighter and more comfortable for handheld shooting and transport, the tripod collar also has ball-bearing smoothness for switching between horizontal and landscape shooting. At 3,500 grams, it's lighter than comparable lenses on the market thanks to a Fluorite lens element, magnesium alloy lens barrel and Internal Focusing (IF) design. Activate AF\/AE Lock, switch between AF Area Modes and more using the conveniently positioned assignable Function buttons. \u003c\/p\u003e\n\u003cdiv class=\"nkn-resp-pdp-overview-content col-xs-12\"\u003e\n\u003cp class=\"nkn-resp-pdp-title\"\u003e\u003cstrong\u003eNonstick protective coating\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"nkn-resp-pdp-description\"\u003eWater droplets, dirt and smudges wipe away with ease thanks to Nikon's remarkable nonstick Fluorine coating on the protective front meniscus.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003csection class=\"nkn-resp-pdp-section nkn-resp-pdp-overview-single-media nkn-resp-pdp-overview-media-right nkn-resp-container-standard row\"\u003e\u003cdiv class=\"nkn-resp-pdp-overview-content col-xs-12 col-sm-6\"\u003e\n\u003cp class=\"nkn-resp-pdp-title\"\u003e\u003cstrong\u003eVibration Reduction, evolved\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"nkn-resp-pdp-description\"\u003eThe AF-S NIKKOR 180-400mm f\/4ETC1.4 FL ED VR incorporates Nikon's latest Vibration Reduction (VR)design for up to 4 stops** of shutter speed increase, even when using the built-in teleconverter. This new VR system starts up immediately after powering on the camera, and it includes three shooting modes,including one for sports and fast action and one specifically for tripod shooting.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e\u003cp class=\"nkn-resp-pdp-description\"\u003e\u003cem\u003e*This feature will be available with a firmware upgrade for the D5, D850 and D500 as of March, 2018.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"nkn-resp-pdp-description\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003cp\u003e\u003cbr class=\"t-last-br\"\u003e\u003c\/p\u003e","brand":"Nikon","offers":[{"title":"Default Title","offer_id":34875927953453,"sku":"N20071","price":14999.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/products\/Products13067-1000x1000-382092.jpg?v=1780072668"},{"product_id":"leica-noctilux-m-75mm-f1-25-asph","title":"Leica Noctilux-M 75mm f1.25 ASPH","description":"\u003cp style=\"text-align: justify;\"\u003eFor more than 50 years, the name ‘Noctilux’ has been a synonym for exceptionally fast lenses with an optical design that verges on the limits of what is physically possible. Together with exceptional imaging performance and unique bokeh, the Leica Noctilux-M 75mm f1.25 ASPH. wafer-thin depth of focus isolates subjects with extreme precision and makes it a truly exceptional lens. Its focal length of 75mm makes it especially suitable for the creation of portraits with a natural look.\u003cbr class=\"t-last-br\"\u003e\u003c\/p\u003e","brand":"Leica","offers":[{"title":"Default Title","offer_id":34875929624621,"sku":"L11676","price":22015.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/products\/Products13133-1000x1000-385850.jpg?v=1780072643"},{"product_id":"sebastiao-salgado-genesis-limited-edition","title":"Sebastiao Salgado: Genesis Limited Edition","description":"\u003cp style=\"text-align: justify;\"\u003eGENESIS is Sebastião Salgado’s love letter to the planet. It is the result of an epic eight-year expedition to rediscover the mountains, deserts, and oceans, the animals and peoples that have so far escaped the imprint of modern society—the land and life of a still pristine planet. The GENESIS project, along with the Salgados’ Instituto Terra, is dedicated to showing the beauty of our planet, reversing the damage done to it, and preserving it for the future.\u003cbr\u003e\u003cbr\u003eOn over 30 trips—by foot, light aircraft, boats, canoes, and even balloons, through extreme temperatures and in sometimes dangerous conditions—Salgado has created a collection of images showing us nature, animals, and indigenous peoples in such intense beauty it takes our breath away. The reach is truly global. Through Salgado’s lens, one discovers the animal species and volcanoes of the Galápagos; the penguins, sea lions, cormorants, and whales of the South Atlantic; Brazilian alligators and jaguars; and African lions, leopards, and elephants. We travel over icebergs in the Antarctic, the volcanoes of Central Africa, the ravines of the Grand Canyon, and the glaciers of Alaska. We encounter the Stone Age Korowai people of West Papua, nomadic Dinka cattle farmers in Sudan, Nenets and their reindeer herds in the Arctic Circle, as well as the Mentawai jungle communities on islands west of Sumatra.\u003cbr\u003e\u003cbr\u003eIn characteristic monochrome, Salgado’s painterly notes are perfectly tuned to these sublime scenes, capturing sweeping aerial panoramas as much as the most intricate details and textures, from a reptilian skin to the fur coat of the Nenet people of northern Siberia. The exquisitely reproduced images are arranged not by theme but rather conceived as a journey around the globe, immersing them in Salgado’s vision of the Earth’s mesmerizing scale, order, and beauty.\u003cbr\u003e\u003cbr\u003eThis two-volume SUMO-size edition is designed and edited by Lélia Wanick Salgado and numbered and signed by Sebastião Salgado. Quarter-leather bound, it is presented with a bookstand in cherry wood veneer designed by Tadao Ando and a clothbound caption book explaining each stunning shot.\u003cbr\u003e\u003cbr\u003eCollector’s Edition of 2,500 copies (No. 501–3,000), numbered and signed by Sebastião Salgado\u003cbr class=\"t-last-br\"\u003e\u003c\/p\u003e","brand":"General\/Misc","offers":[{"title":"Default Title","offer_id":34875944828973,"sku":"SALGEN","price":6299.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/products\/Products13417-1000x1000-395850.jpg?v=1780072457"},{"product_id":"leica-apo-summicron-sl-90mm-f-2-asph","title":"Leica APO-Summicron-SL 90mm f2.0 ASPH","description":"\u003cp style=\"text-align: justify;\"\u003eThe Leica APO-Summicron-SL 90mm f\/2 ASPH expands the SL prime lens lineup. The 90mm focal length is perfect for portraiture work or other situations that require the extra reach offered by a 90mm prime lens. A minimum focus distance of 0.6 meters gives the lens additional flexibility.\u003cbr\u003e\u003cbr\u003eThe optical design contains a total of 11 elements, of one of which is an aspherical element and four are made from glasses with anomalous partial dispersion for the correction of chromatic aberrations. The front element has the Leica AquaDura coating, which protects the lens from dirt and scratching.\u003cbr\u003e\u003cbr class=\"t-last-br\"\u003e\u003c\/p\u003e","brand":"Leica","offers":[{"title":"Default Title","offer_id":34875953446957,"sku":"L11179","price":8740.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/products\/Products13605-1000x1000-401792.jpg?v=1780085297"},{"product_id":"leica-apo-summicron-sl-75mm-f-2-asph","title":"Leica APO-Summicron-SL 75mm f2.0 ASPH","description":"\u003cp style=\"text-align: justify;\"\u003eThe Leica APO-Summicron-SL 75mm f\/2 ASPH expands the SL prime lens lineup. 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Focus markings can even be switched from standard labeling to metric. The control rings are engineered to maintain the proper amount of resistance with consistent operating torque.\u003cbr\u003e\u003cbr\u003eDesigned to fulfill contemporary 4K production standards, it features a full-frame imaging circle in a lightweight, compact design- this phenomenal lens is also perfect for any number of applications. It also features an 11-blade aperture diaphragm for beautiful background blur and innovative glass construction that counteracts barrel expansion and contraction to avoid temperature induced marking discrepancies.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eCinema Prime Lenses\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eCanon's brilliant Cinema Prime lenses offer spectacular optical performance for demanding high-end productions. Featuring a compact and consistent lens design, these lenses offer consistent form factors and markings optimized for motion picture production. Sharing the same gear position, diameter and rotation angle, and front diameter-the lenses' compatibility with third-party accessories allows crews to easily change lenses without making adjustments to the rig setup.\u003cbr\u003e\u003cbr\u003eThe CN-E 20mm T1.5 L F Cinema Prime Lens is designed to provide outstanding optical performance and is capable of full 4K-Resolution performance. Whether you're shooting in HD with a Canon EOS DSLR camera or in 4K using an EOS C700 Digital Cinema Camera, the CN-E 20mm T1.5 L F will help you to create a cinematic masterpiece by providing superb image quality, contrast and colour fidelity.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eHigh Resolution and Warm Colours\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003eThe lens features a large diameter aspheric lens and anomalous dispersion glass, working to deliver high contrast and sharp imaging from the center of the image to the outer edges. 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The CN-E 20mm T1.5 L F lens can be used interchangeably with other Canon Cinema lenses during the same production since both have the same warm, cine-look colour characteristics - making it easier to maintain consistent colour when multiple lenses are used.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMinimized Focus Breathing\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lens has been designed to minimize variations in the angle of view while focusing, a phenomenon known as focus breathing. 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The COMPACT-SERVO 70–200mm T4.4 EF lens combines high level 4K optical performance with a compact size of only 7.2 in. in length and a weight of only 2.76 lbs. provides outstanding mobility.\u003cbr\u003e\u003cbr\u003eAcknowledging the need to control zoom, focus and iris, Canon has developed this zoom lens with full external servo control. The integrated servo drive unit is compatible with broadcast industry-standard lens controllers including Canon's standard broadcast lens controllers (ZSD-300D\/FPD-400D). The optional ZSG-C10 Zoom Servo Grip can mount to the lens for handheld operation.\u003cbr\u003e\u003cbr\u003eThree levels of Image Stabilization and incorporated autofocus functions set the COMPACT-SERVO 70–200mm T4.4 EF lens apart from traditional Super 35mm Cinema lenses. A 9-blade iris creates a rounded aperture so out-of-focus highlights appear circular. The lens also features a 2.8x zoom magnification, a focal length range of 70–200mm and a 130º smooth rotating focus ring. The lens is also compatible with our Canon EF 1.4x III and EF 2x III Extenders. The 70–200mm T4.4 EF lens offers professional video functionality all at an affordable price, making it ideal for a wide range of video applications including documentary, cinema, news gathering, wedding and other video production.\u003cbr\u003e\u003cbr\u003eDifferent aspects of lens performance are emphasized when shooting video as opposed to still images. A zoom range through commonly used focal lengths, high level 4K optical performance and a smooth aperture iris designed for motion picture capture all demonstrate the COMPACT-SERVO 70–200mm T4.4 EF lens's optimization for video.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTelephoto Zoom that Covers the Commonly-Used Focal Length of 70mm–200mm\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eA telephoto zoom can be useful in narrative or documentary video production for capturing medium to tight fields of view. The 70–200mm T4.4 EF lens is also compatible with Canon's EF 1.4x III and EF 2x III Extenders.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eParfocal Operation – Precise Focus Through the Entire Zoom Range\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe 70–200mm T4.4 EF lens is parfocal in both manual and autofocus modes. The lens employs a special compensating lens group that moves to maintain precise focus while a separate lens group performs the zooming action. Maintaining focus while changing focal length allows the lens to be used in video production where zooming while recording is required.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eConsistent Brightness Throughout the Entire Zoom Range\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe 70–200mm T4.4 EF lens maintains a wide aperture of T4.4 (F4.0) throughout their zoom range. This allows zooming while at maximum aperture without any dimming of the image.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eHigh Level 4K Optical Performance\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe 4K optical performance of the 70–200mm T4.4 EF lens produces a significantly sharper image than 2K\/HD. The various advanced design strategies used help to ensure over 4K resolution at picture center and a careful control of falloff of image sharpness at picture extremities.\u003cbr\u003e\u003cbr\u003eThe excellent contrast range associated with High Dynamic Range (HDR) imaging helps ensure both deep black reproduction and the excellent handling of scene specular highlights. HDR image capture significantly enhances both the contrast and the richness of colours in a scene, but it also poses a potential challenge in exacerbating the visibility of any lens chromatic aberrations. The 70–200mm T4.4 EF lens was designed to help minimize such aberrations.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eColour Consistency with Canon Cinema Lenses\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eCanon's colour science has become highly refined over generations of lens designs, paying the closest attention to a pleasing skin tone reproduction. The 70–200mm T4.4 EF lens can be used interchangeably with other Canon Cinema lenses during the same production since both have the same warm, cine-look colour characteristics — making it easier to maintain consistent colour when multiple lenses are used.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIris Mechanism for Motion Picture\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe 70–200mm T4.4 EF lens can smoothly adjust between open and closed for precise exposure control and live in-shot changes. The 9-blade iris creates a rounded aperture so out-of-focus highlights appear circular. An odd number of iris blades also helps create a less distracting flare. The iris on the lens can also be completely closed, which is useful when adjusting black balance.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eContinuous Iris Control Capability with Iris Ring\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eA Cinema lens requires an iris that can be smoothly adjusted between wide open and closed. Continuous adjustment allows not only for precise exposure control, but also smooth adjustment live in shot while recording. This can be useful to help compensate for change in exposure due to spotty clouds or moving between indoor and outdoor light levels within a shot.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e9-Blade Iris\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eMore iris blades create a rounder aperture, resulting in out-of-focus highlights that appear more circular. An odd number of iris blades means that there will be a larger number of small radiating points on a flare, helping to prevent distracting artifact.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIris Closing\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe aperture on the 70–200mm T4.4 EF lens can close completely, allowing no light to pass through. This is useful in black balancing a camera.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAuto Iris Available\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe auto exposure system in the 70–200mm T4.4 EF lens capitalizes on Canon's Electromagnetic Diaphragm (EMD) technology that has been highly refined over many years in the EF lens series. This technology integrates the lens iris assembly and a miniature stepping motor in a single unit. Electronic pulses from the camera controls the motor to map numerous steps across the full range of the iris mechanism. This AE control loop is fast and silent. An AE Shift mode allows a small manual override for fine adjustments to exposure.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFlange Back Adjustment\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eA flange back adjustment mechanism is built-in allowing you to adjust on site which helps to provide even greater optical performance among various cameras.\u003cbr\u003e\u003cbr\u003eThe COMPACT-SERVO 70–200mm T4.4 EF lens includes the functionality of professional broadcast and cinema lenses along with compatibility with professional lens accessories. It fits these features in Canon's unique design that allows it to remain compact and lightweight. This best-of-both-worlds approach allows the versatility to shoot with the lens in a wide range of productions.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eServo Zoom Drive Unit\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe 70–200mm T4.4 EF lens incorporates a servo drive unit directly in the body of the lens. The servo drive unit allows electronic control over zoom, and provides an option to be disengaged for direct manual control. The integrated design can power the servo drive through the lens mount on appropriate cameras, or power can be input through a separate port as in traditional lens servo systems. The servo control is compatible with Canon's ZSG-C10 Zoom Servo Grip which can be mounted directly onto the 70–200mm T4.4 EF lens, as well as standard broadcast style controllers (including Canon's FPD-400D and ZSD-300D) for remote operation.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eServo Control Capability for Zoom Function\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe integrated servo drive allows for electronic control over the zoom. The control is electromechanical, rotating the actual geared rings on the lens housing via servo motors. These motors can also be disengaged, allowing for full manual control. The zoom servo can be remotely controlled or operated using a rocker switch on the side of the lens.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePower Provided via Camera Mount\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eOn select Cinema EOS cameras, the EF lens mounts electrical contacts provide the necessary power to operate the servos on the 70–200mm T4.4 EF lens. This helps eliminates cabling and possible mounting issues. The lens can also be powered remotely through an accessory power port.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCompatible with Broadcast Style Servo Lens Controllers\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe 70–200mm T4.4 EF lens's Servo Control can be operated remotely for tripod or other non-handheld use. Canon's FPD-400D Digital Focus Servo Demand for Canon Lens Control Kits can be used for remote focus control and the ZSD-300D Digital Zoom Servo Demand for digital ENG\/EFP lenses used for remote zoom control. For use in studio configurations, an optional Zacuto® Z-CNYC Y-cable can be used to connect zoom and focus controllers to each lens. This configuration allows for simultaneous zoom and focus operation with Compact-Servo lenses.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOptional ZSG-C10 Zoom Servo Grip\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eFor handheld operation, the 70–200mm T4.4 EF lens incorporates a rosette mounting point for the optional ZSG-C10 Zoom Servo Grip. This handgrip features a rocker control for the zoom servo, a button to engage One-Shot Autofocus. It can be rotated on the mounting rosette and adjusted for comfort. Accessory mounting is available for use on camera front rods.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCompact (7.2 in. in length) and Lightweight (2.76 lbs.) for Increased Mobility and Versatility\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe 70–200mm T4.4 EF lens borrows from Canon's experience in EF lenses to make a compact and lightweight design while retaining performance and functionality. This allows the lens to be used handheld and in various conditions, providing a high amount of mobility and versatility. The 70–200mm T4.4 EF lens is the same size and nearly the same weight as its sister lens, the COMPACT-SERVO 18–80mm T4.4 EF lens.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSupports a Wide Range of Optional Accessories\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe 70–200mm T4.4 EF lens is built to be compact and fully compatible with a variety of professional lens accessories. The front diameter is 84mm for mattebox mounting, with a removable sunshade included. The front ring's inner diameter is threaded for use with 77mm screw-in filters. An integrated support foot can be used to stabilize the lens on standard camera bracketry, and the zoom, focus and iris rings are geared for use with follow focus and other traditional mechanical and electronic controllers.\u003cbr\u003e\u003cbr\u003eCanon has designed the COMPACT-SERVO 70–200mm T4.4 EF lens specifically to work with compatible Cinema EOS cameras, resulting in a complete kit that adds enhanced functionality. Integrated autofocus, smooth image stabilization, connected control and metadata information as well as lateral chromatic aberration correction are all available when using the lens on compatible Cinema EOS cameras.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAutofocus Function\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eCanon cameras feature advanced autofocus functions. The 70–200mm T4.4 EF lens is designed to work with select Cinema EOS cameras to offer fast and accurate autofocus control. All autofocus controls can be switched off to allow manual focus.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eContinuous AF\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eDifferent Canon cameras offer various types of continuous autofocus functionality. The fast servo response of the 70–200mm T4.4 EF lens allows for continuous smooth autofocus as with select Cinema EOS cameras. All electrical control of the lens is done directly through the EF-mount.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOne-Shot AF\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eOne-Shot Autofocus is a quick reference setting of focus using the autofocus servo system. The camera sets focus of the image the moment the AF button is pushed. Once the control is released, the focus will remain set to that distance. This temporary engagement of autofocus can be useful for selective artistic focus control.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFocus Guide\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eSelect Cinema EOS cameras can use autofocus technology even with the servo control on the 70–200mm T4.4 EF lens disabled. Even with the lens in manual mode, the camera will detect its focus setting and can indicate suggestions in the viewfinder on adjustments for focus in the image.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eImage Stabilization (IS)\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe 70–200mm T4.4 EF lens is a medium to telephoto zoom. The longer the focal length the more sensitive it is to any shake in the movement. The lens offers three levels of Image Stabilization, including the standard mode for handheld operation, a maximum mode for high-frequency movement and a smooth mode intended for tripod-based operating. The IS function can also be switched off entirely.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEF Communication Functions\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThere are a host of functions designed to help maximize the integration of the 70–200mm T4.4 EF lens with select Cinema EOS cameras. Integrated autofocus, smooth image stabilization, connected control and metadata information, and lateral chromatic aberration correction are all included when using the lens on compatible Canon Cinema cameras.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eRemote Control of Zoom, Focus and Iris via Camera\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eSelect Cinema EOS cameras can power and control the servo drive of the 70–200mm T4.4 EF lens by electrical connection through the EF-mount. A zoom control on the camera body can alter focal length, the autofocus modes of the camera can directly engage the lens focus servo, and the auto exposure camera functions can operate the lens iris to adjust light transmission. Integrating these controls allows easier single-person camera operation, and the 70–200mm T4.4 EF lens can be switched into a partial or fully manual mode if desired.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eREC Start\/Stop from ZSG-C10 Zoom Servo Grip\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThrough the EF-mount, the ZSG-C10 Zoom Servo Grip that mounts to the 70–200mm T4.4 EF lens can control record triggering on select Cinema EOS cameras. The optional handgrip also features a zoom servo rocker control and an autofocus engage button.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePeripheral Illumination Correction\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eSelect Cinema EOS cameras can communicate with the 70–200mm T4.4 EF lens to profile its illumination characteristics, and electronically compensate for image brightness dimming in the edges of the frame.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLateral Chromatic Aberration Correction\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe 70–200mm T4.4 EF lens was designed to help minimize lateral chromatic aberration for Super 35mm sensors. Any remaining minimal lateral chromatic aberration is mathematically mapped so that the lens can communicate with select Cinema EOS cameras, which then in turn electronically correct for the artifact.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLens Meta Data Record\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe 70–200mm T4.4 EF lens sends reference information constantly to the camera, noting precise settings for focus, iris and zoom. Data is also transmitted about the lens model itself, and on select Cinema EOS cameras. This information can be recorded for use in post processing. This is useful when matching cameras as well as in VFX work. Some of this data can also be displayed in the camera viewfinder.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eT Number\/F Number Display Select\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe 70–200mm T4.4 EF lens sends metadata information of the iris position through the EF-mount to the camera. On select Cinema EOS cameras, this information can be displayed as a T-stop, which indicates the amount of transmitted light through the aperture. It can also be displayed as an F-stop.\u003cbr\u003e\u003cbr class=\"t-last-br\"\u003e\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":34875954233389,"sku":"2568C002","price":6500.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/products\/Products13616-1000x1000-402199.jpg?v=1780085287"},{"product_id":"canon-cn-e-compact-servo-18-80mm-t4-4-ef","title":"Canon CN-E Compact-Servo 18-80mm T4.4 EF","description":"\u003cp style=\"text-align: justify;\"\u003eThe COMPACT-SERVO 18-80mm T4.4 EF-mount lens combines the benefits of compact size and light weight (only 2.65 lbs.) for outstanding mobility. Designed to shoot video, this lens can be ideal for the cinematographer moving up from our EF lenses, combining the functionality of our EF lenses with the video shooting features of our Cinema lenses.\u003cbr\u003e\u003cbr\u003eAcknowledging the need to control zoom, focus and iris, Canon has developed this zoom lens with full external servo control. The integrated servo drive unit is compatible with broadcast industry-standard lens controllers including Canon's standard broadcast lens controllers (ZSD-300D\/FPD-400D). The optional ZSG-C10 Zoom Servo Grip can mount to the lens for handheld operation.\u003cbr\u003e\u003cbr\u003eThree levels of Image Stabilization and incorporated autofocus functions set the COMPACT-SERVO 18-80mm T4.4 EF lens apart from traditional Super 35mm Cinema lenses. A 9-blade iris creates a rounded aperture so out-of-focus highlights appear circular. The lens also features a 4.4x zoom magnification, a focal length range of 18-80mm and a 130° smooth rotating focus ring. The COMPACT-SERVO 18-80mm T4.4 EF lens offers professional video functionality all at an affordable price, making it ideal for a wide range of video applications including documentary, cinema, news gathering, wedding and other video production.\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eDifferent aspects of lens performance are emphasized when shooting video as opposed to still images. A zoom range through commonly used focal lengths, high level 4K optical performance and a smooth aperture iris designed for motion picture capture all demonstrate the COMPACT-SERVO 18-80mm T4.4 EF lens’s optimization for video.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eZoom that Covers the Commonly-Used Focal Length of 18mm-80mm\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eA zoom can be useful in narrative or documentary video production for capturing wide to medium fields of view.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eParfocal Operation – Precise Focus Through the Entire Zoom Range\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe 18-80mm T4.4 EF lens is parfocal in both manual and autofocus modes. The lens employs a special compensating lens group that moves to maintain precise focus while a separate lens group performs the zooming action. Maintaining focus while changing focal length allows the lens to be used in video production where zooming while recording is required.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eConsistent Brightness Throughout the Entire Zoom Range\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe 18-80mm T4.4 EF lens maintains a wide aperture of T4.4 (F4.0) throughout their zoom range. This allows zooming while at maximum aperture without any dimming of the image.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHigh Level 4K Optical Performance\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe 4K optical performance of the 18-80mm T4.4 EF lens produces a significantly sharper image than 2K\/HD. The various advanced design strategies used help to ensure over 4K resolution at picture center and a careful control of falloff of image sharpness at picture extremities.\u003cbr\u003e\u003cbr\u003eThe excellent contrast range associated with High Dynamic Range (HDR) imaging helps ensure both deep black reproduction and the excellent handling of scene specular highlights. HDR image capture significantly enhances both the contrast and the richness of colours in a scene, but it also poses a potential challenge in exacerbating the visibility of any lens chromatic aberrations. The 18-80mm T4.4 EF lens was designed to help minimize such aberrations.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eColour Consistency with Canon Cinema Lenses\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eCanon’s colour science has become highly refined over generations of lens designs, paying the closest attention to a pleasing skin tone reproduction. The 18-80mm T4.4 EF lens can be used interchangeably with other Canon Cinema lenses during the same production since both have the same warm, cine-look colour characteristics — making it easier to maintain consistent colour when multiple lenses are used.\u003cbr\u003eImage is simulated\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eIris Mechanism for Motion Picture\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe 18-80mm T4.4 EF lens can smoothly adjust between open and closed for precise exposure control and live in-shot changes. The 9-blade iris creates a rounded aperture so out-of-focus highlights appear circular. An odd number of iris blades also help create a less distracting flare. The iris on the lens can also be completely closed, which is useful when adjusting black balance.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eContinuous Iris Control Capability with Iris Ring\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eA cinema lens requires an iris that can be smoothly adjusted between wide open and closed. Continuous adjustment allows not only for precise exposure control, but also smooth adjustment live in shot while recording. This can be useful to help compensate for change in exposure due to spotty clouds or moving between indoor and outdoor light levels within a shot.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e9-Blade Iris\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eMore iris blades create a rounder aperture, resulting in out-of-focus highlights that appear more circular. An odd number of iris blades means that there will be a larger number of small radiating points on a flare, helping to prevent distracting artifact.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIris Closing\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe aperture on the 18-80mm T4.4 EF lens can close completely, allowing no light to pass through. This is useful in black balancing a camera.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAuto Iris Available\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe auto exposure system in the 18-80mm T4.4 EF lens capitalizes on Canon’s Electromagnetic Diaphragm (EMD) technology that has been highly refined over many years in the EF lens series. This technology integrates the lens iris assembly and a miniature stepping motor in a single unit. Electronic pulses from the camera controls the motor to map numerous steps across the full range of the iris mechanism. This AE control loop is fast and silent. An AE Shift mode allows a small manual override for fine adjustments to exposure.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFlange Back Adjustment\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eA flange back adjustment mechanism is built-in allowing you to adjust on site which helps to provide even greater optical performance among various cameras. \u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eThe COMPACT-SERVO 18-80mm T4.4 EF lens includes the functionality of professional broadcast and cinema lenses along with compatibility with professional lens accessories. It fits these features in Canon’s unique design that allows it to remain compact and lightweight. This best-of-both-worlds approach allows the versatility to shoot with the lens in a wide range of productions.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eServo Zoom Drive Unit\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe 18-80mm T4.4 EF lens incorporates a servo drive unit directly in the body of the lens. The servo drive unit allows electronic control over zoom, and provides an option to be disengaged for direct manual control. The integrated design can power the servo drive through the lens mount on appropriate cameras, or power can be input through a separate port as in traditional lens servo systems. The servo control is compatible with Canon’s ZSG-C10 Zoom Servo Grip which can be mounted directly onto the 18-80mmT4.4 EF lens, as well as standard broadcast style controllers (including Canon’s FPD-400D and ZSD-300D) for remote operation.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eServo Control Capability for Zoom Function\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe integrated servo drive allows for electronic control over the zoom. The control is electromechanical, rotating the actual geared rings on the lens housing via servo motors. These motors can also be disengaged, allowing for full manual control. The zoom servo can be remotely controlled or operated using a rocker switch on the side of the lens.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003ePower Provided via Camera Mount\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eOn select Cinema EOS cameras, the EF lens mounts electrical contacts provide the necessary power to operate the servos on the 18-80mmT4.4 EF lens. This helps eliminates cabling and possible mounting issues. The lens can also be powered remotely through an accessory power port.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCompatible with Broadcast Style Servo Lens Controllers\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe 18-80mm T4.4 EF lens’s Servo Control can be operated remotely for tripod or other non-handheld use. Canon’s FPD-400D Digital Focus Servo Demand for Canon Lens Control Kits can be used for remote focus control and the ZSD-300D Digital Zoom Servo Demand for digital ENG\/EFP lenses used for remote zoom control. For use in studio configurations, an optional Zacuto® Z-CNYC Y-cable can be used to connect zoom and focus controllers to each lens. This configuration allows for simultaneous zoom and focus operation with Compact-Servo lenses.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOptional ZSG-C10 Zoom Servo Grip\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eFor handheld operation, the 18-80mm T4.4 EF lens incorporates a rosette mounting point for the optional ZSG-C10 Zoom Servo Grip. This handgrip features a rocker control for the zoom servo, a button to engage One-Shot Autofocus. It can be rotated on the mounting rosette and adjusted for comfort. Accessory mounting is available for use on camera front rods.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCompact (7.2 in. in length) and Lightweight (2.65 lbs.) for Increased Mobility and Versatility\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe 18-80mm T4.4 EF lens borrows from Canon’s experience in EF lenses to make a compact and lightweight design while retaining performance and functionality. This allows the lens to be used handheld and in various conditions, providing a high amount of mobility and versatility. The 18-80mm T4.4 EF lens is the same size and nearly the same weight as its sister lens, the COMPACT-SERVO 70-200mm T4.4 EF lens.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSupports a Wide Range of Optional Accessories\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe 18-80mm T4.4 EF lens is built to be compact and fully compatible with a variety of professional lens accessories. The front diameter is 84mm for mattebox mounting, with a removable sunshade included. The front ring’s inner diameter is threaded for use with 77mm screw-in filters. An integrated support foot can be used to stabilize the lens on standard camera bracketry, and the zoom, focus and iris rings are geared for use with follow focus and other traditional mechanical and electronic controllers.\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eCanon has designed the COMPACT-SERVO 18-80mm T4.4 EF lens specifically to work with compatible Cinema EOS cameras, resulting in a complete kit that adds enhanced functionality. Integrated autofocus, smooth image stabilization, connected control and metadata information as well as lateral chromatic aberration correction are all available when using the lens on compatible Cinema EOS cameras.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAutofocus Function\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003eCanon cameras feature advanced autofocus functions. The 18-80mm T4.4 EF lens is designed to work with select Cinema EOS cameras to offer fast and accurate autofocus control. All autofocus controls can be switched off to allow manual focus.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eContinuous AF\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eDifferent Canon cameras offer various types of continuous autofocus functionality. The fast servo response of the 18-80mm T4.4 EF lens allows for continuous smooth autofocus as with select Cinema EOS cameras. All electrical control of the lens is done directly through the EF-mount.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOne-Shot AF\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eOne-Shot Autofocus is a quick reference setting of focus using the autofocus servo system. The camera sets focus of the image the moment the AF button is pushed. Once the control is released, the focus will remain set to that distance. This temporary engagement of autofocus can be useful for selective artistic focus control.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFocus Guide\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eSelect Cinema EOS cameras can use autofocus technology even with the servo control on the 18-80mm T4.4 EF lens disabled. Even with the lens in manual mode, the camera will detect its focus setting and can indicate suggestions in the viewfinder on adjustments for focus in the image.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eImage Stabilization (IS)\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe 18-80mm T4.4 EF lens is a medium to telephoto zoom. The longer the focal length the more sensitive it is to any shake in the movement. The lens offers three levels of Image Stabilization, including the standard mode for handheld operation, a maximum mode for high-frequency movement and a smooth mode intended for tripod-based operating. The IS function can also be switched off entirely.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEF Communication Functions\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThere are a host of functions designed to help maximize the integration of the 18-80mm T4.4 EF lens with select Cinema EOS cameras. Integrated autofocus, smooth image stabilization, connected control and metadata information, and lateral chromatic aberration correction are all included when using the lens on compatible Canon Cinema cameras.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eRemote Control of Zoom, Focus and Iris via Camera\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eSelect Cinema EOS cameras can power and control the servo drive of the 18-80mm T4.4 EF lens by electrical connection through the EF-mount. A zoom control on the camera body can alter focal length, the autofocus modes of the camera can directly engage the lens focus servo, and the auto exposure camera functions can operate the lens iris to adjust light transmission. Integrating these controls allows easier single-person camera operation, and the 18-80mm T4.4 EF lens can be switched into a partial or fully manual mode if desired.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eREC Start\/Stop from ZSG-C10 Zoom Servo Grip\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThrough the EF-mount, the ZSG-C10 Zoom Servo Grip that mounts to the 18-80mm T4.4 EF lens can control record triggering on select Cinema EOS cameras. The optional handgrip also features a zoom servo rocker control and an autofocus engage button.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePeripheral Illumination Correction\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eSelect Cinema EOS cameras can communicate with the 18-80mm T4.4 EF lens to profile its illumination characteristics, and electronically compensate for image brightness dimming in the edges of the frame.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLateral Chromatic Aberration Correction\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe 18-80mm T4.4 EF lens was designed to help minimize lateral chromatic aberration for Super 35mm sensors. Any remaining minimal lateral chromatic aberration is mathematically mapped so that the lens can communicate with select Cinema EOS cameras, which then in turn electronically correct for the artifact.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLens Meta Data Record\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe 18-80mm T4.4 EF lens sends reference information constantly to the camera, noting precise settings for focus, iris and zoom. Data is also transmitted about the lens model itself, and on select Cinema EOS cameras. This information can be recorded for use in post processing. This is useful when matching cameras as well as in VFX work. Some of this data can also be displayed in the camera viewfinder.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eT Number\/F Number Display Select\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe 18-80mm T4.4 EF lens sends metadata information of the iris position through the EF-mount to the camera. On select Cinema EOS cameras, this information can be displayed as a T-stop, which indicates the amount of transmitted light through the aperture. It can also be displayed as an F-stop. \u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":34875954266157,"sku":"1714C002","price":6000.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/products\/Products13615-1000x1000-402180.jpg?v=1780076775"},{"product_id":"leica-super-vario-elmar-sl-16-35mm-f3-5-4-5-asph","title":"Leica Super-Vario-Elmar-SL 16-35mm f3.5-4.5 ASPH","description":"\u003cp style=\"text-align: justify;\"\u003eThe Leica SL lenses are full-frame AF lenses designed for professional needs. With the highest image performance at every aperture and distance, the new Leica SL Auto-focus is the fastest AF available for full-frame system cameras. The SL lenses are silent and offer precise AF. All SL lenses have an AquaDura hydrophobic coating on the outer lens elements. The lenses are sealed to protect from dust and water.\u003cbr\u003e\u003cbr\u003eLeica Camera expands its line of SL lenses with the introduction of the Leica Super-Vario-Elmar-SL 16-35mm f\/3.5-4.5 ASPH, a lens which catapults the SL-System into the world of wide angle photography and complements the existing portfolio of Vario lenses for the Leica SL.\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eThe Leica Super-Vario-Elmar-SL 16-35mm f\/3.5-4.5 ASPH offers uncompromising imaging performance and is ideal for a range of photography including landscapes, architecture, wedding, event, concert, reportage and documentary photography. 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The XD Linear Motors deliver new levels of fast, precise, quiet autofocus operation and contribute to reliable and tenacious AF tracking (up to a 5x improvement in moving-subject tracking) that sports photographers will appreciate. Additionally, a new algorithm developed specifically for the XD motors, notably improves their response, minimizing lag and instability that can occur when driving a large aperture focus lens group, resulting in quiet, low-vibration operation.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSuperlative G Master quality\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAll lenses bearing the G Master brand are designed to extremely high standards, ensuring that outstanding contrast at high spatial frequencies is maintained right out to the image edges. The optical design includes three fluorite elements that help to minimize axial chromatic aberration that can be a problem in large-aperture lenses, as well as lateral chromatic aberration that can reduce resolution towards the image periphery. Colour bleeding is effectively suppressed, allowing clear reproduction of the finest subject details, while Sony’s original Nano AR coating suppresses any unwanted reflections, glare, or ghosting.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e3x fluorite elements, 1x ED glass element reduces flare and ghosting\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eBased on a new optical design that conforms to stringent G Master standards, the FE 400mm F2.8 GM OSS includes three fluorite elements and one ED (Extra-low Dispersion) glass element that help to reduce chromatic aberration, a common problem in telephoto lenses. Extremely high resolution is maintained right out to the image edges. Spherical aberration is optimized to create a perfect balance between high resolution and soft, beautiful bokeh through careful control at both the design and manufacturing stages. Each lens is individually tested and adjusted to achieve ideal characteristics.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e11-blade circular aperture contributes to gorgeous bokeh\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eComplementing the wide F2.8 aperture are the 11-blade circular aperture blades that result in soft-edged bokeh that is a hallmark of the Sony G Master series. While conventional aperture blades have flat sides creating unappealing, polygonal shaped defocused points of light. α lenses overcome this problem through a unique design that keeps the aperture almost perfectly circular from its wide-open setting to when it is closed by 2 stops. Smoother, more natural defocusing can be obtained as a result. 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Engineered to minimize astigmatism and coma aberration and provide a sharp and clear image, while the sharpness of the image at the center of the field is achieved all the way to the periphery of the super-wide field of view.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eField Flattener Lens System\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe Field Flattener Lens System is employed for compensating curvature of field from the center to the very edge of the periphery, while realizing a super-wide field of view. 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Successfully implemented for their still photography camera lenses, this service allows users to convert their lenses to and from EF and E-mounts (charges apply). If the camera system changes, it is possible to simply convert the mount system to continue using the high-performance SIGMA lenses.\u003cbr\u003eNote: The Mount Conversion Service is not available for PL mount lenses.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMount with electronic contacts\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe mount with electronic contacts allows the lens to communicate important information to the body (focal length, shooting distance, aperture etc.).\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEnhanced EF mount*\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003eThe hole for the stopper pin has been strengthened with a separate part to minimize loosening over time and enhance long-term use.\u003cbr\u003e*Only applicable for Canon EF mount\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDedicated lens support foot\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eComing as a standard accessory with all lenses in the lineup, the lens support foot helps minimize load on the camera body while enhancing mount stability. The height of the seating surface is designed for compatibility with other accessories. Even though the lens is compact, its robust design offers two different screw holes for this accessory to increase user options.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCine-style front lens cap\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAll lenses come complete with a conventional cine-style front lens cap.\u003cbr\u003e\u003cbr class=\"t-last-br\"\u003e\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":34875972714541,"sku":"CL135S","price":7499.95,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/products\/Products14116-1000x1000-419225.jpg?v=1780072186"},{"product_id":"sigma-cine-14mm-t2-canon-ef","title":"Sigma Cine 14mm T2 - Canon EF","description":"\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eThe image quality of a high-end prime lens. Full-frame compatibility—yet compact.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThese ten prime lenses range from 14mm to 135mm, and all offer T1.5 or T2 brightness. Rivaling a high-end prime set with their stunning image quality and compact construction, they also offer full-frame coverage. With this complete set of ten lenses designed for 6K-8K shooting, the FF High Speed Prime Line allows filming of various cuts without making any changes to the lighting, taking cinematography to the next level of performance. \u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eWide focal length coverage\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lineup covers everything from wide angle to telephoto. Produce an entire work with SIGMA lenses alone.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCompatibility\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eCompatibility has been confirmed with each brand of cinema cameras.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLenses for both S35 and full-frame\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe High Speed Zoom Line is compatible with Super35, the image size standard used by typical digital cinema cameras, while the FF High Speed Prime Line and FF Zoom Line are compatible with a full-frame image circle.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStrong high-speed lens lineup\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eT1.5 or T2 is available in prime lenses, while T2 is available throughout the zoom range in zoom lenses. These options enable cinematographers to realize a wide range of expressive goals.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eInspecting each and every lens\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThere are three requirements for outstanding lenses: fine design, precise manufacturing and inspection that ensures compliance with all specifications. SIGMA lenses are born of outstanding design concepts and excellent manufacturing technology, but they are not complete until they undergo their uncompromising lens performance evaluation. SIGMA has developed their own A1 proprietary Modulation Transfer Function (MTF) measuring system using 46-megapixel Foveon direct image sensors. Even previously undetectable high-frequency details are now within the scope of their quality control inspections. Each and every lens is checked before shipping. Thanks to the ultra-high resolution sensors, high- performance shooting is assured.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMinimization of flare and ghosting\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eComputer-based ray tracing has been used from the design stage onward to minimize flare and ghosting and enhance contrast in backlit conditions. Ghosting has also been checked at every prototype stage, with its causes identified, assessed, and eliminated.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSharpness combined with outstanding bokeh effect\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eTo fulfill the high demands for image quality in still photography, SIGMA has solved a wide range of issues. The benefit of these efforts can now be enjoyed in cine lenses as well.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eColour balance standardized across the lineup\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAll of the lenses in the lineup are designed to comply with SIGMA’s CCI standard. Standardized colour balance makes colour correction a snap.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e6K-8K class resolution\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lineup features the same optical system that delivers 50-megapixel or higher resolution in still photography. These lenses are therefore ready for higher-resolution shooting and are ideal for chroma keying as well.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLightweight and compact\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eLeveraging the high-precision, high-efficiency mass production technologies developed for its still camera lenses, SIGMA has made extremely lightweight and compact cine lenses a reality. Featuring all functions essential to cinematography, these lenses keep weight and size to a minimum, while their specification is optimized for enhanced durability. The end result is a combination of performance and compact design at the highest level.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDust-proof and splash-proof construction\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lineup features the same dust-proof and splash-proof construction as the SIGMA 150-600mm F5-6.3 DG OS HSM｜Sports. With each ring and mount specially sealed to prevent water and dust from entering, this lens is ready for use in tough conditions. The unusually robust specification of the lineup allows the user to concentrate on shooting while significantly reducing the burden of maintenance.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e100% metal body\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe body is made completely of metal to stand up to tough professional use over the long term.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLuminous paint for enhanced visibility\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe specification, gradation baseline, and lens change indications all feature luminous paint to aid in changing the lens in the dark and other tasks. Moreover, new FULLY LUMINOUS versions of the lenses feature the above plus rings whose numbers and gradations are finished with luminous paint.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLaser engraving for enhanced durability\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eInformation on rings and elsewhere is laser-engraved for use over the long term. In addition, tape may be placed on gradations without fear of stripping away paint when it is removed.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e82mm filter size*\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe filter size is standardized at 82mm, allowing users to use the same size of ND filter on different lenses.\u003cbr\u003e*Certain lens models are not compatible with 82mm filters.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e95mm front diameter\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe front diameter is 95mm, similar to that of other cine lenses and compatible with matte boxes. Compared to lenses in the same class, SIGMA’s cine lenses are more \u003cbr\u003elightweight and compact.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStandardized gear positions\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe positions of the gears in each ring are standardized, eliminating the need to adjust the follow focus, motor unit, or accessories even when the lens changes.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e0.8M gear pitch\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eEach lens has a 0.8M gear pitch, which is the standard for cine lenses, ensuring compatibility with existing accessories.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSilent ring stoppers\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe stopper of each ring incorporates a damper made of a special resin, resulting in silent operation. While offering a satisfying lock feel, this feature eliminates any metallic sounds, allowing the user to shoot with confidence in a quiet area.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e180° focus rotational angle\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAt 180°, the rotational angle of the focus ring is more than double that of a still camera lens, making possible extremely high-precision focusing. SIGMA has also optimized the cam for cine lenses for even easier long distance focusing.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e160° zoom rotational angle\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAt 160°, the rotational angle of the zoom ring is more than double that of a still camera lens, making possible extremely high-precision zooming.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIris with full manual control\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eFeaturing manual control capability, the iris ring offers smooth control without clicks. The T-stop display, which is standard in cine lenses, contributes to high-precision exposures. Just like a high-end cine lens, the rotational angle of the iris ring is 60°.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLinear iris ring\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe linear iris ring gives users the same rotational angle per T-stop for direct, intuitive control.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eSelectable focus ring with feet or meter graduations\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eBased on user needs, a focus ring with either feet or meter graduations may be selected. For a small charge, SIGMA can also convert the ring from one type to the other after purchase.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMount Conversion Service\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eSeeing lenses as valuable assets, SIGMA now makes the Mount Conversion Service available for its new cine lenses. Successfully implemented for their still photography camera lenses, this service allows users to convert their lenses to and from EF and E-mounts (charges apply). If the camera system changes, it is possible to simply convert the mount system to continue using the high-performance SIGMA lenses.\u003cbr\u003eNote: The Mount Conversion Service is not available for PL mount lenses.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMount with electronic contacts\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe mount with electronic contacts allows the lens to communicate important information to the body (focal length, shooting distance, aperture etc.).\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEnhanced EF mount*\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003eThe hole for the stopper pin has been strengthened with a separate part to minimize loosening over time and enhance long-term use.\u003cbr\u003e*Only applicable for Canon EF mount\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDedicated lens support foot\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eComing as a standard accessory with all lenses in the lineup, the lens support foot helps minimize load on the camera body while enhancing mount stability. The height of the seating surface is designed for compatibility with other accessories. Even though the lens is compact, its robust design offers two different screw holes for this accessory to increase user options.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCine-style front lens cap\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAll lenses come complete with a conventional cine-style front lens cap.\u003cbr class=\"t-last-br\"\u003e\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":34875972812845,"sku":"CL14C","price":7499.95,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/products\/Products14117-1000x1000-419243.jpg?v=1780072170"},{"product_id":"sigma-cine-135mm-t2-canon-ef","title":"Sigma Cine 135mm T2 - Canon EF","description":"\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eThe image quality of a high-end prime lens. Full-frame compatibility—yet compact.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThese ten prime lenses range from 14mm to 135mm, and all offer T1.5 or T2 brightness. Rivaling a high-end prime set with their stunning image quality and compact construction, they also offer full-frame coverage. With this complete set of ten lenses designed for 6K-8K shooting, the FF High Speed Prime Line allows filming of various cuts without making any changes to the lighting, taking cinematography to the next level of performance. \u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eWide focal length coverage\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lineup covers everything from wide angle to telephoto. Produce an entire work with SIGMA lenses alone.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCompatibility\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eCompatibility has been confirmed with each brand of cinema cameras.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLenses for both S35 and full-frame\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe High Speed Zoom Line is compatible with Super35, the image size standard used by typical digital cinema cameras, while the FF High Speed Prime Line and FF Zoom Line are compatible with a full-frame image circle.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStrong high-speed lens lineup\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eT1.5 or T2 is available in prime lenses, while T2 is available throughout the zoom range in zoom lenses. These options enable cinematographers to realize a wide range of expressive goals.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eInspecting each and every lens\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThere are three requirements for outstanding lenses: fine design, precise manufacturing and inspection that ensures compliance with all specifications. SIGMA lenses are born of outstanding design concepts and excellent manufacturing technology, but they are not complete until they undergo their uncompromising lens performance evaluation. SIGMA has developed their own A1 proprietary Modulation Transfer Function (MTF) measuring system using 46-megapixel Foveon direct image sensors. Even previously undetectable high-frequency details are now within the scope of their quality control inspections. Each and every lens is checked before shipping. Thanks to the ultra-high resolution sensors, high- performance shooting is assured.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMinimization of flare and ghosting\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eComputer-based ray tracing has been used from the design stage onward to minimize flare and ghosting and enhance contrast in backlit conditions. Ghosting has also been checked at every prototype stage, with its causes identified, assessed, and eliminated.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSharpness combined with outstanding bokeh effect\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eTo fulfill the high demands for image quality in still photography, SIGMA has solved a wide range of issues. The benefit of these efforts can now be enjoyed in cine lenses as well.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eColour balance standardized across the lineup\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAll of the lenses in the lineup are designed to comply with SIGMA’s CCI standard. Standardized colour balance makes colour correction a snap.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e6K-8K class resolution\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lineup features the same optical system that delivers 50-megapixel or higher resolution in still photography. These lenses are therefore ready for higher-resolution shooting and are ideal for chroma keying as well.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLightweight and compact\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eLeveraging the high-precision, high-efficiency mass production technologies developed for its still camera lenses, SIGMA has made extremely lightweight and compact cine lenses a reality. Featuring all functions essential to cinematography, these lenses keep weight and size to a minimum, while their specification is optimized for enhanced durability. The end result is a combination of performance and compact design at the highest level.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDust-proof and splash-proof construction\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lineup features the same dust-proof and splash-proof construction as the SIGMA 150-600mm F5-6.3 DG OS HSM｜Sports. With each ring and mount specially sealed to prevent water and dust from entering, this lens is ready for use in tough conditions. The unusually robust specification of the lineup allows the user to concentrate on shooting while significantly reducing the burden of maintenance.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e100% metal body\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe body is made completely of metal to stand up to tough professional use over the long term.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLuminous paint for enhanced visibility\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe specification, gradation baseline, and lens change indications all feature luminous paint to aid in changing the lens in the dark and other tasks. Moreover, new FULLY LUMINOUS versions of the lenses feature the above plus rings whose numbers and gradations are finished with luminous paint.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLaser engraving for enhanced durability\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eInformation on rings and elsewhere is laser-engraved for use over the long term. In addition, tape may be placed on gradations without fear of stripping away paint when it is removed.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e82mm filter size*\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe filter size is standardized at 82mm, allowing users to use the same size of ND filter on different lenses.\u003cbr\u003e*Certain lens models are not compatible with 82mm filters.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e95mm front diameter\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe front diameter is 95mm, similar to that of other cine lenses and compatible with matte boxes. Compared to lenses in the same class, SIGMA’s cine lenses are more \u003cbr\u003elightweight and compact.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStandardized gear positions\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe positions of the gears in each ring are standardized, eliminating the need to adjust the follow focus, motor unit, or accessories even when the lens changes.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e0.8M gear pitch\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eEach lens has a 0.8M gear pitch, which is the standard for cine lenses, ensuring compatibility with existing accessories.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSilent ring stoppers\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe stopper of each ring incorporates a damper made of a special resin, resulting in silent operation. While offering a satisfying lock feel, this feature eliminates any metallic sounds, allowing the user to shoot with confidence in a quiet area.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e180° focus rotational angle\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAt 180°, the rotational angle of the focus ring is more than double that of a still camera lens, making possible extremely high-precision focusing. SIGMA has also optimized the cam for cine lenses for even easier long distance focusing.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e160° zoom rotational angle\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAt 160°, the rotational angle of the zoom ring is more than double that of a still camera lens, making possible extremely high-precision zooming.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIris with full manual control\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eFeaturing manual control capability, the iris ring offers smooth control without clicks. The T-stop display, which is standard in cine lenses, contributes to high-precision exposures. Just like a high-end cine lens, the rotational angle of the iris ring is 60°.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLinear iris ring\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe linear iris ring gives users the same rotational angle per T-stop for direct, intuitive control.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eSelectable focus ring with feet or meter graduations\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eBased on user needs, a focus ring with either feet or meter graduations may be selected. For a small charge, SIGMA can also convert the ring from one type to the other after purchase.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMount Conversion Service\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eSeeing lenses as valuable assets, SIGMA now makes the Mount Conversion Service available for its new cine lenses. Successfully implemented for their still photography camera lenses, this service allows users to convert their lenses to and from EF and E-mounts (charges apply). If the camera system changes, it is possible to simply convert the mount system to continue using the high-performance SIGMA lenses.\u003cbr\u003eNote: The Mount Conversion Service is not available for PL mount lenses.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMount with electronic contacts\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe mount with electronic contacts allows the lens to communicate important information to the body (focal length, shooting distance, aperture etc.).\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEnhanced EF mount*\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003eThe hole for the stopper pin has been strengthened with a separate part to minimize loosening over time and enhance long-term use.\u003cbr\u003e*Only applicable for Canon EF mount\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDedicated lens support foot\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eComing as a standard accessory with all lenses in the lineup, the lens support foot helps minimize load on the camera body while enhancing mount stability. The height of the seating surface is designed for compatibility with other accessories. Even though the lens is compact, its robust design offers two different screw holes for this accessory to increase user options.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCine-style front lens cap\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAll lenses come complete with a conventional cine-style front lens cap.\u003cbr\u003e\u003cbr class=\"t-last-br\"\u003e\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":34875972845613,"sku":"CL135C","price":7499.95,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/products\/Products14115-1000x1000-419209.jpg?v=1780072166"},{"product_id":"sigma-cine-24mm-t1-5-canon-ef","title":"Sigma Cine 24mm T1.5 - Canon EF","description":"\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eThe image quality of a high-end prime lens. Full-frame compatibility—yet compact.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThese ten prime lenses range from 14mm to 135mm, and all offer T1.5 or T2 brightness. Rivaling a high-end prime set with their stunning image quality and compact construction, they also offer full-frame coverage. With this complete set of ten lenses designed for 6K-8K shooting, the FF High Speed Prime Line allows filming of various cuts without making any changes to the lighting, taking cinematography to the next level of performance. \u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eWide focal length coverage\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lineup covers everything from wide angle to telephoto. Produce an entire work with SIGMA lenses alone.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCompatibility\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eCompatibility has been confirmed with each brand of cinema cameras.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLenses for both S35 and full-frame\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe High Speed Zoom Line is compatible with Super35, the image size standard used by typical digital cinema cameras, while the FF High Speed Prime Line and FF Zoom Line are compatible with a full-frame image circle.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStrong high-speed lens lineup\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eT1.5 or T2 is available in prime lenses, while T2 is available throughout the zoom range in zoom lenses. These options enable cinematographers to realize a wide range of expressive goals.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eInspecting each and every lens\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThere are three requirements for outstanding lenses: fine design, precise manufacturing and inspection that ensures compliance with all specifications. SIGMA lenses are born of outstanding design concepts and excellent manufacturing technology, but they are not complete until they undergo their uncompromising lens performance evaluation. SIGMA has developed their own A1 proprietary Modulation Transfer Function (MTF) measuring system using 46-megapixel Foveon direct image sensors. Even previously undetectable high-frequency details are now within the scope of their quality control inspections. Each and every lens is checked before shipping. Thanks to the ultra-high resolution sensors, high- performance shooting is assured.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMinimization of flare and ghosting\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eComputer-based ray tracing has been used from the design stage onward to minimize flare and ghosting and enhance contrast in backlit conditions. Ghosting has also been checked at every prototype stage, with its causes identified, assessed, and eliminated.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSharpness combined with outstanding bokeh effect\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eTo fulfill the high demands for image quality in still photography, SIGMA has solved a wide range of issues. The benefit of these efforts can now be enjoyed in cine lenses as well.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eColour balance standardized across the lineup\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAll of the lenses in the lineup are designed to comply with SIGMA’s CCI standard. Standardized colour balance makes colour correction a snap.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e6K-8K class resolution\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lineup features the same optical system that delivers 50-megapixel or higher resolution in still photography. These lenses are therefore ready for higher-resolution shooting and are ideal for chroma keying as well.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLightweight and compact\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eLeveraging the high-precision, high-efficiency mass production technologies developed for its still camera lenses, SIGMA has made extremely lightweight and compact cine lenses a reality. Featuring all functions essential to cinematography, these lenses keep weight and size to a minimum, while their specification is optimized for enhanced durability. The end result is a combination of performance and compact design at the highest level.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDust-proof and splash-proof construction\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lineup features the same dust-proof and splash-proof construction as the SIGMA 150-600mm F5-6.3 DG OS HSM｜Sports. With each ring and mount specially sealed to prevent water and dust from entering, this lens is ready for use in tough conditions. The unusually robust specification of the lineup allows the user to concentrate on shooting while significantly reducing the burden of maintenance.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e100% metal body\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe body is made completely of metal to stand up to tough professional use over the long term.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLuminous paint for enhanced visibility\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe specification, gradation baseline, and lens change indications all feature luminous paint to aid in changing the lens in the dark and other tasks. Moreover, new FULLY LUMINOUS versions of the lenses feature the above plus rings whose numbers and gradations are finished with luminous paint.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLaser engraving for enhanced durability\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eInformation on rings and elsewhere is laser-engraved for use over the long term. In addition, tape may be placed on gradations without fear of stripping away paint when it is removed.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e82mm filter size*\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe filter size is standardized at 82mm, allowing users to use the same size of ND filter on different lenses.\u003cbr\u003e*Certain lens models are not compatible with 82mm filters.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e95mm front diameter\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe front diameter is 95mm, similar to that of other cine lenses and compatible with matte boxes. Compared to lenses in the same class, SIGMA’s cine lenses are more \u003cbr\u003elightweight and compact.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStandardized gear positions\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe positions of the gears in each ring are standardized, eliminating the need to adjust the follow focus, motor unit, or accessories even when the lens changes.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e0.8M gear pitch\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eEach lens has a 0.8M gear pitch, which is the standard for cine lenses, ensuring compatibility with existing accessories.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSilent ring stoppers\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe stopper of each ring incorporates a damper made of a special resin, resulting in silent operation. While offering a satisfying lock feel, this feature eliminates any metallic sounds, allowing the user to shoot with confidence in a quiet area.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e180° focus rotational angle\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAt 180°, the rotational angle of the focus ring is more than double that of a still camera lens, making possible extremely high-precision focusing. SIGMA has also optimized the cam for cine lenses for even easier long distance focusing.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e160° zoom rotational angle\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAt 160°, the rotational angle of the zoom ring is more than double that of a still camera lens, making possible extremely high-precision zooming.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIris with full manual control\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eFeaturing manual control capability, the iris ring offers smooth control without clicks. The T-stop display, which is standard in cine lenses, contributes to high-precision exposures. Just like a high-end cine lens, the rotational angle of the iris ring is 60°.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLinear iris ring\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe linear iris ring gives users the same rotational angle per T-stop for direct, intuitive control.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eSelectable focus ring with feet or meter graduations\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eBased on user needs, a focus ring with either feet or meter graduations may be selected. For a small charge, SIGMA can also convert the ring from one type to the other after purchase.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMount Conversion Service\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eSeeing lenses as valuable assets, SIGMA now makes the Mount Conversion Service available for its new cine lenses. Successfully implemented for their still photography camera lenses, this service allows users to convert their lenses to and from EF and E-mounts (charges apply). If the camera system changes, it is possible to simply convert the mount system to continue using the high-performance SIGMA lenses.\u003cbr\u003eNote: The Mount Conversion Service is not available for PL mount lenses.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMount with electronic contacts\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe mount with electronic contacts allows the lens to communicate important information to the body (focal length, shooting distance, aperture etc.).\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEnhanced EF mount*\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003eThe hole for the stopper pin has been strengthened with a separate part to minimize loosening over time and enhance long-term use.\u003cbr\u003e*Only applicable for Canon EF mount\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDedicated lens support foot\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eComing as a standard accessory with all lenses in the lineup, the lens support foot helps minimize load on the camera body while enhancing mount stability. The height of the seating surface is designed for compatibility with other accessories. Even though the lens is compact, its robust design offers two different screw holes for this accessory to increase user options.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCine-style front lens cap\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAll lenses come complete with a conventional cine-style front lens cap.\u003cbr\u003e\u003cbr\u003e\u003cbr class=\"t-last-br\"\u003e\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":34875972911149,"sku":"CL24C","price":5499.95,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/products\/Products14122-1000x1000-419307.jpg?v=1780072162"},{"product_id":"sigma-cine-20mm-t1-5-canon-ef","title":"Sigma Cine 20mm T1.5 - Canon EF","description":"\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eThe image quality of a high-end prime lens. Full-frame compatibility—yet compact.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThese ten prime lenses range from 14mm to 135mm, and all offer T1.5 or T2 brightness. Rivaling a high-end prime set with their stunning image quality and compact construction, they also offer full-frame coverage. With this complete set of ten lenses designed for 6K-8K shooting, the FF High Speed Prime Line allows filming of various cuts without making any changes to the lighting, taking cinematography to the next level of performance. \u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eWide focal length coverage\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lineup covers everything from wide angle to telephoto. Produce an entire work with SIGMA lenses alone.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCompatibility\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eCompatibility has been confirmed with each brand of cinema cameras.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLenses for both S35 and full-frame\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe High Speed Zoom Line is compatible with Super35, the image size standard used by typical digital cinema cameras, while the FF High Speed Prime Line and FF Zoom Line are compatible with a full-frame image circle.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStrong high-speed lens lineup\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eT1.5 or T2 is available in prime lenses, while T2 is available throughout the zoom range in zoom lenses. These options enable cinematographers to realize a wide range of expressive goals.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eInspecting each and every lens\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThere are three requirements for outstanding lenses: fine design, precise manufacturing and inspection that ensures compliance with all specifications. SIGMA lenses are born of outstanding design concepts and excellent manufacturing technology, but they are not complete until they undergo their uncompromising lens performance evaluation. SIGMA has developed their own A1 proprietary Modulation Transfer Function (MTF) measuring system using 46-megapixel Foveon direct image sensors. Even previously undetectable high-frequency details are now within the scope of their quality control inspections. Each and every lens is checked before shipping. Thanks to the ultra-high resolution sensors, high- performance shooting is assured.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMinimization of flare and ghosting\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eComputer-based ray tracing has been used from the design stage onward to minimize flare and ghosting and enhance contrast in backlit conditions. Ghosting has also been checked at every prototype stage, with its causes identified, assessed, and eliminated.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSharpness combined with outstanding bokeh effect\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eTo fulfill the high demands for image quality in still photography, SIGMA has solved a wide range of issues. The benefit of these efforts can now be enjoyed in cine lenses as well.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eColour balance standardized across the lineup\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAll of the lenses in the lineup are designed to comply with SIGMA’s CCI standard. Standardized colour balance makes colour correction a snap.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e6K-8K class resolution\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lineup features the same optical system that delivers 50-megapixel or higher resolution in still photography. These lenses are therefore ready for higher-resolution shooting and are ideal for chroma keying as well.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLightweight and compact\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eLeveraging the high-precision, high-efficiency mass production technologies developed for its still camera lenses, SIGMA has made extremely lightweight and compact cine lenses a reality. Featuring all functions essential to cinematography, these lenses keep weight and size to a minimum, while their specification is optimized for enhanced durability. The end result is a combination of performance and compact design at the highest level.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDust-proof and splash-proof construction\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lineup features the same dust-proof and splash-proof construction as the SIGMA 150-600mm F5-6.3 DG OS HSM｜Sports. With each ring and mount specially sealed to prevent water and dust from entering, this lens is ready for use in tough conditions. The unusually robust specification of the lineup allows the user to concentrate on shooting while significantly reducing the burden of maintenance.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e100% metal body\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe body is made completely of metal to stand up to tough professional use over the long term.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLuminous paint for enhanced visibility\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe specification, gradation baseline, and lens change indications all feature luminous paint to aid in changing the lens in the dark and other tasks. Moreover, new FULLY LUMINOUS versions of the lenses feature the above plus rings whose numbers and gradations are finished with luminous paint.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLaser engraving for enhanced durability\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eInformation on rings and elsewhere is laser-engraved for use over the long term. In addition, tape may be placed on gradations without fear of stripping away paint when it is removed.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e82mm filter size*\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe filter size is standardized at 82mm, allowing users to use the same size of ND filter on different lenses.\u003cbr\u003e*Certain lens models are not compatible with 82mm filters.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e95mm front diameter\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe front diameter is 95mm, similar to that of other cine lenses and compatible with matte boxes. Compared to lenses in the same class, SIGMA’s cine lenses are more \u003cbr\u003elightweight and compact.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStandardized gear positions\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe positions of the gears in each ring are standardized, eliminating the need to adjust the follow focus, motor unit, or accessories even when the lens changes.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e0.8M gear pitch\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eEach lens has a 0.8M gear pitch, which is the standard for cine lenses, ensuring compatibility with existing accessories.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSilent ring stoppers\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe stopper of each ring incorporates a damper made of a special resin, resulting in silent operation. While offering a satisfying lock feel, this feature eliminates any metallic sounds, allowing the user to shoot with confidence in a quiet area.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e180° focus rotational angle\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAt 180°, the rotational angle of the focus ring is more than double that of a still camera lens, making possible extremely high-precision focusing. SIGMA has also optimized the cam for cine lenses for even easier long distance focusing.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e160° zoom rotational angle\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAt 160°, the rotational angle of the zoom ring is more than double that of a still camera lens, making possible extremely high-precision zooming.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIris with full manual control\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eFeaturing manual control capability, the iris ring offers smooth control without clicks. The T-stop display, which is standard in cine lenses, contributes to high-precision exposures. Just like a high-end cine lens, the rotational angle of the iris ring is 60°.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLinear iris ring\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe linear iris ring gives users the same rotational angle per T-stop for direct, intuitive control.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eSelectable focus ring with feet or meter graduations\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eBased on user needs, a focus ring with either feet or meter graduations may be selected. For a small charge, SIGMA can also convert the ring from one type to the other after purchase.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMount Conversion Service\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eSeeing lenses as valuable assets, SIGMA now makes the Mount Conversion Service available for its new cine lenses. Successfully implemented for their still photography camera lenses, this service allows users to convert their lenses to and from EF and E-mounts (charges apply). If the camera system changes, it is possible to simply convert the mount system to continue using the high-performance SIGMA lenses.\u003cbr\u003eNote: The Mount Conversion Service is not available for PL mount lenses.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMount with electronic contacts\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe mount with electronic contacts allows the lens to communicate important information to the body (focal length, shooting distance, aperture etc.).\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEnhanced EF mount*\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003eThe hole for the stopper pin has been strengthened with a separate part to minimize loosening over time and enhance long-term use.\u003cbr\u003e*Only applicable for Canon EF mount\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDedicated lens support foot\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eComing as a standard accessory with all lenses in the lineup, the lens support foot helps minimize load on the camera body while enhancing mount stability. The height of the seating surface is designed for compatibility with other accessories. Even though the lens is compact, its robust design offers two different screw holes for this accessory to increase user options.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCine-style front lens cap\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAll lenses come complete with a conventional cine-style front lens cap.\u003cbr\u003e\u003cbr\u003e\u003cbr class=\"t-last-br\"\u003e\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":34875972976685,"sku":"CL20C","price":5499.95,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/products\/Products14119-1000x1000-419271.jpg?v=1780072166"},{"product_id":"sigma-cine-24mm-t1-5-sony-e","title":"Sigma Cine 24mm T1.5 - Sony E","description":"\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eThe image quality of a high-end prime lens. Full-frame compatibility—yet compact.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThese ten prime lenses range from 14mm to 135mm, and all offer T1.5 or T2 brightness. Rivaling a high-end prime set with their stunning image quality and compact construction, they also offer full-frame coverage. With this complete set of ten lenses designed for 6K-8K shooting, the FF High Speed Prime Line allows filming of various cuts without making any changes to the lighting, taking cinematography to the next level of performance. \u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eWide focal length coverage\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lineup covers everything from wide angle to telephoto. Produce an entire work with SIGMA lenses alone.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCompatibility\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eCompatibility has been confirmed with each brand of cinema cameras.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLenses for both S35 and full-frame\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe High Speed Zoom Line is compatible with Super35, the image size standard used by typical digital cinema cameras, while the FF High Speed Prime Line and FF Zoom Line are compatible with a full-frame image circle.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStrong high-speed lens lineup\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eT1.5 or T2 is available in prime lenses, while T2 is available throughout the zoom range in zoom lenses. These options enable cinematographers to realize a wide range of expressive goals.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eInspecting each and every lens\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThere are three requirements for outstanding lenses: fine design, precise manufacturing and inspection that ensures compliance with all specifications. SIGMA lenses are born of outstanding design concepts and excellent manufacturing technology, but they are not complete until they undergo their uncompromising lens performance evaluation. SIGMA has developed their own A1 proprietary Modulation Transfer Function (MTF) measuring system using 46-megapixel Foveon direct image sensors. Even previously undetectable high-frequency details are now within the scope of their quality control inspections. Each and every lens is checked before shipping. Thanks to the ultra-high resolution sensors, high- performance shooting is assured.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMinimization of flare and ghosting\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eComputer-based ray tracing has been used from the design stage onward to minimize flare and ghosting and enhance contrast in backlit conditions. Ghosting has also been checked at every prototype stage, with its causes identified, assessed, and eliminated.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSharpness combined with outstanding bokeh effect\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eTo fulfill the high demands for image quality in still photography, SIGMA has solved a wide range of issues. The benefit of these efforts can now be enjoyed in cine lenses as well.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eColour balance standardized across the lineup\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAll of the lenses in the lineup are designed to comply with SIGMA’s CCI standard. Standardized colour balance makes colour correction a snap.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e6K-8K class resolution\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lineup features the same optical system that delivers 50-megapixel or higher resolution in still photography. These lenses are therefore ready for higher-resolution shooting and are ideal for chroma keying as well.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLightweight and compact\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eLeveraging the high-precision, high-efficiency mass production technologies developed for its still camera lenses, SIGMA has made extremely lightweight and compact cine lenses a reality. Featuring all functions essential to cinematography, these lenses keep weight and size to a minimum, while their specification is optimized for enhanced durability. The end result is a combination of performance and compact design at the highest level.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDust-proof and splash-proof construction\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lineup features the same dust-proof and splash-proof construction as the SIGMA 150-600mm F5-6.3 DG OS HSM｜Sports. With each ring and mount specially sealed to prevent water and dust from entering, this lens is ready for use in tough conditions. The unusually robust specification of the lineup allows the user to concentrate on shooting while significantly reducing the burden of maintenance.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e100% metal body\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe body is made completely of metal to stand up to tough professional use over the long term.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLuminous paint for enhanced visibility\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe specification, gradation baseline, and lens change indications all feature luminous paint to aid in changing the lens in the dark and other tasks. Moreover, new FULLY LUMINOUS versions of the lenses feature the above plus rings whose numbers and gradations are finished with luminous paint.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLaser engraving for enhanced durability\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eInformation on rings and elsewhere is laser-engraved for use over the long term. In addition, tape may be placed on gradations without fear of stripping away paint when it is removed.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e82mm filter size*\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe filter size is standardized at 82mm, allowing users to use the same size of ND filter on different lenses.\u003cbr\u003e*Certain lens models are not compatible with 82mm filters.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e95mm front diameter\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe front diameter is 95mm, similar to that of other cine lenses and compatible with matte boxes. Compared to lenses in the same class, SIGMA’s cine lenses are more \u003cbr\u003elightweight and compact.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStandardized gear positions\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe positions of the gears in each ring are standardized, eliminating the need to adjust the follow focus, motor unit, or accessories even when the lens changes.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e0.8M gear pitch\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eEach lens has a 0.8M gear pitch, which is the standard for cine lenses, ensuring compatibility with existing accessories.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSilent ring stoppers\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe stopper of each ring incorporates a damper made of a special resin, resulting in silent operation. While offering a satisfying lock feel, this feature eliminates any metallic sounds, allowing the user to shoot with confidence in a quiet area.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e180° focus rotational angle\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAt 180°, the rotational angle of the focus ring is more than double that of a still camera lens, making possible extremely high-precision focusing. SIGMA has also optimized the cam for cine lenses for even easier long distance focusing.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e160° zoom rotational angle\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAt 160°, the rotational angle of the zoom ring is more than double that of a still camera lens, making possible extremely high-precision zooming.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIris with full manual control\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eFeaturing manual control capability, the iris ring offers smooth control without clicks. The T-stop display, which is standard in cine lenses, contributes to high-precision exposures. Just like a high-end cine lens, the rotational angle of the iris ring is 60°.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLinear iris ring\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe linear iris ring gives users the same rotational angle per T-stop for direct, intuitive control.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eSelectable focus ring with feet or meter graduations\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eBased on user needs, a focus ring with either feet or meter graduations may be selected. For a small charge, SIGMA can also convert the ring from one type to the other after purchase.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMount Conversion Service\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eSeeing lenses as valuable assets, SIGMA now makes the Mount Conversion Service available for its new cine lenses. Successfully implemented for their still photography camera lenses, this service allows users to convert their lenses to and from EF and E-mounts (charges apply). If the camera system changes, it is possible to simply convert the mount system to continue using the high-performance SIGMA lenses.\u003cbr\u003eNote: The Mount Conversion Service is not available for PL mount lenses.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMount with electronic contacts\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe mount with electronic contacts allows the lens to communicate important information to the body (focal length, shooting distance, aperture etc.).\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEnhanced EF mount*\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003eThe hole for the stopper pin has been strengthened with a separate part to minimize loosening over time and enhance long-term use.\u003cbr\u003e*Only applicable for Canon EF mount\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDedicated lens support foot\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eComing as a standard accessory with all lenses in the lineup, the lens support foot helps minimize load on the camera body while enhancing mount stability. The height of the seating surface is designed for compatibility with other accessories. Even though the lens is compact, its robust design offers two different screw holes for this accessory to increase user options.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCine-style front lens cap\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAll lenses come complete with a conventional cine-style front lens cap.\u003cbr\u003e\u003cbr\u003e\u003cbr class=\"t-last-br\"\u003e\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":34875973042221,"sku":"CL24S","price":5499.95,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/products\/Products14123-1000x1000-419318.jpg?v=1780072169"},{"product_id":"sigma-cine-14mm-t2-sony-e","title":"Sigma Cine 14mm T2 - Sony E","description":"\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eThe image quality of a high-end prime lens. Full-frame compatibility—yet compact.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThese ten prime lenses range from 14mm to 135mm, and all offer T1.5 or T2 brightness. Rivaling a high-end prime set with their stunning image quality and compact construction, they also offer full-frame coverage. With this complete set of ten lenses designed for 6K-8K shooting, the FF High Speed Prime Line allows filming of various cuts without making any changes to the lighting, taking cinematography to the next level of performance. \u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eWide focal length coverage\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lineup covers everything from wide angle to telephoto. Produce an entire work with SIGMA lenses alone.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCompatibility\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eCompatibility has been confirmed with each brand of cinema cameras.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLenses for both S35 and full-frame\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe High Speed Zoom Line is compatible with Super35, the image size standard used by typical digital cinema cameras, while the FF High Speed Prime Line and FF Zoom Line are compatible with a full-frame image circle.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStrong high-speed lens lineup\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eT1.5 or T2 is available in prime lenses, while T2 is available throughout the zoom range in zoom lenses. These options enable cinematographers to realize a wide range of expressive goals.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eInspecting each and every lens\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThere are three requirements for outstanding lenses: fine design, precise manufacturing and inspection that ensures compliance with all specifications. SIGMA lenses are born of outstanding design concepts and excellent manufacturing technology, but they are not complete until they undergo their uncompromising lens performance evaluation. SIGMA has developed their own A1 proprietary Modulation Transfer Function (MTF) measuring system using 46-megapixel Foveon direct image sensors. Even previously undetectable high-frequency details are now within the scope of their quality control inspections. Each and every lens is checked before shipping. Thanks to the ultra-high resolution sensors, high- performance shooting is assured.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMinimization of flare and ghosting\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eComputer-based ray tracing has been used from the design stage onward to minimize flare and ghosting and enhance contrast in backlit conditions. Ghosting has also been checked at every prototype stage, with its causes identified, assessed, and eliminated.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSharpness combined with outstanding bokeh effect\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eTo fulfill the high demands for image quality in still photography, SIGMA has solved a wide range of issues. The benefit of these efforts can now be enjoyed in cine lenses as well.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eColour balance standardized across the lineup\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAll of the lenses in the lineup are designed to comply with SIGMA’s CCI standard. Standardized colour balance makes colour correction a snap.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e6K-8K class resolution\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lineup features the same optical system that delivers 50-megapixel or higher resolution in still photography. These lenses are therefore ready for higher-resolution shooting and are ideal for chroma keying as well.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLightweight and compact\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eLeveraging the high-precision, high-efficiency mass production technologies developed for its still camera lenses, SIGMA has made extremely lightweight and compact cine lenses a reality. Featuring all functions essential to cinematography, these lenses keep weight and size to a minimum, while their specification is optimized for enhanced durability. The end result is a combination of performance and compact design at the highest level.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDust-proof and splash-proof construction\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lineup features the same dust-proof and splash-proof construction as the SIGMA 150-600mm F5-6.3 DG OS HSM｜Sports. With each ring and mount specially sealed to prevent water and dust from entering, this lens is ready for use in tough conditions. The unusually robust specification of the lineup allows the user to concentrate on shooting while significantly reducing the burden of maintenance.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e100% metal body\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe body is made completely of metal to stand up to tough professional use over the long term.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLuminous paint for enhanced visibility\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe specification, gradation baseline, and lens change indications all feature luminous paint to aid in changing the lens in the dark and other tasks. Moreover, new FULLY LUMINOUS versions of the lenses feature the above plus rings whose numbers and gradations are finished with luminous paint.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLaser engraving for enhanced durability\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eInformation on rings and elsewhere is laser-engraved for use over the long term. In addition, tape may be placed on gradations without fear of stripping away paint when it is removed.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e82mm filter size*\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe filter size is standardized at 82mm, allowing users to use the same size of ND filter on different lenses.\u003cbr\u003e*Certain lens models are not compatible with 82mm filters.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e95mm front diameter\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe front diameter is 95mm, similar to that of other cine lenses and compatible with matte boxes. Compared to lenses in the same class, SIGMA’s cine lenses are more \u003cbr\u003elightweight and compact.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStandardized gear positions\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe positions of the gears in each ring are standardized, eliminating the need to adjust the follow focus, motor unit, or accessories even when the lens changes.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e0.8M gear pitch\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eEach lens has a 0.8M gear pitch, which is the standard for cine lenses, ensuring compatibility with existing accessories.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSilent ring stoppers\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe stopper of each ring incorporates a damper made of a special resin, resulting in silent operation. While offering a satisfying lock feel, this feature eliminates any metallic sounds, allowing the user to shoot with confidence in a quiet area.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e180° focus rotational angle\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAt 180°, the rotational angle of the focus ring is more than double that of a still camera lens, making possible extremely high-precision focusing. SIGMA has also optimized the cam for cine lenses for even easier long distance focusing.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e160° zoom rotational angle\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAt 160°, the rotational angle of the zoom ring is more than double that of a still camera lens, making possible extremely high-precision zooming.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIris with full manual control\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eFeaturing manual control capability, the iris ring offers smooth control without clicks. The T-stop display, which is standard in cine lenses, contributes to high-precision exposures. Just like a high-end cine lens, the rotational angle of the iris ring is 60°.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLinear iris ring\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe linear iris ring gives users the same rotational angle per T-stop for direct, intuitive control.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eSelectable focus ring with feet or meter graduations\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eBased on user needs, a focus ring with either feet or meter graduations may be selected. For a small charge, SIGMA can also convert the ring from one type to the other after purchase.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMount Conversion Service\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eSeeing lenses as valuable assets, SIGMA now makes the Mount Conversion Service available for its new cine lenses. Successfully implemented for their still photography camera lenses, this service allows users to convert their lenses to and from EF and E-mounts (charges apply). 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The height of the seating surface is designed for compatibility with other accessories. Even though the lens is compact, its robust design offers two different screw holes for this accessory to increase user options.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCine-style front lens cap\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAll lenses come complete with a conventional cine-style front lens cap.\u003cbr\u003e\u003cbr class=\"t-last-br\"\u003e\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":34875973140525,"sku":"CL14S","price":7499.95,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/products\/Products14118-1000x1000-419253.jpg?v=1780072157"},{"product_id":"sigma-cine-35mm-t1-5-canon-ef","title":"Sigma Cine 35mm T1.5 - Canon EF","description":"\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eThe image quality of a high-end prime lens. Full-frame compatibility—yet compact.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThese ten prime lenses range from 14mm to 135mm, and all offer T1.5 or T2 brightness. Rivaling a high-end prime set with their stunning image quality and compact construction, they also offer full-frame coverage. With this complete set of ten lenses designed for 6K-8K shooting, the FF High Speed Prime Line allows filming of various cuts without making any changes to the lighting, taking cinematography to the next level of performance. \u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eWide focal length coverage\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lineup covers everything from wide angle to telephoto. Produce an entire work with SIGMA lenses alone.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCompatibility\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eCompatibility has been confirmed with each brand of cinema cameras.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLenses for both S35 and full-frame\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe High Speed Zoom Line is compatible with Super35, the image size standard used by typical digital cinema cameras, while the FF High Speed Prime Line and FF Zoom Line are compatible with a full-frame image circle.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStrong high-speed lens lineup\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eT1.5 or T2 is available in prime lenses, while T2 is available throughout the zoom range in zoom lenses. These options enable cinematographers to realize a wide range of expressive goals.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eInspecting each and every lens\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThere are three requirements for outstanding lenses: fine design, precise manufacturing and inspection that ensures compliance with all specifications. SIGMA lenses are born of outstanding design concepts and excellent manufacturing technology, but they are not complete until they undergo their uncompromising lens performance evaluation. SIGMA has developed their own A1 proprietary Modulation Transfer Function (MTF) measuring system using 46-megapixel Foveon direct image sensors. Even previously undetectable high-frequency details are now within the scope of their quality control inspections. Each and every lens is checked before shipping. Thanks to the ultra-high resolution sensors, high- performance shooting is assured.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMinimization of flare and ghosting\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eComputer-based ray tracing has been used from the design stage onward to minimize flare and ghosting and enhance contrast in backlit conditions. Ghosting has also been checked at every prototype stage, with its causes identified, assessed, and eliminated.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSharpness combined with outstanding bokeh effect\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eTo fulfill the high demands for image quality in still photography, SIGMA has solved a wide range of issues. The benefit of these efforts can now be enjoyed in cine lenses as well.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eColour balance standardized across the lineup\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAll of the lenses in the lineup are designed to comply with SIGMA’s CCI standard. Standardized colour balance makes colour correction a snap.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e6K-8K class resolution\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lineup features the same optical system that delivers 50-megapixel or higher resolution in still photography. These lenses are therefore ready for higher-resolution shooting and are ideal for chroma keying as well.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLightweight and compact\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eLeveraging the high-precision, high-efficiency mass production technologies developed for its still camera lenses, SIGMA has made extremely lightweight and compact cine lenses a reality. Featuring all functions essential to cinematography, these lenses keep weight and size to a minimum, while their specification is optimized for enhanced durability. The end result is a combination of performance and compact design at the highest level.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDust-proof and splash-proof construction\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lineup features the same dust-proof and splash-proof construction as the SIGMA 150-600mm F5-6.3 DG OS HSM｜Sports. With each ring and mount specially sealed to prevent water and dust from entering, this lens is ready for use in tough conditions. The unusually robust specification of the lineup allows the user to concentrate on shooting while significantly reducing the burden of maintenance.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e100% metal body\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe body is made completely of metal to stand up to tough professional use over the long term.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLuminous paint for enhanced visibility\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe specification, gradation baseline, and lens change indications all feature luminous paint to aid in changing the lens in the dark and other tasks. Moreover, new FULLY LUMINOUS versions of the lenses feature the above plus rings whose numbers and gradations are finished with luminous paint.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLaser engraving for enhanced durability\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eInformation on rings and elsewhere is laser-engraved for use over the long term. In addition, tape may be placed on gradations without fear of stripping away paint when it is removed.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e82mm filter size*\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe filter size is standardized at 82mm, allowing users to use the same size of ND filter on different lenses.\u003cbr\u003e*Certain lens models are not compatible with 82mm filters.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e95mm front diameter\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe front diameter is 95mm, similar to that of other cine lenses and compatible with matte boxes. Compared to lenses in the same class, SIGMA’s cine lenses are more \u003cbr\u003elightweight and compact.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStandardized gear positions\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe positions of the gears in each ring are standardized, eliminating the need to adjust the follow focus, motor unit, or accessories even when the lens changes.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e0.8M gear pitch\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eEach lens has a 0.8M gear pitch, which is the standard for cine lenses, ensuring compatibility with existing accessories.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSilent ring stoppers\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe stopper of each ring incorporates a damper made of a special resin, resulting in silent operation. While offering a satisfying lock feel, this feature eliminates any metallic sounds, allowing the user to shoot with confidence in a quiet area.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e180° focus rotational angle\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAt 180°, the rotational angle of the focus ring is more than double that of a still camera lens, making possible extremely high-precision focusing. SIGMA has also optimized the cam for cine lenses for even easier long distance focusing.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e160° zoom rotational angle\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAt 160°, the rotational angle of the zoom ring is more than double that of a still camera lens, making possible extremely high-precision zooming.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIris with full manual control\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eFeaturing manual control capability, the iris ring offers smooth control without clicks. The T-stop display, which is standard in cine lenses, contributes to high-precision exposures. Just like a high-end cine lens, the rotational angle of the iris ring is 60°.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLinear iris ring\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe linear iris ring gives users the same rotational angle per T-stop for direct, intuitive control.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eSelectable focus ring with feet or meter graduations\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eBased on user needs, a focus ring with either feet or meter graduations may be selected. For a small charge, SIGMA can also convert the ring from one type to the other after purchase.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMount Conversion Service\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eSeeing lenses as valuable assets, SIGMA now makes the Mount Conversion Service available for its new cine lenses. Successfully implemented for their still photography camera lenses, this service allows users to convert their lenses to and from EF and E-mounts (charges apply). If the camera system changes, it is possible to simply convert the mount system to continue using the high-performance SIGMA lenses.\u003cbr\u003eNote: The Mount Conversion Service is not available for PL mount lenses.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMount with electronic contacts\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe mount with electronic contacts allows the lens to communicate important information to the body (focal length, shooting distance, aperture etc.).\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEnhanced EF mount*\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003eThe hole for the stopper pin has been strengthened with a separate part to minimize loosening over time and enhance long-term use.\u003cbr\u003e*Only applicable for Canon EF mount\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDedicated lens support foot\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eComing as a standard accessory with all lenses in the lineup, the lens support foot helps minimize load on the camera body while enhancing mount stability. The height of the seating surface is designed for compatibility with other accessories. Even though the lens is compact, its robust design offers two different screw holes for this accessory to increase user options.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCine-style front lens cap\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAll lenses come complete with a conventional cine-style front lens cap.\u003cbr\u003e\u003cbr class=\"t-last-br\"\u003e\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":34875973074989,"sku":"CL35C","price":5499.95,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/products\/Products14126-1000x1000-419352.jpg?v=1780072156"},{"product_id":"sigma-cine-20mm-t1-5-sony-e","title":"Sigma Cine 20mm T1.5 - Sony E","description":"\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eThe image quality of a high-end prime lens. Full-frame compatibility—yet compact.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThese ten prime lenses range from 14mm to 135mm, and all offer T1.5 or T2 brightness. Rivaling a high-end prime set with their stunning image quality and compact construction, they also offer full-frame coverage. With this complete set of ten lenses designed for 6K-8K shooting, the FF High Speed Prime Line allows filming of various cuts without making any changes to the lighting, taking cinematography to the next level of performance. \u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eWide focal length coverage\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lineup covers everything from wide angle to telephoto. Produce an entire work with SIGMA lenses alone.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCompatibility\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eCompatibility has been confirmed with each brand of cinema cameras.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLenses for both S35 and full-frame\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe High Speed Zoom Line is compatible with Super35, the image size standard used by typical digital cinema cameras, while the FF High Speed Prime Line and FF Zoom Line are compatible with a full-frame image circle.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStrong high-speed lens lineup\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eT1.5 or T2 is available in prime lenses, while T2 is available throughout the zoom range in zoom lenses. These options enable cinematographers to realize a wide range of expressive goals.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eInspecting each and every lens\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThere are three requirements for outstanding lenses: fine design, precise manufacturing and inspection that ensures compliance with all specifications. SIGMA lenses are born of outstanding design concepts and excellent manufacturing technology, but they are not complete until they undergo their uncompromising lens performance evaluation. SIGMA has developed their own A1 proprietary Modulation Transfer Function (MTF) measuring system using 46-megapixel Foveon direct image sensors. Even previously undetectable high-frequency details are now within the scope of their quality control inspections. Each and every lens is checked before shipping. Thanks to the ultra-high resolution sensors, high- performance shooting is assured.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMinimization of flare and ghosting\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eComputer-based ray tracing has been used from the design stage onward to minimize flare and ghosting and enhance contrast in backlit conditions. Ghosting has also been checked at every prototype stage, with its causes identified, assessed, and eliminated.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSharpness combined with outstanding bokeh effect\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eTo fulfill the high demands for image quality in still photography, SIGMA has solved a wide range of issues. The benefit of these efforts can now be enjoyed in cine lenses as well.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eColour balance standardized across the lineup\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAll of the lenses in the lineup are designed to comply with SIGMA’s CCI standard. Standardized colour balance makes colour correction a snap.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e6K-8K class resolution\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lineup features the same optical system that delivers 50-megapixel or higher resolution in still photography. These lenses are therefore ready for higher-resolution shooting and are ideal for chroma keying as well.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLightweight and compact\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eLeveraging the high-precision, high-efficiency mass production technologies developed for its still camera lenses, SIGMA has made extremely lightweight and compact cine lenses a reality. Featuring all functions essential to cinematography, these lenses keep weight and size to a minimum, while their specification is optimized for enhanced durability. The end result is a combination of performance and compact design at the highest level.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDust-proof and splash-proof construction\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lineup features the same dust-proof and splash-proof construction as the SIGMA 150-600mm F5-6.3 DG OS HSM｜Sports. With each ring and mount specially sealed to prevent water and dust from entering, this lens is ready for use in tough conditions. The unusually robust specification of the lineup allows the user to concentrate on shooting while significantly reducing the burden of maintenance.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e100% metal body\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe body is made completely of metal to stand up to tough professional use over the long term.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLuminous paint for enhanced visibility\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe specification, gradation baseline, and lens change indications all feature luminous paint to aid in changing the lens in the dark and other tasks. Moreover, new FULLY LUMINOUS versions of the lenses feature the above plus rings whose numbers and gradations are finished with luminous paint.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLaser engraving for enhanced durability\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eInformation on rings and elsewhere is laser-engraved for use over the long term. In addition, tape may be placed on gradations without fear of stripping away paint when it is removed.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e82mm filter size*\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe filter size is standardized at 82mm, allowing users to use the same size of ND filter on different lenses.\u003cbr\u003e*Certain lens models are not compatible with 82mm filters.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e95mm front diameter\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe front diameter is 95mm, similar to that of other cine lenses and compatible with matte boxes. Compared to lenses in the same class, SIGMA’s cine lenses are more \u003cbr\u003elightweight and compact.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStandardized gear positions\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe positions of the gears in each ring are standardized, eliminating the need to adjust the follow focus, motor unit, or accessories even when the lens changes.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e0.8M gear pitch\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eEach lens has a 0.8M gear pitch, which is the standard for cine lenses, ensuring compatibility with existing accessories.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSilent ring stoppers\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe stopper of each ring incorporates a damper made of a special resin, resulting in silent operation. While offering a satisfying lock feel, this feature eliminates any metallic sounds, allowing the user to shoot with confidence in a quiet area.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e180° focus rotational angle\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAt 180°, the rotational angle of the focus ring is more than double that of a still camera lens, making possible extremely high-precision focusing. SIGMA has also optimized the cam for cine lenses for even easier long distance focusing.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e160° zoom rotational angle\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAt 160°, the rotational angle of the zoom ring is more than double that of a still camera lens, making possible extremely high-precision zooming.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIris with full manual control\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eFeaturing manual control capability, the iris ring offers smooth control without clicks. The T-stop display, which is standard in cine lenses, contributes to high-precision exposures. Just like a high-end cine lens, the rotational angle of the iris ring is 60°.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLinear iris ring\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe linear iris ring gives users the same rotational angle per T-stop for direct, intuitive control.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eSelectable focus ring with feet or meter graduations\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eBased on user needs, a focus ring with either feet or meter graduations may be selected. For a small charge, SIGMA can also convert the ring from one type to the other after purchase.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMount Conversion Service\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eSeeing lenses as valuable assets, SIGMA now makes the Mount Conversion Service available for its new cine lenses. Successfully implemented for their still photography camera lenses, this service allows users to convert their lenses to and from EF and E-mounts (charges apply). If the camera system changes, it is possible to simply convert the mount system to continue using the high-performance SIGMA lenses.\u003cbr\u003eNote: The Mount Conversion Service is not available for PL mount lenses.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMount with electronic contacts\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe mount with electronic contacts allows the lens to communicate important information to the body (focal length, shooting distance, aperture etc.).\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEnhanced EF mount*\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003eThe hole for the stopper pin has been strengthened with a separate part to minimize loosening over time and enhance long-term use.\u003cbr\u003e*Only applicable for Canon EF mount\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDedicated lens support foot\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eComing as a standard accessory with all lenses in the lineup, the lens support foot helps minimize load on the camera body while enhancing mount stability. The height of the seating surface is designed for compatibility with other accessories. Even though the lens is compact, its robust design offers two different screw holes for this accessory to increase user options.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCine-style front lens cap\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAll lenses come complete with a conventional cine-style front lens cap.\u003cbr\u003e\u003cbr\u003e\u003cbr class=\"t-last-br\"\u003e\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":34875973107757,"sku":"CL20S","price":5499.95,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/products\/Products14120-1000x1000-419281.jpg?v=1780072159"},{"product_id":"sigma-cine-35mm-t1-5-sony-e","title":"Sigma Cine 35mm T1.5 - Sony E","description":"\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eThe image quality of a high-end prime lens. Full-frame compatibility—yet compact.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThese ten prime lenses range from 14mm to 135mm, and all offer T1.5 or T2 brightness. Rivaling a high-end prime set with their stunning image quality and compact construction, they also offer full-frame coverage. With this complete set of ten lenses designed for 6K-8K shooting, the FF High Speed Prime Line allows filming of various cuts without making any changes to the lighting, taking cinematography to the next level of performance. \u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eWide focal length coverage\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lineup covers everything from wide angle to telephoto. Produce an entire work with SIGMA lenses alone.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCompatibility\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eCompatibility has been confirmed with each brand of cinema cameras.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLenses for both S35 and full-frame\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe High Speed Zoom Line is compatible with Super35, the image size standard used by typical digital cinema cameras, while the FF High Speed Prime Line and FF Zoom Line are compatible with a full-frame image circle.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStrong high-speed lens lineup\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eT1.5 or T2 is available in prime lenses, while T2 is available throughout the zoom range in zoom lenses. These options enable cinematographers to realize a wide range of expressive goals.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eInspecting each and every lens\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThere are three requirements for outstanding lenses: fine design, precise manufacturing and inspection that ensures compliance with all specifications. SIGMA lenses are born of outstanding design concepts and excellent manufacturing technology, but they are not complete until they undergo their uncompromising lens performance evaluation. SIGMA has developed their own A1 proprietary Modulation Transfer Function (MTF) measuring system using 46-megapixel Foveon direct image sensors. Even previously undetectable high-frequency details are now within the scope of their quality control inspections. Each and every lens is checked before shipping. Thanks to the ultra-high resolution sensors, high- performance shooting is assured.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMinimization of flare and ghosting\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eComputer-based ray tracing has been used from the design stage onward to minimize flare and ghosting and enhance contrast in backlit conditions. Ghosting has also been checked at every prototype stage, with its causes identified, assessed, and eliminated.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSharpness combined with outstanding bokeh effect\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eTo fulfill the high demands for image quality in still photography, SIGMA has solved a wide range of issues. The benefit of these efforts can now be enjoyed in cine lenses as well.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eColour balance standardized across the lineup\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAll of the lenses in the lineup are designed to comply with SIGMA’s CCI standard. Standardized colour balance makes colour correction a snap.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e6K-8K class resolution\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lineup features the same optical system that delivers 50-megapixel or higher resolution in still photography. These lenses are therefore ready for higher-resolution shooting and are ideal for chroma keying as well.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLightweight and compact\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eLeveraging the high-precision, high-efficiency mass production technologies developed for its still camera lenses, SIGMA has made extremely lightweight and compact cine lenses a reality. Featuring all functions essential to cinematography, these lenses keep weight and size to a minimum, while their specification is optimized for enhanced durability. The end result is a combination of performance and compact design at the highest level.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDust-proof and splash-proof construction\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lineup features the same dust-proof and splash-proof construction as the SIGMA 150-600mm F5-6.3 DG OS HSM｜Sports. With each ring and mount specially sealed to prevent water and dust from entering, this lens is ready for use in tough conditions. The unusually robust specification of the lineup allows the user to concentrate on shooting while significantly reducing the burden of maintenance.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e100% metal body\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe body is made completely of metal to stand up to tough professional use over the long term.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLuminous paint for enhanced visibility\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe specification, gradation baseline, and lens change indications all feature luminous paint to aid in changing the lens in the dark and other tasks. Moreover, new FULLY LUMINOUS versions of the lenses feature the above plus rings whose numbers and gradations are finished with luminous paint.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLaser engraving for enhanced durability\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eInformation on rings and elsewhere is laser-engraved for use over the long term. In addition, tape may be placed on gradations without fear of stripping away paint when it is removed.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e82mm filter size*\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe filter size is standardized at 82mm, allowing users to use the same size of ND filter on different lenses.\u003cbr\u003e*Certain lens models are not compatible with 82mm filters.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e95mm front diameter\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe front diameter is 95mm, similar to that of other cine lenses and compatible with matte boxes. Compared to lenses in the same class, SIGMA’s cine lenses are more \u003cbr\u003elightweight and compact.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStandardized gear positions\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe positions of the gears in each ring are standardized, eliminating the need to adjust the follow focus, motor unit, or accessories even when the lens changes.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e0.8M gear pitch\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eEach lens has a 0.8M gear pitch, which is the standard for cine lenses, ensuring compatibility with existing accessories.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSilent ring stoppers\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe stopper of each ring incorporates a damper made of a special resin, resulting in silent operation. While offering a satisfying lock feel, this feature eliminates any metallic sounds, allowing the user to shoot with confidence in a quiet area.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e180° focus rotational angle\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAt 180°, the rotational angle of the focus ring is more than double that of a still camera lens, making possible extremely high-precision focusing. SIGMA has also optimized the cam for cine lenses for even easier long distance focusing.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e160° zoom rotational angle\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAt 160°, the rotational angle of the zoom ring is more than double that of a still camera lens, making possible extremely high-precision zooming.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIris with full manual control\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eFeaturing manual control capability, the iris ring offers smooth control without clicks. 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Successfully implemented for their still photography camera lenses, this service allows users to convert their lenses to and from EF and E-mounts (charges apply). If the camera system changes, it is possible to simply convert the mount system to continue using the high-performance SIGMA lenses.\u003cbr\u003eNote: The Mount Conversion Service is not available for PL mount lenses.\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eMount with electronic contacts\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe mount with electronic contacts allows the lens to communicate important information to the body (focal length, shooting distance, aperture etc.).\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEnhanced EF mount*\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003eThe hole for the stopper pin has been strengthened with a separate part to minimize loosening over time and enhance long-term use.\u003cbr\u003e*Only applicable for Canon EF mount\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDedicated lens support foot\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eComing as a standard accessory with all lenses in the lineup, the lens support foot helps minimize load on the camera body while enhancing mount stability. The height of the seating surface is designed for compatibility with other accessories. Even though the lens is compact, its robust design offers two different screw holes for this accessory to increase user options.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCine-style front lens cap\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAll lenses come complete with a conventional cine-style front lens cap.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":34875973173293,"sku":"CL35S","price":5499.95,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/products\/Products14127-1000x1000-419364.jpg?v=1780072146"},{"product_id":"sigma-cine-85mm-t1-5-canon-ef","title":"Sigma Cine 85mm T1.5 - Canon EF","description":"\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eThe image quality of a high-end prime lens. Full-frame compatibility—yet compact.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThese ten prime lenses range from 14mm to 135mm, and all offer T1.5 or T2 brightness. Rivaling a high-end prime set with their stunning image quality and compact construction, they also offer full-frame coverage. With this complete set of ten lenses designed for 6K-8K shooting, the FF High Speed Prime Line allows filming of various cuts without making any changes to the lighting, taking cinematography to the next level of performance. \u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eWide focal length coverage\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lineup covers everything from wide angle to telephoto. Produce an entire work with SIGMA lenses alone.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCompatibility\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eCompatibility has been confirmed with each brand of cinema cameras.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLenses for both S35 and full-frame\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe High Speed Zoom Line is compatible with Super35, the image size standard used by typical digital cinema cameras, while the FF High Speed Prime Line and FF Zoom Line are compatible with a full-frame image circle.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStrong high-speed lens lineup\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eT1.5 or T2 is available in prime lenses, while T2 is available throughout the zoom range in zoom lenses. These options enable cinematographers to realize a wide range of expressive goals.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eInspecting each and every lens\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThere are three requirements for outstanding lenses: fine design, precise manufacturing and inspection that ensures compliance with all specifications. SIGMA lenses are born of outstanding design concepts and excellent manufacturing technology, but they are not complete until they undergo their uncompromising lens performance evaluation. SIGMA has developed their own A1 proprietary Modulation Transfer Function (MTF) measuring system using 46-megapixel Foveon direct image sensors. Even previously undetectable high-frequency details are now within the scope of their quality control inspections. Each and every lens is checked before shipping. Thanks to the ultra-high resolution sensors, high- performance shooting is assured.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMinimization of flare and ghosting\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eComputer-based ray tracing has been used from the design stage onward to minimize flare and ghosting and enhance contrast in backlit conditions. Ghosting has also been checked at every prototype stage, with its causes identified, assessed, and eliminated.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSharpness combined with outstanding bokeh effect\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eTo fulfill the high demands for image quality in still photography, SIGMA has solved a wide range of issues. The benefit of these efforts can now be enjoyed in cine lenses as well.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eColour balance standardized across the lineup\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAll of the lenses in the lineup are designed to comply with SIGMA’s CCI standard. Standardized colour balance makes colour correction a snap.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e6K-8K class resolution\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lineup features the same optical system that delivers 50-megapixel or higher resolution in still photography. These lenses are therefore ready for higher-resolution shooting and are ideal for chroma keying as well.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLightweight and compact\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eLeveraging the high-precision, high-efficiency mass production technologies developed for its still camera lenses, SIGMA has made extremely lightweight and compact cine lenses a reality. Featuring all functions essential to cinematography, these lenses keep weight and size to a minimum, while their specification is optimized for enhanced durability. The end result is a combination of performance and compact design at the highest level.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDust-proof and splash-proof construction\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lineup features the same dust-proof and splash-proof construction as the SIGMA 150-600mm F5-6.3 DG OS HSM｜Sports. With each ring and mount specially sealed to prevent water and dust from entering, this lens is ready for use in tough conditions. The unusually robust specification of the lineup allows the user to concentrate on shooting while significantly reducing the burden of maintenance.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e100% metal body\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe body is made completely of metal to stand up to tough professional use over the long term.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLuminous paint for enhanced visibility\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe specification, gradation baseline, and lens change indications all feature luminous paint to aid in changing the lens in the dark and other tasks. Moreover, new FULLY LUMINOUS versions of the lenses feature the above plus rings whose numbers and gradations are finished with luminous paint.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLaser engraving for enhanced durability\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eInformation on rings and elsewhere is laser-engraved for use over the long term. In addition, tape may be placed on gradations without fear of stripping away paint when it is removed.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e82mm filter size*\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe filter size is standardized at 82mm, allowing users to use the same size of ND filter on different lenses.\u003cbr\u003e*Certain lens models are not compatible with 82mm filters.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e95mm front diameter\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe front diameter is 95mm, similar to that of other cine lenses and compatible with matte boxes. Compared to lenses in the same class, SIGMA’s cine lenses are more \u003cbr\u003elightweight and compact.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStandardized gear positions\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe positions of the gears in each ring are standardized, eliminating the need to adjust the follow focus, motor unit, or accessories even when the lens changes.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e0.8M gear pitch\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eEach lens has a 0.8M gear pitch, which is the standard for cine lenses, ensuring compatibility with existing accessories.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSilent ring stoppers\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe stopper of each ring incorporates a damper made of a special resin, resulting in silent operation. 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The T-stop display, which is standard in cine lenses, contributes to high-precision exposures. Just like a high-end cine lens, the rotational angle of the iris ring is 60°.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLinear iris ring\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe linear iris ring gives users the same rotational angle per T-stop for direct, intuitive control.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eSelectable focus ring with feet or meter graduations\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eBased on user needs, a focus ring with either feet or meter graduations may be selected. For a small charge, SIGMA can also convert the ring from one type to the other after purchase.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMount Conversion Service\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eSeeing lenses as valuable assets, SIGMA now makes the Mount Conversion Service available for its new cine lenses. Successfully implemented for their still photography camera lenses, this service allows users to convert their lenses to and from EF and E-mounts (charges apply). If the camera system changes, it is possible to simply convert the mount system to continue using the high-performance SIGMA lenses.\u003cbr\u003eNote: The Mount Conversion Service is not available for PL mount lenses.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMount with electronic contacts\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe mount with electronic contacts allows the lens to communicate important information to the body (focal length, shooting distance, aperture etc.).\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEnhanced EF mount*\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003eThe hole for the stopper pin has been strengthened with a separate part to minimize loosening over time and enhance long-term use.\u003cbr\u003e*Only applicable for Canon EF mount\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDedicated lens support foot\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eComing as a standard accessory with all lenses in the lineup, the lens support foot helps minimize load on the camera body while enhancing mount stability. The height of the seating surface is designed for compatibility with other accessories. Even though the lens is compact, its robust design offers two different screw holes for this accessory to increase user options.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCine-style front lens cap\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAll lenses come complete with a conventional cine-style front lens cap.\u003cbr\u003e\u003cbr\u003e\u003cbr class=\"t-last-br\"\u003e\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":34875973304365,"sku":"CL85C","price":5499.95,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/products\/Products14130-1000x1000-419411.jpg?v=1780072148"},{"product_id":"sigma-cine-50mm-t1-5-canon-ef","title":"Sigma Cine 50mm T1.5 - Canon EF","description":"\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eThe image quality of a high-end prime lens. Full-frame compatibility—yet compact.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThese ten prime lenses range from 14mm to 135mm, and all offer T1.5 or T2 brightness. Rivaling a high-end prime set with their stunning image quality and compact construction, they also offer full-frame coverage. With this complete set of ten lenses designed for 6K-8K shooting, the FF High Speed Prime Line allows filming of various cuts without making any changes to the lighting, taking cinematography to the next level of performance. \u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eWide focal length coverage\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lineup covers everything from wide angle to telephoto. Produce an entire work with SIGMA lenses alone.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCompatibility\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eCompatibility has been confirmed with each brand of cinema cameras.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLenses for both S35 and full-frame\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe High Speed Zoom Line is compatible with Super35, the image size standard used by typical digital cinema cameras, while the FF High Speed Prime Line and FF Zoom Line are compatible with a full-frame image circle.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStrong high-speed lens lineup\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eT1.5 or T2 is available in prime lenses, while T2 is available throughout the zoom range in zoom lenses. These options enable cinematographers to realize a wide range of expressive goals.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eInspecting each and every lens\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThere are three requirements for outstanding lenses: fine design, precise manufacturing and inspection that ensures compliance with all specifications. SIGMA lenses are born of outstanding design concepts and excellent manufacturing technology, but they are not complete until they undergo their uncompromising lens performance evaluation. SIGMA has developed their own A1 proprietary Modulation Transfer Function (MTF) measuring system using 46-megapixel Foveon direct image sensors. Even previously undetectable high-frequency details are now within the scope of their quality control inspections. Each and every lens is checked before shipping. Thanks to the ultra-high resolution sensors, high- performance shooting is assured.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMinimization of flare and ghosting\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eComputer-based ray tracing has been used from the design stage onward to minimize flare and ghosting and enhance contrast in backlit conditions. Ghosting has also been checked at every prototype stage, with its causes identified, assessed, and eliminated.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSharpness combined with outstanding bokeh effect\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eTo fulfill the high demands for image quality in still photography, SIGMA has solved a wide range of issues. The benefit of these efforts can now be enjoyed in cine lenses as well.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eColour balance standardized across the lineup\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAll of the lenses in the lineup are designed to comply with SIGMA’s CCI standard. Standardized colour balance makes colour correction a snap.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e6K-8K class resolution\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lineup features the same optical system that delivers 50-megapixel or higher resolution in still photography. These lenses are therefore ready for higher-resolution shooting and are ideal for chroma keying as well.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLightweight and compact\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eLeveraging the high-precision, high-efficiency mass production technologies developed for its still camera lenses, SIGMA has made extremely lightweight and compact cine lenses a reality. Featuring all functions essential to cinematography, these lenses keep weight and size to a minimum, while their specification is optimized for enhanced durability. The end result is a combination of performance and compact design at the highest level.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDust-proof and splash-proof construction\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lineup features the same dust-proof and splash-proof construction as the SIGMA 150-600mm F5-6.3 DG OS HSM｜Sports. With each ring and mount specially sealed to prevent water and dust from entering, this lens is ready for use in tough conditions. The unusually robust specification of the lineup allows the user to concentrate on shooting while significantly reducing the burden of maintenance.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e100% metal body\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe body is made completely of metal to stand up to tough professional use over the long term.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLuminous paint for enhanced visibility\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe specification, gradation baseline, and lens change indications all feature luminous paint to aid in changing the lens in the dark and other tasks. Moreover, new FULLY LUMINOUS versions of the lenses feature the above plus rings whose numbers and gradations are finished with luminous paint.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLaser engraving for enhanced durability\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eInformation on rings and elsewhere is laser-engraved for use over the long term. In addition, tape may be placed on gradations without fear of stripping away paint when it is removed.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e82mm filter size*\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe filter size is standardized at 82mm, allowing users to use the same size of ND filter on different lenses.\u003cbr\u003e*Certain lens models are not compatible with 82mm filters.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e95mm front diameter\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe front diameter is 95mm, similar to that of other cine lenses and compatible with matte boxes. Compared to lenses in the same class, SIGMA’s cine lenses are more \u003cbr\u003elightweight and compact.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStandardized gear positions\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe positions of the gears in each ring are standardized, eliminating the need to adjust the follow focus, motor unit, or accessories even when the lens changes.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e0.8M gear pitch\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eEach lens has a 0.8M gear pitch, which is the standard for cine lenses, ensuring compatibility with existing accessories.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSilent ring stoppers\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe stopper of each ring incorporates a damper made of a special resin, resulting in silent operation. While offering a satisfying lock feel, this feature eliminates any metallic sounds, allowing the user to shoot with confidence in a quiet area.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e180° focus rotational angle\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAt 180°, the rotational angle of the focus ring is more than double that of a still camera lens, making possible extremely high-precision focusing. SIGMA has also optimized the cam for cine lenses for even easier long distance focusing.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e160° zoom rotational angle\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAt 160°, the rotational angle of the zoom ring is more than double that of a still camera lens, making possible extremely high-precision zooming.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIris with full manual control\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eFeaturing manual control capability, the iris ring offers smooth control without clicks. The T-stop display, which is standard in cine lenses, contributes to high-precision exposures. Just like a high-end cine lens, the rotational angle of the iris ring is 60°.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLinear iris ring\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe linear iris ring gives users the same rotational angle per T-stop for direct, intuitive control.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eSelectable focus ring with feet or meter graduations\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eBased on user needs, a focus ring with either feet or meter graduations may be selected. For a small charge, SIGMA can also convert the ring from one type to the other after purchase.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMount Conversion Service\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eSeeing lenses as valuable assets, SIGMA now makes the Mount Conversion Service available for its new cine lenses. Successfully implemented for their still photography camera lenses, this service allows users to convert their lenses to and from EF and E-mounts (charges apply). If the camera system changes, it is possible to simply convert the mount system to continue using the high-performance SIGMA lenses.\u003cbr\u003eNote: The Mount Conversion Service is not available for PL mount lenses.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMount with electronic contacts\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe mount with electronic contacts allows the lens to communicate important information to the body (focal length, shooting distance, aperture etc.).\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEnhanced EF mount*\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003eThe hole for the stopper pin has been strengthened with a separate part to minimize loosening over time and enhance long-term use.\u003cbr\u003e*Only applicable for Canon EF mount\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDedicated lens support foot\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eComing as a standard accessory with all lenses in the lineup, the lens support foot helps minimize load on the camera body while enhancing mount stability. The height of the seating surface is designed for compatibility with other accessories. Even though the lens is compact, its robust design offers two different screw holes for this accessory to increase user options.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCine-style front lens cap\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAll lenses come complete with a conventional cine-style front lens cap.\u003cbr\u003e\u003cbr\u003e\u003cbr class=\"t-last-br\"\u003e\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":34875973533741,"sku":"CL50C","price":5499.95,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/products\/Products14128-1000x1000-419383.jpg?v=1780072144"},{"product_id":"sigma-cine-50mm-t1-5-sony-e","title":"Sigma Cine 50mm T1.5 - Sony E","description":"\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eThe image quality of a high-end prime lens. Full-frame compatibility—yet compact.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThese ten prime lenses range from 14mm to 135mm, and all offer T1.5 or T2 brightness. Rivaling a high-end prime set with their stunning image quality and compact construction, they also offer full-frame coverage. With this complete set of ten lenses designed for 6K-8K shooting, the FF High Speed Prime Line allows filming of various cuts without making any changes to the lighting, taking cinematography to the next level of performance. \u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eWide focal length coverage\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lineup covers everything from wide angle to telephoto. Produce an entire work with SIGMA lenses alone.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCompatibility\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eCompatibility has been confirmed with each brand of cinema cameras.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLenses for both S35 and full-frame\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe High Speed Zoom Line is compatible with Super35, the image size standard used by typical digital cinema cameras, while the FF High Speed Prime Line and FF Zoom Line are compatible with a full-frame image circle.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStrong high-speed lens lineup\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eT1.5 or T2 is available in prime lenses, while T2 is available throughout the zoom range in zoom lenses. These options enable cinematographers to realize a wide range of expressive goals.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eInspecting each and every lens\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThere are three requirements for outstanding lenses: fine design, precise manufacturing and inspection that ensures compliance with all specifications. SIGMA lenses are born of outstanding design concepts and excellent manufacturing technology, but they are not complete until they undergo their uncompromising lens performance evaluation. SIGMA has developed their own A1 proprietary Modulation Transfer Function (MTF) measuring system using 46-megapixel Foveon direct image sensors. Even previously undetectable high-frequency details are now within the scope of their quality control inspections. Each and every lens is checked before shipping. Thanks to the ultra-high resolution sensors, high- performance shooting is assured.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMinimization of flare and ghosting\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eComputer-based ray tracing has been used from the design stage onward to minimize flare and ghosting and enhance contrast in backlit conditions. Ghosting has also been checked at every prototype stage, with its causes identified, assessed, and eliminated.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSharpness combined with outstanding bokeh effect\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eTo fulfill the high demands for image quality in still photography, SIGMA has solved a wide range of issues. The benefit of these efforts can now be enjoyed in cine lenses as well.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eColour balance standardized across the lineup\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAll of the lenses in the lineup are designed to comply with SIGMA’s CCI standard. Standardized colour balance makes colour correction a snap.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e6K-8K class resolution\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lineup features the same optical system that delivers 50-megapixel or higher resolution in still photography. These lenses are therefore ready for higher-resolution shooting and are ideal for chroma keying as well.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLightweight and compact\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eLeveraging the high-precision, high-efficiency mass production technologies developed for its still camera lenses, SIGMA has made extremely lightweight and compact cine lenses a reality. Featuring all functions essential to cinematography, these lenses keep weight and size to a minimum, while their specification is optimized for enhanced durability. The end result is a combination of performance and compact design at the highest level.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDust-proof and splash-proof construction\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lineup features the same dust-proof and splash-proof construction as the SIGMA 150-600mm F5-6.3 DG OS HSM｜Sports. With each ring and mount specially sealed to prevent water and dust from entering, this lens is ready for use in tough conditions. The unusually robust specification of the lineup allows the user to concentrate on shooting while significantly reducing the burden of maintenance.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e100% metal body\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe body is made completely of metal to stand up to tough professional use over the long term.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLuminous paint for enhanced visibility\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe specification, gradation baseline, and lens change indications all feature luminous paint to aid in changing the lens in the dark and other tasks. Moreover, new FULLY LUMINOUS versions of the lenses feature the above plus rings whose numbers and gradations are finished with luminous paint.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLaser engraving for enhanced durability\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eInformation on rings and elsewhere is laser-engraved for use over the long term. In addition, tape may be placed on gradations without fear of stripping away paint when it is removed.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e82mm filter size*\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe filter size is standardized at 82mm, allowing users to use the same size of ND filter on different lenses.\u003cbr\u003e*Certain lens models are not compatible with 82mm filters.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e95mm front diameter\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe front diameter is 95mm, similar to that of other cine lenses and compatible with matte boxes. Compared to lenses in the same class, SIGMA’s cine lenses are more \u003cbr\u003elightweight and compact.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStandardized gear positions\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe positions of the gears in each ring are standardized, eliminating the need to adjust the follow focus, motor unit, or accessories even when the lens changes.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e0.8M gear pitch\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eEach lens has a 0.8M gear pitch, which is the standard for cine lenses, ensuring compatibility with existing accessories.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSilent ring stoppers\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe stopper of each ring incorporates a damper made of a special resin, resulting in silent operation. While offering a satisfying lock feel, this feature eliminates any metallic sounds, allowing the user to shoot with confidence in a quiet area.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e180° focus rotational angle\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAt 180°, the rotational angle of the focus ring is more than double that of a still camera lens, making possible extremely high-precision focusing. SIGMA has also optimized the cam for cine lenses for even easier long distance focusing.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e160° zoom rotational angle\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAt 160°, the rotational angle of the zoom ring is more than double that of a still camera lens, making possible extremely high-precision zooming.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIris with full manual control\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eFeaturing manual control capability, the iris ring offers smooth control without clicks. The T-stop display, which is standard in cine lenses, contributes to high-precision exposures. Just like a high-end cine lens, the rotational angle of the iris ring is 60°.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLinear iris ring\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe linear iris ring gives users the same rotational angle per T-stop for direct, intuitive control.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eSelectable focus ring with feet or meter graduations\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eBased on user needs, a focus ring with either feet or meter graduations may be selected. For a small charge, SIGMA can also convert the ring from one type to the other after purchase.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMount Conversion Service\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eSeeing lenses as valuable assets, SIGMA now makes the Mount Conversion Service available for its new cine lenses. Successfully implemented for their still photography camera lenses, this service allows users to convert their lenses to and from EF and E-mounts (charges apply). If the camera system changes, it is possible to simply convert the mount system to continue using the high-performance SIGMA lenses.\u003cbr\u003eNote: The Mount Conversion Service is not available for PL mount lenses.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMount with electronic contacts\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe mount with electronic contacts allows the lens to communicate important information to the body (focal length, shooting distance, aperture etc.).\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEnhanced EF mount*\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003eThe hole for the stopper pin has been strengthened with a separate part to minimize loosening over time and enhance long-term use.\u003cbr\u003e*Only applicable for Canon EF mount\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDedicated lens support foot\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eComing as a standard accessory with all lenses in the lineup, the lens support foot helps minimize load on the camera body while enhancing mount stability. The height of the seating surface is designed for compatibility with other accessories. Even though the lens is compact, its robust design offers two different screw holes for this accessory to increase user options.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCine-style front lens cap\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAll lenses come complete with a conventional cine-style front lens cap.\u003cbr\u003e\u003cbr\u003e\u003cbr class=\"t-last-br\"\u003e\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":34875973500973,"sku":"CL50S","price":5499.95,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/products\/Products14129-1000x1000-419393.jpg?v=1780072152"},{"product_id":"sigma-cine-85mm-t1-5-sony-e","title":"Sigma Cine 85mm T1.5 - Sony E","description":"\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eThe image quality of a high-end prime lens. Full-frame compatibility—yet compact.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThese ten prime lenses range from 14mm to 135mm, and all offer T1.5 or T2 brightness. Rivaling a high-end prime set with their stunning image quality and compact construction, they also offer full-frame coverage. With this complete set of ten lenses designed for 6K-8K shooting, the FF High Speed Prime Line allows filming of various cuts without making any changes to the lighting, taking cinematography to the next level of performance. \u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eWide focal length coverage\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lineup covers everything from wide angle to telephoto. Produce an entire work with SIGMA lenses alone.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCompatibility\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eCompatibility has been confirmed with each brand of cinema cameras.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLenses for both S35 and full-frame\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe High Speed Zoom Line is compatible with Super35, the image size standard used by typical digital cinema cameras, while the FF High Speed Prime Line and FF Zoom Line are compatible with a full-frame image circle.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStrong high-speed lens lineup\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eT1.5 or T2 is available in prime lenses, while T2 is available throughout the zoom range in zoom lenses. These options enable cinematographers to realize a wide range of expressive goals.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eInspecting each and every lens\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThere are three requirements for outstanding lenses: fine design, precise manufacturing and inspection that ensures compliance with all specifications. SIGMA lenses are born of outstanding design concepts and excellent manufacturing technology, but they are not complete until they undergo their uncompromising lens performance evaluation. SIGMA has developed their own A1 proprietary Modulation Transfer Function (MTF) measuring system using 46-megapixel Foveon direct image sensors. Even previously undetectable high-frequency details are now within the scope of their quality control inspections. Each and every lens is checked before shipping. Thanks to the ultra-high resolution sensors, high- performance shooting is assured.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMinimization of flare and ghosting\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eComputer-based ray tracing has been used from the design stage onward to minimize flare and ghosting and enhance contrast in backlit conditions. Ghosting has also been checked at every prototype stage, with its causes identified, assessed, and eliminated.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSharpness combined with outstanding bokeh effect\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eTo fulfill the high demands for image quality in still photography, SIGMA has solved a wide range of issues. The benefit of these efforts can now be enjoyed in cine lenses as well.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eColour balance standardized across the lineup\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAll of the lenses in the lineup are designed to comply with SIGMA’s CCI standard. Standardized colour balance makes colour correction a snap.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e6K-8K class resolution\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lineup features the same optical system that delivers 50-megapixel or higher resolution in still photography. These lenses are therefore ready for higher-resolution shooting and are ideal for chroma keying as well.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLightweight and compact\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eLeveraging the high-precision, high-efficiency mass production technologies developed for its still camera lenses, SIGMA has made extremely lightweight and compact cine lenses a reality. Featuring all functions essential to cinematography, these lenses keep weight and size to a minimum, while their specification is optimized for enhanced durability. The end result is a combination of performance and compact design at the highest level.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDust-proof and splash-proof construction\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lineup features the same dust-proof and splash-proof construction as the SIGMA 150-600mm F5-6.3 DG OS HSM｜Sports. With each ring and mount specially sealed to prevent water and dust from entering, this lens is ready for use in tough conditions. The unusually robust specification of the lineup allows the user to concentrate on shooting while significantly reducing the burden of maintenance.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e100% metal body\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe body is made completely of metal to stand up to tough professional use over the long term.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLuminous paint for enhanced visibility\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe specification, gradation baseline, and lens change indications all feature luminous paint to aid in changing the lens in the dark and other tasks. Moreover, new FULLY LUMINOUS versions of the lenses feature the above plus rings whose numbers and gradations are finished with luminous paint.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLaser engraving for enhanced durability\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eInformation on rings and elsewhere is laser-engraved for use over the long term. 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Compared to lenses in the same class, SIGMA’s cine lenses are more \u003cbr\u003elightweight and compact.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStandardized gear positions\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe positions of the gears in each ring are standardized, eliminating the need to adjust the follow focus, motor unit, or accessories even when the lens changes.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e0.8M gear pitch\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eEach lens has a 0.8M gear pitch, which is the standard for cine lenses, ensuring compatibility with existing accessories.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSilent ring stoppers\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe stopper of each ring incorporates a damper made of a special resin, resulting in silent operation. While offering a satisfying lock feel, this feature eliminates any metallic sounds, allowing the user to shoot with confidence in a quiet area.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e180° focus rotational angle\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAt 180°, the rotational angle of the focus ring is more than double that of a still camera lens, making possible extremely high-precision focusing. SIGMA has also optimized the cam for cine lenses for even easier long distance focusing.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e160° zoom rotational angle\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAt 160°, the rotational angle of the zoom ring is more than double that of a still camera lens, making possible extremely high-precision zooming.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIris with full manual control\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eFeaturing manual control capability, the iris ring offers smooth control without clicks. The T-stop display, which is standard in cine lenses, contributes to high-precision exposures. Just like a high-end cine lens, the rotational angle of the iris ring is 60°.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLinear iris ring\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe linear iris ring gives users the same rotational angle per T-stop for direct, intuitive control.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eSelectable focus ring with feet or meter graduations\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eBased on user needs, a focus ring with either feet or meter graduations may be selected. For a small charge, SIGMA can also convert the ring from one type to the other after purchase.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMount Conversion Service\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eSeeing lenses as valuable assets, SIGMA now makes the Mount Conversion Service available for its new cine lenses. Successfully implemented for their still photography camera lenses, this service allows users to convert their lenses to and from EF and E-mounts (charges apply). If the camera system changes, it is possible to simply convert the mount system to continue using the high-performance SIGMA lenses.\u003cbr\u003eNote: The Mount Conversion Service is not available for PL mount lenses.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMount with electronic contacts\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe mount with electronic contacts allows the lens to communicate important information to the body (focal length, shooting distance, aperture etc.).\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEnhanced EF mount*\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003eThe hole for the stopper pin has been strengthened with a separate part to minimize loosening over time and enhance long-term use.\u003cbr\u003e*Only applicable for Canon EF mount\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDedicated lens support foot\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eComing as a standard accessory with all lenses in the lineup, the lens support foot helps minimize load on the camera body while enhancing mount stability. The height of the seating surface is designed for compatibility with other accessories. Even though the lens is compact, its robust design offers two different screw holes for this accessory to increase user options.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCine-style front lens cap\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAll lenses come complete with a conventional cine-style front lens cap.\u003cbr\u003e\u003cbr class=\"t-last-br\"\u003e\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":34875973566509,"sku":"CL85S","price":5499.95,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/products\/Products14131-1000x1000-419421.jpg?v=1780072154"},{"product_id":"hasselblad-xcd-135mm-f2-8-with-1-7x-teleconverter","title":"Hasselblad XCD 135mm f2.8 with 1.7x Teleconverter","description":"\u003cp style=\"text-align: justify;\"\u003eThe XCD 2,8\/135 is a short telephoto lens providing a 135mm focal length. It compares to a 105mm full frame lens, making it perfect for portrait or landscape photography. The XCD 135mm features a 1 m close distance setting (1:5.8 and 1:3.4 image scale) and an aperture range between 2,8 and 32.\u003cbr class=\"t-last-br\"\u003e\u003c\/p\u003e","brand":"Hasselblad","offers":[{"title":"Default Title","offer_id":34875974746157,"sku":"CPHB0000038301","price":6721.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/products\/Products14159-1000x1000-420225.jpg?v=1780072113"},{"product_id":"fujifilm-fujinon-mk-50-135mm-t2-9-cinema-lens-micro-4-3","title":"FUJIFILM Fujinon MK 50-135mm t2.9 Cinema Lens - Micro 4\/3","description":"\u003cp style=\"text-align: justify;\"\u003eThe FUJINON MK50-135mm T2.9 achieves high optical performance and low distortion with T2.9 speed across the entire zoom range. With MK18-55mm, it covers standard 18 to 135mm focal length for cinema production. Super 35mm\/APS-C sensor compatibility and E-mount dedicated design have led to an ultra-compact \u0026amp; “less than 1kg” lightweight body, and excellent cost performance. It suppresses “focus shift and optical axis shift while zooming” and “Lens breathing”. Also, it features three fully manual lens rings for focus, zoom, and iris with 0.8M gear pitch and a 200° focus rotation angle for sophisticated operability.\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e    \u003cli style=\"text-align: justify;\"\u003eOutstanding optical performance, with t2.9 speed across the zoom range\u003c\/li\u003e    \u003cli style=\"text-align: justify;\"\u003eUltra-compact, and weighs less than 1kg\u003c\/li\u003e    \u003cli style=\"text-align: justify;\"\u003eDedicated E-Mount with APS-C\/Super 35mm compatibility\u003c\/li\u003e    \u003cli style=\"text-align: justify;\"\u003eFully manual rings for focus, zoom, and iris with 0.8m gear pitch\u003c\/li\u003e    \u003cli style=\"text-align: justify;\"\u003e200° focus rotation angle for accurate focusing\u003c\/li\u003e    \u003cli style=\"text-align: justify;\"\u003eSeamless iris to avoid vibrations and noise caused by clicking mechanisms\u003c\/li\u003e    \u003cli style=\"text-align: justify;\"\u003eNo focus shift or lens breathing\u003c\/li\u003e    \u003cli style=\"text-align: justify;\"\u003eMacro function\u003c\/li\u003e    \u003cli style=\"text-align: justify;\"\u003eFlange focal length adjustment\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"FUJIFILM","offers":[{"title":"Default Title","offer_id":34875984904237,"sku":"FMK5013529M43","price":5499.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/products\/Products14479-1024x1024-464519.jpg?v=1780076603"}],"url":"https:\/\/thecamerastore.com\/collections\/products-over-5000.oembed?page=8","provider":"The Camera Store","version":"1.0","type":"link"}