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Focus markings can even be switched from standard labeling to metric. The control rings are engineered to maintain the proper amount of resistance with consistent operating torque.\u003cbr\u003e\u003cbr\u003eDesigned to fulfill contemporary 4K production standards, it features a full-frame imaging circle in a lightweight, compact design- this phenomenal lens is also perfect for any number of applications. It also features an 11-blade aperture diaphragm for beautiful background blur and innovative glass construction that counteracts barrel expansion and contraction to avoid temperature induced marking discrepancies.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eCinema Prime Lenses\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eCanon's brilliant Cinema Prime lenses offer spectacular optical performance for demanding high-end productions. Featuring a compact and consistent lens design, these lenses offer consistent form factors and markings optimized for motion picture production. Sharing the same gear position, diameter and rotation angle, and front diameter-the lenses' compatibility with third-party accessories allows crews to easily change lenses without making adjustments to the rig setup.\u003cbr\u003e\u003cbr\u003eThe CN-E 20mm T1.5 L F Cinema Prime Lens is designed to provide outstanding optical performance and is capable of full 4K-Resolution performance. Whether you're shooting in HD with a Canon EOS DSLR camera or in 4K using an EOS C700 Digital Cinema Camera, the CN-E 20mm T1.5 L F will help you to create a cinematic masterpiece by providing superb image quality, contrast and colour fidelity.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eHigh Resolution and Warm Colours\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003eThe lens features a large diameter aspheric lens and anomalous dispersion glass, working to deliver high contrast and sharp imaging from the center of the image to the outer edges. This helps bring out the high quality of 4K cinema images. The lens produces warm colour tones that help to softly capture people's facial expressions and enable better depiction of textures captured through the lens.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFast T Number\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eOperating at T1.5 helps the lens achieve a softer and greater bokeh, while allowing users to shoot brighter in low-light settings.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUnified Warm Colour Balance within Canon Cinema Lenses\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eCanon's colour science has become highly refined over generations of lens designs, paying the closest attention to a pleasing skin tone reproduction. The CN-E 20mm T1.5 L F lens can be used interchangeably with other Canon Cinema lenses during the same production since both have the same warm, cine-look colour characteristics - making it easier to maintain consistent colour when multiple lenses are used.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMinimized Focus Breathing\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lens has been designed to minimize variations in the angle of view while focusing, a phenomenon known as focus breathing. This feature is extremely important while focus pulling, where changes in the angle of view due to focus breathing could become apparent to the viewer.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSupport for Full Frame Cameras\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe CN-E 20mm T1.5 L F Cinema Prime Lens covers 35mm full-frame sensor and features a genuine Canon EF mount and works with all Cinema EOS camera models, including full-frame models such as our new EOS C700 FF digital cinema camera, as well as other top-quality full frame cameras. With a Super 35mm camera, the lens can be used as an approximately 29.2mm equivalent lens (35mm film equivalent) for use in a wide range of shooting situations, helping users produce premium-quality images.\u003cbr\u003e\u003cbr\u003eThe EF mount has electronic contacts on both the lens and camera sides that allow direct communication between each device. This communication allows lens metadata including T-numbers to be displayed in the viewfinder. Both the T-number and the focus position are recorded in the video file.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e11-Blade Iris\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe CN-E 20mm T1.5 L F Cinema Prime Lens features an 11-blade iris. This produces artistic and beautiful out-of-focus areas, creating a more three-dimensional bokeh with the deeper depth of field that a super wide angle lens can offer, broadening the range of visual expression. The use of an odd number of blades also helps reduce flaring of specular highlights. Additionally, the iris ring is mechanically controlled with no click stops for smooth exposure adjustments while recording.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOutstanding Operability and Reliability\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eDesigned to meet the needs of professional cinematographers, the CN-E 20mm T1.5 L F Cinema Prime Lens features a unified front diameter (114mm), rotation angle (300°) and gear position on the focus and iris rings (making lens switching quick and convenient) across our entire cinema prime lens series. The control rings work to maintain the right amount of resistance and operating torque in order to help provide the camera operator or assistant with a consistent feel and predictable lens operation.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003e105mm Front Lens Threading for Screw on Filters\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eTo allow for additional ease of use and flexibility, the lens features threading on the front of the lens to accommodate 105mm screw on filters. 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The COMPACT-SERVO 70–200mm T4.4 EF lens combines high level 4K optical performance with a compact size of only 7.2 in. in length and a weight of only 2.76 lbs. provides outstanding mobility.\u003cbr\u003e\u003cbr\u003eAcknowledging the need to control zoom, focus and iris, Canon has developed this zoom lens with full external servo control. The integrated servo drive unit is compatible with broadcast industry-standard lens controllers including Canon's standard broadcast lens controllers (ZSD-300D\/FPD-400D). The optional ZSG-C10 Zoom Servo Grip can mount to the lens for handheld operation.\u003cbr\u003e\u003cbr\u003eThree levels of Image Stabilization and incorporated autofocus functions set the COMPACT-SERVO 70–200mm T4.4 EF lens apart from traditional Super 35mm Cinema lenses. A 9-blade iris creates a rounded aperture so out-of-focus highlights appear circular. The lens also features a 2.8x zoom magnification, a focal length range of 70–200mm and a 130º smooth rotating focus ring. The lens is also compatible with our Canon EF 1.4x III and EF 2x III Extenders. The 70–200mm T4.4 EF lens offers professional video functionality all at an affordable price, making it ideal for a wide range of video applications including documentary, cinema, news gathering, wedding and other video production.\u003cbr\u003e\u003cbr\u003eDifferent aspects of lens performance are emphasized when shooting video as opposed to still images. A zoom range through commonly used focal lengths, high level 4K optical performance and a smooth aperture iris designed for motion picture capture all demonstrate the COMPACT-SERVO 70–200mm T4.4 EF lens's optimization for video.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTelephoto Zoom that Covers the Commonly-Used Focal Length of 70mm–200mm\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eA telephoto zoom can be useful in narrative or documentary video production for capturing medium to tight fields of view. The 70–200mm T4.4 EF lens is also compatible with Canon's EF 1.4x III and EF 2x III Extenders.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eParfocal Operation – Precise Focus Through the Entire Zoom Range\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe 70–200mm T4.4 EF lens is parfocal in both manual and autofocus modes. The lens employs a special compensating lens group that moves to maintain precise focus while a separate lens group performs the zooming action. Maintaining focus while changing focal length allows the lens to be used in video production where zooming while recording is required.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eConsistent Brightness Throughout the Entire Zoom Range\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe 70–200mm T4.4 EF lens maintains a wide aperture of T4.4 (F4.0) throughout their zoom range. This allows zooming while at maximum aperture without any dimming of the image.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eHigh Level 4K Optical Performance\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe 4K optical performance of the 70–200mm T4.4 EF lens produces a significantly sharper image than 2K\/HD. The various advanced design strategies used help to ensure over 4K resolution at picture center and a careful control of falloff of image sharpness at picture extremities.\u003cbr\u003e\u003cbr\u003eThe excellent contrast range associated with High Dynamic Range (HDR) imaging helps ensure both deep black reproduction and the excellent handling of scene specular highlights. HDR image capture significantly enhances both the contrast and the richness of colours in a scene, but it also poses a potential challenge in exacerbating the visibility of any lens chromatic aberrations. The 70–200mm T4.4 EF lens was designed to help minimize such aberrations.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eColour Consistency with Canon Cinema Lenses\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eCanon's colour science has become highly refined over generations of lens designs, paying the closest attention to a pleasing skin tone reproduction. The 70–200mm T4.4 EF lens can be used interchangeably with other Canon Cinema lenses during the same production since both have the same warm, cine-look colour characteristics — making it easier to maintain consistent colour when multiple lenses are used.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIris Mechanism for Motion Picture\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe 70–200mm T4.4 EF lens can smoothly adjust between open and closed for precise exposure control and live in-shot changes. The 9-blade iris creates a rounded aperture so out-of-focus highlights appear circular. An odd number of iris blades also helps create a less distracting flare. The iris on the lens can also be completely closed, which is useful when adjusting black balance.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eContinuous Iris Control Capability with Iris Ring\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eA Cinema lens requires an iris that can be smoothly adjusted between wide open and closed. Continuous adjustment allows not only for precise exposure control, but also smooth adjustment live in shot while recording. This can be useful to help compensate for change in exposure due to spotty clouds or moving between indoor and outdoor light levels within a shot.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e9-Blade Iris\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eMore iris blades create a rounder aperture, resulting in out-of-focus highlights that appear more circular. An odd number of iris blades means that there will be a larger number of small radiating points on a flare, helping to prevent distracting artifact.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIris Closing\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe aperture on the 70–200mm T4.4 EF lens can close completely, allowing no light to pass through. This is useful in black balancing a camera.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAuto Iris Available\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe auto exposure system in the 70–200mm T4.4 EF lens capitalizes on Canon's Electromagnetic Diaphragm (EMD) technology that has been highly refined over many years in the EF lens series. This technology integrates the lens iris assembly and a miniature stepping motor in a single unit. Electronic pulses from the camera controls the motor to map numerous steps across the full range of the iris mechanism. This AE control loop is fast and silent. An AE Shift mode allows a small manual override for fine adjustments to exposure.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFlange Back Adjustment\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eA flange back adjustment mechanism is built-in allowing you to adjust on site which helps to provide even greater optical performance among various cameras.\u003cbr\u003e\u003cbr\u003eThe COMPACT-SERVO 70–200mm T4.4 EF lens includes the functionality of professional broadcast and cinema lenses along with compatibility with professional lens accessories. It fits these features in Canon's unique design that allows it to remain compact and lightweight. This best-of-both-worlds approach allows the versatility to shoot with the lens in a wide range of productions.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eServo Zoom Drive Unit\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe 70–200mm T4.4 EF lens incorporates a servo drive unit directly in the body of the lens. The servo drive unit allows electronic control over zoom, and provides an option to be disengaged for direct manual control. The integrated design can power the servo drive through the lens mount on appropriate cameras, or power can be input through a separate port as in traditional lens servo systems. The servo control is compatible with Canon's ZSG-C10 Zoom Servo Grip which can be mounted directly onto the 70–200mm T4.4 EF lens, as well as standard broadcast style controllers (including Canon's FPD-400D and ZSD-300D) for remote operation.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eServo Control Capability for Zoom Function\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe integrated servo drive allows for electronic control over the zoom. The control is electromechanical, rotating the actual geared rings on the lens housing via servo motors. These motors can also be disengaged, allowing for full manual control. The zoom servo can be remotely controlled or operated using a rocker switch on the side of the lens.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePower Provided via Camera Mount\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eOn select Cinema EOS cameras, the EF lens mounts electrical contacts provide the necessary power to operate the servos on the 70–200mm T4.4 EF lens. This helps eliminates cabling and possible mounting issues. The lens can also be powered remotely through an accessory power port.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCompatible with Broadcast Style Servo Lens Controllers\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe 70–200mm T4.4 EF lens's Servo Control can be operated remotely for tripod or other non-handheld use. Canon's FPD-400D Digital Focus Servo Demand for Canon Lens Control Kits can be used for remote focus control and the ZSD-300D Digital Zoom Servo Demand for digital ENG\/EFP lenses used for remote zoom control. For use in studio configurations, an optional Zacuto® Z-CNYC Y-cable can be used to connect zoom and focus controllers to each lens. This configuration allows for simultaneous zoom and focus operation with Compact-Servo lenses.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOptional ZSG-C10 Zoom Servo Grip\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eFor handheld operation, the 70–200mm T4.4 EF lens incorporates a rosette mounting point for the optional ZSG-C10 Zoom Servo Grip. This handgrip features a rocker control for the zoom servo, a button to engage One-Shot Autofocus. It can be rotated on the mounting rosette and adjusted for comfort. Accessory mounting is available for use on camera front rods.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCompact (7.2 in. in length) and Lightweight (2.76 lbs.) for Increased Mobility and Versatility\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe 70–200mm T4.4 EF lens borrows from Canon's experience in EF lenses to make a compact and lightweight design while retaining performance and functionality. This allows the lens to be used handheld and in various conditions, providing a high amount of mobility and versatility. The 70–200mm T4.4 EF lens is the same size and nearly the same weight as its sister lens, the COMPACT-SERVO 18–80mm T4.4 EF lens.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSupports a Wide Range of Optional Accessories\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe 70–200mm T4.4 EF lens is built to be compact and fully compatible with a variety of professional lens accessories. The front diameter is 84mm for mattebox mounting, with a removable sunshade included. The front ring's inner diameter is threaded for use with 77mm screw-in filters. An integrated support foot can be used to stabilize the lens on standard camera bracketry, and the zoom, focus and iris rings are geared for use with follow focus and other traditional mechanical and electronic controllers.\u003cbr\u003e\u003cbr\u003eCanon has designed the COMPACT-SERVO 70–200mm T4.4 EF lens specifically to work with compatible Cinema EOS cameras, resulting in a complete kit that adds enhanced functionality. Integrated autofocus, smooth image stabilization, connected control and metadata information as well as lateral chromatic aberration correction are all available when using the lens on compatible Cinema EOS cameras.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAutofocus Function\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eCanon cameras feature advanced autofocus functions. The 70–200mm T4.4 EF lens is designed to work with select Cinema EOS cameras to offer fast and accurate autofocus control. All autofocus controls can be switched off to allow manual focus.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eContinuous AF\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eDifferent Canon cameras offer various types of continuous autofocus functionality. The fast servo response of the 70–200mm T4.4 EF lens allows for continuous smooth autofocus as with select Cinema EOS cameras. All electrical control of the lens is done directly through the EF-mount.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOne-Shot AF\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eOne-Shot Autofocus is a quick reference setting of focus using the autofocus servo system. The camera sets focus of the image the moment the AF button is pushed. Once the control is released, the focus will remain set to that distance. This temporary engagement of autofocus can be useful for selective artistic focus control.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFocus Guide\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eSelect Cinema EOS cameras can use autofocus technology even with the servo control on the 70–200mm T4.4 EF lens disabled. Even with the lens in manual mode, the camera will detect its focus setting and can indicate suggestions in the viewfinder on adjustments for focus in the image.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eImage Stabilization (IS)\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe 70–200mm T4.4 EF lens is a medium to telephoto zoom. The longer the focal length the more sensitive it is to any shake in the movement. The lens offers three levels of Image Stabilization, including the standard mode for handheld operation, a maximum mode for high-frequency movement and a smooth mode intended for tripod-based operating. The IS function can also be switched off entirely.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEF Communication Functions\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThere are a host of functions designed to help maximize the integration of the 70–200mm T4.4 EF lens with select Cinema EOS cameras. Integrated autofocus, smooth image stabilization, connected control and metadata information, and lateral chromatic aberration correction are all included when using the lens on compatible Canon Cinema cameras.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eRemote Control of Zoom, Focus and Iris via Camera\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eSelect Cinema EOS cameras can power and control the servo drive of the 70–200mm T4.4 EF lens by electrical connection through the EF-mount. A zoom control on the camera body can alter focal length, the autofocus modes of the camera can directly engage the lens focus servo, and the auto exposure camera functions can operate the lens iris to adjust light transmission. Integrating these controls allows easier single-person camera operation, and the 70–200mm T4.4 EF lens can be switched into a partial or fully manual mode if desired.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eREC Start\/Stop from ZSG-C10 Zoom Servo Grip\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThrough the EF-mount, the ZSG-C10 Zoom Servo Grip that mounts to the 70–200mm T4.4 EF lens can control record triggering on select Cinema EOS cameras. The optional handgrip also features a zoom servo rocker control and an autofocus engage button.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePeripheral Illumination Correction\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eSelect Cinema EOS cameras can communicate with the 70–200mm T4.4 EF lens to profile its illumination characteristics, and electronically compensate for image brightness dimming in the edges of the frame.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLateral Chromatic Aberration Correction\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe 70–200mm T4.4 EF lens was designed to help minimize lateral chromatic aberration for Super 35mm sensors. Any remaining minimal lateral chromatic aberration is mathematically mapped so that the lens can communicate with select Cinema EOS cameras, which then in turn electronically correct for the artifact.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLens Meta Data Record\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe 70–200mm T4.4 EF lens sends reference information constantly to the camera, noting precise settings for focus, iris and zoom. Data is also transmitted about the lens model itself, and on select Cinema EOS cameras. This information can be recorded for use in post processing. This is useful when matching cameras as well as in VFX work. Some of this data can also be displayed in the camera viewfinder.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eT Number\/F Number Display Select\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe 70–200mm T4.4 EF lens sends metadata information of the iris position through the EF-mount to the camera. On select Cinema EOS cameras, this information can be displayed as a T-stop, which indicates the amount of transmitted light through the aperture. It can also be displayed as an F-stop.\u003cbr\u003e\u003cbr class=\"t-last-br\"\u003e\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":34875954233389,"sku":"2568C002","price":6500.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/products\/Products13616-1000x1000-402199.jpg?v=1780085287"},{"product_id":"canon-cn-e-compact-servo-18-80mm-t4-4-ef","title":"Canon CN-E Compact-Servo 18-80mm T4.4 EF","description":"\u003cp style=\"text-align: justify;\"\u003eThe COMPACT-SERVO 18-80mm T4.4 EF-mount lens combines the benefits of compact size and light weight (only 2.65 lbs.) for outstanding mobility. Designed to shoot video, this lens can be ideal for the cinematographer moving up from our EF lenses, combining the functionality of our EF lenses with the video shooting features of our Cinema lenses.\u003cbr\u003e\u003cbr\u003eAcknowledging the need to control zoom, focus and iris, Canon has developed this zoom lens with full external servo control. The integrated servo drive unit is compatible with broadcast industry-standard lens controllers including Canon's standard broadcast lens controllers (ZSD-300D\/FPD-400D). The optional ZSG-C10 Zoom Servo Grip can mount to the lens for handheld operation.\u003cbr\u003e\u003cbr\u003eThree levels of Image Stabilization and incorporated autofocus functions set the COMPACT-SERVO 18-80mm T4.4 EF lens apart from traditional Super 35mm Cinema lenses. A 9-blade iris creates a rounded aperture so out-of-focus highlights appear circular. The lens also features a 4.4x zoom magnification, a focal length range of 18-80mm and a 130° smooth rotating focus ring. The COMPACT-SERVO 18-80mm T4.4 EF lens offers professional video functionality all at an affordable price, making it ideal for a wide range of video applications including documentary, cinema, news gathering, wedding and other video production.\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eDifferent aspects of lens performance are emphasized when shooting video as opposed to still images. A zoom range through commonly used focal lengths, high level 4K optical performance and a smooth aperture iris designed for motion picture capture all demonstrate the COMPACT-SERVO 18-80mm T4.4 EF lens’s optimization for video.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eZoom that Covers the Commonly-Used Focal Length of 18mm-80mm\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eA zoom can be useful in narrative or documentary video production for capturing wide to medium fields of view.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eParfocal Operation – Precise Focus Through the Entire Zoom Range\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe 18-80mm T4.4 EF lens is parfocal in both manual and autofocus modes. The lens employs a special compensating lens group that moves to maintain precise focus while a separate lens group performs the zooming action. Maintaining focus while changing focal length allows the lens to be used in video production where zooming while recording is required.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eConsistent Brightness Throughout the Entire Zoom Range\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe 18-80mm T4.4 EF lens maintains a wide aperture of T4.4 (F4.0) throughout their zoom range. This allows zooming while at maximum aperture without any dimming of the image.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHigh Level 4K Optical Performance\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe 4K optical performance of the 18-80mm T4.4 EF lens produces a significantly sharper image than 2K\/HD. The various advanced design strategies used help to ensure over 4K resolution at picture center and a careful control of falloff of image sharpness at picture extremities.\u003cbr\u003e\u003cbr\u003eThe excellent contrast range associated with High Dynamic Range (HDR) imaging helps ensure both deep black reproduction and the excellent handling of scene specular highlights. HDR image capture significantly enhances both the contrast and the richness of colours in a scene, but it also poses a potential challenge in exacerbating the visibility of any lens chromatic aberrations. The 18-80mm T4.4 EF lens was designed to help minimize such aberrations.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eColour Consistency with Canon Cinema Lenses\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eCanon’s colour science has become highly refined over generations of lens designs, paying the closest attention to a pleasing skin tone reproduction. The 18-80mm T4.4 EF lens can be used interchangeably with other Canon Cinema lenses during the same production since both have the same warm, cine-look colour characteristics — making it easier to maintain consistent colour when multiple lenses are used.\u003cbr\u003eImage is simulated\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eIris Mechanism for Motion Picture\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe 18-80mm T4.4 EF lens can smoothly adjust between open and closed for precise exposure control and live in-shot changes. The 9-blade iris creates a rounded aperture so out-of-focus highlights appear circular. An odd number of iris blades also help create a less distracting flare. The iris on the lens can also be completely closed, which is useful when adjusting black balance.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eContinuous Iris Control Capability with Iris Ring\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eA cinema lens requires an iris that can be smoothly adjusted between wide open and closed. Continuous adjustment allows not only for precise exposure control, but also smooth adjustment live in shot while recording. This can be useful to help compensate for change in exposure due to spotty clouds or moving between indoor and outdoor light levels within a shot.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e9-Blade Iris\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eMore iris blades create a rounder aperture, resulting in out-of-focus highlights that appear more circular. An odd number of iris blades means that there will be a larger number of small radiating points on a flare, helping to prevent distracting artifact.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIris Closing\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe aperture on the 18-80mm T4.4 EF lens can close completely, allowing no light to pass through. This is useful in black balancing a camera.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAuto Iris Available\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe auto exposure system in the 18-80mm T4.4 EF lens capitalizes on Canon’s Electromagnetic Diaphragm (EMD) technology that has been highly refined over many years in the EF lens series. This technology integrates the lens iris assembly and a miniature stepping motor in a single unit. Electronic pulses from the camera controls the motor to map numerous steps across the full range of the iris mechanism. This AE control loop is fast and silent. An AE Shift mode allows a small manual override for fine adjustments to exposure.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFlange Back Adjustment\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eA flange back adjustment mechanism is built-in allowing you to adjust on site which helps to provide even greater optical performance among various cameras. \u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eThe COMPACT-SERVO 18-80mm T4.4 EF lens includes the functionality of professional broadcast and cinema lenses along with compatibility with professional lens accessories. It fits these features in Canon’s unique design that allows it to remain compact and lightweight. This best-of-both-worlds approach allows the versatility to shoot with the lens in a wide range of productions.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eServo Zoom Drive Unit\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe 18-80mm T4.4 EF lens incorporates a servo drive unit directly in the body of the lens. The servo drive unit allows electronic control over zoom, and provides an option to be disengaged for direct manual control. The integrated design can power the servo drive through the lens mount on appropriate cameras, or power can be input through a separate port as in traditional lens servo systems. The servo control is compatible with Canon’s ZSG-C10 Zoom Servo Grip which can be mounted directly onto the 18-80mmT4.4 EF lens, as well as standard broadcast style controllers (including Canon’s FPD-400D and ZSD-300D) for remote operation.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eServo Control Capability for Zoom Function\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe integrated servo drive allows for electronic control over the zoom. The control is electromechanical, rotating the actual geared rings on the lens housing via servo motors. These motors can also be disengaged, allowing for full manual control. The zoom servo can be remotely controlled or operated using a rocker switch on the side of the lens.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003ePower Provided via Camera Mount\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eOn select Cinema EOS cameras, the EF lens mounts electrical contacts provide the necessary power to operate the servos on the 18-80mmT4.4 EF lens. This helps eliminates cabling and possible mounting issues. The lens can also be powered remotely through an accessory power port.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCompatible with Broadcast Style Servo Lens Controllers\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe 18-80mm T4.4 EF lens’s Servo Control can be operated remotely for tripod or other non-handheld use. Canon’s FPD-400D Digital Focus Servo Demand for Canon Lens Control Kits can be used for remote focus control and the ZSD-300D Digital Zoom Servo Demand for digital ENG\/EFP lenses used for remote zoom control. For use in studio configurations, an optional Zacuto® Z-CNYC Y-cable can be used to connect zoom and focus controllers to each lens. This configuration allows for simultaneous zoom and focus operation with Compact-Servo lenses.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOptional ZSG-C10 Zoom Servo Grip\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eFor handheld operation, the 18-80mm T4.4 EF lens incorporates a rosette mounting point for the optional ZSG-C10 Zoom Servo Grip. This handgrip features a rocker control for the zoom servo, a button to engage One-Shot Autofocus. It can be rotated on the mounting rosette and adjusted for comfort. Accessory mounting is available for use on camera front rods.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCompact (7.2 in. in length) and Lightweight (2.65 lbs.) for Increased Mobility and Versatility\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe 18-80mm T4.4 EF lens borrows from Canon’s experience in EF lenses to make a compact and lightweight design while retaining performance and functionality. This allows the lens to be used handheld and in various conditions, providing a high amount of mobility and versatility. The 18-80mm T4.4 EF lens is the same size and nearly the same weight as its sister lens, the COMPACT-SERVO 70-200mm T4.4 EF lens.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSupports a Wide Range of Optional Accessories\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe 18-80mm T4.4 EF lens is built to be compact and fully compatible with a variety of professional lens accessories. The front diameter is 84mm for mattebox mounting, with a removable sunshade included. The front ring’s inner diameter is threaded for use with 77mm screw-in filters. An integrated support foot can be used to stabilize the lens on standard camera bracketry, and the zoom, focus and iris rings are geared for use with follow focus and other traditional mechanical and electronic controllers.\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eCanon has designed the COMPACT-SERVO 18-80mm T4.4 EF lens specifically to work with compatible Cinema EOS cameras, resulting in a complete kit that adds enhanced functionality. Integrated autofocus, smooth image stabilization, connected control and metadata information as well as lateral chromatic aberration correction are all available when using the lens on compatible Cinema EOS cameras.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAutofocus Function\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003eCanon cameras feature advanced autofocus functions. The 18-80mm T4.4 EF lens is designed to work with select Cinema EOS cameras to offer fast and accurate autofocus control. All autofocus controls can be switched off to allow manual focus.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eContinuous AF\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eDifferent Canon cameras offer various types of continuous autofocus functionality. The fast servo response of the 18-80mm T4.4 EF lens allows for continuous smooth autofocus as with select Cinema EOS cameras. All electrical control of the lens is done directly through the EF-mount.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOne-Shot AF\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eOne-Shot Autofocus is a quick reference setting of focus using the autofocus servo system. The camera sets focus of the image the moment the AF button is pushed. Once the control is released, the focus will remain set to that distance. This temporary engagement of autofocus can be useful for selective artistic focus control.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFocus Guide\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eSelect Cinema EOS cameras can use autofocus technology even with the servo control on the 18-80mm T4.4 EF lens disabled. Even with the lens in manual mode, the camera will detect its focus setting and can indicate suggestions in the viewfinder on adjustments for focus in the image.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eImage Stabilization (IS)\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe 18-80mm T4.4 EF lens is a medium to telephoto zoom. The longer the focal length the more sensitive it is to any shake in the movement. The lens offers three levels of Image Stabilization, including the standard mode for handheld operation, a maximum mode for high-frequency movement and a smooth mode intended for tripod-based operating. The IS function can also be switched off entirely.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEF Communication Functions\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThere are a host of functions designed to help maximize the integration of the 18-80mm T4.4 EF lens with select Cinema EOS cameras. Integrated autofocus, smooth image stabilization, connected control and metadata information, and lateral chromatic aberration correction are all included when using the lens on compatible Canon Cinema cameras.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eRemote Control of Zoom, Focus and Iris via Camera\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eSelect Cinema EOS cameras can power and control the servo drive of the 18-80mm T4.4 EF lens by electrical connection through the EF-mount. A zoom control on the camera body can alter focal length, the autofocus modes of the camera can directly engage the lens focus servo, and the auto exposure camera functions can operate the lens iris to adjust light transmission. Integrating these controls allows easier single-person camera operation, and the 18-80mm T4.4 EF lens can be switched into a partial or fully manual mode if desired.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eREC Start\/Stop from ZSG-C10 Zoom Servo Grip\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThrough the EF-mount, the ZSG-C10 Zoom Servo Grip that mounts to the 18-80mm T4.4 EF lens can control record triggering on select Cinema EOS cameras. The optional handgrip also features a zoom servo rocker control and an autofocus engage button.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePeripheral Illumination Correction\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eSelect Cinema EOS cameras can communicate with the 18-80mm T4.4 EF lens to profile its illumination characteristics, and electronically compensate for image brightness dimming in the edges of the frame.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLateral Chromatic Aberration Correction\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe 18-80mm T4.4 EF lens was designed to help minimize lateral chromatic aberration for Super 35mm sensors. Any remaining minimal lateral chromatic aberration is mathematically mapped so that the lens can communicate with select Cinema EOS cameras, which then in turn electronically correct for the artifact.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLens Meta Data Record\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe 18-80mm T4.4 EF lens sends reference information constantly to the camera, noting precise settings for focus, iris and zoom. Data is also transmitted about the lens model itself, and on select Cinema EOS cameras. This information can be recorded for use in post processing. This is useful when matching cameras as well as in VFX work. Some of this data can also be displayed in the camera viewfinder.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eT Number\/F Number Display Select\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe 18-80mm T4.4 EF lens sends metadata information of the iris position through the EF-mount to the camera. On select Cinema EOS cameras, this information can be displayed as a T-stop, which indicates the amount of transmitted light through the aperture. It can also be displayed as an F-stop. \u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":34875954266157,"sku":"1714C002","price":6000.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/products\/Products13615-1000x1000-402180.jpg?v=1780076775"},{"product_id":"canon-powershot-sx740-hs","title":"Canon Powershot SX740 HS Camera","description":"\u003cp style=\"text-align: justify;\"\u003eCapture precious moments at home or on the go with the PowerShot SX740 HS camera. The superb 40x Optical Zoom can make faraway subjects seem close, with the Optical Image Stabilizer helping to ensure sharp and steady results. For special, scenic memories, dive into the immersive world of 4K video recording for cinematic movies at nearly four times the resolution of Full HD. You can also flex your creativity with fun options like 4K Time-lapse Movies, Food Mode and more. Combining incredible zoom power with 4K video capabilities and a variety of inspiring features, the pocket-friendly PowerShot SX740 HS is ready to accompany you on your next event.\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003ePowerful 40x Optical Zoom with Optical Image Stabilizer and Zoom Framing Assist\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e40x Optical Zoom with Optical Image Stabilizer\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eWhether the action is happening right in front of you or far in the distance, the 40x Optical Zoom of the PowerShot SX740 HS has you covered. The camera's Intelligent Image Stabilization technology helps ensure that images and videos can be captured with clear and outstanding quality.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eZoom Framing Assistant\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe Zoom Framing Assist function makes it easy to track a moving subject when the zoom lens is fully extended. Simply press and hold the Zoom Framing Assist button and the camera will automatically zoom out to help you locate your subject. Release the button to return the lens to its original zoom position, intelligently keeping the subject in focus until you're ready to capture the perfect close-up moment.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDual Sensing IS\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eTrust the advanced technology of Dual Sensing IS to deliver reliable image stabilization, even at the furthest reaches of the PowerShot SX740 HS camera’s telephoto lens. By helping to correct unwanted shaking from accidental camera or body movement, the PowerShot SX740 HS can produce sharp and clear images.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eZoomPlus\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eWhen the 40x Optical Zoom reach just isn't enough, the PowerShot SX740 HS camera allows you to extend another 40x – for an approx. 80x zoom – without losing resolution thanks to its ZoomPlus option. See and capture things you never thought possible without moving an inch, from travel to concerts, to wildlife and so much more.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e4K Video and 4K Time-lapse Movie\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eCapture 4K videos at a frame rate of up to 30p for super-high definition, cinematic results. Recording at almost four times the resolution of Full HD, you can see your subject in stunning clarity. Beautiful time-lapse videos can also be created in 4K simply and easily with the dedicated Time-lapse Movie mode. You can also harness the power of 4K frame cropping^ to extract still images from your video recordings. All of this is possible in-camera without the need for additional software.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBuilt-in Wi-Fi®* Capability\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe PowerShot SX740 HS camera is designed to make using Wi-Fi®* connectivity fast and easy. It can transfer files directly to a compatible smart device using the free Camera Connect app. Simply connect to the Camera Connect app* to transfer images to your smart device, then share and upload from the device directly to various social media sites and web services or print directly to compatible wireless Canon printers.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBuilt-in Bluetooth®** Capability\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eBluetooth®** pairing helps you connect the camera to compatible smart devices using the free Canon Camera Connect app*. This low-energy wireless connection helps preserve battery life while allowing remote control of the PowerShot SX740 HS camera. It also sends continuously updated GPS^^ location data from your phone, letting you geotag what you've captured so you can know precisely where you took that epic vacation photo. You can also establish a direct Wi-Fi® connection to use your compatible smartphone as a viewfinder, as well as check and download previously captured photos and videos.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eRemote Shooting and Wireless Printing\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eWireless capabilities also allow you to use your compatible smart devices with the Canon Camera Connect app* to remotely control the camera, which is useful for self-portraits and group shots or for shooting from a distance (as long as the camera is in wireless range).\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAutomatic Image Transfer^^^\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eBacking up your photos and videos is easy with the PowerShot SX740 HS camera, which can automatically send what you've captured to your computer and other compatible devices. After the initial setup with Image Transfer Utility 2, all you need to do is leave your camera on when it's connected to a Wi-Fi® network and the files will be sent without any further effort from you.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e20.3 Megapixel*** CMOS Sensor\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe PowerShot SX740 HS camera features a 20.3 Megapixel*** High-Sensitivity CMOS sensor for powerful imaging performance. Utilizing a sophisticated light-capturing design, it provides high sensitivity for high ISO capture with reduced noise, delivering clear, detailed results even in low light. It also enables fast continuous shooting and fast autofocus for high-speed performance that helps you capture important moments.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDIGIC 8 Image Processor\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe PowerShot SX740 HS camera features the DIGIC 8 Image Processor, which helps improve autofocus performance, enables you to shoot 4K UHD 30p video and aids with many other advanced features. It comes with an improved Auto Lighting Optimizer, which helps minimize blown-out areas by maintaining colour and detail in the bright parts of a photo. When set to High, it can even smooth the transitions between colours, helping you take impressively lifelike sunrise and sunset photos.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e3.0-inch Tilt-type (180° up) LCD\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eGet a unique perspective on the world with the 3.0-inch tilt-type LCD of the PowerShot SX740 HS camera. The screen can be tilted upwards 180° to face all the way around to the front, letting you capture perfect selfies or frame your subjects from amazing perspectives.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHigh-speed Continuous Shooting at up to 7.4 fps (up to 10.0 fps with AF Lock)\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eWith autofocus tracking on to help keep your shots sharp, you can maintain the speed and shoot at up to 7.4 fps – ideal for sports, wildlife, moving subjects or anything unpredictable. Whatever life throws at you, you’ll be ready to record it with a fast continuous shooting speed of up to 10.0 fps with the AF Lock feature on.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFeature Assistant\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eWith its Feature Assistant function, the PowerShot SX740 HS camera can help you take advantage of its advanced features and create impressive photos with ease. By explaining and illustrating the camera’s shooting modes and their effects with sample photos of each mode, Feature Assistant encourages experimentation and provides guidance for creating amazing photographs.\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan style=\"font-size: 12px;\"\u003e\u003cem\u003e* Compatible with iOS® versions 9.3\/10.3\/11.2, Android™ smartphone and tablet versions 4.4\/5.0\/5.1\/6.0\/7.0\/7.1\/8.0\/8.1. Data charges may apply with the download of the free Canon Camera Connect app. This app helps enable you to upload images to social media services. Please note that image files may contain personally identifiable information that may implicate privacy laws. Canon disclaims and has no responsibility for your use of such images. Canon does not obtain, collect or use such images or any information included in such images through this app.\u003cbr\u003e** Compatible with select smartphone and tablet devices (Android™ version 5.0 or later and the following iOS® devices: iPhone 4s or later, iPad 3rd gen. or later, iPod Touch 5th gen. or later) equipped with Bluetooth® version 4.1 or later and the Camera Connect App Ver. 2.2.20. This application is not guaranteed to operate on all listed devices, even if minimum requirements are met.\u003cbr\u003e*** Image processing may cause a decrease in the number of pixels.\u003cbr\u003e^ Saving a still image from a single movie frame may not result in the same image quality as a normal still image. Still image aspect ratio is 16:9. When trimming, the images will be cropped, and the angle of view is smaller.\u003cbr\u003e^^ In certain countries and regions, the use of GPS may be restricted. Therefore, be sure to use GPS in accordance with the laws and regulations of your country or region. Be particularly careful when traveling outside your home country. As a signal is received from GPS satellites, take sufficient measures when using in locations where the use of electronics is regulated.\u003cbr\u003e^^^ It is necessary to download and install Canon's Image Transfer Utility 2. Connect the camera and computer each to your home network, and only the camera must be paired with ITU2 the first time. \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Black","offer_id":66713630605357,"sku":"2955C001","price":749.0,"currency_code":"CAD","in_stock":true},{"title":"Silver","offer_id":66713630638125,"sku":"2956C001","price":749.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/products\/Products13916-1000x1000-412613.jpg?v=1780072279"},{"product_id":"canon-rf-28-70mm-f2l-usm","title":"Canon RF 28-70mm f2L USM","description":"\u003cp style=\"text-align: justify;\"\u003eThe RF 28–70mm F2 L USM is an incredibly bright L series zoom lens designed to bring unparalleled performance to Canon’s EOS R full-frame mirrorless camera system. Stellar image quality is delivered from corner to corner thanks to the combination of a large 54mm diameter mount and short back focus distance. A rugged design and consistent f\/2 brightness throughout its zoom range make the RF 28–70mm F2 L USM ideal for portraits, wedding photography, landscapes, nightscapes and more. It’s made for photographers and moviemakers who want a bright view, sharp detail, gorgeous blur and the professional performance of Canon’s L series.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBright, Constant f\/2 USM Zoom Lens\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eFor a stunningly bright f\/2 aperture throughout the zoom range, look no further than the amazing RF 28–70mm F2 L USM. It is the world's first autofocus zoom lens compatible with 35mm full frame sensors to have a maximum f\/2 aperture*. Thanks to the large-diameter RF mount and short back focus design, the RF 28–70mm F2 L USM also features a balanced and comfortable size for unfettered operation, amazing performance in low-light areas and sharp images with gorgeous background blur at various focal lengths.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHigh Image Quality at f\/2 that Rivals the EF 24–70mm f\/2.8 at f\/2.8\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThanks to an optical design made possible by the RF mount, the RF 28–70mm F2 L USM lens is able to render image quality at f\/2 that rivals that of the EF 24–70mm f\/2.8 at f\/2.8. With an extra stop of light, this means faster shutter speeds or lower ISOs for enhanced image quality, and marvelous performance when shooting movies.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHigh Precision and Flexibility to Match Fixed Focal Length Lenses\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eWith a brilliant optical design and speedy performance, the RF 28–70mm F2 L USM lens delivers the flexibility, performance and image quality of 28mm, 35mm, 50mm and 70mm fixed focal length lenses in one discreet package. Combining the outstanding performance, brightness and versatility of several focal lengths into one lens, the RF 28–70mm F2 L USM lens performs with reassuring consistency, especially in high-pressure situations where quality matters and there’s no time for lens changes.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eControl Ring for Direct Setting Changes.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe RF 28–70mm F2 L USM lens incorporates a control ring on the lens barrel that can directly adjust numerous settings including shutter speed, aperture, exposure compensation and more. Located towards the front of the lens and effectively adding a third dial to the EOS R camera’s main dial and quick control dial, the control ring has a tactile, easily distinguished surface and features a clicking mechanism that provides tangible feedback for confident use while looking through the viewfinder. For photographers and moviemakers who would prefer a silent control ring, the clicking mechanism can be removed by a Canon service provider for a fee.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eControl Ring for Direct Setting Changes.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe RF 28–70mm F2 L USM lens incorporates a control ring on the lens barrel that can directly adjust numerous settings including shutter speed, aperture, exposure compensation and more. Located towards the front of the lens and effectively adding a third dial to the EOS R camera’s main dial and quick control dial, the control ring has a tactile, easily distinguished surface and features a clicking mechanism that provides tangible feedback for confident use while looking through the viewfinder. For photographers and moviemakers who would prefer a silent control ring, the clicking mechanism can be removed by a Canon service provider for a fee.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHigh Reliability and Durability for Professional Use\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eLike all L series lenses, the RF 28–70mm F2 L USM lens is built to endure the rigors of professional use. Constructed to be rugged, refined and precise, it can be operated intuitively so concentration can remain on the subject at hand.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFluorine Coating\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe RF 28–70mm F2 L USM lens features fluorine coatings on the front and rearmost surfaces to help prevent dirt and dust from sticking to the lens, making it easy to clean smudges and fingerprints off.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLens Information Display\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAnother helpful feature, the EOS R camera can display lens information right in the viewfinder, making it easy to confirm the lens’s focal length without looking away from the subject at hand.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTwo UD Elements and One Super UD Element.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe RF 28–70mm F2 L USM features an all-new optical design built specifically for the RF mount. This includes four aspheric lenses that correct for aberrations, distortions and astigmatism, plus two UD elements and one Super UD element to reduce chromatic aberration and achieve high image quality across the board. Strategically placed coatings and a 9-blade aperture help ensure superlative quality images with sharp detail, gorgeous colour and minimized distortion throughout the zoom range.\u003cbr class=\"t-last-br\"\u003e\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":34875970617389,"sku":"2965C002","price":4399.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/products\/Products14053-1000x1000-416996.jpg?v=1780072220"},{"product_id":"canon-rf-24-105mm-f4l-is-usm","title":"Canon RF 24-105mm f4L IS USM","description":"\u003cp style=\"text-align: justify;\"\u003eReady for virtually any scenario, the RF 24–105mm F4 L IS USM lens pairs with the EOS R system for all-around impressive performance that’s ideal for landscapes, portraits, travel and more. With its large, 54mm diameter, L series optics, a bright f\/4 maximum aperture and compact size, the RF 24–105mm F4 L IS USM delivers gorgeous, richly detailed photos and video throughout its zoom range, time after time. It’s the first L-series lens to feature Canon’s NANO USM for smooth, fast and nearly silent AF, and it offers amazing 5-stop* Image Stabilization for powerful performance while handheld and in low light. From wide angle to telephoto, on a hike, in the studio and anywhere in between, the RF 24–105mm F4 L IS USM delivers the compact design, excellent optics, and advanced features demanding imagemakers call for.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCompact and Lightweight\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eA dramatically compact 24–105mm f\/4 lens, the RF 24–105mm F4 L IS USM packs a broad zoom range and a bright maximum aperture into a well-balanced, refined design that balances comfortably on the EOS R camera’s body.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e54mm Large Diameter and Short Back Focus\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe RF mount on the EOS R camera enables large diameter elements throughout the lens, including the rearmost element. This large diameter, coupled with the camera’s short back focus (the distance from the back edge of the lens to the surface of the image sensor), helps increase the flexibility of optical design, resulting in incredible brightness and image quality and contributing to the RF 24–105mm F4 L IS USM’s conveniently compact size without compromising performance.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIdeal Zoom Range for All-day Photography\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eWith a zoom range encompassing wide angle, normal and telephoto, the RF 24–105mm F4 L IS USM excels in a variety of shooting situations, offering amazing versatility with the turn of a zoom ring. For example, with the RF 24–105mm F4 L IS USM, the EOS R camera can go from shooting landscapes to interiors and portraits without a single lens change. In countless situations where the light and subject are constantly changing, the RF 24–105mm F4 L IS USM lens is ready to go.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBright, Constant f\/4 Zoom Lens\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe RF 24–105mm F4 L IS USM lens features 3 aspheric and 1 UD lens element to help correct aberrations, distortion and astigmatism, delivering sharp and dynamic images with excellent detail and contrast across the image frame and throughout the zoom range. Plus, it has a 9-blade circular aperture for beautiful, soft backgrounds.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHigh-speed Autofocus with NANO USM for Still Shooting\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe RF 24–105mm F4 L IS USM uses Canon’s NANO USM system for the first time in an L series lens. NANO USM combines conventional ring USM and STM (lead-screw type) AF, and features a diminutive chip-shaped ultrasonic motor that’s engineered to help deliver high-speed, smooth, precise and near-silent operation, plus full time manual focus (when using One-shot AF).\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003eControl Ring for Direct Setting Changes\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe RF 24–105mm F4 L IS USM lens incorporates a control ring on the lens barrel that can directly adjust numerous settings including shutter speed, aperture, exposure compensation and more. Located towards the front of the lens and effectively adding a third dial to the EOS R camera’s main dial and quick control dial, the control ring has a tactile, easily distinguished surface and features a clicking mechanism that provides tangible feedback for confident use while looking through the viewfinder. For photographers and moviemakers who would prefer a silent control ring, the clicking mechanism can be removed by a Canon service provider for a fee.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eOptical Image Stabilization at up to 5 Stops of Shake Correction\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe RF 24–105mm F4 L IS USM lens is designed to work in conjunction with the EOS R camera, with both the camera and the lens sharing data to dramatically reduce camera-shake blur, regardless of the situation, whether shooting video or stills. With up to 5 stops of stabilization, it delivers impressively clear results.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHigh-speed Communication with the EOS R Camera\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eDesigned to quickly process data, the RF 24–105mm F4 L IS USM features a 12 pin communication system that is the fastest yet for a Canon lens\/camera combination. This accelerates AF, Image Stabilization, the Digital Lens Optimizer and more, helping to simplify complex operations and provide a quick and reliable user experience.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLens Information Display\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAnother helpful feature, the EOS R camera can display lens information right in the viewfinder, making it easy to confirm the lens’s focal length without looking away from the subject at hand.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIn-camera Digital Lens Optimizer\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe EOS R system’s 12 pin communication system enables the Digital Lens Optimizer, which works in-camera to combat aberrations and image deterioration, especially in the edges of the image frame when shooting at a large aperture. Data from the RF 24–105mm F4 L IS USM lens is transferred automatically to the camera body, facilitating near immediate correction for clear, detailed images.\u003cbr class=\"t-last-br\"\u003e\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":34875970748461,"sku":"2963C002","price":1899.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/products\/Products14052-1000x1000-416987.jpg?v=1780072209"},{"product_id":"canon-rf-50mm-f1-2l-usm","title":"Canon RF 50mm f1.2L USM *Open Box","description":"\u003cp style=\"text-align: justify;\"\u003eThe RF 50mm F1.2 L USM lens delivers a remarkable level of image quality and superlative performance in an elegant design. Engineered expressly for Canon’s EOS R system, it has a large 54mm diameter, an extremely bright f\/1.2 aperture and can focus as close as 1.31 ft.\/0.40m for excellent operation from almost any distance. Its refined optical formula, engineered specifically for the RF mount, delivers consistent, impressive performance with shallow depth of field and eye-catching background blur. Whether capturing portraits, still life, weddings or anything in between, photographers and videographers can expect gorgeous, detailed and sharp results from the centre of the image to the periphery.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFixed Focal Length Lens with High Image Quality and Bright f\/1.2 Aperture for the EOS R System\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAn incredibly bright fixed focal length lens, the RF 50mm F1.2 L USM distinguishes itself by maintaining incredibly high image quality, edge to edge, even wide open at its f\/1.2 maximum aperture. With 15 elements in 9 groups and a 10-blade aperture system, it can deliver sharp and detailed images with gorgeous background blur and remarkable consistency.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMinimum Focusing Distance of 1.31 ft.\/0.40m\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eFeaturing a minimum focusing distance of 1.31 ft.\/0.40m with a maximum magnification of approx. 0.19x, the RF 50mm F1.2 L USM is capable of sharp and detailed images from nearly any distance. Whether you’re shooting portraits, still life or close ups, the RF 50mm F1.2 L USM can easily provide sharp images with minimal distortion.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eControl Ring for Direct Setting Changes\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe RF 50mm F1.2 L USM lens incorporates a control ring on the lens barrel that can directly adjust numerous settings including shutter speed, aperture, exposure compensation and more. Located towards the front of the lens and effectively adding a third dial to the EOS R camera’s main dial and quick control dial, the control ring has a tactile, easily distinguished surface and features a clicking mechanism that provides tangible feedback for confident use while looking through the viewfinder. For photographers and moviemakers who would prefer a silent control ring, the clicking mechanism can be removed by a Canon service provider for a fee.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eThree Aspherical Elements and One UD Element\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eTaking advantage of the RF mount, the RF 50mm F1.2 L USM lens offers incredible optical quality and an exceedingly bright f\/1.2 maximum aperture. It features 3 aspheric lenses for high image quality from center to corner and a UD lens that helps reduce aberrations for minimized distortion throughout the image plane.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e12 pin Communication System\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHigh-speed Communication with the Camera\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eDesigned to quickly process data, the RF 50mm F1.2 L USM features a 12 pin communication system that is the fastest yet for a Canon lens\/camera combination. This accelerates AF, Image Stabilization, the Digital Lens Optimizer and more, helping to simplify complex operations and provide a quick and reliable user experience.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLens Information Display\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAnother helpful feature, the EOS R camera can display lens information right in the viewfinder, making it easy to confirm the lens’s focal length without looking away from the subject at hand.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIn-camera Digital Lens Optimizer\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe EOS R system’s 12 pin communication system enables the Digital Lens Optimizer, which works in-camera to combat aberrations and image deterioration, especially in the edges of the image frame when shooting at a large aperture. Data from the RF 50mm F1.2 L USM lens is transferred automatically to the camera body, facilitating near immediate correction for clear, detailed images.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eVibration Shock Resistance\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eEngineered to accommodate its optical system, the RF 50mm F1.2 L USM lens features L series level vibration shock resistance in the lens barrel, helping to maintain focus and settings even in turbulent situations.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDust- and Water-resistant\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHigh Reliability and Durability for Professional Use\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eLike all L series lenses, the RF 50mm F1.2 L USM lens is built to endure the rigors of professional use. Constructed to be rugged, refined and precise, it can be operated intuitively so concentration can remain on the subject at hand.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eVibration Shock Resistance\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eEngineered to accommodate its optical system, the RF 50mm F1.2 L USM lens features L series level vibration shock resistance in the lens barrel, helping to maintain focus and settings even in turbulent situations.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDust- and Water-resistant\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eFor reliable performance even when weather conditions get difficult, the RF 50mm F1.2 L USM lens features dust- and water-resistant construction in the lens mount, switch panel and all rings.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFluorine Coating\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe RF 50mm F1.2 L USM lens features fluorine coatings on the front and rearmost surfaces to help prevent dirt and dust from sticking to the lens, making it easy to clean smudges and fingerprints off.\u003cbr class=\"t-last-br\"\u003e\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":34875970846765,"sku":"2959C002","price":3199.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/products\/Products14054-1000x1000-417009.jpg?v=1780072216"},{"product_id":"canon-35mm-f1-8-macro-is-stm","title":"Canon RF 35mm f1.8 Macro IS STM","description":"\u003cp style=\"text-align: justify;\"\u003eA wide-angle macro lens, the RF 35mm F1.8 Macro IS STM opens a broad level of imaginative new possibilities for photographers and moviemakers looking for a compact and versatile lens. Designed for use with the EOS R camera, it packs a large 54mm diameter for high image quality in a compact and lightweight form that’s easy to bring around. A 0.5x magnification ratio and a close focusing distance of 0.56 ft.\/0.71m enable flexible macro photography that’s powered by up to 5 stops* of image stabilization for confident use handheld. The RF 35mm F1.8 Macro IS STM is an ideal and lightweight companion capable of high-quality, creative photos and video anywhere, anytime.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCompact Macro Lens with 0.5x Magnification Ratio.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e2.47 in. Length, Approx. 10.8 oz. Weight\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAt just 2.47 inches long and approx. 10.8 oz., the RF 35mm F1.8 Macro IS STM makes for a lightweight and comfortable, all-day lens. It’s ideal for capturing a variety of subjects and is an excellent complement to the EOS R camera.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMaximum Magnification Ratio of 0.5x\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eWith its maximum magnification ratio of 0.5x, the RF 35mm F1.8 Macro IS STM is remarkably versatile in operation. Whether shooting landscapes, the details of a painting or anything in between, the RF 35mm F1.8 Macro IS STM is both an able walk-around lens and a highly effective lens for macro photography.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eMinimum Focusing Distance of 0.56 ft.\/0.17m.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eA close focusing distance of 0.56 ft.\/0.17m opens up a world of possibilities for creative expression. Whether capturing flowers, insects or closing in on the details of an object, the RF 35mm F1.8 Macro IS STM lens provides incredible versatility. Combined with 5 stops* of Image Stabilization, the RF 35mm F1.8 Macro IS STM offers admirable performance whether you’re shooting handheld or on a tripod.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eOptical Image Stabilization at up to 5 Stops* of Shake Correction\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe RF 35mm F1.8 Macro IS STM lens is designed to work in conjunction with the EOS R camera, with both the camera and the lens sharing data to dramatically reduce camera-shake blur, regardless of the situation, whether shooting video or stills. With up to 5 stops* of stabilization, it delivers impressively clear results.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e12 pin Communication System.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHigh-speed Communication with the Camera\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eDesigned to quickly process data, the RF 35mm F1.8 Macro IS STM features a 12 pin communication system that is the fastest yet for a Canon lens\/camera combination. This accelerates AF, Image Stabilization, the Digital Lens Optimizer and more, helping to simplify complex operations and provide a quick and reliable user experience.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLens Information Display\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAnother helpful feature, the EOS R camera can display lens information right in the viewfinder, making it easy to confirm the lens’s focal length without looking away from the subject at hand.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIn-camera Digital Lens Optimizer\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe EOS R system’s 12 pin communication system enables the Digital Lens Optimizer, which works in-camera to combat aberrations and image deterioration, especially in the edges of the image frame when shooting at a large aperture. Data from the RF 35mm F1.8 Macro IS STM lens is transferred automatically to the camera body, facilitating near immediate correction for clear, detailed images.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCompatible with Canon’s Macro Twin Lites and Macro Ring Lites.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eFor brilliant close-up photography, the RF 35mm F1.8 Macro IS STM is compatible with Canon’s Macro range of Speedlite flashes, including Macro Twin Lites and Macro Ring Lites, for studio-quality, controlled close-up lighting in various situations.\u003cbr class=\"t-last-br\"\u003e\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":34875970945069,"sku":"2973C002","price":699.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/products\/Products14055-1000x1000-417018.jpg?v=1780072218"},{"product_id":"canon-drop-in-filter-mount-adapter-ef-eos-r-with-variable-nd-a","title":"Canon Drop-In Filter Mount Adapter EF-EOS R With Variable ND A","description":"\u003cp style=\"text-align: justify;\"\u003eConnect an EF or EF-S lens to your EOS R camera using the Drop-in Filter Mount Adapter EF-EOS R, expanding your available lens options while also providing the ability to add a drop-in filter to your photographic endeavors. This drop-in filter adapter lets you utilize a variable ND filter, and because it's one size fits all, there's no need to purchase multiple filters to fit various lens diameters. The Drop-in Filter Mount Adapter EF-EOS R’s matching design means smooth connections while a rugged, dust- and water-resistant construction adds to its flexibility, making it easy to have a choice of lens and filter for virtually any shooting situation.\u003cbr\u003e\u003cbr\u003e\u003cbr class=\"t-last-br\"\u003e\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":34875971010605,"sku":"3443C002","price":519.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/products\/Products14061-1000x1000-417246.jpg?v=1780072212"},{"product_id":"canon-ef-600mm-f4-is-iii-usm","title":"Canon EF 600mm f4 IS III USM","description":"\u003cp style=\"text-align: justify;\"\u003eGet ready to capture the action. The EF 600mm f\/4L IS III USM offers professional and advanced photographers the excellent image quality of a Canon L series super telephoto lens in a significantly lighter body than its predecessor. For brilliantly clear results even in challenging situations, Super Spectra Coatings (SSC) and Air Sphere Coatings (ASC) help minimize ghosting and flare. The inclusion of heat-rejecting paint and two-layer barrel structure helps you shoot longer even in hot weather. Usability is further improved with a shorter minimum focusing distance, full-time manual AF and two easily selectable focus presets to help you quickly dial in the shot you want. Highly versatile, the EF 600mm f\/4L IS III USM makes it easy to bring the action clear and up close in virtually any situation.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eRevised Optics for a Lighter Super Telephoto EF L Lens.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eFeaturing carefully refined optics, the EF 600mm f\/4L IS III USM offers a familiar feel to its predecessor while being even more comfortable to handle thanks to its significantly lighter build. Super UD lens elements offer improved image quality while being more compact in size, while the Image Stabilizer unit has also had its weight reduced. This results in a lens that’s more than twenty percent, or approx. 1.92 lbs., lighter than its predecessor. Optical placement has also been improved, with the centre of gravity now closer to the rear. 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Intuitive controls, comfortable ergonomics, and a variable-angle LCD screen make the EOS RP simple to use so you can take full advantage of these expansive features.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eThe lightest, smallest full-frame EOS camera.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eFor all their appealing features one of the concerns of using a full-frame camera has been its larger profile, however, the EOS RP is the lightest and smallest Canon EOS full-frame camera to date. * Weighing approx. 440g (body only) while being impressively compact and comfortable to use, the EOS RP is more convenient to carry, shoot with, and store than any previous EOS full-frame camera before.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eRF Mount compatible with RF lenses and EF lenses*\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eEngineered to work seamlessly with RF lenses, the EOS RP also maintains complete compatibility with EF and EF-S lenses by using one of three optional Mount Adapters. When using EF-S lenses, the EOS RP even crops automatically to reflect the APS-C sized sensor the lenses are designed for.\u003cbr\u003e\u003cbr\u003e\u003cem\u003e* Optional Mount Adapter EF-EOS R is required when using EF lenses with an EOS R camera.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e54mm Large Diameter and Short Back Focus\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe RF mount on the EOS RP camera has a large, 54mm internal diameter - the same as the EOS R - enabling impressive handling and providing increased flexibility for lens design. Thanks to the camera's mirrorless design, the lens's rear element can be much closer to the image plane. This reduced back focus distance, combined with the RF mount's 54mm diameter, helps facilitate lenses of stellar optical quality and stunning performance while enabling innovative compact camera and lens designs.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e20mm Flange Focal Distance for Increased Durability\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAll RF lenses feature a 20mm flange focal distance, which is the distance from the lens mount to the surface of the image sensor. This flange focal distance balances the benefits of short back focus with the engineering requirements necessary for mount stability. Accordingly, the RF mount's flange focal distance ensures excellent optical performance while maintaining the mount rigidity and camera durability necessary for real-world operation.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003e12 Pins for Quickly Communicating Large Amounts of Information\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eWith a robust 12 pin connection between the camera and the lens, the EOS RP camera and RF lenses are able to communicate at a high speed, transferring a large amount of data and information for incredibly fast AF, plus enhanced image stabilization and optimization.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eVariety of Mount Adapter Options for Expanded Compatibility with EF\/EF-S Lenses\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eMount adapters, such as the Mount Adapter EF-EOS R, deliver seamless connections between the EOS RP camera and EF and EF-S lenses with all functions intact. Offering L series level weather and dust sealing, the Mount Adapter EF-EOS R is even compatible with EF extenders like the Extender EF 1.4x III to extend your camera's optical reach. Beyond enabling use of EF and EF-S lenses on the EOS RP camera, the Control Ring Mount Adapter EF-EOS R and the Drop-in Filter Mount Adapter EF-EOS R add functions that open up a number of new possibilities for creative image capture.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHigh image quality with 26.2 megapixel full-frame CMOS sensor and DIGIC 8 processor\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003e26.2 Megapixel Full-frame CMOS Sensor\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe EOS RP camera features a Canon-developed and produced 35mm full-frame CMOS sensor with approx. 26.2 effective megapixels. It employs the DIGIC 8 Image Processor to enhance the speed of operations across the board. This means fast, efficient performance and phenomenal image quality for big prints.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eISO 40000\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe EOS RP camera has a standard ISO sensitivity range of 100-40000 for stills and 100-25600 for video (100-12800 for 4K video shooting). Combined with the EOS RP camera's remarkable low-light AF performance, still and video shooting is possible even in dark situations.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDigital Lens Optimizer\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe EOS RP camera has an in-camera Digital Lens Optimizer that works with RF lenses (and EF\/EF-S lenses with a Mount Adapter) to provide a substantial improvement in image quality. The Digital Lens Optimizer limits deterioration in image quality caused by low-pass filters or wide-aperture lens designs. It's usable both during shooting and when developing RAW data, and does not affect continuous shooting speeds. Data from compatible EF and EF-S lenses is built into the camera, and data information from RF lenses is transferred near instantly through the EOS RP's 12 pin communication system.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDual Pixel CMOS AF for fast and accurate autofocus\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eHigh-speed Focusing in Approx. 0.05 sec.***\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe EOS RP camera's highly responsive Dual Pixel CMOS AF system features 4,779 manually selectable AF points** and can deliver sharp focus within approximately 0.05 seconds***. 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The EOS RP can also be configured to focus on specific areas, using an extended range of selectable modes that include 1-point AF, Expand AF Area, Zone AF and Spot AF in addition to the conventional Face+ Tracking AF.\u003cbr\u003e\u003cem\u003e\u003cbr\u003e** Available AF points may decrease when shooting with AF cropping or in movie mode, or depending on camera settings or lens attached.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eExcellent low-light performance\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAmazing for nighttime photography or in very low light, the EOS RP camera's brilliant AF can operate in light as dim as a light rating of EV -5^ where other AF systems may fail or search. Phenomenal AF is achieved even when using lenses with high F numbers. This ultra-sensitive AF works in concert with the EOS RP's EVF to clearly capture subjects even when there's limited light.\u003cbr\u003e\u003cem\u003e\u003cbr\u003e^ When using RF 50mm F1.2 L USM, with central AF point.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ef\/11 Compatible in All AF Areas\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003eThe EOS RP camera's brilliant AF system doesn't just work with bright lenses. With the EOS RP, autofocus will operate over nearly the entire image area even when used with compatible f\/11 lenses. For example, users can take ultra-telescopic 800mm shots using a compact EF 100-400mm f\/4-5.6 IS II lens together with an EF 2x III extender, and AF will function properly over the entire field. When used with a III-type extender, the effective AF range is limited to an area roughly 88% x 100% of the total image frame, or 80% x 80% if combined with a I\/II type extender.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eVariety of AF Modes including Eye Detection AF\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe EOS RP camera's Face+ Tracking mode helps enhance reliability for tracking moving subjects. When the camera detects a human face, it uses the subject's eye as the AF point, choosing the eye closest to the camera by default. Photographers can also select which eye to focus on by touching the screen or using the camera's AF point selection button and cross keys. Eye Detection AF can also be used in conjunction with Servo AF and Movie AF modes.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFocus Peaking\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAmong the EOS RP camera's manual focus aids, Focus Peaking helps establish the focus area quickly and clearly. With manual focus peaking, the outline of the area in focus is indicated by a coloured line. Focus Peaking is usable in conjunction with the EOS RP's Focus Guide feature, and can be customized with peaking colour and detection level specifications that fit the project at hand.\u003cbr\u003e\u003cem\u003e\u003cbr\u003e^ When using RF 50mm F1.2 L USM, with central AF point.\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003e0.39-type OLED EVF with Approx. 2.36 Million Dots\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe EOS RP camera features a high-precision 0.39-inch OLED (Organic Light-Emitting Diode) EVF with approx. 2.36 million dots and a 22mm eyepoint. The electronic viewfinder (EVF) has been created to provide a bright, sharp and colourful 100% view of the subject at hand. Equipped with an aspherical lens, the EVF shows a crisp and vivid image with minimal distortion, even when the eye moves off the center of the visual field.\u003cbr\u003e\u003cbr\u003eThe EOS RP EVF has a bright, 22mm-high eyepoint design that creates a generous 30mm space between your nose and the rear of the viewfinder. This makes it easy to compose and view images in the viewfinder with or without glasses.\u003cbr\u003e\u003cbr\u003eThe EVF's 0.39-inch OLED based display features approximately 2.36 million dots for an incredibly sharp and detailed image that makes it easy to check focus and view the extensive image data that's displayed.\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eTouch and Drag AF\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003eTouch and Drag AF makes it fast and easy to select a focus point without taking your eye away from the viewfinder. Using the Touchscreen LCD, it's as simple as pointing to the desired area of focus. The chosen AF point is then displayed in the camera's EVF for quick confirmation.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eVari-angle Touchscreen LCD\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe EOS RP camera features a 3.0-inch, 1.04 Megapixel Clear View LCD II Vari-angle Touchscreen LCD. Brightness is adjustable in seven levels. Its extensive flexibility makes it easy to compose and shoot from virtually any angle, making selfies simple and enabling the LCD to fold away when not in use. The brightness of the EVF and the LCD monitor can even be adjusted individually - a first for an EOS camera. Touchscreen features include settings, review and even AF point selection.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eShooting Modes\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eA mode dial is featured on the top of the EOS RP camera to provide quick and easy access to a number of shooting modes and settings. For instance, the SCN option - or Special Scene Mode option - gives you the opportunity to select from a variety of settings. This includes modes such as Food, Group Photos, Kids, Panning, and even Silent Mode-perfect for situations where the shutter could be turned off. To set individual features to Auto or Manual, the user can use the Fv mode (Flexible AE) to quickly adjust functions such as shutter speed, aperture setting, and ISO sensitivity.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eSpecial Scene Modes\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe EOS RP features a variety of Special Scene modes -such as Food, Kids, Sports, Group Photos, Landscape, and more. Handheld Night Scene and HDR Backlight Control are two other Special Scene Modes featured. The Handheld Night Scene mode captures nightscapes with bright highlights and detailed dark areas. The HDR Backlight Control mode ensures that backlit subjects are not recorded too dark.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEasy Operation\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe EOS RP is designed to allow users to operate almost every feature while looking through the EVF (electronic viewfinder). The camera features various operating controls, such as buttons, switches, and dials, that make them easy for the user to locate and operate. Many of the operating controls can even be customized to perform different functions to make the shooting process even easier.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCreative Assist\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe EOS RP camera's built-in Creative Assist feature makes it simple to change camera settings and see the results in real time, helping you find just the right look to match the emotion or tone of the image. With effects such as brightness, contrast and saturation easily found on one menu, the EOS RP is a convenient tool for getting great looks and experimenting with different styles.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFeature Assistant\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eWith its Feature Assistant function, the EOS RP camera can help you take advantage of its advanced features and create impressive photos with ease. By providing simple text explanations as well as sample photos to illustrate the function, the Feature Assistant helps put you in the know so you get amazing photographs.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUSB Charge Compatible\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe EOS RP camera is compatible with the USB Power Adapter PD-E1 for in-camera charging via USB. Featuring an industry standard USB-C connector, the optional USB Power Adapter PD-E1 makes for easy charging without the necessity to remove the battery from the camera.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBattery Pack LP-E17\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eFor power and the convenience of compatibility among multiple cameras, the EOS RP camera uses the Battery Pack LP-E17, a robust, long-lasting battery that helps deliver power, shot after shot, recording after recording.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eCamera Connect^^\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eCanon's Camera Connect^^ app uses the EOS RP camera's built-in Wi-Fi® and Bluetooth® compatibility to connect to a compatible mobile device. 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Canon does not obtain, collect or use such images or any information included in such images through this app.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDPP Express\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eCanon's Digital Photo Professional Express makes speedy processing of JPEGs and CR3 RAW files on a compatible handheld device a breeze. Working with Canon's Camera Connect app^^ to create a streamlined wireless workflow, DPP Express lets you adjust settings right on your mobile device, saving files to the cloud, a PC or your camera.\u003cbr\u003e\u003cbr\u003e\u003cem\u003e^^ Compatible with iOS© versions 9.3\/10.3\/11.2, Android™ smartphone and tablet versions 4.4\/5.0\/5.1\/6.0\/7.0\/7.1\/8.0\/8.1. Data charges may apply with the download of the free Canon Camera Connect app. This app helps enable you to upload images to social media services. Please note that image files may contain personally identifiable information that may implicate privacy laws. Canon disclaims and has no responsibility for your use of such images. Canon does not obtain, collect or use such images or any information included in such images through this app.\u003cbr\u003e\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003eExtension Grip Accessory\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe optional Extension Grip EG-E1 provides additional support and comfort using the EOS RP so you can feel even more confident when shooting. 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It gives you fast autofocus speed, and works great with the Eye Detection AF feature found in the EOS R and EOS RP cameras to provide impressive focus on a subject’s eye. All this and more, including Blue Spectrum Refractive Optics (BR) to help reduce chromatic aberration and Air Sphere Coating to help minimize flaring and ghosting, combine to give you a lens you’ll want among your favorites.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHigh Image Quality and Bright f\/1.2 Aperture L Lens for EOS R System Cameras\u003c\/strong\u003e\u003cbr\u003eAn incredibly bright fixed focal length lens, the RF 85mm F1.2 L USM distinguishes itself by maintaining incredibly high image quality, edge to edge, even wide open at its f\/1.2 maximum aperture. With 13 elements in 9 groups and a 9-blade aperture system, it can deliver sharp and detailed images with gorgeous background blur and remarkable consistency.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBlue Spectrum Refractive Optics (BR) Reduces Chromatic Aberration\u003c\/strong\u003e\u003cbr\u003eThanks to our BR optics (Blue Spectrum Refractive Optics), the RF 85mm F1.2 L USM helps capture beautiful detailed photos with minimal chromatic aberration, while also providing stunning resolution.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eMinimum Focusing Distance of 2.79 ft.\/0.85m\u003c\/strong\u003e\u003cbr\u003eWith a minimum focusing distance of 2.79 ft.\/0.85m and a maximum magnification of approx. 0.12x, the RF 85mm F1.2 L USM is capable of capturing sharp and detailed images from various distances. 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Canon’s Nano USM provides accurate and fast AF for still images and is noticeably silent during movie shooting as it smoothly tracks a moving subject. With these features and more, including a control ring that lets you easily change settings, the RF 24-240mm F4-6.3 IS USM lens gives you the extensive range you need so you can spend less time changing lenses and more time capturing amazing photos and videos – even on your travels.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCompact, Lightweight 10x Zoom RF Lens\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eWith a high-magnification of 10x optical zoom and offering coverage from 24mm wide-angle to 240mm telephoto, the RF 24–240mm F4-6.3 IS USM is a perfect all-in-one travel lens that can be used for any number of shooting scenarios. From landscapes to snapshots and videos, and anything else that catches your eye, the RF 24–240mm F4-6.3 IS USM range is highly adaptable.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHigh Image Quality and Bright f\/4-6.3 Lens Aperture\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eWith an incredibly bright focal length lens, the RF 24-240mm F4-6.3 IS USM distinguishes itself by maintaining incredibly high image quality, edge to edge, even wide open at its f\/6.3 maximum aperture. With 21 elements in 15 groups and a 7-blade aperture system, it can deliver sharp and detailed images with gorgeous background blur and remarkable consistency.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eOptical Image Stabilization with up to 5 Stops of Shake Correction\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe RF 24–240mm F4-6.3 IS USM lens is designed to work in conjunction with the EOS R series cameras, with both the camera and the lens sharing data to dramatically reduce camera-shake blur, regardless of the situation, whether shooting video or stills. With up to 5 stops* of stabilization, it delivers impressively clear results.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHigh Speed, Smooth and Quiet Auto Focus with Nano USM\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe RF 24-240mm F4-6.3 IS USM uses Canon's NANO USM system which combines conventional ring USM AF, and features a diminutive chip-shaped ultrasonic motor that's engineered to help deliver high-speed, smooth, precise and near-silent operation, plus full time manual focus (when using One-shot AF).\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFirst Canon Lens with Dynamic IS for Full-frame Cameras\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eHelping to deliver a wide range of image stabilization correction, the RF 24-240mm F4-6.3 IS USM lens is the first Canon lens that features Dynamic IS for full-frame cameras. The built-in Image Stabilization helps enhance performance, even in low-light situations, and is especially effective when recording videos.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMinimum Focusing Distance of 1.64 ft.\/0.50m (Wide), 2.56 ft.\/0.78m (Tele.)\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eFeaturing a minimum focusing distance of 1.64 ft.\/0.50m (Wide) and 2.56 ft.\/0.78m (Telephoto) with a maximum magnification of approx. 0.26x, the RF 24-240mm F4-6.3 IS USM is capable of capturing sharp and detailed images from nearly any distance. Whether you’re shooting videos, still images of landscapes, close ups, or a range of scenes while traveling, the RF 24-240mm F4-6.3 IS USM can easily provide sharp images with minimal distortion.\u003cspan style=\"font-size: 14px;\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eControl Ring for Direct Setting Changes\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe RF 24-240mm F4-6.3 IS USM lens incorporates a control\/focus ring on the lens barrel that can directly adjust numerous settings including shutter speed, aperture, exposure compensation and more. Located towards the end of the lens, the control\/focus ring has a tactile, easily distinguished surface and provides tangible feedback for confident use while looking through the viewfinder. 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Its 20.1 Megapixel 1.0-inch stacked CMOS Sensor combined with the powerful DIGIC 8 Processor helps to produce high image quality for amazing results at a fast operation. Equipped with 4K recording capability, and an external microphone terminal, The PowerShot G7 X Mark III camera delivers crisp, sharp videos with minimal sound distortion. Capture close-ups of your selfies, wide shots and everything in between with its impressive 4.2x Optical Zoom and a lens aperture of f\/1.8 (wide) to f\/2.8(tele). 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Additionally, the iris ring is mechanically controlled with no click stops for smooth exposure adjustments while recording.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOutstanding Operability \u0026amp; Reliability\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eDesigned to meet the needs of professional cinematographers, the Sumire Prime CN-E24mm T1.5 FP X features a unified front diameter (114mm), rotation angle (300°) and gear position on the focus and iris rings (making lens switching quick and convenient) across our entire Sumire Prime Lens series. The control rings work to maintain the right amount of resistance and operating torque in order to help provide the camera operator or assistant with a consistent feel and predictable lens operation. In addition, matte boxes and accessories can be used even after switching lenses.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e105mm Front Lens Threading for Screw on Filters\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eTo allow for additional ease of use and flexibility, the Sumire Prime CN-E24mm T1.5 FP X features threading on the front of the lens to accommodate 105mm screw on filters. This feature allows the camera operator to add filters over the lens without the need for a matte box to be attached to the camera system helping to provide flexibility in filter choice as well as the ability to shoot in a more streamlined format.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eVisible Distance Indicators\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eDistance indicators are displayed on both sides of the lens. To improve visibility in nighttime and dark area shooting, indicator markings with phosphorescent paint have been adopted for the front barrel (for right-side viewing).\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":34876021899309,"sku":"3359C002","price":9900.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/products\/Products15409-1000x1000-498764.jpg?v=1780003955"},{"product_id":"canon-sumire-cn-e-20mm-t1-5-fp-x-pl-mount","title":"Canon Sumire CN-E 20mm T1.5 FP X - PL Mount","description":"\u003cp style=\"text-align: justify;\"\u003eSumire, pronounced \"Soo-mee-ray,\" is the name of a Japanese flower, and like the petals of a flower, our lenses are most beautiful when fully opened. This is the inspiration behind the Sumire look.\u003cbr\u003e\u003cbr\u003eThe Sumire Prime CN-E20mm T1.5 FP X lens offers a compact, consistent lens design and proven Canon lens elements for performance and reliability in professional shooting environments.\u003cbr\u003e\u003cbr\u003eIntended for the working professional, Sumire Prime CN-E20mm T1.5 FP X lens has markings on angled surfaces on both sides of the barrel, making it easy to read focus and aperture settings from behind or from either side of the camera. Focus markings can even be switched from standard labeling to metric. The control rings are engineered to maintain the proper amount of resistance with consistent operating torque.\u003cbr\u003e\u003cbr\u003eDesigned to fulfill contemporary 4K production standards, it features a full-frame imaging circle in a lightweight, compact design. This phenomenal lens is also perfect for any number of applications. It also features an 11-blade aperture diaphragm for beautiful background blur and innovative glass construction that counteracts barrel expansion and contraction to avoid temperature induced marking discrepancies.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSumire Prime Lenses\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eCanon's brilliant Sumire Prime lenses offer spectacular optical performance for demanding high-end productions. Sharing the same gear position, front diameter and rotation angle, the lenses' compatibility with third-party accessories allows crews to easily change lenses without making adjustments to the rig setup. Perfect on the EOS C700 FF, these lenses are designed for use with the latest full-frame and Super 35mm PL-mount cameras from leading manufacturers.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eArtistically Pleasing Image Rendering\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe CN-E20mm T1.5 FP X Sumire Prime Lens introduces a unique optical design with a nuanced look as the lens aperture approaches its maximum setting – subtly modifying the textural renderings of the human facial close-up. It also smooths the transition to the fall-off portions of the scene resulting in pleasing bokeh.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHigh Resolution and Warm Colors\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lens features a large diameter aspheric lens and anomalous dispersion glass, working to deliver high resolution imaging from the center of the image to the outer edges. This helps bring out the high quality of 4K cinema images. The lens produces warm color tones that help to softly capture facial expressions and enable better depiction of textures captured through the lens.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFast T Number\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eOperating at T1.5 allows users to shoot brighter in low-light settings and with softer and greater bokeh.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUnified Warm Color Balance within Canon Cinema Lenses\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eCanon’s color science has become highly refined over generations of lens designs, paying the closest attention to a pleasing skin tone reproduction. The Sumire Prime CN-E20mm T1.5 FP X can be used interchangeably with other Canon Cinema lenses during the same production since they all have the same warm color characteristics — making it easier to maintain consistent color when multiple lenses are used.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMinimized Focus Breathing\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lens has been designed to minimize variations in the angle of view while focusing, a phenomenon known as focus breathing. This feature is extremely important while focus pulling, where changes in the angle of view due to focus breathing could become apparent to the viewer.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSupport for the latest Full-frame Cameras\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe Sumire Prime CN-E20mm T1.5 FP X covers full-frame and Super 35mm sensors and works well with today’s full-frame cameras from leading manufacturers.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e11-blade Iris\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe Sumire Prime CN-E20mm T1.5 FP X features an 11-blade iris. This produces artistic and beautiful out-of-focus areas, creating a more three-dimensional bokeh with a deeper depth of field that a super wide-angle lens can offer, broadening the range of visual expression. The use of an odd number of blades also helps reduce flaring of specular highlights. Additionally, the iris ring is mechanically controlled with no click stops for smooth exposure adjustments while recording.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOutstanding Operability \u0026amp; Reliability\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eDesigned to meet the needs of professional cinematographers, the Sumire Prime CN-E20mm T1.5 FP X features a unified front diameter (114mm), rotation angle (300°) and gear position on the focus and iris rings (making lens switching quick and convenient) across our entire Sumire Prime Lens series. The control rings work to maintain the right amount of resistance and operating torque in order to help provide the camera operator or assistant with a consistent feel and predictable lens operation. In addition, matte boxes and accessories can be used even after switching lenses.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e105mm Front Lens Threading for Screw on Filters\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eTo allow for additional ease of use and flexibility, the Sumire Prime CN-E20mm T1.5 FP X features threading on the front of the lens to accommodate 105mm screw on filters. This feature allows the camera operator to add filters over the lens without the need for a matte box to be attached to the camera system helping to provide flexibility in filter choice as well as the ability to shoot in a more streamlined format.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eVisible Distance Indicators\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eDistance indicators are displayed on both sides of the lens. 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This is the inspiration behind the Sumire look.\u003cbr\u003e\u003cbr\u003eThe Sumire Prime CN-E35mm T1.5 FP X lens offers a compact, consistent lens design and proven Canon lens elements for performance and reliability in professional shooting environments.\u003cbr\u003e\u003cbr\u003eIntended for the working professional, Sumire Prime CN-E35mm T1.5 FP X lens has markings on angled surfaces on both sides of the barrel, making it easy to read focus and aperture settings from behind or from either side of the camera. Focus markings can even be switched from standard labeling to metric. The control rings are engineered to maintain the proper amount of resistance with consistent operating torque.\u003cbr\u003e\u003cbr\u003eDesigned to fulfill contemporary 4K production standards, it features a full-frame imaging circle in a lightweight, compact design. This phenomenal lens is also perfect for any number of applications. It also features an 11-blade aperture diaphragm for beautiful background blur and innovative glass construction that counteracts barrel expansion and contraction to avoid temperature induced marking discrepancies.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSumire Prime Lenses\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eCanon's brilliant Sumire Prime lenses offer spectacular optical performance for demanding high-end productions. Sharing the same gear position, front diameter and rotation angle, the lenses' compatibility with third-party accessories allows crews to easily change lenses without making adjustments to the rig setup. Perfect on the EOS C700 FF, these lenses are designed for use with the latest full-frame and Super 35mm PL-mount cameras from leading manufacturers.\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eArtistically Pleasing Image Rendering\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe CN-E35mm T1.5 FP X Sumire Prime Lens introduces a unique optical design with a nuanced look as the lens aperture approaches its maximum setting – subtly modifying the textural renderings of the human facial close-up. It also smooths the transition to the fall-off portions of the scene resulting in pleasing bokeh.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHigh Resolution and Warm Colors\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lens features a large diameter aspheric lens and anomalous dispersion glass, working to deliver high resolution imaging from the center of the image to the outer edges. This helps bring out the high quality of 4K cinema images. The lens produces warm color tones that help to softly capture facial expressions and enable better depiction of textures captured through the lens.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFast T Number\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eOperating at T1.5 allows users to shoot brighter in low-light settings and with softer and greater bokeh.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUnified Warm Color Balance within Canon Cinema Lenses\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eCanon’s color science has become highly refined over generations of lens designs, paying the closest attention to a pleasing skin tone reproduction. The Sumire Prime CN-E35mm T1.5 FP X can be used interchangeably with other Canon Cinema lenses during the same production since they all have the same warm color characteristics — making it easier to maintain consistent color when multiple lenses are used.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMinimized Focus Breathing\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lens has been designed to minimize variations in the angle of view while focusing, a phenomenon known as focus breathing. 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Additionally, the iris ring is mechanically controlled with no click stops for smooth exposure adjustments while recording.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOutstanding Operability \u0026amp; Reliability\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eDesigned to meet the needs of professional cinematographers, the Sumire Prime CN-E35mm T1.5 FP X features a unified front diameter (114mm), rotation angle (300°) and gear position on the focus and iris rings (making lens switching quick and convenient) across our entire Sumire Prime Lens series. The control rings work to maintain the right amount of resistance and operating torque in order to help provide the camera operator or assistant with a consistent feel and predictable lens operation. In addition, matte boxes and accessories can be used even after switching lenses.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e105mm Front Lens Threading for Screw on Filters\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eTo allow for additional ease of use and flexibility, the Sumire Prime CN-E35mm T1.5 FP X features threading on the front of the lens to accommodate 105mm screw on filters. This feature allows the camera operator to add filters over the lens without the need for a matte box to be attached to the camera system helping to provide flexibility in filter choice as well as the ability to shoot in a more streamlined format.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eVisible Distance Indicators\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eDistance indicators are displayed on both sides of the lens. 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This is the inspiration behind the Sumire look.\u003cbr\u003e\u003cbr\u003eThe Sumire Prime CN-E14mm T3.1 FP X lens offers a compact, consistent lens design and proven Canon lens elements for performance and reliability in professional shooting environments.\u003cbr\u003e\u003cbr\u003eIntended for the working professional, Sumire Prime CN-E14mm T3.1 FP X lens has markings on angled surfaces on both sides of the barrel, making it easy to read focus and aperture settings from behind or from either side of the camera. Focus markings can even be switched from standard labeling to metric. The control rings are engineered to maintain the proper amount of resistance with consistent operating torque.\u003cbr\u003e\u003cbr\u003eDesigned to fulfill contemporary 4K production standards, it features a full-frame imaging circle in a lightweight, compact design. This phenomenal lens is also perfect for any number of applications. It also features an 11-blade aperture diaphragm for beautiful background blur and innovative glass construction that counteracts barrel expansion and contraction to avoid temperature induced marking discrepancies.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSumire Prime Lenses\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eCanon's brilliant Sumire Prime lenses offer spectacular optical performance for demanding high-end productions. Sharing the same gear position, front diameter and rotation angle, the lenses' compatibility with third-party accessories allows crews to easily change lenses without making adjustments to the rig setup. Perfect on the EOS C700 FF, these lenses are designed for use with the latest full-frame and Super 35mm PL-mount cameras from leading manufacturers.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eArtistically Pleasing Image Rendering\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe CN-E14mm T3.1 FP X Sumire Prime Lens introduces a unique optical design with a nuanced look as the lens aperture approaches its maximum setting – subtly modifying the textural renderings of the human facial close-up. It also smooths the transition to the fall-off portions of the scene resulting in pleasing bokeh.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHigh Resolution and Warm Colors\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lens features a large diameter aspheric lens and anomalous dispersion glass, working to deliver high resolution imaging from the center of the image to the outer edges. This helps bring out the high quality of 4K cinema images. The lens produces warm color tones that help to softly capture facial expressions and enable better depiction of textures captured through the lens.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFast T Number\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eOperating at T3.1 allows users to shoot brighter in low-light settings and with softer and greater bokeh.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUnified Warm Color Balance within Canon Cinema Lenses\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eCanon’s color science has become highly refined over generations of lens designs, paying the closest attention to a pleasing skin tone reproduction. The Sumire Prime CN-E14mm T3.1 FP X can be used interchangeably with other Canon Cinema lenses during the same production since they all have the same warm color characteristics — making it easier to maintain consistent color when multiple lenses are used.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMinimized Focus Breathing\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lens has been designed to minimize variations in the angle of view while focusing, a phenomenon known as focus breathing. This feature is extremely important while focus pulling, where changes in the angle of view due to focus breathing could become apparent to the viewer.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSupport for the latest Full-frame Cameras\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe Sumire Prime CN-E14mm T3.1 FP X covers full-frame and Super 35mm sensors and works well with today’s full-frame cameras from leading manufacturers.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e11-blade Iris\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe Sumire Prime CN-E14mm T3.1 FP X features an 11-blade iris. This produces artistic and beautiful out-of-focus areas, creating a more three-dimensional bokeh with a deeper depth of field that a super wide-angle lens can offer, broadening the range of visual expression. The use of an odd number of blades also helps reduce flaring of specular highlights. Additionally, the iris ring is mechanically controlled with no click stops for smooth exposure adjustments while recording.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOutstanding Operability \u0026amp; Reliability\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eDesigned to meet the needs of professional cinematographers, the Sumire Prime CN-E14mm T3.1 FP X features a unified front diameter (114mm), rotation angle (300°) and gear position on the focus and iris rings (making lens switching quick and convenient) across our entire Sumire Prime Lens series. The control rings work to maintain the right amount of resistance and operating torque in order to help provide the camera operator or assistant with a consistent feel and predictable lens operation. In addition, matte boxes and accessories can be used even after switching lenses.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eVisible Distance Indicators\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eDistance indicators are displayed on both sides of the lens. 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This is the inspiration behind the Sumire look.\u003cbr\u003e\u003cbr\u003eThe Sumire Prime CN-E135mm T2.2 FP X lens offers a compact, consistent lens design and proven Canon lens elements for performance and reliability in professional shooting environments.\u003cbr\u003e\u003cbr\u003eIntended for the working professional, Sumire Prime CN-E135mm T2.2 FP X lens has markings on angled surfaces on both sides of the barrel, making it easy to read focus and aperture settings from behind or from either side of the camera. Focus markings can even be switched from standard labeling to metric. The control rings are engineered to maintain the proper amount of resistance with consistent operating torque.\u003cbr\u003e\u003cbr\u003eDesigned to fulfill contemporary 4K production standards, it features a full-frame imaging circle in a lightweight, compact design. This phenomenal lens is also perfect for any number of applications. It also features an 11-blade aperture diaphragm for beautiful background blur and innovative glass construction that counteracts barrel expansion and contraction to avoid temperature induced marking discrepancies.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSumire Prime Lenses\u003c\/strong\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eCanon's brilliant Sumire Prime lenses offer spectacular optical performance for demanding high-end productions. Sharing the same gear position, front diameter and rotation angle, the lenses' compatibility with third-party accessories allows crews to easily change lenses without making adjustments to the rig setup. Perfect on the EOS C700 FF, these lenses are designed for use with the latest full-frame and Super 35mm PL-mount cameras from leading manufacturers.\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eArtistically Pleasing Image Rendering\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe CN-E135mm T2.2 FP X Sumire Prime Lens introduces a unique optical design with a nuanced look as the lens aperture approaches its maximum setting – subtly modifying the textural renderings of the human facial close-up. It also smooths the transition to the fall-off portions of the scene resulting in pleasing bokeh.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHigh Resolution and Warm Colors\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lens features a large diameter aspheric lens and anomalous dispersion glass, working to deliver high resolution imaging from the center of the image to the outer edges. This helps bring out the high quality of 4K cinema images. The lens produces warm color tones that help to softly capture facial expressions and enable better depiction of textures captured through the lens.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFast T Number\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eOperating at T2.2 allows users to shoot brighter in low-light settings and with softer and greater bokeh.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUnified Warm Color Balance within Canon Cinema Lenses\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eCanon’s color science has become highly refined over generations of lens designs, paying the closest attention to a pleasing skin tone reproduction. The Sumire Prime CN-E135mm T2.2 FP X can be used interchangeably with other Canon Cinema lenses during the same production since they all have the same warm color characteristics — making it easier to maintain consistent color when multiple lenses are used.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMinimized Focus Breathing\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lens has been designed to minimize variations in the angle of view while focusing, a phenomenon known as focus breathing. This feature is extremely important while focus pulling, where changes in the angle of view due to focus breathing could become apparent to the viewer.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSupport for the latest Full-frame Cameras\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe Sumire Prime CN-E135mm T2.2 FP X covers full-frame and Super 35mm sensors and works well with today’s full-frame cameras from leading manufacturers.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e11-blade Iris\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe Sumire Prime CN-E135mm T2.2 FP X features an 11-blade iris. This produces artistic and beautiful out-of-focus areas, creating a more three-dimensional bokeh with a deeper depth of field that a super wide-angle lens can offer, broadening the range of visual expression. The use of an odd number of blades also helps reduce flaring of specular highlights. Additionally, the iris ring is mechanically controlled with no click stops for smooth exposure adjustments while recording.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOutstanding Operability \u0026amp; Reliability\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eDesigned to meet the needs of professional cinematographers, the Sumire Prime CN-E135mm T2.2 FP X features a unified front diameter (114mm), rotation angle (300°) and gear position on the focus and iris rings (making lens switching quick and convenient) across our entire Sumire Prime Lens series. The control rings work to maintain the right amount of resistance and operating torque in order to help provide the camera operator or assistant with a consistent feel and predictable lens operation. In addition, matte boxes and accessories can be used even after switching lenses.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e105mm Front Lens Threading for Screw on Filters\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eTo allow for additional ease of use and flexibility, the Sumire Prime CN-E135mm T2.2 FP X features threading on the front of the lens to accommodate 105mm screw on filters. This feature allows the camera operator to add filters over the lens without the need for a matte box to be attached to the camera system helping to provide flexibility in filter choice as well as the ability to shoot in a more streamlined format.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eVisible Distance Indicators\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eDistance indicators are displayed on both sides of the lens. 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This is the inspiration behind the Sumire look.\u003cbr\u003e\u003cbr\u003eThe Sumire Prime CN-E50mm T1.3 FP X lens offers a compact, consistent lens design and proven Canon lens elements for performance and reliability in professional shooting environments.\u003cbr\u003e\u003cbr\u003eIntended for the working professional, Sumire Prime CN-E50mm T1.3 FP X lens has markings on angled surfaces on both sides of the barrel, making it easy to read focus and aperture settings from behind or from either side of the camera. Focus markings can even be switched from standard labeling to metric. The control rings are engineered to maintain the proper amount of resistance with consistent operating torque.\u003cbr\u003e\u003cbr\u003eDesigned to fulfill contemporary 4K production standards, it features a full-frame imaging circle in a lightweight, compact design. This phenomenal lens is also perfect for any number of applications. It also features an 11-blade aperture diaphragm for beautiful background blur and innovative glass construction that counteracts barrel expansion and contraction to avoid temperature induced marking discrepancies.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSumire Prime Lenses\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eCanon's brilliant Sumire Prime lenses offer spectacular optical performance for demanding high-end productions. Sharing the same gear position, front diameter and rotation angle, the lenses' compatibility with third-party accessories allows crews to easily change lenses without making adjustments to the rig setup. Perfect on the EOS C700 FF, these lenses are designed for use with the latest full-frame and Super 35mm PL-mount cameras from leading manufacturers.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eArtistically Pleasing Image Rendering\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe CN-E50mm T1.3 FP X Sumire Prime Lens introduces a unique optical design with a nuanced look as the lens aperture approaches its maximum setting – subtly modifying the textural renderings of the human facial close-up. It also smooths the transition to the fall-off portions of the scene resulting in pleasing bokeh.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHigh Resolution and Warm Colors\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lens features a large diameter aspheric lens and anomalous dispersion glass, working to deliver high resolution imaging from the center of the image to the outer edges. This helps bring out the high quality of 4K cinema images. The lens produces warm color tones that help to softly capture facial expressions and enable better depiction of textures captured through the lens.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFast T Number\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eOperating at T1.3 allows users to shoot brighter in low-light settings and with softer and greater bokeh.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUnified Warm Color Balance within Canon Cinema Lenses\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eCanon’s color science has become highly refined over generations of lens designs, paying the closest attention to a pleasing skin tone reproduction. The Sumire Prime CN-E50mm T1.3 FP X can be used interchangeably with other Canon Cinema lenses during the same production since they all have the same warm color characteristics — making it easier to maintain consistent color when multiple lenses are used.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMinimized Focus Breathing\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lens has been designed to minimize variations in the angle of view while focusing, a phenomenon known as focus breathing. This feature is extremely important while focus pulling, where changes in the angle of view due to focus breathing could become apparent to the viewer.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSupport for the latest Full-frame Cameras\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe Sumire Prime CN-E50mm T1.3 FP X covers full-frame and Super 35mm sensors and works well with today’s full-frame cameras from leading manufacturers.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e11-blade Iris\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe Sumire Prime CN-E50mm T1.3 FP X features an 11-blade iris. This produces artistic and beautiful out-of-focus areas, creating a more three-dimensional bokeh with a deeper depth of field that a super wide-angle lens can offer, broadening the range of visual expression. The use of an odd number of blades also helps reduce flaring of specular highlights. Additionally, the iris ring is mechanically controlled with no click stops for smooth exposure adjustments while recording.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOutstanding Operability \u0026amp; Reliability\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eDesigned to meet the needs of professional cinematographers, the Sumire Prime CN-E50mm T1.3 FP X features a unified front diameter (114mm), rotation angle (300°) and gear position on the focus and iris rings (making lens switching quick and convenient) across our entire Sumire Prime Lens series. The control rings work to maintain the right amount of resistance and operating torque in order to help provide the camera operator or assistant with a consistent feel and predictable lens operation. In addition, matte boxes and accessories can be used even after switching lenses.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e105mm Front Lens Threading for Screw on Filters\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eTo allow for additional ease of use and flexibility, the Sumire Prime CN-E50mm T1.3 FP X features threading on the front of the lens to accommodate 105mm screw on filters. This feature allows the camera operator to add filters over the lens without the need for a matte box to be attached to the camera system helping to provide flexibility in filter choice as well as the ability to shoot in a more streamlined format.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eVisible Distance Indicators\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eDistance indicators are displayed on both sides of the lens. To improve visibility in nighttime and dark area shooting, indicator markings with phosphorescent paint have been adopted for the front barrel (for right-side viewing).\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":34876022063149,"sku":"3361C002","price":9900.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/products\/Products15411-1000x1000-498804.jpg?v=1780003938"},{"product_id":"canon-sumire-cn-e-85mm-t1-3-fp-x-pl-mount","title":"Canon Sumire CN-E 85mm T1.3 FP X - PL Mount","description":"\u003cp style=\"text-align: justify;\"\u003eSumire, pronounced \"Soo-mee-ray,\" is the name of a Japanese flower, and like the petals of a flower, our lenses are most beautiful when fully opened. This is the inspiration behind the Sumire look.\u003cbr\u003e\u003cbr\u003eThe Sumire Prime CN-E85mm T1.3 FP X lens offers a compact, consistent lens design and proven Canon lens elements for performance and reliability in professional shooting environments.\u003cbr\u003e\u003cbr\u003eIntended for the working professional, Sumire Prime CN-E85mm T1.3 FP X lens has markings on angled surfaces on both sides of the barrel, making it easy to read focus and aperture settings from behind or from either side of the camera. Focus markings can even be switched from standard labeling to metric. The control rings are engineered to maintain the proper amount of resistance with consistent operating torque.\u003cbr\u003e\u003cbr\u003eDesigned to fulfill contemporary 4K production standards, it features a full-frame imaging circle in a lightweight, compact design. This phenomenal lens is also perfect for any number of applications. It also features an 11-blade aperture diaphragm for beautiful background blur and innovative glass construction that counteracts barrel expansion and contraction to avoid temperature induced marking discrepancies.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSumire Prime Lenses\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eCanon's brilliant Sumire Prime lenses offer spectacular optical performance for demanding high-end productions. Sharing the same gear position, front diameter and rotation angle, the lenses' compatibility with third-party accessories allows crews to easily change lenses without making adjustments to the rig setup. Perfect on the EOS C700 FF, these lenses are designed for use with the latest full-frame and Super 35mm PL-mount cameras from leading manufacturers.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eArtistically Pleasing Image Rendering\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe CN-E85mm T1.3 FP X Sumire Prime Lens introduces a unique optical design with a nuanced look as the lens aperture approaches its maximum setting – subtly modifying the textural renderings of the human facial close-up. It also smooths the transition to the fall-off portions of the scene resulting in pleasing bokeh.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHigh Resolution and Warm Colors\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lens features a large diameter aspheric lens and anomalous dispersion glass, working to deliver high resolution imaging from the center of the image to the outer edges. This helps bring out the high quality of 4K cinema images. The lens produces warm color tones that help to softly capture facial expressions and enable better depiction of textures captured through the lens.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFast T Number\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eOperating at T1.3 allows users to shoot brighter in low-light settings and with softer and greater bokeh.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUnified Warm Color Balance within Canon Cinema Lenses\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eCanon’s color science has become highly refined over generations of lens designs, paying the closest attention to a pleasing skin tone reproduction. The Sumire Prime CN-E85mm T1.3 FP X can be used interchangeably with other Canon Cinema lenses during the same production since they all have the same warm color characteristics — making it easier to maintain consistent color when multiple lenses are used.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMinimized Focus Breathing\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe lens has been designed to minimize variations in the angle of view while focusing, a phenomenon known as focus breathing. This feature is extremely important while focus pulling, where changes in the angle of view due to focus breathing could become apparent to the viewer.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSupport for the latest Full-frame Cameras\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe Sumire Prime CN-E85mm T1.3 FP X covers full-frame and Super 35mm sensors and works well with today’s full-frame cameras from leading manufacturers.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e11-blade Iris\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe Sumire Prime CN-E85mm T1.3 FP X features an 11-blade iris. This produces artistic and beautiful out-of-focus areas, creating a more three-dimensional bokeh with a deeper depth of field that a super wide-angle lens can offer, broadening the range of visual expression. The use of an odd number of blades also helps reduce flaring of specular highlights. Additionally, the iris ring is mechanically controlled with no click stops for smooth exposure adjustments while recording.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOutstanding Operability \u0026amp; Reliability\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eDesigned to meet the needs of professional cinematographers, the Sumire Prime CN-E85mm T1.3 FP X features a unified front diameter (114mm), rotation angle (300°) and gear position on the focus and iris rings (making lens switching quick and convenient) across our entire Sumire Prime Lens series. The control rings work to maintain the right amount of resistance and operating torque in order to help provide the camera operator or assistant with a consistent feel and predictable lens operation. In addition, matte boxes and accessories can be used even after switching lenses.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e105mm Front Lens Threading for Screw on Filters\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eTo allow for additional ease of use and flexibility, the Sumire Prime CN-E85mm T1.3 FP X features threading on the front of the lens to accommodate 105mm screw on filters. This feature allows the camera operator to add filters over the lens without the need for a matte box to be attached to the camera system helping to provide flexibility in filter choice as well as the ability to shoot in a more streamlined format.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eVisible Distance Indicators\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eDistance indicators are displayed on both sides of the lens. To improve visibility in nighttime and dark area shooting, indicator markings with phosphorescent paint have been adopted for the front barrel (for right-side viewing).\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":34876022292525,"sku":"3803C002","price":9900.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/products\/Products15412-1000x1000-498834.jpg?v=1780003936"},{"product_id":"canon-rf-15-35mm-f2-8l-is-usm","title":"Canon RF 15-35mm f2.8L IS USM","description":"\u003cp style=\"text-align: justify;\"\u003eExpand your field of view with the RF 15-35mm F2.8 L IS USM lens. This wide-angle, L-series lens is a dynamic addition to the EOS R series line-up, offering a bright f\/2.8 maximum aperture and 15-35mm focal length that helps capture landscapes, architecture and other wide-angled subjects in full view. Equipped with Canon’s Nano USM technology for quiet and smooth focusing, and up to 5 stops* of shake correction, the RF 15-35mm F2.8 L IS USM allows for clear shots in a variety of lighting conditions — even at night or in dark settings. Experiment with different angles and perspectives, with a minimum focusing distance of 0.92 ft.\/0.28 m. For reliable performance during tricky weather conditions, this lens is expertly sealed around its panels, switch and lens mount to prevent water and dust from entering into the lens. When it comes to raising your photography game, turn to the RF 15-35mm F2.8 L IS USM to deliver impressive results.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHigh Image Quality\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThanks to the large-diameter RF mount and short back focus design, the RF 15-35mm F2.8 L IS USM lens provides superb control over depth of field and the ability to maintain the same aperture throughout the zoom range. This is particularly helpful when shooting outdoors at dusk or in inclement weather, or indoors in dimly lit rooms.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBright f\/2.8 Aperture Standard Zoom RF L Lens\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThanks to its 16 elements in 12 groups and a 9-blade aperture system, the RF 15-35mm F2.8 L IS USM lens is capable of gorgeous, out-of-focus areas and soft backgrounds throughout its zoom range. Its f\/2.8 maximum aperture permits shallow depth of field and delivers an incredible level of control over background blur. The RF 15-35mm F2.8 L IS USM lens helps you express the mood of your image, creating impact photos and videos.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOptical Image Stabilization of up to 5 Stops* of Shake Correction\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe RF 15-35mm F2.8 L IS USM lens is designed to work in conjunction with an EOS R series camera, with both the camera and the lens sharing data to dramatically reduce camera-shake blur, regardless of the situation, whether shooting video or stills. With up to 5 stops* of stabilization, it delivers clear results.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHigh Speed, Smooth and Quiet Auto Focus with Nano USM\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe RF 15-35mm F2.8 L IS USM lens is equipped with Canon's NANO USM system which features a diminutive chip-shaped ultrasonic motor that's engineered to help deliver high-speed, smooth, precise and near-silent operation, during still image AF and smooth movie AF.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMinimum Focusing Distance of 0.92 ft. \/ 0.28 m\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eFeaturing a minimum focusing distance of 0.92 ft. \/ 0.28 m with a maximum magnification of approx. 0.21x, the RF 15-35mm F2.8 L IS USM lens provides incredible versatility from nearly any distance. Whether you’re shooting videos, still images of nature, close ups, architecture or sports, the RF 15-35mm F2.8 L IS USM lens can easily provide stunning images with minimal distortion.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eControl Ring for Direct Setting Changes\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe RF 15-35mm F2.8 L IS USM lens has a separate, independent control ring that is located towards the front of the lens, which can be programmable for immediate exposure adjustments during still and video shooting. With the control ring, you can directly adjust numerous settings including shutter speed, lens aperture, exposure compensation and more. For photographers and moviemakers who would prefer a silent control ring, the clicking mechanism can be removed by a Canon service provider for a fee.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHigh-speed Communication with the Camera\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eDesigned to quickly process data, the RF 15-35mm F2.8 L IS USM lens features the 12 pin communication system inherent in all RF lenses. This accelerates AF, Image Stabilization, the Digital Lens Optimizer and more, helping to simplify complex operations and provide a quick and reliable user experience.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLens Information Display\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAs part of the EOS R system, the RF 15-35mm F2.8 L IS USM lens works with an EOS R series camera so that its lens information is displayed right in the viewfinder, making it easy to confirm the lens's focal length without looking away from the subject at hand.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIn-camera Digital Lens Optimizer\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe EOS R system's 12 pin communication system enables the Digital Lens Optimizer, which works in-camera to combat aberrations and image deterioration, especially in the edges of the image frame when shooting at a large aperture. Data from the RF 15-35mm F2.8 L IS USM lens is transferred automatically to the camera body, facilitating near immediate correction for clear, detailed images.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eThree Aspherical Elements and Two UD Elements\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eTaking advantage of the RF mount, the RF 15-35mm F2.8 L IS USM lens offers incredible optical quality and a bright f\/2.8 maximum aperture. Featuring 3 aspheric lenses for high image quality from center to corner and 3 UD lenses to help reduce aberrations for minimized distortion, the RF 15-35mm F2.8 L IS USM lens can deliver sharp images with reduced distortion in the edges of the frame and an overall improvement in image quality no matter the subject.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAir Sphere Coating (ASC) Minimizes Lens Flare and Ghosting\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe RF 15-35mm F2.8 L IS USM lens features Canon's Air Sphere Coating (ASC), which significantly reduces the occurrence of lens flare and ghosting regardless of focal length or the angle of light. This helps provide clean results with minimal distractions and aberrations.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDust- and Weather-resistant\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eFor reliable performance even when weather conditions get difficult, the RF 15-35mm F2.8 L IS USM lens features a dust- and weather-resistant construction in the lens mount, switch panel and all rings. Sealing is applied to lens joining sections, and switch panels to help prevent water and dust from entering into the lens.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFluorine Coating\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eFeaturing fluorine coatings on the front and rearmost surfaces to help prevent dirt and dust from sticking to the lens, the RF 15-35mm F2.8 L IS USM lens makes it easy to clean smudges and fingerprints off.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHigh Reliability and Durability for Professional Use\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe RF 15-35mm F2.8 L IS USM lens is built to endure the rigors of professional use. Constructed to be rugged, refined and precise, it can be operated intuitively so concentration can remain on the subject at hand.\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eVibration Shock Resistance\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eEngineered to accommodate its optical system, the RF 15-35mm F2.8 L IS USM lens features L series level vibration shock resistance in the lens barrel, helping to maintain focus and settings even in turbulent situations.\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eDISCLAIMERS\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 14px;\"\u003e* Based on CIPA (Camera \u0026amp; Imaging Products Association) standards. Testing performed at a focal length of 35mm using the EOS R camera.\u003cbr\u003e\u003cbr\u003e† Prices and specifications subject to change without notice. Actual prices are determined by individual dealers and may vary.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":34876025962541,"sku":"3682C002","price":3299.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/products\/Products15515-1000x1000-501901.jpg?v=1780003838"},{"product_id":"canon-rf-24-70mm-f2-8l-is-usm","title":"Canon RF 24-70mm f2.8L IS USM","description":"\u003cp style=\"text-align: justify;\"\u003eExperience the possibilities with the RF 24-70mm F2.8L IS USM lens. Designed for the EOS R full-frame mirrorless camera system, this compact L-series lens combines a bright f\/2.8 maximum aperture with a standard focal length zoom range, making it a versatile, all-purpose lens for all types of photography ventures. From portraits and landscapes, to travel and everyday moments, the RF 24-70mm F2.8 L IS USM is engineered to cover a range of subjects extending from 0.69 ft.\/0.21m (wide) to 1.25 ft.\/0.38m (telephoto). Enjoy enhanced video performance, especially when tracking moving subjects, thanks to Canon’s Nano USM technology for accurate and silent AF, and reduced focus breathing for more seamless focus transitions. Plus, you can ensure your images stay sharp and steady — whether shooting handheld or in poorly-lit situations — with up to 5 stops* of shake correction. For an added layer of protection, the RF 24-70mm F2.8L IS USM also features a dust- and weather-resistant construction with a fluorine coating, helping keep this powerful lens safeguarded wherever you go.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHigh Image Quality\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThanks to the large-diameter RF mount and short back focus design, the RF 24-70mm F2.8 L IS USM lens features a balanced and comfortable design for an ease of operation use, and amazing performance in various lighting situations, even in low-light areas to deliver detailed images at various focal lengths.\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eBright f\/2.8 Aperture Standard Zoom RF L Lens\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eWith a constant f\/2.8 maximum aperture, 21 elements in 15 groups and a 9-blade aperture system, The RF 24-70mm F2.8 L IS USM lens is engineered to deliver sharp and stunning images with gorgeous background blur and remarkable consistency – ideal for portrait photography.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOptical Image Stabilization of up to 5 Stops* of Shake Correction\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe RF 24-70mm F2.8 L IS USM lens is the first Canon brand 24-70mm F2.8 lens (for full-frame cameras) to incorporate Optical Image Stabilization. This lens is designed to work in conjunction with an EOS R series camera, with both the camera and the lens sharing data to dramatically reduce camera-shake blur, regardless of the situation, whether shooting video or stills. With up to 5 stops* of stabilization, it delivers impressively clear results.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHigh Speed, Smooth and Quiet Auto Focus with Nano USM\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe RF 24-70mm F2.8 L IS USM lens is equipped with Canon's NANO USM system, which features a diminutive chip-shaped ultrasonic motor that's engineered to help deliver high-speed, smooth, precise and near-silent operation, during still image AF and smooth movie AF.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMinimum Focusing Distance of 0.69 ft.\/0.21m (wide), 1.25 ft.\/0.38m (tele)\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eWith a zoom range that can cover a minimum focusing distance at 0.69 ft.\/0.21m (wide), 1.25 ft.\/0.38m (telephoto), and a maximum magnification of approx. 0.30x* the RF 24-70mm F2.8 L IS USM lens offers amazing versatility with just the turn of a zoom ring. The RF 24-70mm F2.8 L IS USM lens is capable of capturing sharp and detailed images from nearly any distance.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eControl Ring for Direct Setting Changes\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe RF 24–70mm F2.8 L IS USM lens has a separate, independent control ring that is located towards the front of the lens, which can be programmable for immediate exposure adjustments during still and video shooting. With the control ring, you can directly adjust settings such as shutter speed, lens aperture, exposure compensation and more. For photographers and moviemakers who would prefer a silent control ring, the clicking mechanism can be removed by a Canon service provider for a fee.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHigh-speed Communication with the Camera\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eDesigned to quickly process data, the RF 24–70mm F2.8 L IS USM lens features the 12 pin communication system inherent in all RF lenses. This accelerates AF, Image Stabilization, the Digital Lens Optimizer and more, helping to simplify complex operations and provide a quick and reliable user experience.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLens Information Display\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAs part of the EOS R system, the RF 24–70mm F2.8 L IS USM lens works with an EOS R series camera to display the lens information right in the viewfinder – making it easy to confirm the lens's focal length without looking away from the subject at hand.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIn-camera Digital Lens Optimizer\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe EOS R system's 12 pin communication system enables the Digital Lens Optimizer, which works in-camera to combat aberrations and image deterioration, especially in the edges of the image frame when shooting at a large aperture. Data from the RF 24–70mm F2.8 L IS USM lens is transferred automatically to the camera body, facilitating near immediate correction for clear, detailed images.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eThree Aspherical Elements and Three UD Elements\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eTaking advantage of the RF mount, the RF 24–70mm F2.8 L IS USM lens offers incredible optical quality and an exceedingly bright f\/2.8 maximum aperture. It features 3 aspheric lenses for high image quality from center to corner and 3 UD lenses that helps reduce aberrations for minimized distortion throughout the image plane.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAir Sphere Coating (ASC) Minimizes Lens Flare and Ghosting\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe RF 24–70mm F2.8 L IS USM lens features Canon's Air Sphere Coating (ASC), which significantly reduces the occurrence of lens flare and ghosting regardless of focal length or the angle of light. This helps provide clean results with minimal distractions and aberrations.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDust- and Weather-resistant\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eFor reliable performance even when weather conditions get difficult, the RF 24-70mm F2.8 L IS USM lens features a dust- and weather-resistant construction in the lens mount, switch panel and all rings. Sealing is applied to lens joining sections, and switch panels to help prevent water and dust from entering into the lens.\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eFluorine Coating\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe RF 24-70mm F2.8 L IS USM lens features fluorine coatings on the front and rearmost surfaces to help prevent dirt and dust from sticking to the lens, making it easy to clean smudges and fingerprints off.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHigh Reliability and Durability for Professional Use\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe RF 24-70mm F2.8 L IS USM lens is built to endure the rigors of professional use. Constructed to be rugged, refined and precise, it can be operated intuitively so concentration can remain on the subject at hand.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eVibration Shock Resistance\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eEngineered to accommodate its optical system, the RF 24-70mm F2.8 L IS USM lens features L series level vibration shock resistance in the lens barrel, helping to maintain focus and settings even in turbulent situations.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":34876026191917,"sku":"3680C002","price":3399.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/products\/Products15516-1000x1000-501925.jpg?v=1780003842"},{"product_id":"canon-rf-85mm-f1-2l-usm-ds","title":"Canon RF 85mm f1.2L USM DS","description":"\u003cp style=\"text-align: justify;\"\u003eTake stunning portraits that showcase beautifully smooth, eye-catching bokeh with the RF 85mm F1.2 L USM DS lens. Designed for the EOS R full-frame mirrorless camera system, this specialized, L-series lens follows in the footsteps of the RF 85mm F 1.2 L US lens, offering new Defocus Smoothing (DS) technology for smoother bokeh in wide-aperture images. Featuring a fixed 85mm focal length, bright f\/1.2 maximum aperture and fast, highly-precise AF, the RF 85mm F1.2 L USM DS lens elevates the look of portraits, creating dreamlike, romantic images with softer edges in out-of-focus areas — all while maintaining tack-sharp focus of your subject. With Blue Spectrum Refractive Optics (BR) for reduced chromatic aberration, and a fluorine coating that prevents dust and water from entering the lens, the RF 85mm F1.2 L USM DS is a sophisticated, choice for portrait, fashion, wedding photography and more.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBeautiful Bokeh with DS* Coating\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003eGreat for portrait, wedding, and fashion imagery, the RF 85mm F1.2 L USM DS lens, with Defocus Smoothing, provides an even smoother bokeh and rendering of out-of-focus highlights, particularly when it's used at or near its maximum f\/1.2 aperture. What you focus on will be very sharp, and the edges of background highlights will be smoother than the non-DS version of the RF 85mm lens.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHigh Image Quality and Bright f\/1.2 Aperture\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe RF 85mm F1.2 L USM DS lens distinguishes itself by not only maintaining incredibly high image quality, but also maintaining smoother edges even with a wide opening at its f\/1.2 maximum aperture. With 13 elements in 9 groups and a 9-blade aperture system, the RF 85mm F1.2 L USM DS lens helps create intimacy and intensity in both photos and videos for impactful results.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBlue Spectrum Refractive Optics (BR) Reduces Chromatic Aberration\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThanks to our BR optics (Blue Spectrum Refractive Optics), the RF 85mm F1.2 L USM DS lens helps capture beautiful detailed photos with minimal chromatic aberration, while also providing stunning resolution. Excellent rendering performance can be achieved from the maximum aperture.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMinimum Focusing Distance of 2.79 ft.\/0.85m\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eWith a minimum focusing distance of 2.79 ft.\/0.85m and a maximum magnification of approx. 0.12x, the RF 85mm F1.2 L USM DS lens is capable of capturing sharp and detailed images from various distances. Whether you're shooting portraits, still life or close-ups, the RF 85mm F1.2 L USM DS lens can easily provide sharp images with minimal distortion, and dramatic background blurring expressions.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eControl Ring for Direct Setting Changes\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe RF 85mm F1.2 L USM DS lens incorporates a control ring on the lens barrel that can directly adjust numerous settings including shutter speed, aperture, exposure compensation and more. Located towards the front of the lens and effectively adding a third dial to the main dial and quick control dial of the EOS R series cameras, the control ring has a tactile, easily distinguished surface and features a clicking mechanism that provides tangible feedback for confident use while looking through the viewfinder. For photographers and moviemakers who would prefer a silent control ring, the clicking mechanism can be removed by a Canon service provider for a fee.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHigh-speed Communication with the Camera\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eDesigned to quickly process data, the RF 85mm F1.2 L USM DS lens features the 12 pin communication system inherent in all RF lenses. This helps to accelerate AF, Image Stabilization, the Digital Lens Optimizer and more, helping to simplify complex operations and provide a quick and reliable user experience.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLens Information Display\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAs part of the EOS R system, the RF 85mm F1.2 L USM DS lens works with an EOS R series camera so that its lens information is displayed right in the viewfinder, making it easy to confirm the lens's focal length without looking away from the subject at hand.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDust- and Weather-resistant\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eFor reliable performance even when weather conditions get difficult, the RF 85mm F1.2 L USM DS lens features dust- and weather-resistant construction in the lens mount, switch panel and all rings. Sealing is applied to lens joining sections, and switch panels to help prevent water and dust from entering into the lens.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFluorine Coating\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe RF 85mm F1.2 L USM DS lens features fluorine coatings on the front and rearmost surfaces to help prevent dirt and dust from sticking to the lens, making it easy to clean off smudges and fingerprints.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHigh Reliability and Durability for Professional Use\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eLike all L series lenses, the RF 85mm F1.2 L USM DS lens is built to endure the rigors of professional use. Constructed to be rugged, refined and precise, it can be operated intuitively so concentration can remain on the subject at hand.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eVibration Shock Resistance\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eEngineered to accommodate its optical system, the RF 85mm F1.2 L USM DS lens features L series level vibration shock resistance in the lens barrel, helping to maintain focus and settings even in turbulent situations.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":34876032778285,"sku":"3450C002","price":4399.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/products\/Products15688-1000x1000-510834.jpg?v=1780071506"},{"product_id":"canon-rf-70-200mm-f2-8l-is-usm","title":"Canon RF 70-200mm f2.8L IS USM","description":"\u003cp style=\"text-align: justify;\"\u003eComplete the RF F2.8 lens trinity with the addition of the RF 70-200mm F2.8 L IS USM lens. Designed to complement the EOS R system, this impressive L-series lens offers a telephoto zoom focal length that helps you get closer to faraway subjects. As one of Canon’s lightest and shortest 70-200mm f\/2.8 lenses, the RF 70-200mm F2.8 L IS USM is engineered to make traveling more comfortable, offering a compact and portable design that’s easy to pack and carry wherever you go. Coupled with a large f\/2.8 maximum aperture for sharp, bright images and videos, even in low-light settings, Canon’s Nano USM technology for fast and virtually silent AF and up to 5 stops* of shake correction, the RF 70-200mm F2.8 L IS USM will quickly become a favorite among portrait, wedding and sports photographers.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHigh Image Quality and Bright f\/2.8 Aperture Telephoto Zoom RF L Lens\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eFeaturing an incredibly bright zoom with an f\/2.8 maximum aperture – that stays constant throughout the zoom – 17 elements in 13 groups and a 9-blade aperture system, The RF 70–200mm F2.8 L IS USM lens is engineered to deliver sharp images with beautiful background blur.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCompact and Lightweight\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eWeighing nearly 1 pound lighter than its EF-series predecessor, the RF 70-200mm F2.8 L IS USM is Canon's shortest and lightest 70-200mm f\/2.8 lens ever. Ideal for portrait, wildlife, sports photography and more, the RF 70-200mm F2.8 L IS USM is an essential lens you will want to have in your bag.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOptical Image Stabilization with up to 5 Stops of Shake Correction\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe RF 70-200mm F2.8 L IS USM lens is designed to work in conjunction with an EOS R series camera, with both the camera and the lens sharing data to dramatically reduce camera-shake blur, regardless of the situation, whether shooting video or stills. With up to 5 stops of stabilization, it delivers impressively clear results.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHigh Speed, Smooth and Quiet Auto Focus with Dual Nano USM\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe RF 70-200mm F2.8 L IS USM lens uses two NANO USM focus motors, which is a first for Canon autofocus lenses. Close-focus performance is enhanced thanks to the RF 70-200mm F2.8 L IS USM lens' floating optical system. A high degree of quietness, power saving, and high-speed operation can be achieved without sacrificing the compact size of the lens.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eControl Ring for Direct Setting Changes\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe RF 70-200mm F2.8 L IS USM lens has a separate, independent control ring that is located towards the back of the lens, which can be programmable for immediate exposure adjustments during still and video shooting. With the control ring, you can directly adjust settings such as shutter speed, lens aperture, exposure compensation and more. For photographers and moviemakers who would prefer a silent control ring, the clicking mechanism can be removed by a Canon service provider for a fee.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLens Information Display\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAs part of the EOS R system, the RF 70-200mm F2.8 L IS USM lens works with an EOS R series camera to display the lens information right in the viewfinder – making it easy to confirm the lens's focal length without looking away from the subject at hand.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003eDust- and Weather-resistant\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eFor reliable performance even when weather conditions get difficult, the RF 70-200mm F2.8 L IS USM lens features a dust- and weather-resistant construction in the lens mount, switch panel and all rings. Sealing is applied to lens joining sections, and switch panels to help prevent water and dust from entering into the lens.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFluorine Coating\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe RF 70-200mm F2.8 L IS USM lens features fluorine coatings on the front and rearmost surfaces to help prevent dirt and dust from sticking to the lens, making it easy to clean smudges and fingerprints off.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHigh Reliability and Durability for Professional Use\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe 70-200mm F2.8 L IS USM lens is engineered to endure the rigors of professional use. Constructed to be rugged, refined and precise, it can be operated intuitively so concentration can remain on the subject at hand.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eVibration Shock Resistance\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eEngineered to accommodate its optical system, the RF 70-200mm F2.8 L IS USM lens features L series level vibration shock resistance in the lens barrel, helping to maintain focus and settings even in turbulent situations.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTwo Aspherical Elements, One Super UD and One UD Lens\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe RF 70-200mm F2.8 L IS USM lens features an optical design built specifically for the RF mount. This includes two aspheric lenses that correct distortions, plus one UD element and one Super UD element to reduce chromatic aberration and achieve high image quality across the board. Strategically placed coatings and a 9-blade aperture help ensure superlative quality images with sharp detail, gorgeous color and minimized distortion throughout the zoom range.\u003cem\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cbr\u003e\u003cbr class=\"t-last-br\"\u003e\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":34876033466413,"sku":"3792C002","price":3999.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/5246\/3917\/products\/Products15687-1000x1000-510786.jpg?v=1780071491"}],"url":"https:\/\/thecamerastore.com\/collections\/canon-over-500.oembed?page=5","provider":"The Camera Store","version":"1.0","type":"link"}